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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF700DCE it is the complementary color #508FF2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF700DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF700DCE shade: #B47008CE, #C5821BCE, #D6942ECE, #E7A641CE and #F8B854CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF700DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF700DCE shade: #AF700DCE, #9E5E00CE, #8D4C00CE, #7C3A00CE and #6B2800CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF700DCE shade: #AF700D, #AF450D, #AF190D and #AF0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF700DCE shade: #AF700D, #AF9C0D, #97AF0D, #6BAF0D and #40AF0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF700DCE shade matches the following richer shades: #AF700D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF700DCE shade: #AF700D, #A06D1C, #916A2C, #82663B and #72634A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF700DCE shade: #AF180D, #AF430D, #AF6F0D, #AF9A0D and #9AAF0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF700DCE shade: #633F07, #89580A, #AF700D, #D68910 and #EE9E21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF700DCE shade: #AF700D, #2EAF0D and #2E0DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF700DCE shade: #AF700D, #0DAF6F and #6F0DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF700DCE shade: #AF700D, #2EAF0D, #0D4EAF and #8F0DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF700DCE shade: #AF700D, #0DAF1D, #0D4EAF and #AF0D9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 75 / 25

HEX #AF700DCE

RGBA 175 112 13 0.81

HSLA 36.67, 0.86%, 0.37%, 0.81

LABA 52.65, 18.1, 57.03, 0.81

 

Complementary color

CMYK 54 / 33 / 0 / 4

HEX #508FF2CE

RGBA 80 143 242 0.81

HSLA 216.67, 0.86%, 0.63%, 0.81

LABA 59.67, 11.04, -55.7, 0.81

 

CMYK 0 / 31 / 77 / 24

HEX #B47008CE

RGBA 180 112 8 0.81

HSLA 36.28, 0.91%, 0.37%, 0.81

LABA 53.29, 20.25, 58.76, 0.81

 

CMYK 0 / 28 / 70 / 18

HEX #C5821BCE

RGBA 197 130 27 0.81

HSLA 36.35, 0.76%, 0.44%, 0.81

LABA 59.81, 18.16, 60.15, 0.81

 

CMYK 0 / 25 / 64 / 13

HEX #D6942ECE

RGBA 214 148 46 0.81

HSLA 36.43, 0.67%, 0.51%, 0.81

LABA 66.27, 16.35, 60.14, 0.81

 

CMYK 0 / 23 / 58 / 8

HEX #E7A641CE

RGBA 231 166 65 0.81

HSLA 36.51, 0.78%, 0.58%, 0.81

LABA 72.66, 14.77, 59.39, 0.81

 

CMYK 0 / 21 / 54 / 2

HEX #F8B854CE

RGBA 248 184 84 0.81

HSLA 36.59, 0.92%, 0.65%, 0.81

LABA 78.97, 13.4, 58.31, 0.81

 

CMYK 0 / 29 / 75 / 25

HEX #AF700DCE

RGBA 175 112 13 0.81

HSLA 36.67, 0.86%, 0.37%, 0.81

LABA 52.65, 18.1, 57.03, 0.81

 

CMYK 0 / 33 / 81 / 31

HEX #9E5E00CE

RGBA 158 94 0 0.81

HSLA 35.7, 1%, 0.31%, 0.81

LABA 46.01, 20.4, 54.19, 0.81

 

CMYK 0 / 37 / 81 / 36

HEX #8D4C00CE

RGBA 141 76 0 0.81

HSLA 32.34, 1%, 0.28%, 0.81

LABA 39.3, 22.98, 48.76, 0.81

 

CMYK 0 / 43 / 81 / 42

HEX #7C3A00CE

RGBA 124 58 0 0.81

HSLA 28.06, 1%, 0.24%, 0.81

LABA 32.51, 25.59, 43.27, 0.81

 

CMYK 0 / 51 / 81 / 47

HEX #6B2800CE

RGBA 107 40 0 0.81

HSLA 22.43, 1%, 0.21%, 0.81

LABA 25.69, 28.08, 36.62, 0.81

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 0 / 61 / 93 / 31

HEX #AF450D

RGB 175 69 13

HSL 20.74, 0.86%, 0.37%

LAB 43.36, 40.94, 50.29

 

CMYK 0 / 86 / 93 / 31

HEX #AF190D

RGB 175 25 13

HSL 4.44, 0.86%, 0.37%

LAB 37.55, 56.84, 46.32

 

CMYK 0 / 93 / 93 / 31

HEX #AF0D0D

RGB 175 13 13

HSL 0, 0.86%, 0.37%

LAB 36.8, 58.99, 45.82

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 0 / 11 / 93 / 31

HEX #AF9C0D

RGB 175 156 13

HSL 52.96, 0.86%, 0.37%

LAB 64.1, -6.18, 65.66

 

CMYK 14 / 0 / 93 / 31

HEX #97AF0D

RGB 151 175 13

HSL 68.89, 0.86%, 0.37%

LAB 67.48, -26.47, 67.44

 

CMYK 39 / 0 / 93 / 31

HEX #6BAF0D

RGB 107 175 13

HSL 85.19, 0.86%, 0.37%

LAB 64.82, -43.85, 64.19

 

CMYK 63 / 0 / 93 / 31

HEX #40AF0D

RGB 64 175 13

HSL 101.11, 0.86%, 0.37%

LAB 63.16, -56.67, 62.14

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 0 / 32 / 83 / 37

HEX #A06D1C

RGB 160 109 28

HSL 36.82, 0.7%, 0.37%

LAB 50.09, 13.39, 49.73

 

CMYK 0 / 27 / 70 / 43

HEX #916A2C

RGB 145 106 44

HSL 36.83, 0.53%, 0.37%

LAB 47.64, 8.99, 39.77

 

CMYK 0 / 22 / 55 / 49

HEX #82663B

RGB 130 102 59

HSL 36.34, 0.38%, 0.37%

LAB 45.03, 5.6, 28.4

 

CMYK 0 / 13 / 35 / 55

HEX #72634A

RGB 114 99 74

HSL 37.5, 0.21%, 0.37%

LAB 42.76, 1.94, 16.43

 

CMYK 0 / 86 / 93 / 31

HEX #AF180D

RGB 175 24 13

HSL 4.07, 0.86%, 0.37%

LAB 37.47, 57.06, 46.27

 

CMYK 0 / 62 / 93 / 31

HEX #AF430D

RGB 175 67 13

HSL 20, 0.86%, 0.37%

LAB 43, 41.89, 50.04

 

CMYK 0 / 37 / 93 / 31

HEX #AF6F0D

RGB 175 111 13

HSL 36.3, 0.86%, 0.37%

LAB 52.41, 18.66, 56.85

 

CMYK 0 / 12 / 93 / 31

HEX #AF9A0D

RGB 175 154 13

HSL 52.22, 0.86%, 0.37%

LAB 63.55, -5.11, 65.25

 

CMYK 12 / 0 / 93 / 31

HEX #9AAF0D

RGB 154 175 13

HSL 67.78, 0.86%, 0.37%

LAB 67.69, -25.2, 67.7

 

CMYK 0 / 36 / 93 / 61

HEX #633F07

RGB 99 63 7

HSL 36.52, 0.87%, 0.21%

LAB 29.97, 11.06, 36.89

 

CMYK 0 / 36 / 93 / 46

HEX #89580A

RGB 137 88 10

HSL 36.85, 0.86%, 0.29%

LAB 41.72, 14.39, 47.33

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 0 / 36 / 93 / 16

HEX #D68910

RGB 214 137 16

HSL 36.67, 0.86%, 0.45%

LAB 63.53, 21.53, 66.6

 

CMYK 0 / 34 / 86 / 7

HEX #EE9E21

RGB 238 158 33

HSL 36.59, 0.86%, 0.53%

LAB 71.38, 20.88, 69.88

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 74 / 0 / 93 / 31

HEX #2EAF0D

RGB 46 175 13

HSL 107.78, 0.86%, 0.37%

LAB 62.73, -60.29, 61.62

 

CMYK 74 / 93 / 0 / 31

HEX #2E0DAF

RGB 46 13 175

HSL 252.22, 0.86%, 0.37%

LAB 23.55, 57.49, -76.05

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 93 / 0 / 37 / 31

HEX #0DAF6F

RGB 13 175 111

HSL 156.3, 0.86%, 0.37%

LAB 63.25, -52.55, 22.53

 

CMYK 37 / 93 / 0 / 31

HEX #6F0DAF

RGB 111 13 175

HSL 276.3, 0.86%, 0.37%

LAB 31.26, 63.07, -63.06

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 74 / 0 / 93 / 31

HEX #2EAF0D

RGB 46 175 13

HSL 107.78, 0.86%, 0.37%

LAB 62.73, -60.29, 61.62

 

CMYK 93 / 55 / 0 / 31

HEX #0D4EAF

RGB 13 78 175

HSL 215.93, 0.86%, 0.37%

LAB 35.26, 19.93, -56.82

 

CMYK 18 / 93 / 0 / 31

HEX #8F0DAF

RGB 143 13 175

HSL 288.15, 0.86%, 0.37%

LAB 36.41, 67.52, -54.44

 

CMYK 0 / 36 / 93 / 31

HEX #AF700D

RGB 175 112 13

HSL 36.67, 0.86%, 0.37%

LAB 52.65, 18.1, 57.03

 

CMYK 93 / 0 / 83 / 31

HEX #0DAF1D

RGB 13 175 29

HSL 125.93, 0.86%, 0.37%

LAB 62.37, -63.35, 57.82

 

CMYK 93 / 55 / 0 / 31

HEX #0D4EAF

RGB 13 78 175

HSL 215.93, 0.86%, 0.37%

LAB 35.26, 19.93, -56.82

 

CMYK 0 / 93 / 9 / 31

HEX #AF0D9F

RGB 175 13 159

HSL 305.93, 0.86%, 0.37%

LAB 41.06, 70.42, -37.07

 

Description

Color code: HEX #AF700DCE | qconv.com Color code: HEX #AF700DCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 112 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 112 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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