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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF78CF it is the complementary color #508730. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF78CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF78CF shade: #B478CA, #C58ADD, #D69CF0, #E7AEFF and #F8C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF78CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF78CF shade: #AF78CF, #9E66BC, #8D54A9, #7C4296 and #6B3083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF78CF shade: #AF77CF, #C777CF, #CF77C0, #CF77A8 and #CF7791

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF78CF shade: #AF77CF, #9777CF, #7F77CF and #7777CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF78CF shade matches the following richer shades: #AF77CF, #B368DE, #B759ED and #BB4BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF78CF shade: #AF77CF, #AB86C0, #A795B2, #A3A4A3 and #9FB394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF78CF shade: #7E77CF, #9677CF, #AD77CF, #C577CF and #CF77C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF78CF shade: #893FB4, #9D59C5, #AF77CF, #C196DA and #D3B4E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF78CF shade: #AF78CF, #CF7787 and #77CF8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF78CF shade: #AF78CF, #CFAD77 and #77CFAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF78CF shade: #AF78CF, #CF7787, #99CF77 and #77CFBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF78CF shade: #AF78CF, #CF8177, #99CF77 and #77C5CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 42 / 0 / 19

HEX #AF78CF

RGB 175 120 207

HSL 277.93, 0.48%, 0.64%

LAB 59.02, 37.24, -36.75

 

Complementary color

CMYK 41 / 0 / 64 / 47

HEX #508730

RGB 80 135 48

HSL 97.93, 0.48%, 0.36%

LAB 50.97, -34.38, 40

 

CMYK 11 / 41 / 0 / 21

HEX #B478CA

RGB 180 120 202

HSL 283.9, 0.44%, 0.63%

LAB 59.34, 37.68, -33.39

 

CMYK 11 / 38 / 0 / 13

HEX #C58ADD

RGB 197 138 221

HSL 282.65, 0.55%, 0.7%

LAB 65.96, 36.91, -33.61

 

CMYK 11 / 35 / 0 / 6

HEX #D69CF0

RGB 214 156 240

HSL 281.43, 0.74%, 0.78%

LAB 72.47, 36.19, -33.82

 

CMYK 9 / 32 / 0 / 0

HEX #E7AEFF

RGB 231 174 255

HSL 282.22, 1%, 0.84%

LAB 78.74, 34.71, -32.11

 

CMYK 3 / 25 / 0 / 0

HEX #F8C0FF

RGB 248 192 255

HSL 293.33, 1%, 0.88%

LAB 84.42, 30.45, -23.29

 

CMYK 15 / 42 / 0 / 19

HEX #AF78CF

RGB 175 120 207

HSL 277.93, 0.48%, 0.64%

LAB 59.02, 37.24, -36.75

 

CMYK 16 / 46 / 0 / 26

HEX #9E66BC

RGB 158 102 188

HSL 279.07, 0.39%, 0.57%

LAB 52.29, 38.06, -36.6

 

CMYK 17 / 50 / 0 / 34

HEX #8D54A9

RGB 141 84 169

HSL 280.24, 0.34%, 0.5%

LAB 45.45, 38.9, -36.42

 

CMYK 17 / 56 / 0 / 41

HEX #7C4296

RGB 124 66 150

HSL 281.43, 0.39%, 0.42%

LAB 38.52, 39.71, -36.18

 

CMYK 18 / 63 / 0 / 49

HEX #6B3083

RGB 107 48 131

HSL 282.65, 0.46%, 0.35%

LAB 31.53, 40.39, -35.78

 

CMYK 15 / 43 / 0 / 19

HEX #AF77CF

RGB 175 119 207

HSL 278.18, 0.48%, 0.64%

LAB 58.8, 37.8, -37.1

 

CMYK 4 / 43 / 0 / 19

HEX #C777CF

RGB 199 119 207

HSL 294.55, 0.48%, 0.64%

LAB 61.52, 44.93, -32.66

 

CMYK 0 / 43 / 7 / 19

HEX #CF77C0

RGB 207 119 192

HSL 310.23, 0.48%, 0.64%

LAB 61.88, 44.67, -23.55

 

CMYK 0 / 43 / 19 / 19

HEX #CF77A8

RGB 207 119 168

HSL 326.59, 0.48%, 0.64%

LAB 61.03, 40.76, -11.16

 

CMYK 0 / 43 / 30 / 19

HEX #CF7791

RGB 207 119 145

HSL 342.27, 0.48%, 0.64%

LAB 60.34, 37.47, 1.02

 

CMYK 15 / 43 / 0 / 19

HEX #AF77CF

RGB 175 119 207

HSL 278.18, 0.48%, 0.64%

LAB 58.8, 37.8, -37.1

 

CMYK 27 / 43 / 0 / 19

HEX #9777CF

RGB 151 119 207

HSL 261.82, 0.48%, 0.64%

LAB 56.37, 30.85, -41.1

 

CMYK 39 / 43 / 0 / 19

HEX #7F77CF

RGB 127 119 207

HSL 245.45, 0.48%, 0.64%

LAB 54.25, 24.3, -44.58

 

CMYK 43 / 43 / 0 / 19

HEX #7777CF

RGB 119 119 207

HSL 240, 0.48%, 0.64%

LAB 53.62, 22.25, -45.61

 

CMYK 15 / 43 / 0 / 19

HEX #AF77CF

RGB 175 119 207

HSL 278.18, 0.48%, 0.64%

LAB 58.8, 37.8, -37.1

 

CMYK 19 / 53 / 0 / 13

HEX #B368DE

RGB 179 104 222

HSL 278.14, 0.64%, 0.64%

LAB 56.84, 50.22, -48.62

 

CMYK 23 / 62 / 0 / 7

HEX #B759ED

RGB 183 89 237

HSL 278.11, 0.8%, 0.64%

LAB 55.41, 61.8, -59.29

 

CMYK 26 / 70 / 0 / 1

HEX #BB4BFC

RGB 187 75 252

HSL 277.97, 0.97%, 0.64%

LAB 54.68, 71.82, -68.79

 

CMYK 15 / 43 / 0 / 19

HEX #AF77CF

RGB 175 119 207

HSL 278.18, 0.48%, 0.64%

LAB 58.8, 37.8, -37.1

 

CMYK 11 / 30 / 0 / 25

HEX #AB86C0

RGB 171 134 192

HSL 278.28, 0.32%, 0.64%

LAB 61.23, 24.92, -24.89

 

CMYK 6 / 16 / 0 / 30

HEX #A795B2

RGB 167 149 178

HSL 277.24, 0.16%, 0.64%

LAB 64.1, 12.16, -12.67

 

CMYK 1 / 0 / 1 / 36

HEX #A3A4A3

RGB 163 164 163

HSL 120, 0.01%, 0.64%

LAB 67.26, -0.54, 0.38

 

CMYK 11 / 0 / 17 / 30

HEX #9FB394

RGB 159 179 148

HSL 98.71, 0.17%, 0.64%

LAB 70.7, -12.73, 13.54

 

CMYK 39 / 43 / 0 / 19

HEX #7E77CF

RGB 126 119 207

HSL 244.77, 0.48%, 0.64%

LAB 54.17, 24.04, -44.71

 

CMYK 28 / 43 / 0 / 19

HEX #9677CF

RGB 150 119 207

HSL 261.14, 0.48%, 0.64%

LAB 56.27, 30.57, -41.25

 

CMYK 16 / 43 / 0 / 19

HEX #AD77CF

RGB 173 119 207

HSL 276.82, 0.48%, 0.64%

LAB 58.59, 37.21, -37.45

 

CMYK 5 / 43 / 0 / 19

HEX #C577CF

RGB 197 119 207

HSL 293.18, 0.48%, 0.64%

LAB 61.28, 44.33, -33.05

 

CMYK 0 / 43 / 6 / 19

HEX #CF77C2

RGB 207 119 194

HSL 308.86, 0.48%, 0.64%

LAB 61.96, 45.01, -24.56

 

CMYK 24 / 65 / 0 / 29

HEX #893FB4

RGB 137 63 180

HSL 277.95, 0.48%, 0.48%

LAB 41.48, 51.26, -49.27

 

CMYK 20 / 55 / 0 / 23

HEX #9D59C5

RGB 157 89 197

HSL 277.78, 0.48%, 0.56%

LAB 49.91, 46.82, -45.56

 

CMYK 15 / 43 / 0 / 19

HEX #AF77CF

RGB 175 119 207

HSL 278.18, 0.48%, 0.64%

LAB 58.8, 37.8, -37.1

 

CMYK 11 / 31 / 0 / 15

HEX #C196DA

RGB 193 150 218

HSL 277.94, 0.48%, 0.72%

LAB 68.18, 28.46, -28.55

 

CMYK 8 / 21 / 0 / 10

HEX #D3B4E5

RGB 211 180 229

HSL 277.96, 0.49%, 0.8%

LAB 77.37, 20, -20.37

 

CMYK 15 / 42 / 0 / 19

HEX #AF78CF

RGB 175 120 207

HSL 277.93, 0.48%, 0.64%

LAB 59.02, 37.24, -36.75

 

CMYK 0 / 43 / 35 / 19

HEX #CF7787

RGB 207 119 135

HSL 349.09, 0.48%, 0.64%

LAB 60.08, 36.18, 6.4

 

CMYK 43 / 0 / 33 / 19

HEX #77CF8A

RGB 119 207 138

HSL 132.95, 0.48%, 0.64%

LAB 76.3, -41.16, 26.24

 

CMYK 15 / 42 / 0 / 19

HEX #AF78CF

RGB 175 120 207

HSL 277.93, 0.48%, 0.64%

LAB 59.02, 37.24, -36.75

 

CMYK 0 / 16 / 43 / 19

HEX #CFAD77

RGB 207 173 119

HSL 36.82, 0.48%, 0.64%

LAB 72.55, 5.12, 32.33

 

CMYK 43 / 0 / 16 / 19

HEX #77CFAD

RGB 119 207 173

HSL 156.82, 0.48%, 0.64%

LAB 77.02, -34.35, 8.68

 

CMYK 15 / 42 / 0 / 19

HEX #AF78CF

RGB 175 120 207

HSL 277.93, 0.48%, 0.64%

LAB 59.02, 37.24, -36.75

 

CMYK 0 / 43 / 35 / 19

HEX #CF7787

RGB 207 119 135

HSL 349.09, 0.48%, 0.64%

LAB 60.08, 36.18, 6.4

 

CMYK 26 / 0 / 43 / 19

HEX #99CF77

RGB 153 207 119

HSL 96.82, 0.48%, 0.64%

LAB 77.72, -33.1, 38.16

 

CMYK 43 / 0 / 8 / 19

HEX #77CFBF

RGB 119 207 191

HSL 169.09, 0.48%, 0.64%

LAB 77.47, -30.29, -0.34

 

CMYK 15 / 42 / 0 / 19

HEX #AF78CF

RGB 175 120 207

HSL 277.93, 0.48%, 0.64%

LAB 59.02, 37.24, -36.75

 

CMYK 0 / 38 / 43 / 19

HEX #CF8177

RGB 207 129 119

HSL 6.82, 0.48%, 0.64%

LAB 61.91, 28.97, 18.13

 

CMYK 26 / 0 / 43 / 19

HEX #99CF77

RGB 153 207 119

HSL 96.82, 0.48%, 0.64%

LAB 77.72, -33.1, 38.16

 

CMYK 43 / 5 / 0 / 19

HEX #77C5CF

RGB 119 197 207

HSL 186.82, 0.48%, 0.64%

LAB 75.05, -21.44, -12.55

 

Description

Color code: HEX #AF78CF | qconv.com Color code: HEX #AF78CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 120 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 120 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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