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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF744D it is the complementary color #508BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF744D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF744D shade: #B47448, #C5865B, #D6986E, #E7AA81 and #F8BC94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF744D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF744D shade: #AF744D, #9E623A, #8D5027, #7C3E14 and #6B2C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF744D shade: #AE734C, #AE594C and #AE4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF744D shade: #AE734C, #AE8D4C, #AEA84C, #9AAE4C and #7FAE4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF744D shade matches the following richer shades: #AE734C, #C26F38, #D66B24 and #EA6710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF744D shade: #AE734C, #997760, #857B75, #717F89 and #5D849D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF744D shade: #AE4C5B, #AE584C, #AE724C, #AE8C4C and #AEA64C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF744D shade: #744D33, #916040, #AE734C, #BC8967 and #C99F84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF744D shade: #AF744D, #75AE4C and #4C4EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF744D shade: #AF744D, #4CAE72 and #724CAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF744D shade: #AF744D, #75AE4C, #4C88AE and #854CAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF744D shade: #AF744D, #58AE4C, #4C88AE and #A24CAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 56 / 31

HEX #AF744D

RGB 175 116 77

HSL 23.88, 0.39%, 0.49%

LAB 54.18, 19, 30.87

 

Complementary color

CMYK 55 / 22 / 0 / 30

HEX #508BB2

RGB 80 139 178

HSL 203.88, 0.39%, 0.51%

LAB 55.47, -7.82, -26.36

 

CMYK 0 / 36 / 60 / 29

HEX #B47448

RGB 180 116 72

HSL 24.44, 0.43%, 0.49%

LAB 54.72, 20.72, 34.42

 

CMYK 0 / 32 / 54 / 23

HEX #C5865B

RGB 197 134 91

HSL 24.34, 0.48%, 0.56%

LAB 61.37, 19.47, 32.79

 

CMYK 0 / 29 / 49 / 16

HEX #D6986E

RGB 214 152 110

HSL 24.23, 0.56%, 0.64%

LAB 67.93, 18.38, 31.28

 

CMYK 0 / 26 / 44 / 9

HEX #E7AA81

RGB 231 170 129

HSL 24.12, 0.68%, 0.71%

LAB 74.4, 17.44, 29.9

 

CMYK 0 / 24 / 40 / 3

HEX #F8BC94

RGB 248 188 148

HSL 24, 0.88%, 0.78%

LAB 80.77, 16.6, 28.61

 

CMYK 0 / 34 / 56 / 31

HEX #AF744D

RGB 175 116 77

HSL 23.88, 0.39%, 0.49%

LAB 54.18, 19, 30.87

 

CMYK 0 / 38 / 63 / 38

HEX #9E623A

RGB 158 98 58

HSL 24, 0.46%, 0.42%

LAB 47.38, 20.36, 32.59

 

CMYK 0 / 43 / 72 / 45

HEX #8D5027

RGB 141 80 39

HSL 24.12, 0.57%, 0.35%

LAB 40.49, 21.96, 34.42

 

CMYK 0 / 50 / 84 / 51

HEX #7C3E14

RGB 124 62 20

HSL 24.23, 0.72%, 0.28%

LAB 33.52, 23.85, 36.11

 

CMYK 0 / 59 / 99 / 58

HEX #6B2C01

RGB 107 44 1

HSL 24.34, 0.98%, 0.21%

LAB 26.53, 25.95, 36.98

 

CMYK 0 / 34 / 56 / 32

HEX #AE734C

RGB 174 115 76

HSL 23.88, 0.39%, 0.49%

LAB 53.79, 19.05, 30.92

 

CMYK 0 / 49 / 56 / 32

HEX #AE594C

RGB 174 89 76

HSL 7.96, 0.39%, 0.49%

LAB 47.84, 33.38, 23.34

 

CMYK 0 / 56 / 56 / 32

HEX #AE4C4C

RGB 174 76 76

HSL 0, 0.39%, 0.49%

LAB 45.21, 40.1, 19.89

 

CMYK 0 / 34 / 56 / 32

HEX #AE734C

RGB 174 115 76

HSL 23.88, 0.39%, 0.49%

LAB 53.79, 19.05, 30.92

 

CMYK 0 / 19 / 56 / 32

HEX #AE8D4C

RGB 174 141 76

HSL 39.8, 0.39%, 0.49%

LAB 60.4, 4.51, 38.97

 

CMYK 0 / 3 / 56 / 32

HEX #AEA84C

RGB 174 168 76

HSL 56.33, 0.39%, 0.49%

LAB 67.67, -10.07, 47.44

 

CMYK 11 / 0 / 56 / 32

HEX #9AAE4C

RGB 154 174 76

HSL 72.24, 0.39%, 0.49%

LAB 67.77, -21.54, 47.13

 

CMYK 27 / 0 / 56 / 32

HEX #7FAE4C

RGB 127 174 76

HSL 88.78, 0.39%, 0.49%

LAB 65.99, -32.21, 44.61

 

CMYK 0 / 34 / 56 / 32

HEX #AE734C

RGB 174 115 76

HSL 23.88, 0.39%, 0.49%

LAB 53.79, 19.05, 30.92

 

CMYK 0 / 43 / 71 / 24

HEX #C26F38

RGB 194 111 56

HSL 23.91, 0.55%, 0.49%

LAB 55.2, 28.34, 43.82

 

CMYK 0 / 50 / 83 / 16

HEX #D66B24

RGB 214 107 36

HSL 23.93, 0.71%, 0.49%

LAB 57.02, 37.79, 55.6

 

CMYK 0 / 56 / 93 / 8

HEX #EA6710

RGB 234 103 16

HSL 23.94, 0.87%, 0.49%

LAB 59.19, 47.07, 64.87

 

CMYK 0 / 34 / 56 / 32

HEX #AE734C

RGB 174 115 76

HSL 23.88, 0.39%, 0.49%

LAB 53.79, 19.05, 30.92

 

CMYK 0 / 22 / 37 / 40

HEX #997760

RGB 153 119 96

HSL 24.21, 0.23%, 0.49%

LAB 52.74, 9.97, 17.74

 

CMYK 0 / 8 / 12 / 48

HEX #857B75

RGB 133 123 117

HSL 22.5, 0.06%, 0.49%

LAB 52.33, 2.71, 4.65

 

CMYK 18 / 7 / 0 / 46

HEX #717F89

RGB 113 127 137

HSL 205, 0.1%, 0.49%

LAB 52.39, -2.88, -7.15

 

CMYK 41 / 16 / 0 / 38

HEX #5D849D

RGB 93 132 157

HSL 203.44, 0.26%, 0.49%

LAB 53.24, -6.85, -17.64

 

CMYK 0 / 56 / 48 / 32

HEX #AE4C5B

RGB 174 76 91

HSL 350.82, 0.39%, 0.49%

LAB 45.53, 41.45, 11.21

 

CMYK 0 / 49 / 56 / 32

HEX #AE584C

RGB 174 88 76

HSL 7.35, 0.39%, 0.49%

LAB 47.62, 33.91, 23.06

 

CMYK 0 / 34 / 56 / 32

HEX #AE724C

RGB 174 114 76

HSL 23.27, 0.39%, 0.49%

LAB 53.55, 19.61, 30.62

 

CMYK 0 / 20 / 56 / 32

HEX #AE8C4C

RGB 174 140 76

HSL 39.18, 0.39%, 0.49%

LAB 60.14, 5.06, 38.66

 

CMYK 0 / 5 / 56 / 32

HEX #AEA64C

RGB 174 166 76

HSL 55.1, 0.39%, 0.49%

LAB 67.12, -9.02, 46.81

 

CMYK 0 / 34 / 56 / 55

HEX #744D33

RGB 116 77 51

HSL 24, 0.39%, 0.33%

LAB 36.48, 13.36, 22.02

 

CMYK 0 / 34 / 56 / 43

HEX #916040

RGB 145 96 64

HSL 23.7, 0.39%, 0.41%

LAB 45.3, 16.31, 26.28

 

CMYK 0 / 34 / 56 / 32

HEX #AE734C

RGB 174 115 76

HSL 23.88, 0.39%, 0.49%

LAB 53.79, 19.05, 30.92

 

CMYK 0 / 27 / 45 / 26

HEX #BC8967

RGB 188 137 103

HSL 24, 0.39%, 0.57%

LAB 61.27, 15.24, 25.87

 

CMYK 0 / 21 / 34 / 21

HEX #C99F84

RGB 201 159 132

HSL 23.48, 0.39%, 0.65%

LAB 68.66, 11.78, 20.03

 

CMYK 0 / 34 / 56 / 31

HEX #AF744D

RGB 175 116 77

HSL 23.88, 0.39%, 0.49%

LAB 54.18, 19, 30.87

 

CMYK 33 / 0 / 56 / 32

HEX #75AE4C

RGB 117 174 76

HSL 94.9, 0.39%, 0.49%

LAB 65.42, -35.89, 43.8

 

CMYK 56 / 55 / 0 / 32

HEX #4C4EAE

RGB 76 78 174

HSL 238.78, 0.39%, 0.49%

LAB 37.92, 27.48, -51.79

 

CMYK 0 / 34 / 56 / 31

HEX #AF744D

RGB 175 116 77

HSL 23.88, 0.39%, 0.49%

LAB 54.18, 19, 30.87

 

CMYK 56 / 0 / 34 / 32

HEX #4CAE72

RGB 76 174 114

HSL 143.27, 0.39%, 0.49%

LAB 64.18, -42.6, 22.36

 

CMYK 34 / 56 / 0 / 32

HEX #724CAE

RGB 114 76 174

HSL 263.27, 0.39%, 0.49%

LAB 40.9, 37.36, -46.81

 

CMYK 0 / 34 / 56 / 31

HEX #AF744D

RGB 175 116 77

HSL 23.88, 0.39%, 0.49%

LAB 54.18, 19, 30.87

 

CMYK 33 / 0 / 56 / 32

HEX #75AE4C

RGB 117 174 76

HSL 94.9, 0.39%, 0.49%

LAB 65.42, -35.89, 43.8

 

CMYK 56 / 22 / 0 / 32

HEX #4C88AE

RGB 76 136 174

HSL 203.27, 0.39%, 0.49%

LAB 54.24, -8.24, -25.98

 

CMYK 24 / 56 / 0 / 32

HEX #854CAE

RGB 133 76 174

HSL 274.9, 0.39%, 0.49%

LAB 43.08, 42.23, -43.2

 

CMYK 0 / 34 / 56 / 31

HEX #AF744D

RGB 175 116 77

HSL 23.88, 0.39%, 0.49%

LAB 54.18, 19, 30.87

 

CMYK 49 / 0 / 56 / 32

HEX #58AE4C

RGB 88 174 76

HSL 112.65, 0.39%, 0.49%

LAB 64.05, -45.38, 41.86

 

CMYK 56 / 22 / 0 / 32

HEX #4C88AE

RGB 76 136 174

HSL 203.27, 0.39%, 0.49%

LAB 54.24, -8.24, -25.98

 

CMYK 7 / 56 / 0 / 32

HEX #A24CAE

RGB 162 76 174

HSL 292.65, 0.39%, 0.49%

LAB 46.85, 49.98, -36.98

 

Description

Color code: HEX #AF744D | qconv.com Color code: HEX #AF744D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 116 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 116 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 56 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 56% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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