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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF75EE it is the complementary color #508A11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF75EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF75EE shade: #B475E9, #C587FC, #D699FF, #E7ABFF and #F8BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF75EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF75EE shade: #AF75EE, #9E63DB, #8D51C8, #7C3FB5 and #6B2DA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF75EE shade: #B077EE, #D077EE, #EE77EC, #EE77CC and #EE77AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF75EE shade: #B077EE, #9077EE and #7777EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF75EE shade matches the following richer shades: #B077EE and #B06AFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF75EE shade: #B077EE, #B183E2, #B190D5, #B29CC9 and #B2A8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF75EE shade: #777FEE, #8F77EE, #AF77EE, #CE77EE and #EE77EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF75EE shade: #852DE5, #9B52EA, #B077EE, #C59CF3 and #DBC0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF75EE shade: #AF75EE, #EE779F and #77EE7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF75EE shade: #AF75EE, #EEAF77 and #77EEAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF75EE shade: #AF75EE, #EE779F, #B6EE77 and #77EEC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF75EE shade: #AF75EE, #EE777B, #B6EE77 and #77EEEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 51 / 0 / 7

HEX #AF75EE

RGB 175 117 238

HSL 268.76, 0.78%, 0.7%

LAB 59.9, 45.9, -52.73

 

Complementary color

CMYK 42 / 0 / 88 / 46

HEX #508A11

RGB 80 138 17

HSL 88.76, 0.78%, 0.3%

LAB 51.75, -37.77, 51.93

 

CMYK 23 / 50 / 0 / 9

HEX #B475E9

RGB 180 117 233

HSL 272.59, 0.73%, 0.69%

LAB 60.17, 46.05, -49.49

 

CMYK 22 / 46 / 0 / 1

HEX #C587FC

RGB 197 135 252

HSL 271.79, 0.95%, 0.76%

LAB 66.69, 45.19, -49.53

 

CMYK 16 / 40 / 0 / 0

HEX #D699FF

RGB 214 153 255

HSL 275.88, 1%, 0.8%

LAB 72.43, 40.92, -42.04

 

CMYK 9 / 33 / 0 / 0

HEX #E7ABFF

RGB 231 171 255

HSL 282.86, 1%, 0.84%

LAB 78.07, 36.31, -33.15

 

CMYK 3 / 26 / 0 / 0

HEX #F8BDFF

RGB 248 189 255

HSL 293.64, 1%, 0.87%

LAB 83.74, 32.03, -24.32

 

CMYK 26 / 51 / 0 / 7

HEX #AF75EE

RGB 175 117 238

HSL 268.76, 0.78%, 0.7%

LAB 59.9, 45.9, -52.73

 

CMYK 28 / 55 / 0 / 14

HEX #9E63DB

RGB 158 99 219

HSL 269.5, 0.63%, 0.62%

LAB 53.28, 46.82, -52.73

 

CMYK 30 / 60 / 0 / 22

HEX #8D51C8

RGB 141 81 200

HSL 270.25, 0.52%, 0.55%

LAB 46.6, 47.73, -52.68

 

CMYK 31 / 65 / 0 / 29

HEX #7C3FB5

RGB 124 63 181

HSL 271.02, 0.48%, 0.48%

LAB 39.88, 48.56, -52.53

 

CMYK 34 / 72 / 0 / 36

HEX #6B2DA2

RGB 107 45 162

HSL 271.79, 0.57%, 0.41%

LAB 33.16, 49.13, -52.17

 

CMYK 26 / 50 / 0 / 7

HEX #B077EE

RGB 176 119 238

HSL 268.74, 0.78%, 0.7%

LAB 60.42, 45.07, -51.88

 

CMYK 13 / 50 / 0 / 7

HEX #D077EE

RGB 208 119 238

HSL 284.87, 0.78%, 0.7%

LAB 63.98, 53.55, -46.03

 

CMYK 0 / 50 / 1 / 7

HEX #EE77EC

RGB 238 119 236

HSL 301.01, 0.78%, 0.7%

LAB 67.6, 61.31, -38.99

 

CMYK 0 / 50 / 14 / 7

HEX #EE77CC

RGB 238 119 204

HSL 317.14, 0.78%, 0.7%

LAB 66.31, 56.11, -23.17

 

CMYK 0 / 50 / 28 / 7

HEX #EE77AC

RGB 238 119 172

HSL 333.28, 0.78%, 0.7%

LAB 65.24, 51.58, -6.74

 

CMYK 26 / 50 / 0 / 7

HEX #B077EE

RGB 176 119 238

HSL 268.74, 0.78%, 0.7%

LAB 60.42, 45.07, -51.88

 

CMYK 39 / 50 / 0 / 7

HEX #9077EE

RGB 144 119 238

HSL 252.61, 0.78%, 0.7%

LAB 57.36, 37.08, -56.95

 

CMYK 50 / 50 / 0 / 7

HEX #7777EE

RGB 119 119 238

HSL 240, 0.78%, 0.7%

LAB 55.37, 31.43, -60.25

 

CMYK 26 / 50 / 0 / 7

HEX #B077EE

RGB 176 119 238

HSL 268.74, 0.78%, 0.7%

LAB 60.42, 45.07, -51.88

 

CMYK 30 / 58 / 0 / 2

HEX #B06AFB

RGB 176 106 251

HSL 268.97, 0.95%, 0.7%

LAB 58.51, 54.99, -62.14

 

CMYK 26 / 50 / 0 / 7

HEX #B077EE

RGB 176 119 238

HSL 268.74, 0.78%, 0.7%

LAB 60.42, 45.07, -51.88

 

CMYK 22 / 42 / 0 / 11

HEX #B183E2

RGB 177 131 226

HSL 269.05, 0.62%, 0.7%

LAB 62.57, 35.97, -41.83

 

CMYK 17 / 32 / 0 / 16

HEX #B190D5

RGB 177 144 213

HSL 268.7, 0.45%, 0.7%

LAB 65.04, 25.74, -30.74

 

CMYK 11 / 22 / 0 / 21

HEX #B29CC9

RGB 178 156 201

HSL 269.33, 0.29%, 0.7%

LAB 67.62, 16.72, -20.1

 

CMYK 6 / 11 / 0 / 26

HEX #B2A8BD

RGB 178 168 189

HSL 268.57, 0.14%, 0.7%

LAB 70.28, 7.58, -9.45

 

CMYK 50 / 47 / 0 / 7

HEX #777FEE

RGB 119 127 238

HSL 235.97, 0.78%, 0.7%

LAB 57.34, 26.67, -57.09

 

CMYK 40 / 50 / 0 / 7

HEX #8F77EE

RGB 143 119 238

HSL 252.1, 0.78%, 0.7%

LAB 57.28, 36.84, -57.09

 

CMYK 26 / 50 / 0 / 7

HEX #AF77EE

RGB 175 119 238

HSL 268.24, 0.78%, 0.7%

LAB 60.32, 44.81, -52.06

 

CMYK 13 / 50 / 0 / 7

HEX #CE77EE

RGB 206 119 238

HSL 283.87, 0.78%, 0.7%

LAB 63.74, 53.01, -46.42

 

CMYK 0 / 50 / 0 / 7

HEX #EE77EE

RGB 238 119 238

HSL 300, 0.78%, 0.7%

LAB 67.68, 61.66, -39.96

 

CMYK 42 / 80 / 0 / 10

HEX #852DE5

RGB 133 45 229

HSL 268.7, 0.78%, 0.54%

LAB 42.03, 69.17, -76.76

 

CMYK 34 / 65 / 0 / 8

HEX #9B52EA

RGB 155 82 234

HSL 268.82, 0.78%, 0.62%

LAB 50.62, 58.44, -65.49

 

CMYK 26 / 50 / 0 / 7

HEX #B077EE

RGB 176 119 238

HSL 268.74, 0.78%, 0.7%

LAB 60.42, 45.07, -51.88

 

CMYK 19 / 36 / 0 / 5

HEX #C59CF3

RGB 197 156 243

HSL 268.28, 0.78%, 0.78%

LAB 70.95, 31.75, -37.94

 

CMYK 11 / 22 / 0 / 3

HEX #DBC0F7

RGB 219 192 247

HSL 269.45, 0.77%, 0.86%

LAB 81.55, 19.7, -23.62

 

CMYK 26 / 51 / 0 / 7

HEX #AF75EE

RGB 175 117 238

HSL 268.76, 0.78%, 0.7%

LAB 59.9, 45.9, -52.73

 

CMYK 0 / 50 / 33 / 7

HEX #EE779F

RGB 238 119 159

HSL 339.83, 0.78%, 0.7%

LAB 64.86, 49.94, 0.1

 

CMYK 50 / 0 / 47 / 7

HEX #77EE7F

RGB 119 238 127

HSL 124.03, 0.78%, 0.7%

LAB 85.3, -55.77, 43.49

 

CMYK 26 / 51 / 0 / 7

HEX #AF75EE

RGB 175 117 238

HSL 268.76, 0.78%, 0.7%

LAB 59.9, 45.9, -52.73

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF77

RGB 238 175 119

HSL 28.24, 0.78%, 0.7%

LAB 76.17, 16.61, 37.61

 

CMYK 50 / 0 / 26 / 7

HEX #77EEAF

RGB 119 238 175

HSL 148.24, 0.78%, 0.7%

LAB 86.09, -47.7, 20.4

 

CMYK 26 / 51 / 0 / 7

HEX #AF75EE

RGB 175 117 238

HSL 268.76, 0.78%, 0.7%

LAB 59.9, 45.9, -52.73

 

CMYK 0 / 50 / 33 / 7

HEX #EE779F

RGB 238 119 159

HSL 339.83, 0.78%, 0.7%

LAB 64.86, 49.94, 0.1

 

CMYK 24 / 0 / 50 / 7

HEX #B6EE77

RGB 182 238 119

HSL 88.24, 0.78%, 0.7%

LAB 88.17, -36.97, 51.48

 

CMYK 50 / 0 / 17 / 7

HEX #77EEC6

RGB 119 238 198

HSL 159.83, 0.78%, 0.7%

LAB 86.58, -42.94, 9.13

 

CMYK 26 / 51 / 0 / 7

HEX #AF75EE

RGB 175 117 238

HSL 268.76, 0.78%, 0.7%

LAB 59.9, 45.9, -52.73

 

CMYK 0 / 50 / 48 / 7

HEX #EE777B

RGB 238 119 123

HSL 357.98, 0.78%, 0.7%

LAB 64, 46.12, 19.38

 

CMYK 24 / 0 / 50 / 7

HEX #B6EE77

RGB 182 238 119

HSL 88.24, 0.78%, 0.7%

LAB 88.17, -36.97, 51.48

 

CMYK 50 / 0 / 2 / 7

HEX #77EEEA

RGB 119 238 234

HSL 177.98, 0.78%, 0.7%

LAB 87.49, -34.45, -8.39

 

Description

Color code: HEX #AF75EE | qconv.com Color code: HEX #AF75EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 51 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 51% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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