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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF75383F it is the complementary color #508AC73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF75383F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF75383F shade: #B475333F, #C587463F, #D699593F, #E7AB6C3F and #F8BD7F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF75383F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF75383F shade: #AF75383F, #9E63253F, #8D51123F, #7C3F003F and #6B2D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF75383F shade: #AE7437, #AE5437 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF75383F shade: #AE7437, #AE9437, #A8AE37, #88AE37 and #68AE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF75383F shade matches the following richer shades: #AE7437, #C17525 and #D47512

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF75383F shade: #AE7437, #9C744A, #89735C, #77736F and #647281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF75383F shade: #AE373B, #AE5337, #AE7337, #AE9337 and #AAAE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF75383F shade: #704A23, #8F5F2D, #AE7437, #C68949 and #CF9D69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF75383F shade: #AF7538, #5BAE37 and #4337AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF75383F shade: #AF7538, #37AE73 and #7337AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF75383F shade: #AF7538, #5BAE37, #3773AE and #8B37AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF75383F shade: #AF7538, #37AE37, #3773AE and #AE37AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 17 / 8

HEX #AF75383F

RGBA 175 117 56 0.25

HSLA 30.76, 0.52%, 0.45%, 0.25

LABA 54.16, 16.91, 41.97, 0.25

 

Complementary color

CMYK 15 / 8 / 0 / 5

HEX #508AC73F

RGBA 80 138 199 0.25

HSLA 210.76, 0.52%, 0.55%, 0.25

LABA 56.09, -0.51, -37.33, 0.25

 

CMYK 0 / 9 / 18 / 7

HEX #B475333F

RGBA 180 117 51 0.25

HSLA 30.7, 0.56%, 0.45%, 0.25

LABA 54.73, 18.81, 45.21, 0.25

 

CMYK 0 / 8 / 16 / 6

HEX #C587463F

RGBA 197 135 70 0.25

HSLA 30.71, 0.52%, 0.52%, 0.25

LABA 61.34, 17.32, 43.76, 0.25

 

CMYK 0 / 7 / 15 / 4

HEX #D699593F

RGBA 214 153 89 0.25

HSLA 30.72, 0.6%, 0.59%, 0.25

LABA 67.87, 16.04, 42.26, 0.25

 

CMYK 0 / 6 / 13 / 2

HEX #E7AB6C3F

RGBA 231 171 108 0.25

HSLA 30.73, 0.72%, 0.66%, 0.25

LABA 74.32, 14.94, 40.81, 0.25

 

CMYK 0 / 6 / 12 / 1

HEX #F8BD7F3F

RGBA 248 189 127 0.25

HSLA 30.74, 0.9%, 0.74%, 0.25

LABA 80.67, 13.97, 39.42, 0.25

 

CMYK 0 / 8 / 17 / 8

HEX #AF75383F

RGBA 175 117 56 0.25

HSLA 30.76, 0.52%, 0.45%, 0.25

LABA 54.16, 16.91, 41.97, 0.25

 

CMYK 0 / 9 / 19 / 10

HEX #9E63253F

RGBA 158 99 37 0.25

HSLA 30.74, 0.62%, 0.38%, 0.25

LABA 47.4, 18.55, 43.35, 0.25

 

CMYK 0 / 11 / 22 / 11

HEX #8D51123F

RGBA 141 81 18 0.25

HSLA 30.73, 0.77%, 0.31%, 0.25

LABA 40.56, 20.5, 44.14, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #7C3F003F

RGBA 124 63 0 0.25

HSLA 30.48, 1%, 0.24%, 0.25

LABA 33.65, 22.75, 43.98, 0.25

 

CMYK 0 / 14 / 25 / 15

HEX #6B2D003F

RGBA 107 45 0 0.25

HSLA 25.23, 1%, 0.21%, 0.25

LABA 26.74, 25.37, 37.57, 0.25

 

CMYK 0 / 33 / 68 / 32

HEX #AE7437

RGB 174 116 55

HSL 30.76, 0.52%, 0.45%

LAB 53.78, 16.97, 42.02

 

CMYK 0 / 52 / 68 / 32

HEX #AE5437

RGB 174 84 55

HSL 14.62, 0.52%, 0.45%

LAB 46.47, 34.53, 33.74

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 33 / 68 / 32

HEX #AE7437

RGB 174 116 55

HSL 30.76, 0.52%, 0.45%

LAB 53.78, 16.97, 42.02

 

CMYK 0 / 15 / 68 / 32

HEX #AE9437

RGB 174 148 55

HSL 46.89, 0.52%, 0.45%

LAB 62.04, -0.82, 50.87

 

CMYK 3 / 0 / 68 / 32

HEX #A8AE37

RGB 168 174 55

HSL 63.03, 0.52%, 0.45%

LAB 68.66, -17.17, 57.47

 

CMYK 22 / 0 / 68 / 32

HEX #88AE37

RGB 136 174 55

HSL 79.16, 0.52%, 0.45%

LAB 66.35, -30.48, 54.38

 

CMYK 40 / 0 / 68 / 32

HEX #68AE37

RGB 104 174 55

HSL 95.29, 0.52%, 0.45%

LAB 64.56, -42.41, 51.95

 

CMYK 0 / 33 / 68 / 32

HEX #AE7437

RGB 174 116 55

HSL 30.76, 0.52%, 0.45%

LAB 53.78, 16.97, 42.02

 

CMYK 0 / 39 / 81 / 24

HEX #C17525

RGB 193 117 37

HSL 30.77, 0.68%, 0.45%

LAB 56.28, 23.84, 53.44

 

CMYK 0 / 45 / 92 / 17

HEX #D47512

RGB 212 117 18

HSL 30.62, 0.84%, 0.45%

LAB 58.75, 31.4, 62.59

 

CMYK 0 / 33 / 68 / 32

HEX #AE7437

RGB 174 116 55

HSL 30.76, 0.52%, 0.45%

LAB 53.78, 16.97, 42.02

 

CMYK 0 / 26 / 53 / 39

HEX #9C744A

RGB 156 116 74

HSL 30.73, 0.36%, 0.45%

LAB 51.9, 10.53, 29.2

 

CMYK 0 / 16 / 33 / 46

HEX #89735C

RGB 137 115 92

HSL 30.67, 0.2%, 0.45%

LAB 49.92, 4.99, 15.94

 

CMYK 0 / 3 / 7 / 53

HEX #77736F

RGB 119 115 111

HSL 30, 0.03%, 0.45%

LAB 48.67, 0.76, 2.75

 

CMYK 22 / 12 / 0 / 49

HEX #647281

RGB 100 114 129

HSL 211.03, 0.13%, 0.45%

LAB 47.4, -1.68, -10

 

CMYK 0 / 68 / 66 / 32

HEX #AE373B

RGB 174 55 59

HSL 357.98, 0.52%, 0.45%

LAB 41.29, 48.51, 25.16

 

CMYK 0 / 52 / 68 / 32

HEX #AE5337

RGB 174 83 55

HSL 14.12, 0.52%, 0.45%

LAB 46.26, 35.05, 33.5

 

CMYK 0 / 34 / 68 / 32

HEX #AE7337

RGB 174 115 55

HSL 30.25, 0.52%, 0.45%

LAB 53.53, 17.53, 41.75

 

CMYK 0 / 16 / 68 / 32

HEX #AE9337

RGB 174 147 55

HSL 46.39, 0.52%, 0.45%

LAB 61.78, -0.27, 50.59

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 0 / 34 / 69 / 56

HEX #704A23

RGB 112 74 35

HSL 30.39, 0.52%, 0.29%

LAB 34.93, 11.98, 29.3

 

CMYK 0 / 34 / 69 / 44

HEX #8F5F2D

RGB 143 95 45

HSL 30.61, 0.52%, 0.37%

LAB 44.54, 14.53, 35.8

 

CMYK 0 / 33 / 68 / 32

HEX #AE7437

RGB 174 116 55

HSL 30.76, 0.52%, 0.45%

LAB 53.78, 16.97, 42.02

 

CMYK 0 / 31 / 63 / 22

HEX #C68949

RGB 198 137 73

HSL 30.72, 0.52%, 0.53%

LAB 61.98, 16.85, 43.01

 

CMYK 0 / 24 / 49 / 19

HEX #CF9D69

RGB 207 157 105

HSL 30.59, 0.52%, 0.61%

LAB 68.31, 12.33, 34.3

 

CMYK 0 / 33 / 68 / 31

HEX #AF7538

RGB 175 117 56

HSL 30.76, 0.52%, 0.45%

LAB 54.16, 16.91, 41.97

 

CMYK 48 / 0 / 68 / 32

HEX #5BAE37

RGB 91 174 55

HSL 101.85, 0.52%, 0.45%

LAB 63.98, -46.64, 51.16

 

CMYK 61 / 68 / 0 / 32

HEX #4337AE

RGB 67 55 174

HSL 246.05, 0.52%, 0.45%

LAB 31.77, 40.12, -61.83

 

CMYK 0 / 33 / 68 / 31

HEX #AF7538

RGB 175 117 56

HSL 30.76, 0.52%, 0.45%

LAB 54.16, 16.91, 41.97

 

CMYK 68 / 0 / 34 / 32

HEX #37AE73

RGB 55 174 115

HSL 150.25, 0.52%, 0.45%

LAB 63.61, -46.71, 20.95

 

CMYK 34 / 68 / 0 / 32

HEX #7337AE

RGB 115 55 174

HSL 270.25, 0.52%, 0.45%

LAB 36.81, 48.91, -53.4

 

CMYK 0 / 33 / 68 / 31

HEX #AF7538

RGB 175 117 56

HSL 30.76, 0.52%, 0.45%

LAB 54.16, 16.91, 41.97

 

CMYK 48 / 0 / 68 / 32

HEX #5BAE37

RGB 91 174 55

HSL 101.85, 0.52%, 0.45%

LAB 63.98, -46.64, 51.16

 

CMYK 68 / 34 / 0 / 32

HEX #3773AE

RGB 55 115 174

HSL 209.75, 0.52%, 0.45%

LAB 47.14, 0.09, -37.12

 

CMYK 20 / 68 / 0 / 32

HEX #8B37AE

RGB 139 55 174

HSL 282.35, 0.52%, 0.45%

LAB 40.04, 54.1, -48.01

 

CMYK 0 / 33 / 68 / 31

HEX #AF7538

RGB 175 117 56

HSL 30.76, 0.52%, 0.45%

LAB 54.16, 16.91, 41.97

 

CMYK 68 / 0 / 68 / 32

HEX #37AE37

RGB 55 174 55

HSL 120, 0.52%, 0.45%

LAB 62.81, -55.79, 49.57

 

CMYK 68 / 34 / 0 / 32

HEX #3773AE

RGB 55 115 174

HSL 209.75, 0.52%, 0.45%

LAB 47.14, 0.09, -37.12

 

CMYK 0 / 68 / 0 / 32

HEX #AE37AE

RGB 174 55 174

HSL 300, 0.52%, 0.45%

LAB 45.34, 62.08, -39.25

 

Description

Color code: HEX #AF75383F | qconv.com Color code: HEX #AF75383F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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