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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6FE8CE it is the complementary color #509017CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6FE8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6FE8CE shade: #B46FE3CE, #C581F6CE, #D693FFCE, #E7A5FFCE and #F8B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6FE8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6FE8CE shade: #AF6FE8CE, #9E5DD5CE, #8D4BC2CE, #7C39AFCE and #6B279CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6FE8CE shade: #AE6EE7, #CF6EE7, #E76EDF, #E76EBE and #E76E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6FE8CE shade: #AE6EE7, #8E6EE7 and #6E6EE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6FE8CE shade matches the following richer shades: #AE6EE7 and #AF61F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6FE8CE shade: #AE6EE7, #AE7CDA, #AD89CC, #AC97BF and #ABA5B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6FE8CE shade: #6E70E7, #8D6EE7, #AD6EE7, #CD6EE7 and #E76EE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6FE8CE shade: #8727DC, #9B4BE2, #AE6EE7, #C292ED and #D6B5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6FE8CE shade: #AF6FE8, #E76E91 and #6EE77C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6FE8CE shade: #AF6FE8, #E7AD6E and #6EE7AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6FE8CE shade: #AF6FE8, #E76E91, #A9E76E and #6EE7C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6FE8CE shade: #AF6FE8, #E7706E, #A9E76E and #6EE5E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 42 / 0 / 7

HEX #AF6FE8CE

RGBA 175 111 232 0.81

HSLA 271.74, 0.72%, 0.67%, 0.81

LABA 58.33, 47.73, -51.88, 0.81

 

Complementary color

CMYK 36 / 0 / 68 / 35

HEX #509017CE

RGBA 80 144 23 0.81

HSLA 91.74, 0.72%, 0.33%, 0.81

LABA 53.72, -40.06, 52.14, 0.81

 

CMYK 17 / 41 / 0 / 9

HEX #B46FE3CE

RGBA 180 111 227 0.81

HSLA 275.69, 0.67%, 0.66%, 0.81

LABA 58.62, 47.91, -48.59, 0.81

 

CMYK 16 / 39 / 0 / 3

HEX #C581F6CE

RGBA 197 129 246 0.81

HSLA 274.87, 0.87%, 0.74%, 0.81

LABA 65.14, 47.07, -48.69, 0.81

 

CMYK 13 / 34 / 0 / 0

HEX #D693FFCE

RGBA 214 147 255 0.81

HSLA 277.22, 1%, 0.79%, 0.81

LABA 71.13, 44.12, -44.06, 0.81

 

CMYK 8 / 29 / 0 / 0

HEX #E7A5FFCE

RGBA 231 165 255 0.81

HSLA 284, 1%, 0.82%, 0.81

LABA 76.75, 39.5, -35.19, 0.81

 

CMYK 2 / 23 / 0 / 0

HEX #F8B7FFCE

RGBA 248 183 255 0.81

HSLA 294.17, 1%, 0.86%, 0.81

LABA 82.4, 35.2, -26.36, 0.81

 

CMYK 20 / 42 / 0 / 7

HEX #AF6FE8CE

RGBA 175 111 232 0.81

HSLA 271.74, 0.72%, 0.67%, 0.81

LABA 58.33, 47.73, -51.88, 0.81

 

CMYK 21 / 46 / 0 / 13

HEX #9E5DD5CE

RGBA 158 93 213 0.81

HSLA 272.5, 0.59%, 0.6%, 0.81

LABA 51.73, 48.6, -51.81, 0.81

 

CMYK 22 / 50 / 0 / 19

HEX #8D4BC2CE

RGBA 141 75 194 0.81

HSLA 273.28, 0.49%, 0.53%, 0.81

LABA 45.07, 49.43, -51.67, 0.81

 

CMYK 24 / 55 / 0 / 25

HEX #7C39AFCE

RGBA 124 57 175 0.81

HSLA 274.07, 0.51%, 0.45%, 0.81

LABA 38.39, 50.09, -51.38, 0.81

 

CMYK 25 / 61 / 0 / 31

HEX #6B279CCE

RGBA 107 39 156 0.81

HSLA 274.87, 0.6%, 0.38%, 0.81

LABA 31.75, 50.38, -50.81, 0.81

 

CMYK 25 / 52 / 0 / 9

HEX #AE6EE7

RGB 174 110 231

HSL 271.74, 0.72%, 0.67%

LAB 57.96, 47.78, -51.92

 

CMYK 10 / 52 / 0 / 9

HEX #CF6EE7

RGB 207 110 231

HSL 288.1, 0.72%, 0.67%

LAB 61.82, 56.39, -45.57

 

CMYK 0 / 52 / 3 / 9

HEX #E76EDF

RGB 231 110 223

HSL 303.97, 0.72%, 0.67%

LAB 64.54, 61.4, -36.62

 

CMYK 0 / 52 / 18 / 9

HEX #E76EBE

RGB 231 110 190

HSL 320.33, 0.72%, 0.67%

LAB 63.23, 56.2, -20.08

 

CMYK 0 / 52 / 32 / 9

HEX #E76E9E

RGB 231 110 158

HSL 336.2, 0.72%, 0.67%

LAB 62.18, 51.87, -3.38

 

CMYK 25 / 52 / 0 / 9

HEX #AE6EE7

RGB 174 110 231

HSL 271.74, 0.72%, 0.67%

LAB 57.96, 47.78, -51.92

 

CMYK 39 / 52 / 0 / 9

HEX #8E6EE7

RGB 142 110 231

HSL 255.87, 0.72%, 0.67%

LAB 54.73, 39.86, -57.26

 

CMYK 52 / 52 / 0 / 9

HEX #6E6EE7

RGB 110 110 231

HSL 240, 0.72%, 0.67%

LAB 52.1, 32.81, -61.62

 

CMYK 25 / 52 / 0 / 9

HEX #AE6EE7

RGB 174 110 231

HSL 271.74, 0.72%, 0.67%

LAB 57.96, 47.78, -51.92

 

CMYK 29 / 60 / 0 / 4

HEX #AF61F5

RGB 175 97 245

HSL 271.62, 0.88%, 0.67%

LAB 56.34, 57.92, -62.3

 

CMYK 25 / 52 / 0 / 9

HEX #AE6EE7

RGB 174 110 231

HSL 271.74, 0.72%, 0.67%

LAB 57.96, 47.78, -51.92

 

CMYK 20 / 43 / 0 / 15

HEX #AE7CDA

RGB 174 124 218

HSL 271.91, 0.56%, 0.67%

LAB 60.32, 37.18, -40.92

 

CMYK 15 / 33 / 0 / 20

HEX #AD89CC

RGB 173 137 204

HSL 272.24, 0.4%, 0.67%

LAB 62.62, 26.45, -29.48

 

CMYK 10 / 21 / 0 / 25

HEX #AC97BF

RGB 172 151 191

HSL 271.5, 0.24%, 0.67%

LAB 65.49, 15.43, -17.82

 

CMYK 3 / 7 / 0 / 31

HEX #ABA5B1

RGB 171 165 177

HSL 270, 0.07%, 0.67%

LAB 68.56, 4.44, -5.41

 

CMYK 52 / 52 / 0 / 9

HEX #6E70E7

RGB 110 112 231

HSL 239.01, 0.72%, 0.67%

LAB 52.59, 31.61, -60.84

 

CMYK 39 / 52 / 0 / 9

HEX #8D6EE7

RGB 141 110 231

HSL 255.37, 0.72%, 0.67%

LAB 54.64, 39.63, -57.41

 

CMYK 25 / 52 / 0 / 9

HEX #AD6EE7

RGB 173 110 231

HSL 271.24, 0.72%, 0.67%

LAB 57.85, 47.52, -52.1

 

CMYK 11 / 52 / 0 / 9

HEX #CD6EE7

RGB 205 110 231

HSL 287.11, 0.72%, 0.67%

LAB 61.57, 55.86, -45.97

 

CMYK 0 / 52 / 3 / 9

HEX #E76EE1

RGB 231 110 225

HSL 302.98, 0.72%, 0.67%

LAB 64.63, 61.73, -37.6

 

CMYK 39 / 82 / 0 / 14

HEX #8727DC

RGB 135 39 220

HSL 271.82, 0.72%, 0.51%

LAB 40.85, 69.39, -73.56

 

CMYK 31 / 67 / 0 / 11

HEX #9B4BE2

RGB 155 75 226

HSL 271.79, 0.72%, 0.59%

LAB 48.87, 59.9, -63.8

 

CMYK 25 / 52 / 0 / 9

HEX #AE6EE7

RGB 174 110 231

HSL 271.74, 0.72%, 0.67%

LAB 57.96, 47.78, -51.92

 

CMYK 18 / 38 / 0 / 7

HEX #C292ED

RGB 194 146 237

HSL 271.65, 0.72%, 0.75%

LAB 68.12, 35.05, -39.09

 

CMYK 12 / 26 / 0 / 5

HEX #D6B5F3

RGB 214 181 243

HSL 271.94, 0.72%, 0.83%

LAB 78.35, 23.25, -26.4

 

CMYK 25 / 52 / 0 / 9

HEX #AF6FE8

RGB 175 111 232

HSL 271.74, 0.72%, 0.67%

LAB 58.33, 47.73, -51.88

 

CMYK 0 / 52 / 37 / 9

HEX #E76E91

RGB 231 110 145

HSL 342.64, 0.72%, 0.67%

LAB 61.81, 50.33, 3.57

 

CMYK 52 / 0 / 46 / 9

HEX #6EE77C

RGB 110 231 124

HSL 126.94, 0.72%, 0.67%

LAB 82.87, -55.76, 41.81

 

CMYK 25 / 52 / 0 / 9

HEX #AF6FE8

RGB 175 111 232

HSL 271.74, 0.72%, 0.67%

LAB 58.33, 47.73, -51.88

 

CMYK 0 / 25 / 52 / 9

HEX #E7AD6E

RGB 231 173 110

HSL 31.24, 0.72%, 0.67%

LAB 74.83, 14.05, 40.42

 

CMYK 52 / 0 / 25 / 9

HEX #6EE7AD

RGB 110 231 173

HSL 151.24, 0.72%, 0.67%

LAB 83.7, -47.24, 18.06

 

CMYK 25 / 52 / 0 / 9

HEX #AF6FE8

RGB 175 111 232

HSL 271.74, 0.72%, 0.67%

LAB 58.33, 47.73, -51.88

 

CMYK 0 / 52 / 37 / 9

HEX #E76E91

RGB 231 110 145

HSL 342.64, 0.72%, 0.67%

LAB 61.81, 50.33, 3.57

 

CMYK 27 / 0 / 52 / 9

HEX #A9E76E

RGB 169 231 110

HSL 90.74, 0.72%, 0.67%

LAB 85.36, -39.4, 52.11

 

CMYK 52 / 0 / 15 / 9

HEX #6EE7C5

RGB 110 231 197

HSL 163.14, 0.72%, 0.67%

LAB 84.22, -42.06, 6.24

 

CMYK 25 / 52 / 0 / 9

HEX #AF6FE8

RGB 175 111 232

HSL 271.74, 0.72%, 0.67%

LAB 58.33, 47.73, -51.88

 

CMYK 0 / 52 / 52 / 9

HEX #E7706E

RGB 231 112 110

HSL 0.99, 0.72%, 0.67%

LAB 61.4, 45.91, 23.08

 

CMYK 27 / 0 / 52 / 9

HEX #A9E76E

RGB 169 231 110

HSL 90.74, 0.72%, 0.67%

LAB 85.36, -39.4, 52.11

 

CMYK 52 / 1 / 0 / 9

HEX #6EE5E7

RGB 110 229 231

HSL 180.99, 0.72%, 0.67%

LAB 84.55, -32.82, -11.23

 

Description

Color code: HEX #AF6FE8CE | qconv.com Color code: HEX #AF6FE8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 111 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 111 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 42 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 42% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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