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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7B7E it is the complementary color #508481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7B7E shade: #B47B79, #C58D8C, #D69F9F, #E7B1B2 and #F8C3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7B7E shade: #AF7B7E, #9E696B, #8D5758, #7C4545 and #6B3332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7B7E shade: #AE797C and #AE7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7B7E shade: #AE797C, #AE798A, #AE7999, #AE79A7 and #A779AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7B7E shade matches the following richer shades: #AE797C, #C0676C, #D1565D, #E2454E and #F3333E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7B7E shade: #AE797C, #9D8A8B, #8C9B9A, #7AADAA and #69BEB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7B7E shade: #AE7999, #AE798A, #AE797C, #AE8379 and #AE9279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7B7E shade: #854F53, #9F5F63, #AE797C, #BE9295 and #CDACAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7B7E shade: #AF7B7E, #A7AE79 and #7992AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7B7E shade: #AF7B7E, #7CAE79 and #797CAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7B7E shade: #AF7B7E, #A7AE79, #79AEAB and #8079AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7B7E shade: #AF7B7E, #97AE79, #79AEAB and #9079AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 28 / 31

HEX #AF7B7E

RGB 175 123 126

HSL 356.54, 0.25%, 0.58%

LAB 56.87, 20.69, 6.49

 

Complementary color

CMYK 39 / 0 / 2 / 48

HEX #508481

RGB 80 132 129

HSL 176.54, 0.25%, 0.42%

LAB 51.6, -18.09, -3.87

 

CMYK 0 / 32 / 33 / 29

HEX #B47B79

RGB 180 123 121

HSL 2.03, 0.28%, 0.59%

LAB 57.32, 21.96, 10.1

 

CMYK 0 / 28 / 29 / 23

HEX #C58D8C

RGB 197 141 140

HSL 1.05, 0.33%, 0.66%

LAB 64.01, 21.15, 9

 

CMYK 0 / 26 / 26 / 16

HEX #D69F9F

RGB 214 159 159

HSL 0, 0.4%, 0.73%

LAB 70.59, 20.43, 8.01

 

CMYK 0 / 23 / 23 / 9

HEX #E7B1B2

RGB 231 177 178

HSL 358.89, 0.53%, 0.8%

LAB 77.07, 19.78, 7.1

 

CMYK 0 / 21 / 21 / 3

HEX #F8C3C5

RGB 248 195 197

HSL 357.74, 0.79%, 0.87%

LAB 83.45, 19.19, 6.25

 

CMYK 0 / 30 / 28 / 31

HEX #AF7B7E

RGB 175 123 126

HSL 356.54, 0.25%, 0.58%

LAB 56.87, 20.69, 6.49

 

CMYK 0 / 34 / 32 / 38

HEX #9E696B

RGB 158 105 107

HSL 357.74, 0.21%, 0.52%

LAB 50.02, 21.53, 7.59

 

CMYK 0 / 38 / 38 / 45

HEX #8D5758

RGB 141 87 88

HSL 358.89, 0.24%, 0.45%

LAB 43.04, 22.48, 8.85

 

CMYK 0 / 44 / 44 / 51

HEX #7C4545

RGB 124 69 69

HSL 0, 0.28%, 0.38%

LAB 35.93, 23.57, 10.36

 

CMYK 0 / 52 / 53 / 58

HEX #6B3332

RGB 107 51 50

HSL 1.05, 0.36%, 0.31%

LAB 28.7, 24.8, 12.24

 

CMYK 0 / 30 / 29 / 32

HEX #AE797C

RGB 174 121 124

HSL 356.6, 0.25%, 0.58%

LAB 56.22, 21.14, 6.7

 

CMYK 0 / 30 / 30 / 32

HEX #AE7979

RGB 174 121 121

HSL 0, 0.25%, 0.58%

LAB 56.14, 20.72, 8.34

 

CMYK 0 / 30 / 29 / 32

HEX #AE797C

RGB 174 121 124

HSL 356.6, 0.25%, 0.58%

LAB 56.22, 21.14, 6.7

 

CMYK 0 / 30 / 21 / 32

HEX #AE798A

RGB 174 121 138

HSL 340.75, 0.25%, 0.58%

LAB 56.59, 23.24, -0.88

 

CMYK 0 / 30 / 12 / 32

HEX #AE7999

RGB 174 121 153

HSL 323.77, 0.25%, 0.58%

LAB 57.05, 25.73, -8.9

 

CMYK 0 / 30 / 4 / 32

HEX #AE79A7

RGB 174 121 167

HSL 307.92, 0.25%, 0.58%

LAB 57.52, 28.25, -16.27

 

CMYK 4 / 30 / 0 / 32

HEX #A779AE

RGB 167 121 174

HSL 292.08, 0.25%, 0.58%

LAB 57.02, 27.24, -21.12

 

CMYK 0 / 30 / 29 / 32

HEX #AE797C

RGB 174 121 124

HSL 356.6, 0.25%, 0.58%

LAB 56.22, 21.14, 6.7

 

CMYK 0 / 46 / 44 / 25

HEX #C0676C

RGB 192 103 108

HSL 356.63, 0.41%, 0.58%

LAB 54.02, 35.95, 13.26

 

CMYK 0 / 59 / 56 / 18

HEX #D1565D

RGB 209 86 93

HSL 356.59, 0.57%, 0.58%

LAB 52.95, 49.17, 21.05

 

CMYK 0 / 69 / 65 / 11

HEX #E2454E

RGB 226 69 78

HSL 356.56, 0.73%, 0.58%

LAB 52.92, 60.85, 30.38

 

CMYK 0 / 79 / 74 / 5

HEX #F3333E

RGB 243 51 62

HSL 356.56, 0.89%, 0.58%

LAB 53.78, 70.81, 41.34

 

CMYK 0 / 30 / 29 / 32

HEX #AE797C

RGB 174 121 124

HSL 356.6, 0.25%, 0.58%

LAB 56.22, 21.14, 6.7

 

CMYK 0 / 12 / 11 / 38

HEX #9D8A8B

RGB 157 138 139

HSL 356.84, 0.09%, 0.58%

LAB 59.17, 7.32, 2.08

 

CMYK 10 / 0 / 1 / 39

HEX #8C9B9A

RGB 140 155 154

HSL 176, 0.07%, 0.58%

LAB 62.8, -5.52, -1.3

 

CMYK 29 / 0 / 2 / 32

HEX #7AADAA

RGB 122 173 170

HSL 176.47, 0.24%, 0.58%

LAB 67.22, -17.43, -3.89

 

CMYK 45 / 0 / 3 / 25

HEX #69BEB9

RGB 105 190 185

HSL 176.47, 0.4%, 0.58%

LAB 71.78, -26.96, -5.51

 

CMYK 0 / 30 / 12 / 32

HEX #AE7999

RGB 174 121 153

HSL 323.77, 0.25%, 0.58%

LAB 57.05, 25.73, -8.9

 

CMYK 0 / 30 / 21 / 32

HEX #AE798A

RGB 174 121 138

HSL 340.75, 0.25%, 0.58%

LAB 56.59, 23.24, -0.88

 

CMYK 0 / 30 / 29 / 32

HEX #AE797C

RGB 174 121 124

HSL 356.6, 0.25%, 0.58%

LAB 56.22, 21.14, 6.7

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 0 / 16 / 30 / 32

HEX #AE9279

RGB 174 146 121

HSL 28.3, 0.25%, 0.58%

LAB 62.45, 6.69, 17.17

 

CMYK 0 / 41 / 38 / 48

HEX #854F53

RGB 133 79 83

HSL 355.56, 0.25%, 0.42%

LAB 39.92, 23.21, 7.38

 

CMYK 0 / 40 / 38 / 38

HEX #9F5F63

RGB 159 95 99

HSL 356.25, 0.25%, 0.5%

LAB 47.57, 26.55, 8.91

 

CMYK 0 / 30 / 29 / 32

HEX #AE797C

RGB 174 121 124

HSL 356.6, 0.25%, 0.58%

LAB 56.22, 21.14, 6.7

 

CMYK 0 / 23 / 22 / 25

HEX #BE9295

RGB 190 146 149

HSL 355.91, 0.25%, 0.66%

LAB 64.7, 17.02, 4.82

 

CMYK 0 / 16 / 15 / 20

HEX #CDACAE

RGB 205 172 174

HSL 356.36, 0.25%, 0.74%

LAB 73.25, 12.3, 3.45

 

CMYK 0 / 30 / 28 / 31

HEX #AF7B7E

RGB 175 123 126

HSL 356.54, 0.25%, 0.58%

LAB 56.87, 20.69, 6.49

 

CMYK 4 / 0 / 30 / 32

HEX #A7AE79

RGB 167 174 121

HSL 67.92, 0.25%, 0.58%

LAB 69.38, -11.25, 26.45

 

CMYK 30 / 16 / 0 / 32

HEX #7992AE

RGB 121 146 174

HSL 211.7, 0.25%, 0.58%

LAB 59.6, -2.09, -17.55

 

CMYK 0 / 30 / 28 / 31

HEX #AF7B7E

RGB 175 123 126

HSL 356.54, 0.25%, 0.58%

LAB 56.87, 20.69, 6.49

 

CMYK 29 / 0 / 30 / 32

HEX #7CAE79

RGB 124 174 121

HSL 116.6, 0.25%, 0.58%

LAB 66.47, -27.21, 22.04

 

CMYK 30 / 29 / 0 / 32

HEX #797CAE

RGB 121 124 174

HSL 236.6, 0.25%, 0.58%

LAB 53.53, 10.66, -26.86

 

CMYK 0 / 30 / 28 / 31

HEX #AF7B7E

RGB 175 123 126

HSL 356.54, 0.25%, 0.58%

LAB 56.87, 20.69, 6.49

 

CMYK 4 / 0 / 30 / 32

HEX #A7AE79

RGB 167 174 121

HSL 67.92, 0.25%, 0.58%

LAB 69.38, -11.25, 26.45

 

CMYK 30 / 0 / 2 / 32

HEX #79AEAB

RGB 121 174 171

HSL 176.6, 0.25%, 0.58%

LAB 67.48, -18.01, -4.06

 

CMYK 26 / 30 / 0 / 32

HEX #8079AE

RGB 128 121 174

HSL 247.92, 0.25%, 0.58%

LAB 53.3, 14.58, -27.17

 

CMYK 0 / 30 / 28 / 31

HEX #AF7B7E

RGB 175 123 126

HSL 356.54, 0.25%, 0.58%

LAB 56.87, 20.69, 6.49

 

CMYK 13 / 0 / 30 / 32

HEX #97AE79

RGB 151 174 121

HSL 86.04, 0.25%, 0.58%

LAB 68.19, -17.43, 24.65

 

CMYK 30 / 0 / 2 / 32

HEX #79AEAB

RGB 121 174 171

HSL 176.6, 0.25%, 0.58%

LAB 67.48, -18.01, -4.06

 

CMYK 17 / 30 / 0 / 32

HEX #9079AE

RGB 144 121 174

HSL 266.04, 0.25%, 0.58%

LAB 54.72, 19.66, -24.86

 

Description

Color code: HEX #AF7B7E | qconv.com Color code: HEX #AF7B7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 123 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 123 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 28 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 28% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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