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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7913 it is the complementary color #5086EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7913 shade: #B4790E, #C58B21, #D69D34, #E7AF47 and #F8C15A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7913 shade: #AF7913, #9E6700, #8D5500, #7C4300 and #6B3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7913 shade: #AE7913, #AE4F13, #AE2513 and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7913 shade: #AE7913, #AEA313, #90AE13, #67AE13 and #3DAE13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7913 shade matches the following richer shades: #AE7913 and #BE7E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7913 shade: #AE7913, #9F7423, #8F6F33, #7F6A42 and #706552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7913 shade: #AE2513, #AE4F13, #AE7813, #AEA213 and #92AE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7913 shade: #64450B, #895F0F, #AE7913, #D49218 and #E8A72D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7913 shade: #AF7913, #2BAE13 and #3A13AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7913 shade: #AF7913, #13AE78 and #7813AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7913 shade: #AF7913, #2BAE13, #134AAE and #9713AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7913 shade: #AF7913, #13AE2B, #134AAE and #AE1397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 89 / 31

HEX #AF7913

RGB 175 121 19

HSL 39.23, 0.8%, 0.38%

LAB 54.9, 13.17, 57.32

 

Complementary color

CMYK 66 / 43 / 0 / 7

HEX #5086EC

RGB 80 134 236

HSL 219.23, 0.8%, 0.62%

LAB 56.89, 14.39, -56.82

 

CMYK 0 / 33 / 92 / 29

HEX #B4790E

RGB 180 121 14

HSL 38.67, 0.86%, 0.38%

LAB 55.49, 15.33, 59.21

 

CMYK 0 / 29 / 83 / 23

HEX #C58B21

RGB 197 139 33

HSL 38.78, 0.71%, 0.45%

LAB 62.04, 13.39, 60.17

 

CMYK 0 / 27 / 76 / 16

HEX #D69D34

RGB 214 157 52

HSL 38.89, 0.66%, 0.52%

LAB 68.5, 11.73, 59.95

 

CMYK 0 / 24 / 69 / 9

HEX #E7AF47

RGB 231 175 71

HSL 39, 0.77%, 0.59%

LAB 74.89, 10.3, 59.14

 

CMYK 0 / 22 / 64 / 3

HEX #F8C15A

RGB 248 193 90

HSL 39.11, 0.92%, 0.66%

LAB 81.2, 9.06, 58.05

 

CMYK 0 / 31 / 89 / 31

HEX #AF7913

RGB 175 121 19

HSL 39.23, 0.8%, 0.38%

LAB 54.9, 13.17, 57.32

 

CMYK 0 / 35 / 100 / 38

HEX #9E6700

RGB 158 103 0

HSL 39.11, 1%, 0.31%

LAB 48.22, 15.28, 55.63

 

CMYK 0 / 40 / 100 / 45

HEX #8D5500

RGB 141 85 0

HSL 36.17, 1%, 0.28%

LAB 41.47, 17.8, 50.13

 

CMYK 0 / 46 / 100 / 51

HEX #7C4300

RGB 124 67 0

HSL 32.42, 1%, 0.24%

LAB 34.6, 20.43, 44.56

 

CMYK 0 / 54 / 100 / 58

HEX #6B3100

RGB 107 49 0

HSL 27.48, 1%, 0.21%

LAB 27.63, 23.11, 38.35

 

CMYK 0 / 30 / 89 / 32

HEX #AE7913

RGB 174 121 19

HSL 39.48, 0.8%, 0.38%

LAB 54.78, 12.72, 57.17

 

CMYK 0 / 55 / 89 / 32

HEX #AE4F13

RGB 174 79 19

HSL 23.23, 0.8%, 0.38%

LAB 45.13, 35.71, 49.58

 

CMYK 0 / 79 / 89 / 32

HEX #AE2513

RGB 174 37 19

HSL 6.97, 0.8%, 0.38%

LAB 38.5, 53.48, 44.4

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 30 / 89 / 32

HEX #AE7913

RGB 174 121 19

HSL 39.48, 0.8%, 0.38%

LAB 54.78, 12.72, 57.17

 

CMYK 0 / 6 / 89 / 32

HEX #AEA313

RGB 174 163 19

HSL 55.74, 0.8%, 0.38%

LAB 65.94, -10.22, 66.01

 

CMYK 17 / 0 / 89 / 32

HEX #90AE13

RGB 144 174 19

HSL 71.61, 0.8%, 0.38%

LAB 66.71, -28.82, 65.65

 

CMYK 41 / 0 / 89 / 32

HEX #67AE13

RGB 103 174 19

HSL 87.48, 0.8%, 0.38%

LAB 64.32, -44.69, 62.7

 

CMYK 65 / 0 / 89 / 32

HEX #3DAE13

RGB 61 174 19

HSL 103.74, 0.8%, 0.38%

LAB 62.77, -56.83, 60.76

 

CMYK 0 / 30 / 89 / 32

HEX #AE7913

RGB 174 121 19

HSL 39.48, 0.8%, 0.38%

LAB 54.78, 12.72, 57.17

 

CMYK 0 / 34 / 98 / 25

HEX #BE7E04

RGB 190 126 4

HSL 39.35, 0.96%, 0.38%

LAB 57.92, 16.89, 63.28

 

CMYK 0 / 30 / 89 / 32

HEX #AE7913

RGB 174 121 19

HSL 39.48, 0.8%, 0.38%

LAB 54.78, 12.72, 57.17

 

CMYK 0 / 27 / 78 / 38

HEX #9F7423

RGB 159 116 35

HSL 39.19, 0.64%, 0.38%

LAB 51.82, 9.22, 48.56

 

CMYK 0 / 22 / 64 / 44

HEX #8F6F33

RGB 143 111 51

HSL 39.13, 0.47%, 0.38%

LAB 48.82, 5.65, 37.51

 

CMYK 0 / 17 / 48 / 50

HEX #7F6A42

RGB 127 106 66

HSL 39.34, 0.32%, 0.38%

LAB 45.93, 2.62, 25.5

 

CMYK 0 / 10 / 27 / 56

HEX #706552

RGB 112 101 82

HSL 38, 0.15%, 0.38%

LAB 43.3, 1.06, 12.36

 

CMYK 0 / 79 / 89 / 32

HEX #AE2513

RGB 174 37 19

HSL 6.97, 0.8%, 0.38%

LAB 38.5, 53.48, 44.4

 

CMYK 0 / 55 / 89 / 32

HEX #AE4F13

RGB 174 79 19

HSL 23.23, 0.8%, 0.38%

LAB 45.13, 35.71, 49.58

 

CMYK 0 / 31 / 89 / 32

HEX #AE7813

RGB 174 120 19

HSL 39.1, 0.8%, 0.38%

LAB 54.53, 13.28, 56.97

 

CMYK 0 / 7 / 89 / 32

HEX #AEA213

RGB 174 162 19

HSL 55.35, 0.8%, 0.38%

LAB 65.66, -9.69, 65.79

 

CMYK 16 / 0 / 89 / 32

HEX #92AE13

RGB 146 174 19

HSL 70.84, 0.8%, 0.38%

LAB 66.85, -27.98, 65.82

 

CMYK 0 / 31 / 89 / 61

HEX #64450B

RGB 100 69 11

HSL 39.1, 0.8%, 0.22%

LAB 31.78, 7.96, 36.99

 

CMYK 0 / 31 / 89 / 46

HEX #895F0F

RGB 137 95 15

HSL 39.34, 0.8%, 0.3%

LAB 43.56, 10.4, 47.4

 

CMYK 0 / 30 / 89 / 32

HEX #AE7913

RGB 174 121 19

HSL 39.48, 0.8%, 0.38%

LAB 54.78, 12.72, 57.17

 

CMYK 0 / 31 / 89 / 17

HEX #D49218

RGB 212 146 24

HSL 38.94, 0.8%, 0.46%

LAB 65.45, 15.94, 66.21

 

CMYK 0 / 28 / 81 / 9

HEX #E8A72D

RGB 232 167 45

HSL 39.14, 0.8%, 0.54%

LAB 72.88, 13.88, 67.24

 

CMYK 0 / 31 / 89 / 31

HEX #AF7913

RGB 175 121 19

HSL 39.23, 0.8%, 0.38%

LAB 54.9, 13.17, 57.32

 

CMYK 75 / 0 / 89 / 32

HEX #2BAE13

RGB 43 174 19

HSL 110.71, 0.8%, 0.38%

LAB 62.37, -60.28, 60.25

 

CMYK 67 / 89 / 0 / 32

HEX #3A13AE

RGB 58 19 174

HSL 255.1, 0.8%, 0.38%

LAB 25.02, 56.19, -72.98

 

CMYK 0 / 31 / 89 / 31

HEX #AF7913

RGB 175 121 19

HSL 39.23, 0.8%, 0.38%

LAB 54.9, 13.17, 57.32

 

CMYK 89 / 0 / 31 / 32

HEX #13AE78

RGB 19 174 120

HSL 159.1, 0.8%, 0.38%

LAB 63.15, -49.86, 17.51

 

CMYK 31 / 89 / 0 / 32

HEX #7813AE

RGB 120 19 174

HSL 279.1, 0.8%, 0.38%

LAB 32.95, 62.87, -59.64

 

CMYK 0 / 31 / 89 / 31

HEX #AF7913

RGB 175 121 19

HSL 39.23, 0.8%, 0.38%

LAB 54.9, 13.17, 57.32

 

CMYK 75 / 0 / 89 / 32

HEX #2BAE13

RGB 43 174 19

HSL 110.71, 0.8%, 0.38%

LAB 62.37, -60.28, 60.25

 

CMYK 89 / 57 / 0 / 32

HEX #134AAE

RGB 19 74 174

HSL 218.71, 0.8%, 0.38%

LAB 34.17, 22.56, -57.99

 

CMYK 13 / 89 / 0 / 32

HEX #9713AE

RGB 151 19 174

HSL 291.1, 0.8%, 0.38%

LAB 38.02, 67.65, -51.17

 

CMYK 0 / 31 / 89 / 31

HEX #AF7913

RGB 175 121 19

HSL 39.23, 0.8%, 0.38%

LAB 54.9, 13.17, 57.32

 

CMYK 89 / 0 / 75 / 32

HEX #13AE2B

RGB 19 174 43

HSL 129.29, 0.8%, 0.38%

LAB 62.16, -61.72, 53.3

 

CMYK 89 / 57 / 0 / 32

HEX #134AAE

RGB 19 74 174

HSL 218.71, 0.8%, 0.38%

LAB 34.17, 22.56, -57.99

 

CMYK 0 / 89 / 13 / 32

HEX #AE1397

RGB 174 19 151

HSL 308.9, 0.8%, 0.38%

LAB 40.73, 68.27, -32.77

 

Description

Color code: HEX #AF7913 | qconv.com Color code: HEX #AF7913 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 121 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 121 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 89 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 89% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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