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Color name
HEX #AF6D40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6D40 it is the complementary color #5092BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6D40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6D40 shade: #B46D3B, #C57F4E, #D69161, #E7A374 and #F8B587

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6D40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6D40 shade: #AF6D40, #9E5B2D, #8D491A, #7C3707 and #6B2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6D40 shade: #AF6D41, #AF5041 and #AF4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6D40 shade: #AF6D41, #AF8B41, #AFA941, #97AF41 and #7AAF41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6D40 shade matches the following richer shades: #AF6D41, #C26A2D, #D6661A and #E96207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6D40 shade: #AF6D41, #9C7154, #887568, #75787B and #617C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6D40 shade: #AF414F, #AF4F41, #AF6D41, #AF8A41 and #AFA841

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6D40 shade: #73482A, #915B36, #AF6D41, #C18358 and #CC9976

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6D40 shade: #AF6D40, #6DAF41 and #4141AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6D40 shade: #AF6D40, #41AF6D and #6D41AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6D40 shade: #AF6D40, #6DAF41, #4183AF and #8341AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6D40 shade: #AF6D40, #4CAF41, #4183AF and #A441AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 63 / 31

HEX #AF6D40

RGB 175 109 64

HSL 24.32, 0.46%, 0.47%

LAB 52.31, 21.91, 35.71

 

Complementary color

CMYK 58 / 24 / 0 / 25

HEX #5092BF

RGB 80 146 191

HSL 204.32, 0.46%, 0.53%

LAB 58.06, -7.69, -29.74

 

CMYK 0 / 39 / 67 / 29

HEX #B46D3B

RGB 180 109 59

HSL 24.79, 0.51%, 0.47%

LAB 52.9, 23.71, 39.21

 

CMYK 0 / 36 / 60 / 23

HEX #C57F4E

RGB 197 127 78

HSL 24.71, 0.51%, 0.54%

LAB 59.52, 22.26, 37.5

 

CMYK 0 / 32 / 55 / 16

HEX #D69161

RGB 214 145 97

HSL 24.62, 0.59%, 0.61%

LAB 66.07, 21, 35.88

 

CMYK 0 / 29 / 50 / 9

HEX #E7A374

RGB 231 163 116

HSL 24.52, 0.71%, 0.68%

LAB 72.52, 19.9, 34.37

 

CMYK 0 / 27 / 46 / 3

HEX #F8B587

RGB 248 181 135

HSL 24.42, 0.89%, 0.75%

LAB 78.9, 18.94, 32.98

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D40

RGB 175 109 64

HSL 24.32, 0.46%, 0.47%

LAB 52.31, 21.91, 35.71

 

CMYK 0 / 42 / 72 / 38

HEX #9E5B2D

RGB 158 91 45

HSL 24.42, 0.56%, 0.4%

LAB 45.55, 23.48, 37.49

 

CMYK 0 / 48 / 82 / 45

HEX #8D491A

RGB 141 73 26

HSL 24.52, 0.69%, 0.33%

LAB 38.73, 25.32, 39.15

 

CMYK 0 / 56 / 94 / 51

HEX #7C3707

RGB 124 55 7

HSL 24.62, 0.89%, 0.26%

LAB 31.88, 27.41, 40.03

 

CMYK 0 / 65 / 100 / 58

HEX #6B2500

RGB 107 37 0

HSL 20.75, 1%, 0.21%

LAB 25.1, 29.63, 36.07

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D41

RGB 175 109 65

HSL 24, 0.46%, 0.47%

LAB 52.32, 21.98, 35.18

 

CMYK 0 / 54 / 63 / 31

HEX #AF5041

RGB 175 80 65

HSL 8.18, 0.46%, 0.47%

LAB 45.95, 37.63, 27.43

 

CMYK 0 / 63 / 63 / 31

HEX #AF4141

RGB 175 65 65

HSL 0, 0.46%, 0.47%

LAB 43.18, 44.9, 23.94

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D41

RGB 175 109 65

HSL 24, 0.46%, 0.47%

LAB 52.32, 21.98, 35.18

 

CMYK 0 / 21 / 63 / 31

HEX #AF8B41

RGB 175 139 65

HSL 40.36, 0.46%, 0.47%

LAB 59.85, 5.21, 43.89

 

CMYK 0 / 3 / 63 / 31

HEX #AFA941

RGB 175 169 65

HSL 56.73, 0.46%, 0.47%

LAB 67.93, -10.96, 52.75

 

CMYK 14 / 0 / 63 / 31

HEX #97AF41

RGB 151 175 65

HSL 73.09, 0.46%, 0.47%

LAB 67.74, -24.16, 52

 

CMYK 30 / 0 / 63 / 31

HEX #7AAF41

RGB 122 175 65

HSL 88.91, 0.46%, 0.47%

LAB 65.89, -35.58, 49.44

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D41

RGB 175 109 65

HSL 24, 0.46%, 0.47%

LAB 52.32, 21.98, 35.18

 

CMYK 0 / 45 / 77 / 24

HEX #C26A2D

RGB 194 106 45

HSL 24.56, 0.62%, 0.47%

LAB 53.99, 30.51, 47.87

 

CMYK 0 / 52 / 88 / 16

HEX #D6661A

RGB 214 102 26

HSL 24.26, 0.78%, 0.47%

LAB 55.96, 40.07, 58.35

 

CMYK 0 / 58 / 97 / 9

HEX #E96207

RGB 233 98 7

HSL 24.16, 0.94%, 0.47%

LAB 58.11, 48.95, 65.86

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D41

RGB 175 109 65

HSL 24, 0.46%, 0.47%

LAB 52.32, 21.98, 35.18

 

CMYK 0 / 28 / 46 / 39

HEX #9C7154

RGB 156 113 84

HSL 24.17, 0.3%, 0.47%

LAB 51.29, 13.27, 22.76

 

CMYK 0 / 14 / 24 / 47

HEX #887568

RGB 136 117 104

HSL 24.38, 0.13%, 0.47%

LAB 50.64, 5.2, 9.89

 

CMYK 5 / 2 / 0 / 52

HEX #75787B

RGB 117 120 123

HSL 210, 0.03%, 0.47%

LAB 50.27, -0.5, -2.04

HEX #75787B

CMYK 32 / 13 / 0 / 44

HEX #617C8E

RGB 97 124 142

HSL 204, 0.19%, 0.47%

LAB 50.58, -5.17, -12.91

HEX #617C8E

CMYK 0 / 63 / 55 / 31

HEX #AF414F

RGB 175 65 79

HSL 352.36, 0.46%, 0.47%

LAB 43.45, 45.94, 15.73

 

CMYK 0 / 55 / 63 / 31

HEX #AF4F41

RGB 175 79 65

HSL 7.64, 0.46%, 0.47%

LAB 45.75, 38.14, 27.19

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D41

RGB 175 109 65

HSL 24, 0.46%, 0.47%

LAB 52.32, 21.98, 35.18

 

CMYK 0 / 21 / 63 / 31

HEX #AF8A41

RGB 175 138 65

HSL 39.82, 0.46%, 0.47%

LAB 59.59, 5.76, 43.59

 

CMYK 0 / 4 / 63 / 31

HEX #AFA841

RGB 175 168 65

HSL 56.18, 0.46%, 0.47%

LAB 67.65, -10.44, 52.45

 

CMYK 0 / 37 / 63 / 55

HEX #73482A

RGB 115 72 42

HSL 24.66, 0.46%, 0.31%

LAB 34.9, 15.12, 25.37

 

CMYK 0 / 37 / 63 / 43

HEX #915B36

RGB 145 91 54

HSL 24.4, 0.46%, 0.39%

LAB 43.9, 18.38, 30.25

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D41

RGB 175 109 65

HSL 24, 0.46%, 0.47%

LAB 52.32, 21.98, 35.18

 

CMYK 0 / 32 / 54 / 24

HEX #C18358

RGB 193 131 88

HSL 24.57, 0.46%, 0.55%

LAB 60.14, 19.19, 32.76

 

CMYK 0 / 25 / 42 / 20

HEX #CC9976

RGB 204 153 118

HSL 24.42, 0.46%, 0.63%

LAB 67.22, 14.61, 25.81

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D40

RGB 175 109 64

HSL 24.32, 0.46%, 0.47%

LAB 52.31, 21.91, 35.71

 

CMYK 38 / 0 / 63 / 31

HEX #6DAF41

RGB 109 175 65

HSL 96, 0.46%, 0.47%

LAB 65.19, -40.26, 48.48

 

CMYK 63 / 63 / 0 / 31

HEX #4141AF

RGB 65 65 175

HSL 240, 0.46%, 0.47%

LAB 33.98, 34.05, -58.81

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D40

RGB 175 109 64

HSL 24.32, 0.46%, 0.47%

LAB 52.31, 21.91, 35.71

 

CMYK 63 / 0 / 38 / 31

HEX #41AF6D

RGB 65 175 109

HSL 144, 0.46%, 0.47%

LAB 64.07, -46.4, 24.84

 

CMYK 38 / 63 / 0 / 31

HEX #6D41AF

RGB 109 65 175

HSL 264, 0.46%, 0.47%

LAB 38.07, 42.64, -51.99

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D40

RGB 175 109 64

HSL 24.32, 0.46%, 0.47%

LAB 52.31, 21.91, 35.71

 

CMYK 38 / 0 / 63 / 31

HEX #6DAF41

RGB 109 175 65

HSL 96, 0.46%, 0.47%

LAB 65.19, -40.26, 48.48

 

CMYK 63 / 25 / 0 / 31

HEX #4183AF

RGB 65 131 175

HSL 204, 0.46%, 0.47%

LAB 52.34, -7.27, -29.53

 

CMYK 25 / 63 / 0 / 31

HEX #8341AF

RGB 131 65 175

HSL 276, 0.46%, 0.47%

LAB 40.74, 47.74, -47.55

 

CMYK 0 / 38 / 63 / 31

HEX #AF6D40

RGB 175 109 64

HSL 24.32, 0.46%, 0.47%

LAB 52.31, 21.91, 35.71

 

CMYK 57 / 0 / 63 / 31

HEX #4CAF41

RGB 76 175 65

HSL 114, 0.46%, 0.47%

LAB 63.82, -50.34, 46.57

 

CMYK 63 / 25 / 0 / 31

HEX #4183AF

RGB 65 131 175

HSL 204, 0.46%, 0.47%

LAB 52.34, -7.27, -29.53

 

CMYK 6 / 63 / 0 / 31

HEX #A441AF

RGB 164 65 175

HSL 294, 0.46%, 0.47%

LAB 45.32, 55.8, -39.98

 

Description

Color code: HEX #AF6D40 | qconv.com Color code: HEX #AF6D40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 109 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 109 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 63 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 63% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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