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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF75BF it is the complementary color #508A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF75BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF75BF shade: #B475BA, #C587CD, #D699E0, #E7ABF3 and #F8BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF75BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF75BF shade: #AF75BF, #9E63AC, #8D5199, #7C3F86 and #6B2D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF75BF shade: #AE73BF, #BF73BB, #BF73A6, #BF7392 and #BF737E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF75BF shade: #AE73BF, #9A73BF, #8673BF and #7373BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF75BF shade matches the following richer shades: #AE73BF, #B863CF, #C152E0 and #CB42F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF75BF shade: #AE73BF, #A584AE, #9C949E, #92A58D and #89B57D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF75BF shade: #8673BF, #9A73BF, #AE73BF, #BF73BB and #BF73A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF75BF shade: #874699, #9E57B2, #AE73BF, #BF90CC and #CFACD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF75BF shade: #AF75BF, #BF7375 and #73BF90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF75BF shade: #AF75BF, #BFAE73 and #73BFAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF75BF shade: #AF75BF, #BF7375, #84BF73 and #73BFBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF75BF shade: #AF75BF, #BF8973, #84BF73 and #73A9BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 39 / 0 / 25

HEX #AF75BF

RGB 175 117 191

HSL 287.03, 0.37%, 0.6%

LAB 57.65, 35.52, -29.81

 

Complementary color

CMYK 42 / 0 / 54 / 46

HEX #508A40

RGB 80 138 64

HSL 107.03, 0.37%, 0.4%

LAB 52.12, -33.9, 33.48

 

CMYK 3 / 37 / 0 / 27

HEX #B475BA

RGB 180 117 186

HSL 294.78, 0.33%, 0.59%

LAB 58.01, 36.09, -26.36

 

CMYK 4 / 34 / 0 / 20

HEX #C587CD

RGB 197 135 205

HSL 293.14, 0.41%, 0.67%

LAB 64.65, 35.35, -26.72

 

CMYK 4 / 32 / 0 / 12

HEX #D699E0

RGB 214 153 224

HSL 291.55, 0.53%, 0.74%

LAB 71.19, 34.64, -27.05

 

CMYK 5 / 30 / 0 / 5

HEX #E7ABF3

RGB 231 171 243

HSL 290, 0.75%, 0.81%

LAB 77.63, 33.97, -27.36

 

CMYK 3 / 26 / 0 / 0

HEX #F8BDFF

RGB 248 189 255

HSL 293.64, 1%, 0.87%

LAB 83.74, 32.03, -24.32

 

CMYK 8 / 39 / 0 / 25

HEX #AF75BF

RGB 175 117 191

HSL 287.03, 0.37%, 0.6%

LAB 57.65, 35.52, -29.81

 

CMYK 8 / 42 / 0 / 33

HEX #9E63AC

RGB 158 99 172

HSL 288.49, 0.31%, 0.53%

LAB 50.89, 36.31, -29.52

 

CMYK 8 / 47 / 0 / 40

HEX #8D5199

RGB 141 81 153

HSL 290, 0.31%, 0.46%

LAB 44.01, 37.11, -29.19

 

CMYK 7 / 53 / 0 / 47

HEX #7C3F86

RGB 124 63 134

HSL 291.55, 0.36%, 0.39%

LAB 37.04, 37.87, -28.75

 

CMYK 7 / 61 / 0 / 55

HEX #6B2D73

RGB 107 45 115

HSL 293.14, 0.44%, 0.31%

LAB 30.01, 38.47, -28.14

 

CMYK 9 / 40 / 0 / 25

HEX #AE73BF

RGB 174 115 191

HSL 286.58, 0.37%, 0.6%

LAB 57.1, 36.32, -30.68

 

CMYK 0 / 40 / 2 / 25

HEX #BF73BB

RGB 191 115 187

HSL 303.16, 0.37%, 0.6%

LAB 58.91, 40.85, -25.44

 

CMYK 0 / 40 / 13 / 25

HEX #BF73A6

RGB 191 115 166

HSL 319.74, 0.37%, 0.6%

LAB 58.12, 37.17, -14.59

 

CMYK 0 / 40 / 24 / 25

HEX #BF7392

RGB 191 115 146

HSL 335.53, 0.37%, 0.6%

LAB 57.48, 34.02, -3.99

 

CMYK 0 / 40 / 34 / 25

HEX #BF737E

RGB 191 115 126

HSL 351.32, 0.37%, 0.6%

LAB 56.92, 31.26, 6.83

 

CMYK 9 / 40 / 0 / 25

HEX #AE73BF

RGB 174 115 191

HSL 286.58, 0.37%, 0.6%

LAB 57.1, 36.32, -30.68

 

CMYK 19 / 40 / 0 / 25

HEX #9A73BF

RGB 154 115 191

HSL 270.79, 0.37%, 0.6%

LAB 54.96, 30.2, -34.17

 

CMYK 30 / 40 / 0 / 25

HEX #8673BF

RGB 134 115 191

HSL 255, 0.37%, 0.6%

LAB 53.05, 24.29, -37.3

 

CMYK 40 / 40 / 0 / 25

HEX #7373BF

RGB 115 115 191

HSL 240, 0.37%, 0.6%

LAB 51.46, 19.01, -39.92

 

CMYK 9 / 40 / 0 / 25

HEX #AE73BF

RGB 174 115 191

HSL 286.58, 0.37%, 0.6%

LAB 57.1, 36.32, -30.68

 

CMYK 11 / 52 / 0 / 19

HEX #B863CF

RGB 184 99 207

HSL 287.22, 0.53%, 0.6%

LAB 55.7, 50.98, -41.89

 

CMYK 14 / 63 / 0 / 12

HEX #C152E0

RGB 193 82 224

HSL 286.9, 0.7%, 0.6%

LAB 54.82, 64.59, -52.85

 

CMYK 15 / 73 / 0 / 6

HEX #CB42F0

RGB 203 66 240

HSL 287.24, 0.85%, 0.6%

LAB 54.95, 75.93, -61.55

 

CMYK 9 / 40 / 0 / 25

HEX #AE73BF

RGB 174 115 191

HSL 286.58, 0.37%, 0.6%

LAB 57.1, 36.32, -30.68

 

CMYK 5 / 24 / 0 / 32

HEX #A584AE

RGB 165 132 174

HSL 287.14, 0.21%, 0.6%

LAB 59.49, 20.3, -17.39

 

CMYK 1 / 6 / 0 / 38

HEX #9C949E

RGB 156 148 158

HSL 288, 0.05%, 0.6%

LAB 62.27, 4.85, -4.21

 

CMYK 12 / 0 / 15 / 35

HEX #92A58D

RGB 146 165 141

HSL 107.5, 0.12%, 0.6%

LAB 65.71, -11.3, 10.22

 

CMYK 24 / 0 / 31 / 29

HEX #89B57D

RGB 137 181 125

HSL 107.14, 0.27%, 0.6%

LAB 69.36, -25.46, 23.92

 

CMYK 30 / 40 / 0 / 25

HEX #8673BF

RGB 134 115 191

HSL 255, 0.37%, 0.6%

LAB 53.05, 24.29, -37.3

 

CMYK 19 / 40 / 0 / 25

HEX #9A73BF

RGB 154 115 191

HSL 270.79, 0.37%, 0.6%

LAB 54.96, 30.2, -34.17

 

CMYK 9 / 40 / 0 / 25

HEX #AE73BF

RGB 174 115 191

HSL 286.58, 0.37%, 0.6%

LAB 57.1, 36.32, -30.68

 

CMYK 0 / 40 / 2 / 25

HEX #BF73BB

RGB 191 115 187

HSL 303.16, 0.37%, 0.6%

LAB 58.91, 40.85, -25.44

 

CMYK 0 / 40 / 13 / 25

HEX #BF73A7

RGB 191 115 167

HSL 318.95, 0.37%, 0.6%

LAB 58.16, 37.34, -15.12

 

CMYK 12 / 54 / 0 / 40

HEX #874699

RGB 135 70 153

HSL 286.99, 0.37%, 0.44%

LAB 40.95, 41.31, -34.06

 

CMYK 11 / 51 / 0 / 30

HEX #9E57B2

RGB 158 87 178

HSL 286.81, 0.37%, 0.52%

LAB 48.64, 44.07, -36.55

 

CMYK 9 / 40 / 0 / 25

HEX #AE73BF

RGB 174 115 191

HSL 286.58, 0.37%, 0.6%

LAB 57.1, 36.32, -30.68

 

CMYK 6 / 29 / 0 / 20

HEX #BF90CC

RGB 191 144 204

HSL 287, 0.37%, 0.68%

LAB 66.05, 28.27, -24.07

 

CMYK 5 / 21 / 0 / 15

HEX #CFACD9

RGB 207 172 217

HSL 286.67, 0.37%, 0.76%

LAB 74.69, 20.68, -17.95

 

CMYK 8 / 39 / 0 / 25

HEX #AF75BF

RGB 175 117 191

HSL 287.03, 0.37%, 0.6%

LAB 57.65, 35.52, -29.81

 

CMYK 0 / 40 / 39 / 25

HEX #BF7375

RGB 191 115 117

HSL 358.42, 0.37%, 0.6%

LAB 56.71, 30.15, 11.75

 

CMYK 40 / 0 / 25 / 25

HEX #73BF90

RGB 115 191 144

HSL 142.89, 0.37%, 0.6%

LAB 71.5, -33.97, 16.45

 

CMYK 8 / 39 / 0 / 25

HEX #AF75BF

RGB 175 117 191

HSL 287.03, 0.37%, 0.6%

LAB 57.65, 35.52, -29.81

 

CMYK 0 / 9 / 40 / 25

HEX #BFAE73

RGB 191 174 115

HSL 46.58, 0.37%, 0.6%

LAB 71.27, -2.37, 32.5

 

CMYK 40 / 0 / 9 / 25

HEX #73BFAE

RGB 115 191 174

HSL 166.58, 0.37%, 0.6%

LAB 72.2, -27.56, 1.17

 

CMYK 8 / 39 / 0 / 25

HEX #AF75BF

RGB 175 117 191

HSL 287.03, 0.37%, 0.6%

LAB 57.65, 35.52, -29.81

 

CMYK 0 / 40 / 39 / 25

HEX #BF7375

RGB 191 115 117

HSL 358.42, 0.37%, 0.6%

LAB 56.71, 30.15, 11.75

 

CMYK 31 / 0 / 40 / 25

HEX #84BF73

RGB 132 191 115

HSL 106.58, 0.37%, 0.6%

LAB 71.83, -33.51, 32.4

 

CMYK 40 / 0 / 1 / 25

HEX #73BFBD

RGB 115 191 189

HSL 178.42, 0.37%, 0.6%

LAB 72.61, -23.97, -6.41

 

CMYK 8 / 39 / 0 / 25

HEX #AF75BF

RGB 175 117 191

HSL 287.03, 0.37%, 0.6%

LAB 57.65, 35.52, -29.81

 

CMYK 0 / 28 / 40 / 25

HEX #BF8973

RGB 191 137 115

HSL 17.37, 0.37%, 0.6%

LAB 61.83, 17.8, 19.97

 

CMYK 31 / 0 / 40 / 25

HEX #84BF73

RGB 132 191 115

HSL 106.58, 0.37%, 0.6%

LAB 71.83, -33.51, 32.4

 

CMYK 40 / 12 / 0 / 25

HEX #73A9BF

RGB 115 169 191

HSL 197.37, 0.37%, 0.6%

LAB 66.35, -12.05, -16.89

 

Description

Color code: HEX #AF75BF | qconv.com Color code: HEX #AF75BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 39 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 39% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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