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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7595 it is the complementary color #508A6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7595 shade: #B47590, #C587A3, #D699B6, #E7ABC9 and #F8BDDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7595 shade: #AF7595, #9E6382, #8D516F, #7C3F5C and #6B2D49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7595 shade: #AF7494, #AF7484 and #AF7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7595 shade: #AF7494, #AF74A4, #AA74AF, #9A74AF and #8A74AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7595 shade matches the following richer shades: #AF7494, #C16296, #D25098, #E43F9A and #F62D9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7595 shade: #AF7494, #9D8593, #8B9791, #7AA98F and #68BB8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7595 shade: #A974AF, #AF74A5, #AF7495, #AF7486 and #AF7476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7595 shade: #844C6B, #9E5B80, #AF7494, #BE8EA8 and #CDA8BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7595 shade: #AF7595, #AF9974 and #74ADAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7595 shade: #AF7595, #95AF74 and #7495AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7595 shade: #AF7595, #AF9974, #74AF8D and #7489AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7595 shade: #AF7595, #AFAB74, #74AF8D and #7478AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 15 / 31

HEX #AF7595

RGB 175 117 149

HSL 326.9, 0.27%, 0.57%

LAB 56.09, 27.65, -8

 

Complementary color

CMYK 42 / 0 / 23 / 46

HEX #508A6A

RGB 80 138 106

HSL 146.9, 0.27%, 0.43%

LAB 52.87, -26.64, 11.28

 

CMYK 0 / 35 / 20 / 29

HEX #B47590

RGB 180 117 144

HSL 334.29, 0.3%, 0.58%

LAB 56.53, 28.65, -4.39

 

CMYK 0 / 31 / 17 / 23

HEX #C587A3

RGB 197 135 163

HSL 332.9, 0.35%, 0.65%

LAB 63.21, 27.88, -5.19

 

CMYK 0 / 29 / 15 / 16

HEX #D699B6

RGB 214 153 182

HSL 331.48, 0.43%, 0.72%

LAB 69.79, 27.17, -5.92

 

CMYK 0 / 26 / 13 / 9

HEX #E7ABC9

RGB 231 171 201

HSL 330, 0.56%, 0.79%

LAB 76.27, 26.52, -6.6

 

CMYK 0 / 24 / 11 / 3

HEX #F8BDDC

RGB 248 189 220

HSL 328.47, 0.81%, 0.86%

LAB 82.66, 25.92, -7.24

 

CMYK 0 / 33 / 15 / 31

HEX #AF7595

RGB 175 117 149

HSL 326.9, 0.27%, 0.57%

LAB 56.09, 27.65, -8

 

CMYK 0 / 37 / 18 / 38

HEX #9E6382

RGB 158 99 130

HSL 328.47, 0.23%, 0.5%

LAB 49.26, 28.44, -7.22

 

CMYK 0 / 43 / 21 / 45

HEX #8D516F

RGB 141 81 111

HSL 330, 0.27%, 0.44%

LAB 42.3, 29.29, -6.33

 

CMYK 0 / 49 / 26 / 51

HEX #7C3F5C

RGB 124 63 92

HSL 331.48, 0.33%, 0.37%

LAB 35.23, 30.17, -5.26

 

CMYK 0 / 58 / 32 / 58

HEX #6B2D49

RGB 107 45 73

HSL 332.9, 0.41%, 0.3%

LAB 28.07, 31.01, -3.87

 

CMYK 0 / 34 / 15 / 31

HEX #AF7494

RGB 175 116 148

HSL 327.46, 0.27%, 0.57%

LAB 55.83, 28.04, -7.81

 

CMYK 0 / 34 / 25 / 31

HEX #AF7484

RGB 175 116 132

HSL 343.73, 0.27%, 0.57%

LAB 55.35, 25.5, 0.81

 

CMYK 0 / 34 / 34 / 31

HEX #AF7474

RGB 175 116 116

HSL 0, 0.27%, 0.57%

LAB 54.93, 23.25, 9.55

 

CMYK 0 / 34 / 15 / 31

HEX #AF7494

RGB 175 116 148

HSL 327.46, 0.27%, 0.57%

LAB 55.83, 28.04, -7.81

 

CMYK 0 / 34 / 6 / 31

HEX #AF74A4

RGB 175 116 164

HSL 311.19, 0.27%, 0.57%

LAB 56.37, 30.83, -16.27

 

CMYK 3 / 34 / 0 / 31

HEX #AA74AF

RGB 170 116 175

HSL 294.92, 0.27%, 0.57%

LAB 56.22, 31.25, -22.9

 

CMYK 12 / 34 / 0 / 31

HEX #9A74AF

RGB 154 116 175

HSL 278.64, 0.27%, 0.57%

LAB 54.51, 26.02, -25.68

 

CMYK 21 / 34 / 0 / 31

HEX #8A74AF

RGB 138 116 175

HSL 262.37, 0.27%, 0.57%

LAB 52.94, 20.91, -28.24

 

CMYK 0 / 34 / 15 / 31

HEX #AF7494

RGB 175 116 148

HSL 327.46, 0.27%, 0.57%

LAB 55.83, 28.04, -7.81

 

CMYK 0 / 49 / 22 / 24

HEX #C16296

RGB 193 98 150

HSL 327.16, 0.43%, 0.57%

LAB 54.32, 44.25, -11

 

CMYK 0 / 62 / 28 / 18

HEX #D25098

RGB 210 80 152

HSL 326.77, 0.59%, 0.57%

LAB 53.71, 58.28, -12.84

 

CMYK 0 / 72 / 32 / 11

HEX #E43F9A

RGB 228 63 154

HSL 326.91, 0.75%, 0.57%

LAB 54.43, 69.88, -12.65

 

CMYK 0 / 82 / 37 / 4

HEX #F62D9C

RGB 246 45 156

HSL 326.87, 0.92%, 0.57%

LAB 55.96, 79.38, -11.21

 

CMYK 0 / 34 / 15 / 31

HEX #AF7494

RGB 175 116 148

HSL 327.46, 0.27%, 0.57%

LAB 55.83, 28.04, -7.81

 

CMYK 0 / 15 / 6 / 38

HEX #9D8593

RGB 157 133 147

HSL 325, 0.11%, 0.57%

LAB 58.08, 11.61, -4.09

 

CMYK 8 / 0 / 4 / 41

HEX #8B9791

RGB 139 151 145

HSL 150, 0.05%, 0.57%

LAB 61.37, -5.5, 1.67

 

CMYK 28 / 0 / 15 / 34

HEX #7AA98F

RGB 122 169 143

HSL 146.81, 0.21%, 0.57%

LAB 65.35, -21.29, 8.39

 

CMYK 44 / 0 / 25 / 27

HEX #68BB8D

RGB 104 187 141

HSL 146.75, 0.38%, 0.57%

LAB 69.76, -35.82, 15.57

 

CMYK 3 / 34 / 0 / 31

HEX #A974AF

RGB 169 116 175

HSL 293.9, 0.27%, 0.57%

LAB 56.11, 30.92, -23.08

 

CMYK 0 / 34 / 6 / 31

HEX #AF74A5

RGB 175 116 165

HSL 310.17, 0.27%, 0.57%

LAB 56.41, 31.02, -16.8

 

CMYK 0 / 34 / 15 / 31

HEX #AF7495

RGB 175 116 149

HSL 326.44, 0.27%, 0.57%

LAB 55.86, 28.21, -8.34

 

CMYK 0 / 34 / 23 / 31

HEX #AF7486

RGB 175 116 134

HSL 341.69, 0.27%, 0.57%

LAB 55.41, 25.81, -0.28

 

CMYK 0 / 34 / 33 / 31

HEX #AF7476

RGB 175 116 118

HSL 357.97, 0.27%, 0.57%

LAB 54.98, 23.51, 8.45

 

CMYK 0 / 42 / 19 / 48

HEX #844C6B

RGB 132 76 107

HSL 326.79, 0.27%, 0.41%

LAB 39.81, 28.16, -7.71

 

CMYK 0 / 42 / 19 / 38

HEX #9E5B80

RGB 158 91 128

HSL 326.87, 0.27%, 0.49%

LAB 47.38, 32.59, -8.84

 

CMYK 0 / 34 / 15 / 31

HEX #AF7494

RGB 175 116 148

HSL 327.46, 0.27%, 0.57%

LAB 55.83, 28.04, -7.81

 

CMYK 0 / 25 / 12 / 25

HEX #BE8EA8

RGB 190 142 168

HSL 327.5, 0.27%, 0.65%

LAB 64.26, 22.32, -6.56

 

CMYK 0 / 18 / 8 / 20

HEX #CDA8BD

RGB 205 168 189

HSL 325.95, 0.27%, 0.73%

LAB 72.67, 17, -5.65

 

CMYK 0 / 33 / 15 / 31

HEX #AF7595

RGB 175 117 149

HSL 326.9, 0.27%, 0.57%

LAB 56.09, 27.65, -8

 

CMYK 0 / 13 / 34 / 31

HEX #AF9974

RGB 175 153 116

HSL 37.63, 0.27%, 0.57%

LAB 64.29, 2.57, 22.46

 

CMYK 34 / 1 / 0 / 31

HEX #74ADAF

RGB 116 173 175

HSL 182.03, 0.27%, 0.57%

LAB 67.05, -17.97, -6.96

 

CMYK 0 / 33 / 15 / 31

HEX #AF7595

RGB 175 117 149

HSL 326.9, 0.27%, 0.57%

LAB 56.09, 27.65, -8

 

CMYK 15 / 0 / 34 / 31

HEX #95AF74

RGB 149 175 116

HSL 86.44, 0.27%, 0.57%

LAB 68.25, -19.42, 27.38

 

CMYK 34 / 15 / 0 / 31

HEX #7495AF

RGB 116 149 175

HSL 206.44, 0.27%, 0.57%

LAB 60.16, -5.01, -17.29

 

CMYK 0 / 33 / 15 / 31

HEX #AF7595

RGB 175 117 149

HSL 326.9, 0.27%, 0.57%

LAB 56.09, 27.65, -8

 

CMYK 0 / 13 / 34 / 31

HEX #AF9974

RGB 175 153 116

HSL 37.63, 0.27%, 0.57%

LAB 64.29, 2.57, 22.46

 

CMYK 34 / 0 / 19 / 31

HEX #74AF8D

RGB 116 175 141

HSL 145.42, 0.27%, 0.57%

LAB 66.75, -26.6, 11.43

 

CMYK 34 / 22 / 0 / 31

HEX #7489AF

RGB 116 137 175

HSL 218.64, 0.27%, 0.57%

LAB 56.78, 1.82, -22.45

 

CMYK 0 / 33 / 15 / 31

HEX #AF7595

RGB 175 117 149

HSL 326.9, 0.27%, 0.57%

LAB 56.09, 27.65, -8

 

CMYK 0 / 2 / 34 / 31

HEX #AFAB74

RGB 175 171 116

HSL 55.93, 0.27%, 0.57%

LAB 69.11, -7.14, 28.89

 

CMYK 34 / 0 / 19 / 31

HEX #74AF8D

RGB 116 175 141

HSL 145.42, 0.27%, 0.57%

LAB 66.75, -26.6, 11.43

 

CMYK 34 / 31 / 0 / 31

HEX #7478AF

RGB 116 120 175

HSL 235.93, 0.27%, 0.57%

LAB 52.11, 11.82, -29.67

 

Description

Color code: HEX #AF7595 | qconv.com Color code: HEX #AF7595 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 15 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 15% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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