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Color name
HEX #AF75153F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF75153F it is the complementary color #508AEA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF75153F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF75153F shade: #B475103F, #C587233F, #D699363F, #E7AB493F and #F8BD5C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF75153F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF75153F shade: #AF75153F, #9E63023F, #8D51003F, #7C3F003F and #6B2D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF75153F shade: #AD7414, #AD4A14, #AD2114 and #AD1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF75153F shade: #AD7414, #AD9D14, #95AD14, #6BAD14 and #42AD14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF75153F shade matches the following richer shades: #AD7414 and #BD7805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF75153F shade: #AD7414, #9E7024, #8E6C34, #7E6843 and #6F6453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF75153F shade: #AD2114, #AD4A14, #AD7314, #AD9C14 and #96AD14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF75153F shade: #64420C, #895B10, #AD7414, #D28C19 and #E6A12E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF75153F shade: #AF7515, #30AD14 and #3614AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF75153F shade: #AF7515, #14AD73 and #7314AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF75153F shade: #AF7515, #30AD14, #144FAD and #9114AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF75153F shade: #AF7515, #14AD26, #144FAD and #AD149C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 22 / 8

HEX #AF75153F

RGBA 175 117 21 0.25

HSLA 37.4, 0.79%, 0.38%, 0.25

LABA 53.91, 15.46, 55.99, 0.25

 

Complementary color

CMYK 16 / 10 / 0 / 2

HEX #508AEA3F

RGBA 80 138 234 0.25

HSLA 217.4, 0.79%, 0.62%, 0.25

LABA 57.87, 11.29, -54.15, 0.25

 

CMYK 0 / 9 / 23 / 7

HEX #B475103F

RGBA 180 117 16 0.25

HSLA 36.95, 0.84%, 0.38%, 0.25

LABA 54.52, 17.59, 58.02, 0.25

 

CMYK 0 / 8 / 21 / 6

HEX #C587233F

RGBA 197 135 35 0.25

HSLA 37.04, 0.7%, 0.45%, 0.25

LABA 61.06, 15.64, 58.65, 0.25

 

CMYK 0 / 7 / 19 / 4

HEX #D699363F

RGBA 214 153 54 0.25

HSLA 37.13, 0.66%, 0.53%, 0.25

LABA 67.54, 13.97, 58.21, 0.25

 

CMYK 0 / 6 / 17 / 2

HEX #E7AB493F

RGBA 231 171 73 0.25

HSLA 37.22, 0.77%, 0.6%, 0.25

LABA 73.93, 12.52, 57.26, 0.25

 

CMYK 0 / 6 / 16 / 1

HEX #F8BD5C3F

RGBA 248 189 92 0.25

HSLA 37.31, 0.92%, 0.67%, 0.25

LABA 80.25, 11.27, 56.08, 0.25

 

CMYK 0 / 8 / 22 / 8

HEX #AF75153F

RGBA 175 117 21 0.25

HSLA 37.4, 0.79%, 0.38%, 0.25

LABA 53.91, 15.46, 55.99, 0.25

 

CMYK 0 / 9 / 25 / 10

HEX #9E63023F

RGBA 158 99 2 0.25

HSLA 37.31, 0.98%, 0.31%, 0.25

LABA 47.23, 17.6, 54.51, 0.25

 

CMYK 0 / 11 / 25 / 11

HEX #8D51003F

RGBA 141 81 0 0.25

HSLA 34.47, 1%, 0.28%, 0.25

LABA 40.49, 20.12, 49.5, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #7C3F003F

RGBA 124 63 0 0.25

HSLA 30.48, 1%, 0.24%, 0.25

LABA 33.65, 22.75, 43.98, 0.25

 

CMYK 0 / 14 / 25 / 15

HEX #6B2D003F

RGBA 107 45 0 0.25

HSLA 25.23, 1%, 0.21%, 0.25

LABA 26.74, 25.37, 37.57, 0.25

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 57 / 88 / 32

HEX #AD4A14

RGB 173 74 20

HSL 21.18, 0.79%, 0.38%

LAB 43.99, 37.86, 48.25

 

CMYK 0 / 81 / 88 / 32

HEX #AD2114

RGB 173 33 20

HSL 5.1, 0.79%, 0.38%

LAB 37.88, 54.37, 43.38

 

CMYK 0 / 88 / 88 / 32

HEX #AD1414

RGB 173 20 20

HSL 0, 0.79%, 0.38%

LAB 36.81, 57.42, 42.53

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 9 / 88 / 32

HEX #AD9D14

RGB 173 157 20

HSL 53.73, 0.79%, 0.38%

LAB 64.2, -7.48, 64.39

 

CMYK 14 / 0 / 88 / 32

HEX #95AD14

RGB 149 173 20

HSL 69.41, 0.79%, 0.38%

LAB 66.77, -26.21, 65.65

 

CMYK 38 / 0 / 88 / 32

HEX #6BAD14

RGB 107 173 20

HSL 85.88, 0.79%, 0.38%

LAB 64.21, -42.83, 62.49

 

CMYK 62 / 0 / 88 / 32

HEX #42AD14

RGB 66 173 20

HSL 101.96, 0.79%, 0.38%

LAB 62.59, -55.29, 60.46

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 37 / 97 / 26

HEX #BD7805

RGB 189 120 5

HSL 37.5, 0.95%, 0.38%

LAB 56.35, 19.77, 61.98

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 29 / 77 / 38

HEX #9E7024

RGB 158 112 36

HSL 37.38, 0.63%, 0.38%

LAB 50.67, 11.08, 47.01

 

CMYK 0 / 24 / 63 / 44

HEX #8E6C34

RGB 142 108 52

HSL 37.33, 0.46%, 0.38%

LAB 47.91, 7, 35.93

 

CMYK 0 / 17 / 47 / 51

HEX #7E6843

RGB 126 104 67

HSL 37.63, 0.31%, 0.38%

LAB 45.28, 3.45, 24.08

 

CMYK 0 / 10 / 25 / 56

HEX #6F6453

RGB 111 100 83

HSL 36.43, 0.14%, 0.38%

LAB 42.94, 1.39, 11.24

 

CMYK 0 / 81 / 88 / 32

HEX #AD2114

RGB 173 33 20

HSL 5.1, 0.79%, 0.38%

LAB 37.88, 54.37, 43.38

 

CMYK 0 / 57 / 88 / 32

HEX #AD4A14

RGB 173 74 20

HSL 21.18, 0.79%, 0.38%

LAB 43.99, 37.86, 48.25

 

CMYK 0 / 34 / 88 / 32

HEX #AD7314

RGB 173 115 20

HSL 37.25, 0.79%, 0.38%

LAB 53.16, 15.66, 55.57

 

CMYK 0 / 10 / 88 / 32

HEX #AD9C14

RGB 173 156 20

HSL 53.33, 0.79%, 0.38%

LAB 63.93, -6.95, 64.17

 

CMYK 13 / 0 / 88 / 32

HEX #96AD14

RGB 150 173 20

HSL 69.02, 0.79%, 0.38%

LAB 66.84, -25.78, 65.74

 

CMYK 0 / 34 / 88 / 61

HEX #64420C

RGB 100 66 12

HSL 36.82, 0.79%, 0.22%

LAB 30.95, 9.85, 35.9

 

CMYK 0 / 34 / 88 / 46

HEX #895B10

RGB 137 91 16

HSL 37.19, 0.79%, 0.3%

LAB 42.52, 12.77, 46.24

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 33 / 88 / 18

HEX #D28C19

RGB 210 140 25

HSL 37.3, 0.79%, 0.46%

LAB 63.78, 18.34, 64.55

 

CMYK 0 / 30 / 80 / 10

HEX #E6A12E

RGB 230 161 46

HSL 37.5, 0.79%, 0.54%

LAB 71.22, 16.24, 65.33

 

CMYK 0 / 33 / 88 / 31

HEX #AF7515

RGB 175 117 21

HSL 37.4, 0.79%, 0.38%

LAB 53.91, 15.46, 55.99

 

CMYK 72 / 0 / 88 / 32

HEX #30AD14

RGB 48 173 20

HSL 109.02, 0.79%, 0.38%

LAB 62.14, -59.08, 59.89

 

CMYK 69 / 88 / 0 / 32

HEX #3614AD

RGB 54 20 173

HSL 253.33, 0.79%, 0.38%

LAB 24.64, 55.33, -73.01

 

CMYK 0 / 33 / 88 / 31

HEX #AF7515

RGB 175 117 21

HSL 37.4, 0.79%, 0.38%

LAB 53.91, 15.46, 55.99

 

CMYK 88 / 0 / 34 / 32

HEX #14AD73

RGB 20 173 115

HSL 157.25, 0.79%, 0.38%

LAB 62.74, -50.53, 19.67

 

CMYK 34 / 88 / 0 / 32

HEX #7314AD

RGB 115 20 173

HSL 277.25, 0.79%, 0.38%

LAB 32.17, 61.73, -60.34

 

CMYK 0 / 33 / 88 / 31

HEX #AF7515

RGB 175 117 21

HSL 37.4, 0.79%, 0.38%

LAB 53.91, 15.46, 55.99

 

CMYK 72 / 0 / 88 / 32

HEX #30AD14

RGB 48 173 20

HSL 109.02, 0.79%, 0.38%

LAB 62.14, -59.08, 59.89

 

CMYK 88 / 54 / 0 / 32

HEX #144FAD

RGB 20 79 173

HSL 216.86, 0.79%, 0.38%

LAB 35.51, 18.84, -55.21

 

CMYK 16 / 88 / 0 / 32

HEX #9114AD

RGB 145 20 173

HSL 289.02, 0.79%, 0.38%

LAB 37, 66.3, -52.28

 

CMYK 0 / 33 / 88 / 31

HEX #AF7515

RGB 175 117 21

HSL 37.4, 0.79%, 0.38%

LAB 53.91, 15.46, 55.99

 

CMYK 88 / 0 / 78 / 32

HEX #14AD26

RGB 20 173 38

HSL 127.06, 0.79%, 0.38%

LAB 61.81, -61.72, 54.65

 

CMYK 88 / 54 / 0 / 32

HEX #144FAD

RGB 20 79 173

HSL 216.86, 0.79%, 0.38%

LAB 35.51, 18.84, -55.21

 

CMYK 0 / 88 / 10 / 32

HEX #AD149C

RGB 173 20 156

HSL 306.67, 0.79%, 0.38%

LAB 40.87, 68.61, -35.59

 

Description

Color code: HEX #AF75153F | qconv.com Color code: HEX #AF75153F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 22% 8% C M Y K

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Provide designers and agencies with accurate color values.

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