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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7148 it is the complementary color #508EB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7148 shade: #B47143, #C58356, #D69569, #E7A77C and #F8B98F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7148 shade: #AF7148, #9E5F35, #8D4D22, #7C3B0F and #6B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7148 shade: #AE7047, #AE5447 and #AE4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7148 shade: #AE7047, #AE8C47, #AEA747, #99AE47 and #7DAE47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7148 shade matches the following richer shades: #AE7047, #C26C33, #D5681F and #E9640C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7148 shade: #AE7047, #9A745B, #86786F, #727C82 and #5F8096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7148 shade: #AE4756, #AE5347, #AE6E47, #AE8A47 and #AEA547

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7148 shade: #734A2F, #915D3B, #AE7047, #BE8560 and #CA9C7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7148 shade: #AF7148, #72AE47 and #4749AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7148 shade: #AF7148, #47AE6E and #6E47AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7148 shade: #AF7148, #72AE47, #4786AE and #8347AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7148 shade: #AF7148, #53AE47, #4786AE and #A247AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 59 / 31

HEX #AF7148

RGB 175 113 72

HSL 23.88, 0.42%, 0.48%

LAB 53.38, 20.27, 32.64

 

Complementary color

CMYK 56 / 22 / 0 / 28

HEX #508EB7

RGB 80 142 183

HSL 203.88, 0.42%, 0.52%

LAB 56.56, -7.95, -27.53

 

CMYK 0 / 37 / 63 / 29

HEX #B47143

RGB 180 113 67

HSL 24.42, 0.46%, 0.48%

LAB 53.94, 22.02, 36.18

 

CMYK 0 / 34 / 56 / 23

HEX #C58356

RGB 197 131 86

HSL 24.32, 0.49%, 0.55%

LAB 60.58, 20.69, 34.5

 

CMYK 0 / 30 / 51 / 16

HEX #D69569

RGB 214 149 105

HSL 24.22, 0.57%, 0.63%

LAB 67.13, 19.54, 32.95

 

CMYK 0 / 28 / 46 / 9

HEX #E7A77C

RGB 231 167 124

HSL 24.11, 0.69%, 0.7%

LAB 73.6, 18.53, 31.51

 

CMYK 0 / 25 / 42 / 3

HEX #F8B98F

RGB 248 185 143

HSL 24, 0.88%, 0.77%

LAB 79.98, 17.64, 30.18

 

CMYK 0 / 35 / 59 / 31

HEX #AF7148

RGB 175 113 72

HSL 23.88, 0.42%, 0.48%

LAB 53.38, 20.27, 32.64

 

CMYK 0 / 40 / 66 / 38

HEX #9E5F35

RGB 158 95 53

HSL 24, 0.5%, 0.41%

LAB 46.59, 21.71, 34.4

 

CMYK 0 / 45 / 76 / 45

HEX #8D4D22

RGB 141 77 34

HSL 24.11, 0.61%, 0.34%

LAB 39.72, 23.41, 36.22

 

CMYK 0 / 52 / 88 / 51

HEX #7C3B0F

RGB 124 59 15

HSL 24.22, 0.78%, 0.27%

LAB 32.8, 25.38, 37.69

 

CMYK 0 / 62 / 100 / 58

HEX #6B2900

RGB 107 41 0

HSL 22.99, 1%, 0.21%

LAB 25.9, 27.55, 36.81

 

CMYK 0 / 36 / 59 / 32

HEX #AE7047

RGB 174 112 71

HSL 23.88, 0.42%, 0.48%

LAB 53, 20.33, 32.69

 

CMYK 0 / 52 / 59 / 32

HEX #AE5447

RGB 174 84 71

HSL 7.57, 0.42%, 0.48%

LAB 46.7, 35.62, 24.82

 

CMYK 0 / 59 / 59 / 32

HEX #AE4747

RGB 174 71 71

HSL 0, 0.42%, 0.48%

LAB 44.18, 42.15, 21.56

 

CMYK 0 / 36 / 59 / 32

HEX #AE7047

RGB 174 112 71

HSL 23.88, 0.42%, 0.48%

LAB 53, 20.33, 32.69

 

CMYK 0 / 20 / 59 / 32

HEX #AE8C47

RGB 174 140 71

HSL 40.19, 0.42%, 0.48%

LAB 60.08, 4.66, 41.14

 

CMYK 0 / 4 / 59 / 32

HEX #AEA747

RGB 174 167 71

HSL 55.92, 0.42%, 0.48%

LAB 67.35, -9.93, 49.4

 

CMYK 12 / 0 / 59 / 32

HEX #99AE47

RGB 153 174 71

HSL 72.23, 0.42%, 0.48%

LAB 67.65, -22.37, 49.28

 

CMYK 28 / 0 / 59 / 32

HEX #7DAE47

RGB 125 174 71

HSL 88.54, 0.42%, 0.48%

LAB 65.82, -33.45, 46.72

 

CMYK 0 / 36 / 59 / 32

HEX #AE7047

RGB 174 112 71

HSL 23.88, 0.42%, 0.48%

LAB 53, 20.33, 32.69

 

CMYK 0 / 44 / 74 / 24

HEX #C26C33

RGB 194 108 51

HSL 23.92, 0.58%, 0.48%

LAB 54.48, 29.71, 45.52

 

CMYK 0 / 51 / 85 / 16

HEX #D5681F

RGB 213 104 31

HSL 24.07, 0.75%, 0.48%

LAB 56.23, 38.78, 56.77

 

CMYK 0 / 57 / 95 / 9

HEX #E9640C

RGB 233 100 12

HSL 23.89, 0.9%, 0.48%

LAB 58.48, 48.06, 65.17

 

CMYK 0 / 36 / 59 / 32

HEX #AE7047

RGB 174 112 71

HSL 23.88, 0.42%, 0.48%

LAB 53, 20.33, 32.69

 

CMYK 0 / 25 / 41 / 40

HEX #9A745B

RGB 154 116 91

HSL 23.81, 0.26%, 0.48%

LAB 51.97, 11.5, 19.6

 

CMYK 0 / 10 / 17 / 47

HEX #86786F

RGB 134 120 111

HSL 23.48, 0.09%, 0.48%

LAB 51.44, 3.8, 6.9

 

CMYK 12 / 5 / 0 / 49

HEX #727C82

RGB 114 124 130

HSL 202.5, 0.07%, 0.48%

LAB 51.39, -2.39, -4.54

 

CMYK 37 / 15 / 0 / 41

HEX #5F8096

RGB 95 128 150

HSL 204, 0.22%, 0.48%

LAB 51.92, -5.93, -15.57

 

CMYK 0 / 59 / 51 / 32

HEX #AE4756

RGB 174 71 86

HSL 351.26, 0.42%, 0.48%

LAB 44.49, 43.41, 12.82

 

CMYK 0 / 52 / 59 / 32

HEX #AE5347

RGB 174 83 71

HSL 6.99, 0.42%, 0.48%

LAB 46.5, 36.14, 24.56

 

CMYK 0 / 37 / 59 / 32

HEX #AE6E47

RGB 174 110 71

HSL 22.72, 0.42%, 0.48%

LAB 52.51, 21.45, 32.1

 

CMYK 0 / 21 / 59 / 32

HEX #AE8A47

RGB 174 138 71

HSL 39.03, 0.42%, 0.48%

LAB 59.55, 5.76, 40.53

 

CMYK 0 / 5 / 59 / 32

HEX #AEA547

RGB 174 165 71

HSL 54.76, 0.42%, 0.48%

LAB 66.8, -8.87, 48.79

 

CMYK 0 / 36 / 59 / 55

HEX #734A2F

RGB 115 74 47

HSL 23.82, 0.42%, 0.32%

LAB 35.49, 14.34, 23.14

 

CMYK 0 / 36 / 59 / 43

HEX #915D3B

RGB 145 93 59

HSL 23.72, 0.42%, 0.4%

LAB 44.47, 17.61, 28.11

 

CMYK 0 / 36 / 59 / 32

HEX #AE7047

RGB 174 112 71

HSL 23.88, 0.42%, 0.48%

LAB 53, 20.33, 32.69

 

CMYK 0 / 30 / 49 / 25

HEX #BE8560

RGB 190 133 96

HSL 23.62, 0.42%, 0.56%

LAB 60.4, 17.57, 28.64

 

CMYK 0 / 23 / 38 / 21

HEX #CA9C7D

RGB 202 156 125

HSL 24.16, 0.42%, 0.64%

LAB 67.88, 12.96, 22.82

 

CMYK 0 / 35 / 59 / 31

HEX #AF7148

RGB 175 113 72

HSL 23.88, 0.42%, 0.48%

LAB 53.38, 20.27, 32.64

 

CMYK 34 / 0 / 59 / 32

HEX #72AE47

RGB 114 174 71

HSL 94.95, 0.42%, 0.48%

LAB 65.2, -37.48, 45.85

 

CMYK 59 / 58 / 0 / 32

HEX #4749AE

RGB 71 73 174

HSL 238.83, 0.42%, 0.48%

LAB 36.29, 29.69, -54.44

 

CMYK 0 / 35 / 59 / 31

HEX #AF7148

RGB 175 113 72

HSL 23.88, 0.42%, 0.48%

LAB 53.38, 20.27, 32.64

 

CMYK 59 / 0 / 37 / 32

HEX #47AE6E

RGB 71 174 110

HSL 142.72, 0.42%, 0.48%

LAB 63.95, -44.51, 24.17

 

CMYK 37 / 59 / 0 / 32

HEX #6E47AE

RGB 110 71 174

HSL 262.72, 0.42%, 0.48%

LAB 39.37, 39.25, -49.28

 

CMYK 0 / 35 / 59 / 31

HEX #AF7148

RGB 175 113 72

HSL 23.88, 0.42%, 0.48%

LAB 53.38, 20.27, 32.64

 

CMYK 34 / 0 / 59 / 32

HEX #72AE47

RGB 114 174 71

HSL 94.95, 0.42%, 0.48%

LAB 65.2, -37.48, 45.85

 

CMYK 59 / 23 / 0 / 32

HEX #4786AE

RGB 71 134 174

HSL 203.3, 0.42%, 0.48%

LAB 53.43, -8.15, -27.24

 

CMYK 25 / 59 / 0 / 32

HEX #8347AE

RGB 131 71 174

HSL 274.95, 0.42%, 0.48%

LAB 41.83, 44.4, -45.22

 

CMYK 0 / 35 / 59 / 31

HEX #AF7148

RGB 175 113 72

HSL 23.88, 0.42%, 0.48%

LAB 53.38, 20.27, 32.64

 

CMYK 52 / 0 / 59 / 32

HEX #53AE47

RGB 83 174 71

HSL 113.01, 0.42%, 0.48%

LAB 63.81, -47.4, 43.89

 

CMYK 59 / 23 / 0 / 32

HEX #4786AE

RGB 71 134 174

HSL 203.3, 0.42%, 0.48%

LAB 53.43, -8.15, -27.24

 

CMYK 7 / 59 / 0 / 32

HEX #A247AE

RGB 162 71 174

HSL 293.01, 0.42%, 0.48%

LAB 45.97, 52.38, -38.38

 

Description

Color code: HEX #AF7148 | qconv.com Color code: HEX #AF7148 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 113 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 113 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 59 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 59% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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