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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7852 it is the complementary color #5087AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7852 shade: #B4784D, #C58A60, #D69C73, #E7AE86 and #F8C099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7852 shade: #AF7852, #9E663F, #8D542C, #7C4219 and #6B3006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7852 shade: #AF7750, #AF5D50 and #AF5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7852 shade: #AF7750, #AF9050, #AFAA50, #9AAF50 and #81AF50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7852 shade matches the following richer shades: #AF7750, #C3733C, #D86F27 and #ED6C12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7852 shade: #AF7750, #9A7B65, #857E7A, #71828E and #5C86A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7852 shade: #AF505D, #AF5D50, #AF7650, #AF8F50 and #AFA850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7852 shade: #765036, #926443, #AF7750, #BC8D6D and #C9A389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7852 shade: #AF7852, #76AF50 and #5050AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7852 shade: #AF7852, #50AF76 and #7650AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7852 shade: #AF7852, #76AF50, #5089AF and #8950AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7852 shade: #AF7852, #5AAF50, #5089AF and #A550AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 53 / 31

HEX #AF7852

RGB 175 120 82

HSL 24.52, 0.37%, 0.5%

LAB 55.23, 17.2, 29.42

 

Complementary color

CMYK 54 / 22 / 0 / 32

HEX #5087AD

RGB 80 135 173

HSL 204.52, 0.37%, 0.5%

LAB 54.08, -7.1, -25.64

 

CMYK 0 / 33 / 57 / 29

HEX #B4784D

RGB 180 120 77

HSL 25.05, 0.41%, 0.5%

LAB 55.76, 18.89, 32.97

 

CMYK 0 / 30 / 51 / 23

HEX #C58A60

RGB 197 138 96

HSL 24.95, 0.47%, 0.57%

LAB 62.42, 17.72, 31.39

 

CMYK 0 / 27 / 46 / 16

HEX #D69C73

RGB 214 156 115

HSL 24.85, 0.55%, 0.65%

LAB 68.98, 16.71, 29.95

 

CMYK 0 / 25 / 42 / 9

HEX #E7AE86

RGB 231 174 134

HSL 24.74, 0.67%, 0.72%

LAB 75.44, 15.83, 28.61

 

CMYK 0 / 23 / 38 / 3

HEX #F8C099

RGB 248 192 153

HSL 24.63, 0.87%, 0.79%

LAB 81.81, 15.05, 27.37

 

CMYK 0 / 31 / 53 / 31

HEX #AF7852

RGB 175 120 82

HSL 24.52, 0.37%, 0.5%

LAB 55.23, 17.2, 29.42

 

CMYK 0 / 35 / 60 / 38

HEX #9E663F

RGB 158 102 63

HSL 24.63, 0.43%, 0.43%

LAB 48.42, 18.46, 31.08

 

CMYK 0 / 40 / 69 / 45

HEX #8D542C

RGB 141 84 44

HSL 24.74, 0.52%, 0.36%

LAB 41.51, 19.95, 32.86

 

CMYK 0 / 47 / 80 / 51

HEX #7C4219

RGB 124 66 25

HSL 24.85, 0.66%, 0.29%

LAB 34.5, 21.74, 34.63

 

CMYK 0 / 55 / 94 / 58

HEX #6B3006

RGB 107 48 6

HSL 24.95, 0.89%, 0.22%

LAB 27.44, 23.85, 35.74

 

CMYK 0 / 32 / 54 / 31

HEX #AF7750

RGB 175 119 80

HSL 24.63, 0.37%, 0.5%

LAB 54.96, 17.58, 30.18

 

CMYK 0 / 47 / 54 / 31

HEX #AF5D50

RGB 175 93 80

HSL 8.21, 0.37%, 0.5%

LAB 48.91, 31.98, 22.42

 

CMYK 0 / 54 / 54 / 31

HEX #AF5050

RGB 175 80 80

HSL 0, 0.37%, 0.5%

LAB 46.22, 38.79, 18.85

 

CMYK 0 / 32 / 54 / 31

HEX #AF7750

RGB 175 119 80

HSL 24.63, 0.37%, 0.5%

LAB 54.96, 17.58, 30.18

 

CMYK 0 / 18 / 54 / 31

HEX #AF9050

RGB 175 144 80

HSL 40.42, 0.37%, 0.5%

LAB 61.34, 3.62, 38.06

 

CMYK 0 / 3 / 54 / 31

HEX #AFAA50

RGB 175 170 80

HSL 56.84, 0.37%, 0.5%

LAB 68.35, -10.36, 46.33

 

CMYK 12 / 0 / 54 / 31

HEX #9AAF50

RGB 154 175 80

HSL 73.26, 0.37%, 0.5%

LAB 68.1, -21.68, 45.62

 

CMYK 26 / 0 / 54 / 31

HEX #81AF50

RGB 129 175 80

HSL 89.05, 0.37%, 0.5%

LAB 66.45, -31.51, 43.27

 

CMYK 0 / 32 / 54 / 31

HEX #AF7750

RGB 175 119 80

HSL 24.63, 0.37%, 0.5%

LAB 54.96, 17.58, 30.18

 

CMYK 0 / 41 / 69 / 24

HEX #C3733C

RGB 195 115 60

HSL 24.44, 0.53%, 0.5%

LAB 56.28, 26.81, 43.03

 

CMYK 0 / 49 / 82 / 15

HEX #D86F27

RGB 216 111 39

HSL 24.41, 0.69%, 0.5%

LAB 58.15, 36.63, 55.51

 

CMYK 0 / 54 / 92 / 7

HEX #ED6C12

RGB 237 108 18

HSL 24.66, 0.86%, 0.5%

LAB 60.58, 45.84, 65.57

 

CMYK 0 / 32 / 54 / 31

HEX #AF7750

RGB 175 119 80

HSL 24.63, 0.37%, 0.5%

LAB 54.96, 17.58, 30.18

 

CMYK 0 / 20 / 34 / 40

HEX #9A7B65

RGB 154 123 101

HSL 24.91, 0.21%, 0.5%

LAB 54, 8.75, 16.59

 

CMYK 0 / 5 / 8 / 48

HEX #857E7A

RGB 133 126 122

HSL 21.82, 0.04%, 0.5%

LAB 53.29, 1.9, 3.12

 

CMYK 20 / 8 / 0 / 44

HEX #71828E

RGB 113 130 142

HSL 204.83, 0.11%, 0.5%

LAB 53.42, -3.43, -8.54

 

CMYK 44 / 18 / 0 / 36

HEX #5C86A3

RGB 92 134 163

HSL 204.51, 0.28%, 0.5%

LAB 53.99, -6.56, -19.96

 

CMYK 0 / 54 / 47 / 31

HEX #AF505D

RGB 175 80 93

HSL 351.79, 0.37%, 0.5%

LAB 46.5, 40.01, 11.37

 

CMYK 0 / 47 / 54 / 31

HEX #AF5D50

RGB 175 93 80

HSL 8.21, 0.37%, 0.5%

LAB 48.91, 31.98, 22.42

 

CMYK 0 / 33 / 54 / 31

HEX #AF7650

RGB 175 118 80

HSL 24, 0.37%, 0.5%

LAB 54.71, 18.14, 29.87

 

CMYK 0 / 18 / 54 / 31

HEX #AF8F50

RGB 175 143 80

HSL 39.79, 0.37%, 0.5%

LAB 61.08, 4.18, 37.74

 

CMYK 0 / 4 / 54 / 31

HEX #AFA850

RGB 175 168 80

HSL 55.58, 0.37%, 0.5%

LAB 67.8, -9.32, 45.7

 

CMYK 0 / 32 / 54 / 54

HEX #765036

RGB 118 80 54

HSL 24.38, 0.37%, 0.34%

LAB 37.58, 12.75, 21.67

 

CMYK 0 / 32 / 54 / 43

HEX #926443

RGB 146 100 67

HSL 25.06, 0.37%, 0.42%

LAB 46.49, 14.7, 26.08

 

CMYK 0 / 32 / 54 / 31

HEX #AF7750

RGB 175 119 80

HSL 24.63, 0.37%, 0.5%

LAB 54.96, 17.58, 30.18

 

CMYK 0 / 25 / 42 / 26

HEX #BC8D6D

RGB 188 141 109

HSL 24.3, 0.37%, 0.58%

LAB 62.38, 13.68, 24

 

CMYK 0 / 19 / 32 / 21

HEX #C9A389

RGB 201 163 137

HSL 24.38, 0.37%, 0.66%

LAB 69.77, 10.25, 18.79

 

CMYK 0 / 31 / 53 / 31

HEX #AF7852

RGB 175 120 82

HSL 24.52, 0.37%, 0.5%

LAB 55.23, 17.2, 29.42

 

CMYK 33 / 0 / 54 / 31

HEX #76AF50

RGB 118 175 80

HSL 96, 0.37%, 0.5%

LAB 65.82, -35.55, 42.37

 

CMYK 54 / 54 / 0 / 31

HEX #5050AF

RGB 80 80 175

HSL 240, 0.37%, 0.5%

LAB 38.79, 27.35, -50.96

 

CMYK 0 / 31 / 53 / 31

HEX #AF7852

RGB 175 120 82

HSL 24.52, 0.37%, 0.5%

LAB 55.23, 17.2, 29.42

 

CMYK 54 / 0 / 33 / 31

HEX #50AF76

RGB 80 175 118

HSL 144, 0.37%, 0.5%

LAB 64.7, -41.29, 20.93

 

CMYK 33 / 54 / 0 / 31

HEX #7650AF

RGB 118 80 175

HSL 264, 0.37%, 0.5%

LAB 42.28, 36.32, -45.16

 

CMYK 0 / 31 / 53 / 31

HEX #AF7852

RGB 175 120 82

HSL 24.52, 0.37%, 0.5%

LAB 55.23, 17.2, 29.42

 

CMYK 33 / 0 / 54 / 31

HEX #76AF50

RGB 118 175 80

HSL 96, 0.37%, 0.5%

LAB 65.82, -35.55, 42.37

 

CMYK 54 / 22 / 0 / 31

HEX #5089AF

RGB 80 137 175

HSL 204, 0.37%, 0.5%

LAB 54.75, -7.62, -25.74

 

CMYK 22 / 54 / 0 / 31

HEX #8950AF

RGB 137 80 175

HSL 276, 0.37%, 0.5%

LAB 44.45, 41.35, -41.58

 

CMYK 0 / 31 / 53 / 31

HEX #AF7852

RGB 175 120 82

HSL 24.52, 0.37%, 0.5%

LAB 55.23, 17.2, 29.42

 

CMYK 49 / 0 / 54 / 31

HEX #5AAF50

RGB 90 175 80

HSL 113.68, 0.37%, 0.5%

LAB 64.49, -44.71, 40.47

 

CMYK 54 / 22 / 0 / 31

HEX #5089AF

RGB 80 137 175

HSL 204, 0.37%, 0.5%

LAB 54.75, -7.62, -25.74

 

CMYK 6 / 54 / 0 / 31

HEX #A550AF

RGB 165 80 175

HSL 293.68, 0.37%, 0.5%

LAB 48.05, 49.02, -35.66

 

Description

Color code: HEX #AF7852 | qconv.com Color code: HEX #AF7852 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 120 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 120 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 53% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - chris panas photogra...
Link: http://www.chrispanas.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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