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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7152 it is the complementary color #508EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7152 shade: #B4714D, #C58360, #D69573, #E7A786 and #F8B999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7152 shade: #AF7152, #9E5F3F, #8D4D2C, #7C3B19 and #6B2906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7152 shade: #AF7050, #AF5650 and #AF5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7152 shade: #AF7050, #AF8950, #AFA350, #A1AF50 and #88AF50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7152 shade matches the following richer shades: #AF7050, #C3693C, #D86227 and #ED5B12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7152 shade: #AF7050, #9A7765, #857E7A, #71848E and #5C8BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7152 shade: #AF5063, #AF5750, #AF7050, #AF8950 and #AFA250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7152 shade: #764C36, #925E43, #AF7050, #BC876D and #C99E89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7152 shade: #AF7152, #7CAF50 and #5057AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7152 shade: #AF7152, #50AF70 and #7050AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7152 shade: #AF7152, #7CAF50, #508FAF and #8350AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7152 shade: #AF7152, #60AF50, #508FAF and #9F50AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 53 / 31

HEX #AF7152

RGB 175 113 82

HSL 20, 0.37%, 0.5%

LAB 53.53, 21.13, 27.25

 

Complementary color

CMYK 54 / 18 / 0 / 32

HEX #508EAD

RGB 80 142 173

HSL 200, 0.37%, 0.5%

LAB 56.16, -11.05, -22.44

 

CMYK 0 / 37 / 57 / 29

HEX #B4714D

RGB 180 113 77

HSL 20.97, 0.41%, 0.5%

LAB 54.08, 22.79, 30.88

 

CMYK 0 / 34 / 51 / 23

HEX #C58360

RGB 197 131 96

HSL 20.79, 0.47%, 0.57%

LAB 60.74, 21.56, 29.24

 

CMYK 0 / 30 / 46 / 16

HEX #D69573

RGB 214 149 115

HSL 20.61, 0.55%, 0.65%

LAB 67.3, 20.5, 27.74

 

CMYK 0 / 28 / 42 / 9

HEX #E7A786

RGB 231 167 134

HSL 20.41, 0.67%, 0.72%

LAB 73.77, 19.56, 26.38

 

CMYK 0 / 25 / 38 / 3

HEX #F8B999

RGB 248 185 153

HSL 20.21, 0.87%, 0.79%

LAB 80.15, 18.73, 25.13

 

CMYK 0 / 35 / 53 / 31

HEX #AF7152

RGB 175 113 82

HSL 20, 0.37%, 0.5%

LAB 53.53, 21.13, 27.25

 

CMYK 0 / 40 / 60 / 38

HEX #9E5F3F

RGB 158 95 63

HSL 20.21, 0.43%, 0.43%

LAB 46.73, 22.44, 29

 

CMYK 0 / 45 / 69 / 45

HEX #8D4D2C

RGB 141 77 44

HSL 20.41, 0.52%, 0.36%

LAB 39.84, 23.97, 30.95

 

CMYK 0 / 52 / 80 / 51

HEX #7C3B19

RGB 124 59 25

HSL 20.61, 0.66%, 0.29%

LAB 32.88, 25.75, 33.01

 

CMYK 0 / 62 / 94 / 58

HEX #6B2906

RGB 107 41 6

HSL 20.79, 0.89%, 0.22%

LAB 25.94, 27.71, 34.4

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 51 / 54 / 31

HEX #AF5650

RGB 175 86 80

HSL 3.79, 0.37%, 0.5%

LAB 47.43, 35.7, 20.46

 

CMYK 0 / 54 / 54 / 31

HEX #AF5050

RGB 175 80 80

HSL 0, 0.37%, 0.5%

LAB 46.22, 38.79, 18.85

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 22 / 54 / 31

HEX #AF8950

RGB 175 137 80

HSL 36, 0.37%, 0.5%

LAB 59.51, 7.5, 35.83

 

CMYK 0 / 7 / 54 / 31

HEX #AFA350

RGB 175 163 80

HSL 52.42, 0.37%, 0.5%

LAB 66.43, -6.67, 44.11

 

CMYK 8 / 0 / 54 / 31

HEX #A1AF50

RGB 161 175 80

HSL 68.84, 0.37%, 0.5%

LAB 68.62, -18.81, 46.35

 

CMYK 22 / 0 / 54 / 31

HEX #88AF50

RGB 136 175 80

HSL 84.63, 0.37%, 0.5%

LAB 66.88, -28.84, 43.89

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 46 / 69 / 24

HEX #C3693C

RGB 195 105 60

HSL 20, 0.53%, 0.5%

LAB 54.06, 32.18, 40.55

 

CMYK 0 / 55 / 82 / 15

HEX #D86227

RGB 216 98 39

HSL 20, 0.69%, 0.5%

LAB 55.56, 43.14, 53.18

 

CMYK 0 / 62 / 92 / 7

HEX #ED5B12

RGB 237 91 18

HSL 20, 0.86%, 0.5%

LAB 57.59, 53.64, 63.55

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 23 / 34 / 40

HEX #9A7765

RGB 154 119 101

HSL 20.38, 0.21%, 0.5%

LAB 52.95, 11.04, 15.15

 

CMYK 0 / 5 / 8 / 48

HEX #857E7A

RGB 133 126 122

HSL 21.82, 0.04%, 0.5%

LAB 53.29, 1.9, 3.12

 

CMYK 20 / 7 / 0 / 44

HEX #71848E

RGB 113 132 142

HSL 200.69, 0.11%, 0.5%

LAB 53.99, -4.57, -7.68

 

CMYK 44 / 15 / 0 / 36

HEX #5C8BA3

RGB 92 139 163

HSL 200.28, 0.28%, 0.5%

LAB 55.47, -9.38, -17.71

 

CMYK 0 / 54 / 43 / 31

HEX #AF5063

RGB 175 80 99

HSL 348, 0.37%, 0.5%

LAB 46.65, 40.64, 7.93

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 22 / 54 / 31

HEX #AF8950

RGB 175 137 80

HSL 36, 0.37%, 0.5%

LAB 59.51, 7.5, 35.83

 

CMYK 0 / 7 / 54 / 31

HEX #AFA250

RGB 175 162 80

HSL 51.79, 0.37%, 0.5%

LAB 66.16, -6.14, 43.79

 

CMYK 0 / 36 / 54 / 54

HEX #764C36

RGB 118 76 54

HSL 20.63, 0.37%, 0.34%

LAB 36.53, 15.16, 20.33

 

CMYK 0 / 36 / 54 / 43

HEX #925E43

RGB 146 94 67

HSL 20.51, 0.37%, 0.42%

LAB 44.97, 18.18, 24.16

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 28 / 42 / 26

HEX #BC876D

RGB 188 135 109

HSL 19.75, 0.37%, 0.58%

LAB 60.89, 17, 22.01

 

CMYK 0 / 21 / 32 / 21

HEX #C99E89

RGB 201 158 137

HSL 19.69, 0.37%, 0.66%

LAB 68.52, 12.97, 17.07

 

CMYK 0 / 35 / 53 / 31

HEX #AF7152

RGB 175 113 82

HSL 20, 0.37%, 0.5%

LAB 53.53, 21.13, 27.25

 

CMYK 29 / 0 / 54 / 31

HEX #7CAF50

RGB 124 175 80

HSL 92.21, 0.37%, 0.5%

LAB 66.15, -33.37, 42.85

 

CMYK 54 / 50 / 0 / 31

HEX #5057AF

RGB 80 87 175

HSL 235.58, 0.37%, 0.5%

LAB 40.6, 22.92, -48.04

 

CMYK 0 / 35 / 53 / 31

HEX #AF7152

RGB 175 113 82

HSL 20, 0.37%, 0.5%

LAB 53.53, 21.13, 27.25

 

CMYK 54 / 0 / 36 / 31

HEX #50AF70

RGB 80 175 112

HSL 140.21, 0.37%, 0.5%

LAB 64.59, -42.43, 24.01

 

CMYK 36 / 54 / 0 / 31

HEX #7050AF

RGB 112 80 175

HSL 260.21, 0.37%, 0.5%

LAB 41.65, 34.79, -46.2

 

CMYK 0 / 35 / 53 / 31

HEX #AF7152

RGB 175 113 82

HSL 20, 0.37%, 0.5%

LAB 53.53, 21.13, 27.25

 

CMYK 29 / 0 / 54 / 31

HEX #7CAF50

RGB 124 175 80

HSL 92.21, 0.37%, 0.5%

LAB 66.15, -33.37, 42.85

 

CMYK 54 / 18 / 0 / 31

HEX #508FAF

RGB 80 143 175

HSL 200.21, 0.37%, 0.5%

LAB 56.53, -10.99, -23.01

 

CMYK 25 / 54 / 0 / 31

HEX #8350AF

RGB 131 80 175

HSL 272.21, 0.37%, 0.5%

LAB 43.74, 39.74, -42.75

 

CMYK 0 / 35 / 53 / 31

HEX #AF7152

RGB 175 113 82

HSL 20, 0.37%, 0.5%

LAB 53.53, 21.13, 27.25

 

CMYK 45 / 0 / 54 / 31

HEX #60AF50

RGB 96 175 80

HSL 109.89, 0.37%, 0.5%

LAB 64.74, -42.9, 40.83

 

CMYK 54 / 18 / 0 / 31

HEX #508FAF

RGB 80 143 175

HSL 200.21, 0.37%, 0.5%

LAB 56.53, -10.99, -23.01

 

CMYK 9 / 54 / 0 / 31

HEX #9F50AF

RGB 159 80 175

HSL 289.89, 0.37%, 0.5%

LAB 47.24, 47.36, -36.98

 

Description

Color code: HEX #AF7152 | qconv.com Color code: HEX #AF7152 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 113 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 113 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 53% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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