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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF766D it is the complementary color #508992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF766D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF766D shade: #B47668, #C5887B, #D69A8E, #E7ACA1 and #F8BEB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF766D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF766D shade: #AF766D, #9E645A, #8D5247, #7C4034 and #6B2E21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF766D shade: #AF776E and #AF6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF766D shade: #AF776E, #AF886E, #AF9A6E, #AFAB6E and #A1AF6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF766D shade matches the following richer shades: #AF776E, #C1695C, #D35C49, #E54F37 and #F74225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF766D shade: #AF776E, #9D8480, #8B9192, #789EA4 and #66ABB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF766D shade: #AF6E88, #AF6E76, #AF766E, #AF886E and #AF996E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF766D shade: #825048, #9D6056, #AF776E, #BD9088 and #CCA9A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF766D shade: #AF766D, #99AF6E and #6E7FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF766D shade: #AF766D, #6EAF76 and #766EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF766D shade: #AF766D, #99AF6E, #6EA6AF and #836EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF766D shade: #AF766D, #86AF6E, #6EA6AF and #976EAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 38 / 31

HEX #AF766D

RGB 175 118 109

HSL 8.18, 0.29%, 0.56%

LAB 55.25, 21.23, 14.06

 

Complementary color

CMYK 45 / 6 / 0 / 43

HEX #508992

RGB 80 137 146

HSL 188.18, 0.29%, 0.44%

LAB 53.68, -16.2, -10.67

 

CMYK 0 / 34 / 42 / 29

HEX #B47668

RGB 180 118 104

HSL 11.05, 0.34%, 0.56%

LAB 55.75, 22.65, 17.72

 

CMYK 0 / 31 / 38 / 23

HEX #C5887B

RGB 197 136 123

HSL 10.54, 0.39%, 0.63%

LAB 62.43, 21.7, 16.39

 

CMYK 0 / 28 / 34 / 16

HEX #D69A8E

RGB 214 154 142

HSL 10, 0.47%, 0.7%

LAB 69.01, 20.86, 15.2

 

CMYK 0 / 26 / 30 / 9

HEX #E7ACA1

RGB 231 172 161

HSL 9.43, 0.59%, 0.77%

LAB 75.49, 20.11, 14.11

 

CMYK 0 / 23 / 27 / 3

HEX #F8BEB4

RGB 248 190 180

HSL 8.82, 0.83%, 0.84%

LAB 81.88, 19.43, 13.1

 

CMYK 0 / 33 / 38 / 31

HEX #AF766D

RGB 175 118 109

HSL 8.18, 0.29%, 0.56%

LAB 55.25, 21.23, 14.06

 

CMYK 0 / 37 / 43 / 38

HEX #9E645A

RGB 158 100 90

HSL 8.82, 0.27%, 0.49%

LAB 48.41, 22.23, 15.44

 

CMYK 0 / 42 / 50 / 45

HEX #8D5247

RGB 141 82 71

HSL 9.43, 0.33%, 0.42%

LAB 41.46, 23.37, 17.05

 

CMYK 0 / 48 / 58 / 51

HEX #7C4034

RGB 124 64 52

HSL 10, 0.41%, 0.35%

LAB 34.4, 24.7, 18.97

 

CMYK 0 / 57 / 69 / 58

HEX #6B2E21

RGB 107 46 33

HSL 10.54, 0.53%, 0.27%

LAB 27.27, 26.18, 21.35

 

CMYK 0 / 32 / 37 / 31

HEX #AF776E

RGB 175 119 110

HSL 8.31, 0.29%, 0.56%

LAB 55.52, 20.79, 13.85

 

CMYK 0 / 37 / 37 / 31

HEX #AF6E6E

RGB 175 110 110

HSL 0, 0.29%, 0.56%

LAB 53.38, 25.83, 10.86

 

CMYK 0 / 32 / 37 / 31

HEX #AF776E

RGB 175 119 110

HSL 8.31, 0.29%, 0.56%

LAB 55.52, 20.79, 13.85

 

CMYK 0 / 22 / 37 / 31

HEX #AF886E

RGB 175 136 110

HSL 24, 0.29%, 0.56%

LAB 59.75, 11.24, 19.67

 

CMYK 0 / 12 / 37 / 31

HEX #AF9A6E

RGB 175 154 110

HSL 40.62, 0.29%, 0.56%

LAB 64.44, 1.27, 25.96

 

CMYK 0 / 2 / 37 / 31

HEX #AFAB6E

RGB 175 171 110

HSL 56.31, 0.29%, 0.56%

LAB 69.02, -7.87, 31.94

 

CMYK 8 / 0 / 37 / 31

HEX #A1AF6E

RGB 161 175 110

HSL 72.92, 0.29%, 0.56%

LAB 69.01, -15.58, 31.72

 

CMYK 0 / 32 / 37 / 31

HEX #AF776E

RGB 175 119 110

HSL 8.31, 0.29%, 0.56%

LAB 55.52, 20.79, 13.85

 

CMYK 0 / 46 / 52 / 24

HEX #C1695C

RGB 193 105 92

HSL 7.72, 0.45%, 0.56%

LAB 54.25, 33.7, 22.93

 

CMYK 0 / 56 / 65 / 17

HEX #D35C49

RGB 211 92 73

HSL 8.26, 0.61%, 0.56%

LAB 54.01, 45.68, 34.02

 

CMYK 0 / 66 / 76 / 10

HEX #E54F37

RGB 229 79 55

HSL 8.28, 0.77%, 0.56%

LAB 54.58, 56.86, 45.27

 

CMYK 0 / 73 / 85 / 3

HEX #F74225

RGB 247 66 37

HSL 8.29, 0.93%, 0.56%

LAB 55.89, 66.81, 56.36

 

CMYK 0 / 32 / 37 / 31

HEX #AF776E

RGB 175 119 110

HSL 8.31, 0.29%, 0.56%

LAB 55.52, 20.79, 13.85

 

CMYK 0 / 16 / 18 / 38

HEX #9D8480

RGB 157 132 128

HSL 8.28, 0.13%, 0.56%

LAB 57.3, 8.85, 5.7

 

CMYK 5 / 1 / 0 / 43

HEX #8B9192

RGB 139 145 146

HSL 188.57, 0.03%, 0.56%

LAB 59.72, -1.97, -1.29

 

CMYK 27 / 4 / 0 / 36

HEX #789EA4

RGB 120 158 164

HSL 188.18, 0.19%, 0.56%

LAB 62.61, -11.5, -7.37

 

CMYK 44 / 6 / 0 / 29

HEX #66ABB6

RGB 102 171 182

HSL 188.25, 0.35%, 0.56%

LAB 66, -18.86, -12.48

 

CMYK 0 / 37 / 22 / 31

HEX #AF6E88

RGB 175 110 136

HSL 336, 0.29%, 0.56%

LAB 54.07, 29.46, -3.4

 

CMYK 0 / 37 / 33 / 31

HEX #AF6E76

RGB 175 110 118

HSL 352.62, 0.29%, 0.56%

LAB 53.57, 26.87, 6.44

 

CMYK 0 / 33 / 37 / 31

HEX #AF766E

RGB 175 118 110

HSL 7.38, 0.29%, 0.56%

LAB 55.27, 21.35, 13.51

 

CMYK 0 / 22 / 37 / 31

HEX #AF886E

RGB 175 136 110

HSL 24, 0.29%, 0.56%

LAB 59.75, 11.24, 19.67

 

CMYK 0 / 13 / 37 / 31

HEX #AF996E

RGB 175 153 110

HSL 39.69, 0.29%, 0.56%

LAB 64.18, 1.82, 25.61

 

CMYK 0 / 38 / 45 / 49

HEX #825048

RGB 130 80 72

HSL 8.28, 0.29%, 0.4%

LAB 39.5, 20, 13.53

 

CMYK 0 / 39 / 45 / 38

HEX #9D6056

RGB 157 96 86

HSL 8.45, 0.29%, 0.48%

LAB 47.24, 23.64, 16.2

 

CMYK 0 / 32 / 37 / 31

HEX #AF776E

RGB 175 119 110

HSL 8.31, 0.29%, 0.56%

LAB 55.52, 20.79, 13.85

 

CMYK 0 / 24 / 28 / 26

HEX #BD9088

RGB 189 144 136

HSL 9.06, 0.29%, 0.64%

LAB 63.79, 15.84, 10.83

 

CMYK 0 / 17 / 20 / 20

HEX #CCA9A3

RGB 204 169 163

HSL 8.78, 0.29%, 0.72%

LAB 72.13, 11.83, 7.88

 

CMYK 0 / 33 / 38 / 31

HEX #AF766D

RGB 175 118 109

HSL 8.18, 0.29%, 0.56%

LAB 55.25, 21.23, 14.06

 

CMYK 13 / 0 / 37 / 31

HEX #99AF6E

RGB 153 175 110

HSL 80.31, 0.29%, 0.56%

LAB 68.43, -18.71, 30.85

 

CMYK 37 / 27 / 0 / 31

HEX #6E7FAF

RGB 110 127 175

HSL 224.31, 0.29%, 0.56%

LAB 53.59, 5.92, -27.41

 

CMYK 0 / 33 / 38 / 31

HEX #AF766D

RGB 175 118 109

HSL 8.18, 0.29%, 0.56%

LAB 55.25, 21.23, 14.06

 

CMYK 37 / 0 / 33 / 31

HEX #6EAF76

RGB 110 175 118

HSL 127.38, 0.29%, 0.56%

LAB 65.97, -32.82, 22.85

 

CMYK 33 / 37 / 0 / 31

HEX #766EAF

RGB 118 110 175

HSL 247.38, 0.29%, 0.56%

LAB 49.62, 18.41, -33.55

 

CMYK 0 / 33 / 38 / 31

HEX #AF766D

RGB 175 118 109

HSL 8.18, 0.29%, 0.56%

LAB 55.25, 21.23, 14.06

 

CMYK 13 / 0 / 37 / 31

HEX #99AF6E

RGB 153 175 110

HSL 80.31, 0.29%, 0.56%

LAB 68.43, -18.71, 30.85

 

CMYK 37 / 5 / 0 / 31

HEX #6EA6AF

RGB 110 166 175

HSL 188.31, 0.29%, 0.56%

LAB 64.71, -15.97, -10.47

 

CMYK 25 / 37 / 0 / 31

HEX #836EAF

RGB 131 110 175

HSL 259.38, 0.29%, 0.56%

LAB 50.77, 22.29, -31.66

 

CMYK 0 / 33 / 38 / 31

HEX #AF766D

RGB 175 118 109

HSL 8.18, 0.29%, 0.56%

LAB 55.25, 21.23, 14.06

 

CMYK 23 / 0 / 37 / 31

HEX #86AF6E

RGB 134 175 110

HSL 97.85, 0.29%, 0.56%

LAB 67.17, -25.88, 28.97

 

CMYK 37 / 5 / 0 / 31

HEX #6EA6AF

RGB 110 166 175

HSL 188.31, 0.29%, 0.56%

LAB 64.71, -15.97, -10.47

 

CMYK 14 / 37 / 0 / 31

HEX #976EAF

RGB 151 110 175

HSL 277.85, 0.29%, 0.56%

LAB 52.76, 28.52, -28.42

 

Description

Color code: HEX #AF766D | qconv.com Color code: HEX #AF766D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 118 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 118 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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