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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7A8C it is the complementary color #508573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7A8C shade: #B47A87, #C58C9A, #D69EAD, #E7B0C0 and #F8C2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7A8C shade: #AF7A8C, #9E6879, #8D5666, #7C4453 and #6B3240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7A8C shade: #AF798B, #AF797D and #AF7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7A8C shade: #AF798B, #AF799A, #AF79A8, #A779AF and #9879AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7A8C shade matches the following richer shades: #AF798B, #C06886, #D15680, #E3457B and #F43475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7A8C shade: #AF798B, #9D8A91, #8C9C96, #7BAD9C and #69BEA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7A8C shade: #AF79A8, #AF799A, #AF798C, #AF797E and #AF8379

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7A8C shade: #855062, #9F5F75, #AF798B, #BE93A2 and #CEADB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7A8C shade: #AF7A8C, #AFA779 and #79A1AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7A8C shade: #AF7A8C, #8CAF79 and #798CAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7A8C shade: #AF7A8C, #AFA779, #79AF9C and #7981AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7A8C shade: #AF7A8C, #A7AF79, #79AF9C and #8179AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 20 / 31

HEX #AF7A8C

RGB 175 122 140

HSL 339.62, 0.25%, 0.58%

LAB 57, 23.37, -1.43

 

Complementary color

CMYK 40 / 0 / 14 / 48

HEX #508573

RGB 80 133 115

HSL 159.62, 0.25%, 0.42%

LAB 51.52, -22.09, 4.17

 

CMYK 0 / 32 / 25 / 29

HEX #B47A87

RGB 180 122 135

HSL 346.55, 0.28%, 0.59%

LAB 57.44, 24.48, 2.17

 

CMYK 0 / 29 / 22 / 23

HEX #C58C9A

RGB 197 140 154

HSL 345.26, 0.33%, 0.66%

LAB 64.13, 23.73, 1.25

 

CMYK 0 / 26 / 19 / 16

HEX #D69EAD

RGB 214 158 173

HSL 343.93, 0.41%, 0.73%

LAB 70.71, 23.04, 0.42

 

CMYK 0 / 24 / 17 / 9

HEX #E7B0C0

RGB 231 176 192

HSL 342.55, 0.53%, 0.8%

LAB 77.19, 22.41, -0.35

 

CMYK 0 / 22 / 15 / 3

HEX #F8C2D3

RGB 248 194 211

HSL 341.11, 0.79%, 0.87%

LAB 83.57, 21.84, -1.07

 

CMYK 0 / 30 / 20 / 31

HEX #AF7A8C

RGB 175 122 140

HSL 339.62, 0.25%, 0.58%

LAB 57, 23.37, -1.43

 

CMYK 0 / 34 / 23 / 38

HEX #9E6879

RGB 158 104 121

HSL 341.11, 0.22%, 0.51%

LAB 50.16, 24.15, -0.54

 

CMYK 0 / 39 / 28 / 45

HEX #8D5666

RGB 141 86 102

HSL 342.55, 0.24%, 0.45%

LAB 43.18, 25.02, 0.48

 

CMYK 0 / 45 / 33 / 51

HEX #7C4453

RGB 124 68 83

HSL 343.93, 0.29%, 0.38%

LAB 36.07, 25.98, 1.7

 

CMYK 0 / 53 / 40 / 58

HEX #6B3240

RGB 107 50 64

HSL 345.26, 0.36%, 0.31%

LAB 28.84, 27.01, 3.22

 

CMYK 0 / 31 / 21 / 31

HEX #AF798B

RGB 175 121 139

HSL 340, 0.25%, 0.58%

LAB 56.74, 23.77, -1.24

 

CMYK 0 / 31 / 29 / 31

HEX #AF797D

RGB 175 121 125

HSL 355.56, 0.25%, 0.58%

LAB 56.36, 21.67, 6.34

 

CMYK 0 / 31 / 31 / 31

HEX #AF7979

RGB 175 121 121

HSL 0, 0.25%, 0.58%

LAB 56.26, 21.11, 8.52

 

CMYK 0 / 31 / 21 / 31

HEX #AF798B

RGB 175 121 139

HSL 340, 0.25%, 0.58%

LAB 56.74, 23.77, -1.24

 

CMYK 0 / 31 / 12 / 31

HEX #AF799A

RGB 175 121 154

HSL 323.33, 0.25%, 0.58%

LAB 57.19, 26.26, -9.25

 

CMYK 0 / 31 / 4 / 31

HEX #AF79A8

RGB 175 121 168

HSL 307.78, 0.25%, 0.58%

LAB 57.67, 28.78, -16.61

 

CMYK 5 / 31 / 0 / 31

HEX #A779AF

RGB 167 121 175

HSL 291.11, 0.25%, 0.58%

LAB 57.06, 27.44, -21.64

 

CMYK 13 / 31 / 0 / 31

HEX #9879AF

RGB 152 121 175

HSL 274.44, 0.25%, 0.58%

LAB 55.53, 22.49, -24.13

 

CMYK 0 / 31 / 21 / 31

HEX #AF798B

RGB 175 121 139

HSL 340, 0.25%, 0.58%

LAB 56.74, 23.77, -1.24

 

CMYK 0 / 46 / 30 / 25

HEX #C06886

RGB 192 104 134

HSL 339.55, 0.41%, 0.58%

LAB 54.9, 38.56, -0.77

 

CMYK 0 / 59 / 39 / 18

HEX #D15680

RGB 209 86 128

HSL 339.51, 0.57%, 0.58%

LAB 53.78, 52.47, 1.45

 

CMYK 0 / 70 / 46 / 11

HEX #E3457B

RGB 227 69 123

HSL 339.49, 0.74%, 0.58%

LAB 54.05, 64.41, 5.18

 

CMYK 0 / 79 / 52 / 4

HEX #F43475

RGB 244 52 117

HSL 339.69, 0.9%, 0.58%

LAB 55.04, 73.84, 10.6

 

CMYK 0 / 31 / 21 / 31

HEX #AF798B

RGB 175 121 139

HSL 340, 0.25%, 0.58%

LAB 56.74, 23.77, -1.24

 

CMYK 0 / 12 / 8 / 38

HEX #9D8A91

RGB 157 138 145

HSL 337.89, 0.09%, 0.58%

LAB 59.33, 8.39, -1.11

 

CMYK 10 / 0 / 4 / 39

HEX #8C9C96

RGB 140 156 150

HSL 157.5, 0.07%, 0.58%

LAB 62.97, -6.88, 1.2

 

CMYK 29 / 0 / 10 / 32

HEX #7BAD9C

RGB 123 173 156

HSL 159.6, 0.23%, 0.58%

LAB 66.9, -20.28, 3.41

 

CMYK 45 / 0 / 15 / 25

HEX #69BEA2

RGB 105 190 162

HSL 160.24, 0.4%, 0.58%

LAB 71.17, -32.46, 6.16

 

CMYK 0 / 31 / 4 / 31

HEX #AF79A8

RGB 175 121 168

HSL 307.78, 0.25%, 0.58%

LAB 57.67, 28.78, -16.61

 

CMYK 0 / 31 / 12 / 31

HEX #AF799A

RGB 175 121 154

HSL 323.33, 0.25%, 0.58%

LAB 57.19, 26.26, -9.25

 

CMYK 0 / 31 / 20 / 31

HEX #AF798C

RGB 175 121 140

HSL 338.89, 0.25%, 0.58%

LAB 56.76, 23.93, -1.78

 

CMYK 0 / 31 / 28 / 31

HEX #AF797E

RGB 175 121 126

HSL 354.44, 0.25%, 0.58%

LAB 56.38, 21.82, 5.79

 

CMYK 0 / 25 / 31 / 31

HEX #AF8379

RGB 175 131 121

HSL 11.11, 0.25%, 0.58%

LAB 58.72, 15.49, 11.99

 

CMYK 0 / 40 / 26 / 48

HEX #855062

RGB 133 80 98

HSL 339.62, 0.25%, 0.42%

LAB 40.58, 24.78, -0.97

 

CMYK 0 / 40 / 26 / 38

HEX #9F5F75

RGB 159 95 117

HSL 339.38, 0.25%, 0.5%

LAB 48.06, 29.02, -1.2

 

CMYK 0 / 31 / 21 / 31

HEX #AF798B

RGB 175 121 139

HSL 340, 0.25%, 0.58%

LAB 56.74, 23.77, -1.24

 

CMYK 0 / 23 / 15 / 25

HEX #BE93A2

RGB 190 147 162

HSL 339.07, 0.25%, 0.66%

LAB 65.3, 18.54, -1.64

 

CMYK 0 / 16 / 11 / 19

HEX #CEADB8

RGB 206 173 184

HSL 340, 0.25%, 0.74%

LAB 73.85, 13.77, -1.15

 

CMYK 0 / 30 / 20 / 31

HEX #AF7A8C

RGB 175 122 140

HSL 339.62, 0.25%, 0.58%

LAB 57, 23.37, -1.43

 

CMYK 0 / 5 / 31 / 31

HEX #AFA779

RGB 175 167 121

HSL 51.11, 0.25%, 0.58%

LAB 68.12, -4.37, 24.88

 

CMYK 31 / 8 / 0 / 31

HEX #79A1AF

RGB 121 161 175

HSL 195.56, 0.25%, 0.58%

LAB 63.88, -10.15, -11.66

 

CMYK 0 / 30 / 20 / 31

HEX #AF7A8C

RGB 175 122 140

HSL 339.62, 0.25%, 0.58%

LAB 57, 23.37, -1.43

 

CMYK 20 / 0 / 31 / 31

HEX #8CAF79

RGB 140 175 121

HSL 98.89, 0.25%, 0.58%

LAB 67.74, -22.03, 23.91

 

CMYK 31 / 20 / 0 / 31

HEX #798CAF

RGB 121 140 175

HSL 218.89, 0.25%, 0.58%

LAB 57.96, 1.58, -20.62

 

CMYK 0 / 30 / 20 / 31

HEX #AF7A8C

RGB 175 122 140

HSL 339.62, 0.25%, 0.58%

LAB 57, 23.37, -1.43

 

CMYK 0 / 5 / 31 / 31

HEX #AFA779

RGB 175 167 121

HSL 51.11, 0.25%, 0.58%

LAB 68.12, -4.37, 24.88

 

CMYK 31 / 0 / 11 / 31

HEX #79AF9C

RGB 121 175 156

HSL 158.89, 0.25%, 0.58%

LAB 67.37, -21.92, 4.08

 

CMYK 31 / 26 / 0 / 31

HEX #7981AF

RGB 121 129 175

HSL 231.11, 0.25%, 0.58%

LAB 54.93, 7.97, -25.27

 

CMYK 0 / 30 / 20 / 31

HEX #AF7A8C

RGB 175 122 140

HSL 339.62, 0.25%, 0.58%

LAB 57, 23.37, -1.43

 

CMYK 5 / 0 / 31 / 31

HEX #A7AF79

RGB 167 175 121

HSL 68.89, 0.25%, 0.58%

LAB 69.65, -11.77, 26.81

 

CMYK 31 / 0 / 11 / 31

HEX #79AF9C

RGB 121 175 156

HSL 158.89, 0.25%, 0.58%

LAB 67.37, -21.92, 4.08

 

CMYK 26 / 31 / 0 / 31

HEX #8179AF

RGB 129 121 175

HSL 248.89, 0.25%, 0.58%

LAB 53.42, 15.15, -27.55

 

Description

Color code: HEX #AF7A8C | qconv.com Color code: HEX #AF7A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 20 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 20% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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