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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6B57 it is the complementary color #5094A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6B57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6B57 shade: #B46B52, #C57D65, #D68F78, #E7A18B and #F8B39E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6B57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6B57 shade: #AF6B57, #9E5944, #8D4731, #7C351E and #6B230B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6B57 shade: #AE6A56 and #AE5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6B57 shade: #AE6A56, #AE8256, #AE9956, #ABAE56 and #93AE56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6B57 shade matches the following richer shades: #AE6A56, #C25F42, #D6542E, #EA491A and #FF3E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6B57 shade: #AE6A56, #9A756B, #85807F, #718B93 and #5D96A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6B57 shade: #AE5672, #AE565B, #AE6956, #AE8156 and #AE9856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6B57 shade: #78483A, #945947, #AE6A56, #BB8372 and #C99B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6B57 shade: #AF6B57, #89AE56 and #5666AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6B57 shade: #AF6B57, #56AE69 and #6956AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6B57 shade: #AF6B57, #89AE56, #569BAE and #7B56AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6B57 shade: #AF6B57, #6FAE56, #569BAE and #9556AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 50 / 31

HEX #AF6B57

RGB 175 107 87

HSL 13.64, 0.35%, 0.51%

LAB 52.19, 24.95, 22.66

 

Complementary color

CMYK 52 / 12 / 0 / 34

HEX #5094A8

RGB 80 148 168

HSL 193.64, 0.35%, 0.49%

LAB 57.76, -15.84, -17.13

 

CMYK 0 / 41 / 54 / 29

HEX #B46B52

RGB 180 107 82

HSL 15.31, 0.4%, 0.51%

LAB 52.76, 26.53, 26.39

 

CMYK 0 / 37 / 49 / 23

HEX #C57D65

RGB 197 125 101

HSL 15, 0.45%, 0.58%

LAB 59.41, 25.33, 24.72

 

CMYK 0 / 33 / 44 / 16

HEX #D68F78

RGB 214 143 120

HSL 14.68, 0.53%, 0.65%

LAB 65.98, 24.26, 23.23

 

CMYK 0 / 30 / 40 / 9

HEX #E7A18B

RGB 231 161 139

HSL 14.35, 0.66%, 0.73%

LAB 72.46, 23.31, 21.89

 

CMYK 0 / 28 / 36 / 3

HEX #F8B39E

RGB 248 179 158

HSL 14, 0.87%, 0.8%

LAB 78.85, 22.47, 20.67

 

CMYK 0 / 39 / 50 / 31

HEX #AF6B57

RGB 175 107 87

HSL 13.64, 0.35%, 0.51%

LAB 52.19, 24.95, 22.66

 

CMYK 0 / 44 / 57 / 38

HEX #9E5944

RGB 158 89 68

HSL 14, 0.4%, 0.44%

LAB 45.4, 26.23, 24.45

 

CMYK 0 / 50 / 65 / 45

HEX #8D4731

RGB 141 71 49

HSL 14.35, 0.48%, 0.37%

LAB 38.54, 27.68, 26.53

 

CMYK 0 / 57 / 76 / 51

HEX #7C351E

RGB 124 53 30

HSL 14.68, 0.61%, 0.3%

LAB 31.64, 29.29, 28.95

 

CMYK 0 / 67 / 90 / 58

HEX #6B230B

RGB 107 35 11

HSL 15, 0.81%, 0.23%

LAB 24.8, 30.93, 31.29

 

CMYK 0 / 39 / 51 / 32

HEX #AE6A56

RGB 174 106 86

HSL 13.64, 0.35%, 0.51%

LAB 51.81, 25, 22.71

 

CMYK 0 / 51 / 51 / 32

HEX #AE5656

RGB 174 86 86

HSL 0, 0.35%, 0.51%

LAB 47.4, 35.86, 16.81

 

CMYK 0 / 39 / 51 / 32

HEX #AE6A56

RGB 174 106 86

HSL 13.64, 0.35%, 0.51%

LAB 51.81, 25, 22.71

 

CMYK 0 / 25 / 51 / 32

HEX #AE8256

RGB 174 130 86

HSL 30, 0.35%, 0.51%

LAB 57.69, 11.53, 30.31

 

CMYK 0 / 12 / 51 / 32

HEX #AE9956

RGB 174 153 86

HSL 45.68, 0.35%, 0.51%

LAB 63.72, -1.19, 37.81

 

CMYK 2 / 0 / 51 / 32

HEX #ABAE56

RGB 171 174 86

HSL 62.05, 0.35%, 0.51%

LAB 69.19, -13.6, 44.32

 

CMYK 16 / 0 / 51 / 32

HEX #93AE56

RGB 147 174 86

HSL 78.41, 0.35%, 0.51%

LAB 67.39, -23.41, 41.75

 

CMYK 0 / 39 / 51 / 32

HEX #AE6A56

RGB 174 106 86

HSL 13.64, 0.35%, 0.51%

LAB 51.81, 25, 22.71

 

CMYK 0 / 51 / 66 / 24

HEX #C25F42

RGB 194 95 66

HSL 13.59, 0.51%, 0.51%

LAB 51.89, 37.36, 34.76

 

CMYK 0 / 61 / 79 / 16

HEX #D6542E

RGB 214 84 46

HSL 13.57, 0.67%, 0.51%

LAB 52.77, 49.22, 47.18

 

CMYK 0 / 69 / 89 / 8

HEX #EA491A

RGB 234 73 26

HSL 13.56, 0.83%, 0.51%

LAB 54.38, 60.08, 58.58

 

CMYK 0 / 76 / 98 / 0

HEX #FF3E05

RGB 255 62 5

HSL 13.68, 1%, 0.51%

LAB 56.8, 70.02, 67.57

 

CMYK 0 / 39 / 51 / 32

HEX #AE6A56

RGB 174 106 86

HSL 13.64, 0.35%, 0.51%

LAB 51.81, 25, 22.71

 

CMYK 0 / 24 / 31 / 40

HEX #9A756B

RGB 154 117 107

HSL 12.77, 0.19%, 0.51%

LAB 52.57, 13.02, 11.12

 

CMYK 0 / 4 / 5 / 48

HEX #85807F

RGB 133 128 127

HSL 10, 0.02%, 0.51%

LAB 53.98, 1.69, 1.21

 

CMYK 23 / 5 / 0 / 42

HEX #718B93

RGB 113 139 147

HSL 194.12, 0.14%, 0.51%

LAB 56.17, -7.33, -7.32

 

CMYK 44 / 10 / 0 / 35

HEX #5D96A7

RGB 93 150 167

HSL 193.78, 0.3%, 0.51%

LAB 58.91, -14.06, -14.77

 

CMYK 0 / 51 / 34 / 32

HEX #AE5672

RGB 174 86 114

HSL 340.91, 0.35%, 0.51%

LAB 48.09, 38.97, 0.9

 

CMYK 0 / 51 / 48 / 32

HEX #AE565B

RGB 174 86 91

HSL 356.59, 0.35%, 0.51%

LAB 47.51, 36.35, 13.95

 

CMYK 0 / 40 / 51 / 32

HEX #AE6956

RGB 174 105 86

HSL 12.95, 0.35%, 0.51%

LAB 51.58, 25.55, 22.4

 

CMYK 0 / 26 / 51 / 32

HEX #AE8156

RGB 174 129 86

HSL 29.32, 0.35%, 0.51%

LAB 57.44, 12.09, 29.99

 

CMYK 0 / 13 / 51 / 32

HEX #AE9856

RGB 174 152 86

HSL 45, 0.35%, 0.51%

LAB 63.45, -0.65, 37.48

 

CMYK 0 / 40 / 52 / 53

HEX #78483A

RGB 120 72 58

HSL 13.55, 0.35%, 0.35%

LAB 35.86, 18.86, 17.05

 

CMYK 0 / 40 / 52 / 42

HEX #945947

RGB 148 89 71

HSL 14.03, 0.35%, 0.43%

LAB 44.08, 22.31, 20.7

 

CMYK 0 / 39 / 51 / 32

HEX #AE6A56

RGB 174 106 86

HSL 13.64, 0.35%, 0.51%

LAB 51.81, 25, 22.71

 

CMYK 0 / 30 / 39 / 27

HEX #BB8372

RGB 187 131 114

HSL 13.97, 0.35%, 0.59%

LAB 59.9, 19.4, 17.82

 

CMYK 0 / 23 / 29 / 21

HEX #C99B8E

RGB 201 155 142

HSL 13.22, 0.35%, 0.67%

LAB 67.88, 15.28, 13.41

 

CMYK 0 / 39 / 50 / 31

HEX #AF6B57

RGB 175 107 87

HSL 13.64, 0.35%, 0.51%

LAB 52.19, 24.95, 22.66

 

CMYK 21 / 0 / 51 / 32

HEX #89AE56

RGB 137 174 86

HSL 85.23, 0.35%, 0.51%

LAB 66.72, -27.33, 40.79

 

CMYK 51 / 41 / 0 / 32

HEX #5666AE

RGB 86 102 174

HSL 229.09, 0.35%, 0.51%

LAB 44.99, 14.49, -40.42

 

CMYK 0 / 39 / 50 / 31

HEX #AF6B57

RGB 175 107 87

HSL 13.64, 0.35%, 0.51%

LAB 52.19, 24.95, 22.66

 

CMYK 51 / 0 / 40 / 32

HEX #56AE69

RGB 86 174 105

HSL 132.95, 0.35%, 0.51%

LAB 64.38, -41.7, 27.51

 

CMYK 40 / 51 / 0 / 32

HEX #6956AE

RGB 105 86 174

HSL 252.95, 0.35%, 0.51%

LAB 42.33, 29.14, -44.57

 

CMYK 0 / 39 / 50 / 31

HEX #AF6B57

RGB 175 107 87

HSL 13.64, 0.35%, 0.51%

LAB 52.19, 24.95, 22.66

 

CMYK 21 / 0 / 51 / 32

HEX #89AE56

RGB 137 174 86

HSL 85.23, 0.35%, 0.51%

LAB 66.72, -27.33, 40.79

 

CMYK 51 / 11 / 0 / 32

HEX #569BAE

RGB 86 155 174

HSL 192.95, 0.35%, 0.51%

LAB 60.32, -16.48, -16.64

 

CMYK 29 / 51 / 0 / 32

HEX #7B56AE

RGB 123 86 174

HSL 265.23, 0.35%, 0.51%

LAB 44.12, 33.91, -41.61

 

CMYK 0 / 39 / 50 / 31

HEX #AF6B57

RGB 175 107 87

HSL 13.64, 0.35%, 0.51%

LAB 52.19, 24.95, 22.66

 

CMYK 36 / 0 / 51 / 32

HEX #6FAE56

RGB 111 174 86

HSL 102.95, 0.35%, 0.51%

LAB 65.22, -36.83, 38.61

 

CMYK 51 / 11 / 0 / 32

HEX #569BAE

RGB 86 155 174

HSL 192.95, 0.35%, 0.51%

LAB 60.32, -16.48, -16.64

 

CMYK 14 / 51 / 0 / 32

HEX #9556AE

RGB 149 86 174

HSL 282.95, 0.35%, 0.51%

LAB 47.11, 41.19, -36.69

 

Description

Color code: HEX #AF6B57 | qconv.com Color code: HEX #AF6B57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 107 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 107 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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