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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF71EB it is the complementary color #508E14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF71EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF71EB shade: #B471E6, #C583F9, #D695FF, #E7A7FF and #F8B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF71EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF71EB shade: #AF71EB, #9E5FD8, #8D4DC5, #7C3BB2 and #6B299F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF71EB shade: #AE70EB, #CF70EB, #EB70E5, #EB70C4 and #EB70A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF71EB shade: #AE70EB, #8D70EB and #7070EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF71EB shade matches the following richer shades: #AE70EB and #AF63F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF71EB shade: #AE70EB, #AE7DDD, #AE8BD0, #AE98C3 and #AEA5B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF71EB shade: #7074EB, #8D70EB, #AD70EB, #CE70EB and #EB70E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF71EB shade: #8628E0, #9A4CE5, #AE70EB, #C394F0 and #D7B8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF71EB shade: #AF71EB, #EB7095 and #70EB7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF71EB shade: #AF71EB, #EBAD70 and #70EBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF71EB shade: #AF71EB, #EB7095, #ADEB70 and #70EBC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF71EB shade: #AF71EB, #EB7070, #ADEB70 and #70EBEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 52 / 0 / 8

HEX #AF71EB

RGB 175 113 235

HSL 270.49, 0.75%, 0.68%

LAB 58.9, 47.35, -52.64

 

Complementary color

CMYK 44 / 0 / 86 / 44

HEX #508E14

RGB 80 142 20

HSL 90.49, 0.75%, 0.32%

LAB 53.06, -39.35, 52.34

 

CMYK 22 / 51 / 0 / 10

HEX #B471E6

RGB 180 113 230

HSL 274.36, 0.7%, 0.67%

LAB 59.18, 47.51, -49.37

 

CMYK 21 / 47 / 0 / 2

HEX #C583F9

RGB 197 131 249

HSL 273.56, 0.91%, 0.75%

LAB 65.7, 46.67, -49.45

 

CMYK 16 / 42 / 0 / 0

HEX #D695FF

RGB 214 149 255

HSL 276.79, 1%, 0.79%

LAB 71.56, 43.06, -43.39

 

CMYK 9 / 35 / 0 / 0

HEX #E7A7FF

RGB 231 167 255

HSL 283.64, 1%, 0.83%

LAB 77.19, 38.44, -34.51

 

CMYK 3 / 27 / 0 / 0

HEX #F8B9FF

RGB 248 185 255

HSL 294, 1%, 0.86%

LAB 82.85, 34.14, -25.68

 

CMYK 26 / 52 / 0 / 8

HEX #AF71EB

RGB 175 113 235

HSL 270.49, 0.75%, 0.68%

LAB 58.9, 47.35, -52.64

 

CMYK 27 / 56 / 0 / 15

HEX #9E5FD8

RGB 158 95 216

HSL 271.24, 0.61%, 0.61%

LAB 52.3, 48.25, -52.6

 

CMYK 28 / 61 / 0 / 23

HEX #8D4DC5

RGB 141 77 197

HSL 272, 0.51%, 0.54%

LAB 45.64, 49.11, -52.5

 

CMYK 30 / 67 / 0 / 30

HEX #7C3BB2

RGB 124 59 178

HSL 272.77, 0.5%, 0.46%

LAB 38.95, 49.83, -52.26

 

CMYK 33 / 74 / 0 / 38

HEX #6B299F

RGB 107 41 159

HSL 273.56, 0.59%, 0.39%

LAB 32.29, 50.22, -51.76

 

CMYK 26 / 52 / 0 / 8

HEX #AE70EB

RGB 174 112 235

HSL 270.24, 0.75%, 0.68%

LAB 58.59, 47.63, -53.15

 

CMYK 12 / 52 / 0 / 8

HEX #CF70EB

RGB 207 112 235

HSL 286.34, 0.75%, 0.68%

LAB 62.38, 56.19, -46.89

 

CMYK 0 / 52 / 3 / 8

HEX #EB70E5

RGB 235 112 229

HSL 302.93, 0.75%, 0.68%

LAB 65.68, 62.57, -38.14

 

CMYK 0 / 52 / 17 / 8

HEX #EB70C4

RGB 235 112 196

HSL 319.02, 0.75%, 0.68%

LAB 64.35, 57.34, -21.71

 

CMYK 0 / 52 / 31 / 8

HEX #EB70A3

RGB 235 112 163

HSL 335.12, 0.75%, 0.68%

LAB 63.26, 52.83, -4.59

 

CMYK 26 / 52 / 0 / 8

HEX #AE70EB

RGB 174 112 235

HSL 270.24, 0.75%, 0.68%

LAB 58.59, 47.63, -53.15

 

CMYK 40 / 52 / 0 / 8

HEX #8D70EB

RGB 141 112 235

HSL 254.15, 0.75%, 0.68%

LAB 55.33, 39.57, -58.55

 

CMYK 52 / 52 / 0 / 8

HEX #7070EB

RGB 112 112 235

HSL 240, 0.75%, 0.68%

LAB 52.98, 33.24, -62.44

 

CMYK 26 / 52 / 0 / 8

HEX #AE70EB

RGB 174 112 235

HSL 270.24, 0.75%, 0.68%

LAB 58.59, 47.63, -53.15

 

CMYK 29 / 60 / 0 / 3

HEX #AF63F8

RGB 175 99 248

HSL 270.6, 0.91%, 0.68%

LAB 56.89, 57.61, -63.08

 

CMYK 26 / 52 / 0 / 8

HEX #AE70EB

RGB 174 112 235

HSL 270.24, 0.75%, 0.68%

LAB 58.59, 47.63, -53.15

 

CMYK 21 / 43 / 0 / 13

HEX #AE7DDD

RGB 174 125 221

HSL 270.63, 0.59%, 0.68%

LAB 60.68, 37.3, -42.02

 

CMYK 16 / 33 / 0 / 18

HEX #AE8BD0

RGB 174 139 208

HSL 270.43, 0.42%, 0.68%

LAB 63.36, 26.52, -30.58

 

CMYK 11 / 22 / 0 / 24

HEX #AE98C3

RGB 174 152 195

HSL 270.7, 0.26%, 0.68%

LAB 66.06, 16.37, -19.18

 

CMYK 4 / 9 / 0 / 29

HEX #AEA5B6

RGB 174 165 182

HSL 271.76, 0.1%, 0.68%

LAB 68.96, 6.47, -7.58

 

CMYK 52 / 51 / 0 / 8

HEX #7074EB

RGB 112 116 235

HSL 238.05, 0.75%, 0.68%

LAB 53.96, 30.85, -60.87

 

CMYK 40 / 52 / 0 / 8

HEX #8D70EB

RGB 141 112 235

HSL 254.15, 0.75%, 0.68%

LAB 55.33, 39.57, -58.55

 

CMYK 26 / 52 / 0 / 8

HEX #AD70EB

RGB 173 112 235

HSL 269.76, 0.75%, 0.68%

LAB 58.48, 47.38, -53.33

 

CMYK 12 / 52 / 0 / 8

HEX #CE70EB

RGB 206 112 235

HSL 285.85, 0.75%, 0.68%

LAB 62.26, 55.92, -47.09

 

CMYK 0 / 52 / 2 / 8

HEX #EB70E7

RGB 235 112 231

HSL 301.95, 0.75%, 0.68%

LAB 65.76, 62.9, -39.11

 

CMYK 40 / 82 / 0 / 12

HEX #8628E0

RGB 134 40 224

HSL 270.65, 0.75%, 0.52%

LAB 41.16, 69.83, -75.33

 

CMYK 33 / 67 / 0 / 10

HEX #9A4CE5

RGB 154 76 229

HSL 270.59, 0.75%, 0.6%

LAB 49.13, 59.92, -65.1

 

CMYK 26 / 52 / 0 / 8

HEX #AE70EB

RGB 174 112 235

HSL 270.24, 0.75%, 0.68%

LAB 58.59, 47.63, -53.15

 

CMYK 19 / 38 / 0 / 6

HEX #C394F0

RGB 195 148 240

HSL 270.65, 0.75%, 0.76%

LAB 68.8, 34.9, -39.66

 

CMYK 12 / 25 / 0 / 4

HEX #D7B8F5

RGB 215 184 245

HSL 270.49, 0.75%, 0.84%

LAB 79.23, 22.35, -26.13

 

CMYK 26 / 52 / 0 / 8

HEX #AF71EB

RGB 175 113 235

HSL 270.49, 0.75%, 0.68%

LAB 58.9, 47.35, -52.64

 

CMYK 0 / 52 / 37 / 8

HEX #EB7095

RGB 235 112 149

HSL 341.95, 0.75%, 0.68%

LAB 62.86, 51.16, 2.85

 

CMYK 52 / 0 / 47 / 8

HEX #70EB7C

RGB 112 235 124

HSL 125.85, 0.75%, 0.68%

LAB 84.13, -56.81, 43.41

 

CMYK 26 / 52 / 0 / 8

HEX #AF71EB

RGB 175 113 235

HSL 270.49, 0.75%, 0.68%

LAB 58.9, 47.35, -52.64

 

CMYK 0 / 26 / 52 / 8

HEX #EBAD70

RGB 235 173 112

HSL 29.76, 0.75%, 0.68%

LAB 75.28, 15.84, 40.04

 

CMYK 52 / 0 / 26 / 8

HEX #70EBAD

RGB 112 235 173

HSL 149.76, 0.75%, 0.68%

LAB 84.93, -48.47, 19.79

 

CMYK 26 / 52 / 0 / 8

HEX #AF71EB

RGB 175 113 235

HSL 270.49, 0.75%, 0.68%

LAB 58.9, 47.35, -52.64

 

CMYK 0 / 52 / 37 / 8

HEX #EB7095

RGB 235 112 149

HSL 341.95, 0.75%, 0.68%

LAB 62.86, 51.16, 2.85

 

CMYK 26 / 0 / 52 / 8

HEX #ADEB70

RGB 173 235 112

HSL 90.24, 0.75%, 0.68%

LAB 86.74, -39.56, 52.88

 

CMYK 52 / 0 / 16 / 8

HEX #70EBC6

RGB 112 235 198

HSL 161.95, 0.75%, 0.68%

LAB 85.47, -43.17, 7.51

 

CMYK 26 / 52 / 0 / 8

HEX #AF71EB

RGB 175 113 235

HSL 270.49, 0.75%, 0.68%

LAB 58.9, 47.35, -52.64

 

CMYK 0 / 52 / 52 / 8

HEX #EB7070

RGB 235 112 112

HSL 0, 0.75%, 0.68%

LAB 62.02, 47.5, 22.87

 

CMYK 26 / 0 / 52 / 8

HEX #ADEB70

RGB 173 235 112

HSL 90.24, 0.75%, 0.68%

LAB 86.74, -39.56, 52.88

 

CMYK 52 / 0 / 0 / 8

HEX #70EBEB

RGB 112 235 235

HSL 180, 0.75%, 0.68%

LAB 86.43, -34.21, -10.51

 

Description

Color code: HEX #AF71EB | qconv.com Color code: HEX #AF71EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 113 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 113 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 52 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 52% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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