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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF751C3F it is the complementary color #508AE33F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF751C3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF751C3F shade: #B475173F, #C5872A3F, #D6993D3F, #E7AB503F and #F8BD633F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF751C3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF751C3F shade: #AF751C3F, #9E63093F, #8D51003F, #7C3F003F and #6B2D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF751C3F shade: #AF751D, #AF4E1D, #AF261D and #AF1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF751C3F shade: #AF751D, #AF9D1D, #9AAF1D, #73AF1D and #4BAF1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF751C3F shade matches the following richer shades: #AF751D and #C0790C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF751C3F shade: #AF751D, #9F722D, #8E6F3E, #7E6B4E and #6D685F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF751C3F shade: #AF261D, #AF4E1D, #AF751D, #AF9C1D and #9CAF1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF751C3F shade: #684611, #8C5E17, #AF751D, #D38D22 and #E0A03F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF751C3F shade: #AF751C, #3AAF1D and #3A1DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF751C3F shade: #AF751C, #1DAF75 and #751DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF751C3F shade: #AF751C, #3AAF1D, #1D57AF and #921DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF751C3F shade: #AF751C, #1DAF2B, #1D57AF and #AF1DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 21 / 8

HEX #AF751C3F

RGBA 175 117 28 0.25

HSLA 36.33, 0.72%, 0.4%, 0.25

LABA 53.94, 15.65, 53.82, 0.25

 

Complementary color

CMYK 16 / 10 / 0 / 3

HEX #508AE33F

RGBA 80 138 227 0.25

HSLA 216.33, 0.72%, 0.6%, 0.25

LABA 57.49, 8.89, -50.86, 0.25

 

CMYK 0 / 9 / 22 / 7

HEX #B475173F

RGBA 180 117 23 0.25

HSLA 35.92, 0.77%, 0.4%, 0.25

LABA 54.54, 17.74, 56.17, 0.25

 

CMYK 0 / 8 / 20 / 6

HEX #C5872A3F

RGBA 197 135 42 0.25

HSLA 36, 0.65%, 0.47%, 0.25

LABA 61.1, 15.89, 56.13, 0.25

 

CMYK 0 / 7 / 18 / 4

HEX #D6993D3F

RGBA 214 153 61 0.25

HSLA 36.08, 0.65%, 0.54%, 0.25

LABA 67.59, 14.29, 55.32, 0.25

 

CMYK 0 / 6 / 16 / 2

HEX #E7AB503F

RGBA 231 171 80 0.25

HSLA 36.16, 0.76%, 0.61%, 0.25

LABA 73.99, 12.92, 54.16, 0.25

 

CMYK 0 / 6 / 15 / 1

HEX #F8BD633F

RGBA 248 189 99 0.25

HSLA 36.24, 0.91%, 0.68%, 0.25

LABA 80.32, 11.73, 52.88, 0.25

 

CMYK 0 / 8 / 21 / 8

HEX #AF751C3F

RGBA 175 117 28 0.25

HSLA 36.33, 0.72%, 0.4%, 0.25

LABA 53.94, 15.65, 53.82, 0.25

 

CMYK 0 / 9 / 24 / 10

HEX #9E63093F

RGBA 158 99 9 0.25

HSLA 36.24, 0.89%, 0.33%, 0.25

LABA 47.25, 17.71, 52.93, 0.25

 

CMYK 0 / 11 / 25 / 11

HEX #8D51003F

RGBA 141 81 0 0.25

HSLA 34.47, 1%, 0.28%, 0.25

LABA 40.49, 20.12, 49.5, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #7C3F003F

RGBA 124 63 0 0.25

HSLA 30.48, 1%, 0.24%, 0.25

LABA 33.65, 22.75, 43.98, 0.25

 

CMYK 0 / 14 / 25 / 15

HEX #6B2D003F

RGBA 107 45 0 0.25

HSLA 25.23, 1%, 0.21%, 0.25

LABA 26.74, 25.37, 37.57, 0.25

 

CMYK 0 / 33 / 83 / 31

HEX #AF751D

RGB 175 117 29

HSL 36.16, 0.72%, 0.4%

LAB 53.95, 15.68, 53.48

 

CMYK 0 / 55 / 83 / 31

HEX #AF4E1D

RGB 175 78 29

HSL 20.14, 0.72%, 0.4%

LAB 45.15, 36.87, 45.69

 

CMYK 0 / 78 / 83 / 31

HEX #AF261D

RGB 175 38 29

HSL 3.7, 0.72%, 0.4%

LAB 38.88, 53.71, 39.93

 

CMYK 0 / 83 / 83 / 31

HEX #AF1D1D

RGB 175 29 29

HSL 0, 0.72%, 0.4%

LAB 37.99, 56.22, 39.1

 

CMYK 0 / 33 / 83 / 31

HEX #AF751D

RGB 175 117 29

HSL 36.16, 0.72%, 0.4%

LAB 53.95, 15.68, 53.48

 

CMYK 0 / 10 / 83 / 31

HEX #AF9D1D

RGB 175 157 29

HSL 52.6, 0.72%, 0.4%

LAB 64.42, -6.35, 62.48

 

CMYK 12 / 0 / 83 / 31

HEX #9AAF1D

RGB 154 175 29

HSL 68.63, 0.72%, 0.4%

LAB 67.74, -24.81, 64.63

 

CMYK 34 / 0 / 83 / 31

HEX #73AF1D

RGB 115 175 29

HSL 84.66, 0.72%, 0.4%

LAB 65.27, -40.46, 61.53

 

CMYK 57 / 0 / 83 / 31

HEX #4BAF1D

RGB 75 175 29

HSL 101.1, 0.72%, 0.4%

LAB 63.54, -53.34, 59.33

 

CMYK 0 / 33 / 83 / 31

HEX #AF751D

RGB 175 117 29

HSL 36.16, 0.72%, 0.4%

LAB 53.95, 15.68, 53.48

 

CMYK 0 / 37 / 94 / 25

HEX #C0790C

RGB 192 121 12

HSL 36.33, 0.88%, 0.4%

LAB 56.99, 20.62, 61.37

 

CMYK 0 / 33 / 83 / 31

HEX #AF751D

RGB 175 117 29

HSL 36.16, 0.72%, 0.4%

LAB 53.95, 15.68, 53.48

 

CMYK 0 / 28 / 72 / 38

HEX #9F722D

RGB 159 114 45

HSL 36.32, 0.56%, 0.4%

LAB 51.38, 10.84, 43.75

 

CMYK 0 / 22 / 56 / 44

HEX #8E6F3E

RGB 142 111 62

HSL 36.75, 0.39%, 0.4%

LAB 48.84, 6.08, 31.7

 

CMYK 0 / 15 / 38 / 51

HEX #7E6B4E

RGB 126 107 78

HSL 36.25, 0.24%, 0.4%

LAB 46.31, 3.03, 19.05

 

CMYK 0 / 5 / 13 / 57

HEX #6D685F

RGB 109 104 95

HSL 38.57, 0.07%, 0.4%

LAB 44.2, 0.24, 5.76

 

CMYK 0 / 78 / 83 / 31

HEX #AF261D

RGB 175 38 29

HSL 3.7, 0.72%, 0.4%

LAB 38.88, 53.71, 39.93

 

CMYK 0 / 55 / 83 / 31

HEX #AF4E1D

RGB 175 78 29

HSL 20.14, 0.72%, 0.4%

LAB 45.15, 36.87, 45.69

 

CMYK 0 / 33 / 83 / 31

HEX #AF751D

RGB 175 117 29

HSL 36.16, 0.72%, 0.4%

LAB 53.95, 15.68, 53.48

 

CMYK 0 / 11 / 83 / 31

HEX #AF9C1D

RGB 175 156 29

HSL 52.19, 0.72%, 0.4%

LAB 64.14, -5.82, 62.25

 

CMYK 11 / 0 / 83 / 31

HEX #9CAF1D

RGB 156 175 29

HSL 67.81, 0.72%, 0.4%

LAB 67.89, -23.96, 64.82

 

CMYK 0 / 33 / 84 / 59

HEX #684611

RGB 104 70 17

HSL 36.55, 0.72%, 0.24%

LAB 32.62, 9.55, 35.57

 

CMYK 0 / 33 / 84 / 45

HEX #8C5E17

RGB 140 94 23

HSL 36.41, 0.72%, 0.32%

LAB 43.72, 12.64, 44.96

 

CMYK 0 / 33 / 83 / 31

HEX #AF751D

RGB 175 117 29

HSL 36.16, 0.72%, 0.4%

LAB 53.95, 15.68, 53.48

 

CMYK 0 / 33 / 84 / 17

HEX #D38D22

RGB 211 141 34

HSL 36.27, 0.72%, 0.48%

LAB 64.17, 18.45, 62.32

 

CMYK 0 / 29 / 72 / 12

HEX #E0A03F

RGB 224 160 63

HSL 36.15, 0.72%, 0.56%

LAB 70.42, 14.9, 57.71

 

CMYK 0 / 33 / 84 / 31

HEX #AF751C

RGB 175 117 28

HSL 36.33, 0.72%, 0.4%

LAB 53.94, 15.65, 53.82

 

CMYK 67 / 0 / 83 / 31

HEX #3AAF1D

RGB 58 175 29

HSL 108.08, 0.72%, 0.4%

LAB 63.05, -57.4, 58.7

 

CMYK 67 / 83 / 0 / 31

HEX #3A1DAF

RGB 58 29 175

HSL 251.92, 0.72%, 0.4%

LAB 26.37, 52.79, -71.34

 

CMYK 0 / 33 / 84 / 31

HEX #AF751C

RGB 175 117 28

HSL 36.33, 0.72%, 0.4%

LAB 53.94, 15.65, 53.82

 

CMYK 83 / 0 / 33 / 31

HEX #1DAF75

RGB 29 175 117

HSL 156.16, 0.72%, 0.4%

LAB 63.51, -50.13, 19.66

 

CMYK 33 / 83 / 0 / 31

HEX #751DAF

RGB 117 29 175

HSL 276.16, 0.72%, 0.4%

LAB 33.47, 60.02, -59.41

 

CMYK 0 / 33 / 84 / 31

HEX #AF751C

RGB 175 117 28

HSL 36.33, 0.72%, 0.4%

LAB 53.94, 15.65, 53.82

 

CMYK 67 / 0 / 83 / 31

HEX #3AAF1D

RGB 58 175 29

HSL 108.08, 0.72%, 0.4%

LAB 63.05, -57.4, 58.7

 

CMYK 83 / 50 / 0 / 31

HEX #1D57AF

RGB 29 87 175

HSL 216.16, 0.72%, 0.4%

LAB 38.15, 14.98, -52.12

 

CMYK 17 / 83 / 0 / 31

HEX #921DAF

RGB 146 29 175

HSL 288.08, 0.72%, 0.4%

LAB 37.99, 64.82, -51.85

 

CMYK 0 / 33 / 84 / 31

HEX #AF751C

RGB 175 117 28

HSL 36.33, 0.72%, 0.4%

LAB 53.94, 15.65, 53.82

 

CMYK 83 / 0 / 75 / 31

HEX #1DAF2B

RGB 29 175 43

HSL 125.75, 0.72%, 0.4%

LAB 62.59, -61.11, 53.77

 

CMYK 83 / 50 / 0 / 31

HEX #1D57AF

RGB 29 87 175

HSL 216.16, 0.72%, 0.4%

LAB 38.15, 14.98, -52.12

 

CMYK 0 / 83 / 8 / 31

HEX #AF1DA1

RGB 175 29 161

HSL 305.75, 0.72%, 0.4%

LAB 42.1, 67.99, -36.63

 

Description

Color code: HEX #AF751C3F | qconv.com Color code: HEX #AF751C3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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