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Color name
HEX #AF6A114C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6A114C it is the complementary color #5095EE4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6A114C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6A114C shade: #B46A0C4C, #C57C1F4C, #D68E324C, #E7A0454C and #F8B2584C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6A114C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6A114C shade: #AF6A114C, #9E58004C, #8D46004C, #7C34004C and #6B22004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6A114C shade: #B06B11, #B04011, #B01511 and #B01111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6A114C shade: #B06B11, #B09611, #A0B011, #75B011 and #4AB011

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6A114C shade matches the following richer shades: #B06B11 and #C06D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6A114C shade: #B06B11, #A16921, #916731, #816540 and #726350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6A114C shade: #B01411, #B03E11, #B06911, #B09311 and #A3B011

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6A114C shade: #653D0A, #8B540E, #B06B11, #D68215 and #EA962A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6A114C shade: #AF6A11, #39B011 and #2911B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6A114C shade: #AF6A11, #11B069 and #6911B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6A114C shade: #AF6A11, #39B011, #1159B0 and #8911B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6A114C shade: #AF6A11, #11B019, #1159B0 and #B011A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 27 / 9

HEX #AF6A114C

RGBA 175 106 17 0.3

HSLA 33.8, 0.82%, 0.38%, 0.3

LABA 51.22, 21.52, 54.98, 0.3

 

Complementary color

CMYK 20 / 11 / 0 / 2

HEX #5095EE4C

RGBA 80 149 238 0.3

HSLA 213.8, 0.82%, 0.62%, 0.3

LABA 61.11, 6.12, -51.21, 0.3

 

CMYK 0 / 12 / 28 / 9

HEX #B46A0C4C

RGBA 180 106 12 0.3

HSLA 33.57, 0.88%, 0.38%, 0.3

LABA 51.88, 23.63, 56.98, 0.3

 

CMYK 0 / 11 / 25 / 7

HEX #C57C1F4C

RGBA 197 124 31 0.3

HSLA 33.61, 0.73%, 0.45%, 0.3

LABA 58.4, 21.55, 57.71, 0.3

 

CMYK 0 / 10 / 23 / 5

HEX #D68E324C

RGBA 214 142 50 0.3

HSLA 33.66, 0.67%, 0.52%, 0.3

LABA 64.86, 19.74, 57.24, 0.3

 

CMYK 0 / 9 / 21 / 3

HEX #E7A0454C

RGBA 231 160 69 0.3

HSLA 33.7, 0.77%, 0.59%, 0.3

LABA 71.26, 18.16, 56.21, 0.3

 

CMYK 0 / 8 / 19 / 1

HEX #F8B2584C

RGBA 248 178 88 0.3

HSLA 33.75, 0.92%, 0.66%, 0.3

LABA 77.58, 16.78, 54.95, 0.3

 

CMYK 0 / 12 / 27 / 9

HEX #AF6A114C

RGBA 175 106 17 0.3

HSLA 33.8, 0.82%, 0.38%, 0.3

LABA 51.22, 21.52, 54.98, 0.3

 

CMYK 0 / 13 / 30 / 11

HEX #9E58004C

RGBA 158 88 0 0.3

HSLA 33.42, 1%, 0.31%, 0.3

LABA 44.59, 23.78, 53.29, 0.3

 

CMYK 0 / 15 / 30 / 13

HEX #8D46004C

RGBA 141 70 0 0.3

HSLA 29.79, 1%, 0.28%, 0.3

LABA 37.92, 26.35, 47.92, 0.3

 

CMYK 0 / 17 / 30 / 15

HEX #7C34004C

RGBA 124 52 0 0.3

HSLA 25.16, 1%, 0.24%, 0.3

LABA 31.21, 28.88, 42.39, 0.3

 

CMYK 0 / 20 / 30 / 17

HEX #6B22004C

RGBA 107 34 0 0.3

HSLA 19.07, 1%, 0.21%, 0.3

LABA 24.54, 31.12, 35.53, 0.3

 

CMYK 0 / 39 / 90 / 31

HEX #B06B11

RGB 176 107 17

HSL 33.96, 0.82%, 0.38%

LAB 51.59, 21.41, 55.32

 

CMYK 0 / 64 / 90 / 31

HEX #B04011

RGB 176 64 17

HSL 17.74, 0.82%, 0.38%

LAB 42.67, 43.71, 48.54

 

CMYK 0 / 88 / 90 / 31

HEX #B01511

RGB 176 21 17

HSL 1.51, 0.82%, 0.38%

LAB 37.49, 58, 44.71

 

CMYK 0 / 90 / 90 / 31

HEX #B01111

RGB 176 17 17

HSL 0, 0.82%, 0.38%

LAB 37.25, 58.71, 44.53

 

CMYK 0 / 39 / 90 / 31

HEX #B06B11

RGB 176 107 17

HSL 33.96, 0.82%, 0.38%

LAB 51.59, 21.41, 55.32

 

CMYK 0 / 15 / 90 / 31

HEX #B09611

RGB 176 150 17

HSL 50.19, 0.82%, 0.38%

LAB 62.58, -2.43, 63.83

 

CMYK 9 / 0 / 90 / 31

HEX #A0B011

RGB 160 176 17

HSL 66.04, 0.82%, 0.38%

LAB 68.43, -23.04, 67.87

 

CMYK 34 / 0 / 90 / 31

HEX #75B011

RGB 117 176 17

HSL 82.26, 0.82%, 0.38%

LAB 65.65, -40.53, 64.45

 

CMYK 58 / 0 / 90 / 31

HEX #4AB011

RGB 74 176 17

HSL 98.49, 0.82%, 0.38%

LAB 63.79, -54.42, 62.15

 

CMYK 0 / 39 / 90 / 31

HEX #B06B11

RGB 176 107 17

HSL 33.96, 0.82%, 0.38%

LAB 51.59, 21.41, 55.32

 

CMYK 0 / 43 / 99 / 25

HEX #C06D02

RGB 192 109 2

HSL 33.79, 0.98%, 0.38%

LAB 54.18, 27.05, 61.29

 

CMYK 0 / 39 / 90 / 31

HEX #B06B11

RGB 176 107 17

HSL 33.96, 0.82%, 0.38%

LAB 51.59, 21.41, 55.32

 

CMYK 0 / 35 / 80 / 37

HEX #A16921

RGB 161 105 33

HSL 33.75, 0.66%, 0.38%

LAB 49.24, 16.31, 47.03

 

CMYK 0 / 29 / 66 / 43

HEX #916731

RGB 145 103 49

HSL 33.75, 0.49%, 0.38%

LAB 46.9, 11.05, 36.43

 

CMYK 0 / 22 / 50 / 49

HEX #816540

RGB 129 101 64

HSL 34.15, 0.34%, 0.38%

LAB 44.72, 6.24, 25.16

 

CMYK 0 / 13 / 30 / 55

HEX #726350

RGB 114 99 80

HSL 33.53, 0.18%, 0.38%

LAB 42.88, 2.81, 13.02

 

CMYK 0 / 89 / 90 / 31

HEX #B01411

RGB 176 20 17

HSL 1.13, 0.82%, 0.38%

LAB 37.43, 58.19, 44.67

 

CMYK 0 / 65 / 90 / 31

HEX #B03E11

RGB 176 62 17

HSL 16.98, 0.82%, 0.38%

LAB 42.33, 44.61, 48.29

 

CMYK 0 / 40 / 90 / 31

HEX #B06911

RGB 176 105 17

HSL 33.21, 0.82%, 0.38%

LAB 51.12, 22.52, 54.96

 

CMYK 0 / 16 / 90 / 31

HEX #B09311

RGB 176 147 17

HSL 49.06, 0.82%, 0.38%

LAB 61.77, -0.81, 63.2

 

CMYK 7 / 0 / 90 / 31

HEX #A3B011

RGB 163 176 17

HSL 64.91, 0.82%, 0.38%

LAB 68.66, -21.75, 68.15

 

CMYK 0 / 40 / 90 / 60

HEX #653D0A

RGB 101 61 10

HSL 33.63, 0.82%, 0.22%

LAB 29.73, 13.38, 35.66

 

CMYK 0 / 40 / 90 / 45

HEX #8B540E

RGB 139 84 14

HSL 33.6, 0.82%, 0.3%

LAB 40.99, 17.74, 45.74

 

CMYK 0 / 39 / 90 / 31

HEX #B06B11

RGB 176 107 17

HSL 33.96, 0.82%, 0.38%

LAB 51.59, 21.41, 55.32

 

CMYK 0 / 39 / 90 / 16

HEX #D68215

RGB 214 130 21

HSL 33.89, 0.82%, 0.46%

LAB 61.93, 25.37, 64.34

 

CMYK 0 / 36 / 82 / 8

HEX #EA962A

RGB 234 150 42

HSL 33.75, 0.82%, 0.54%

LAB 69.09, 23.66, 65

 

CMYK 0 / 39 / 90 / 31

HEX #AF6A11

RGB 175 106 17

HSL 33.8, 0.82%, 0.38%

LAB 51.22, 21.52, 54.98

 

CMYK 68 / 0 / 90 / 31

HEX #39B011

RGB 57 176 17

HSL 104.91, 0.82%, 0.38%

LAB 63.31, -58.42, 61.55

 

CMYK 77 / 90 / 0 / 31

HEX #2911B0

RGB 41 17 176

HSL 249.06, 0.82%, 0.38%

LAB 23.69, 56.39, -76.43

 

CMYK 0 / 39 / 90 / 31

HEX #AF6A11

RGB 175 106 17

HSL 33.8, 0.82%, 0.38%

LAB 51.22, 21.52, 54.98

 

CMYK 90 / 0 / 40 / 31

HEX #11B069

RGB 17 176 105

HSL 153.21, 0.82%, 0.38%

LAB 63.5, -53.92, 26.07

 

CMYK 40 / 90 / 0 / 31

HEX #6911B0

RGB 105 17 176

HSL 273.21, 0.82%, 0.38%

LAB 30.73, 61.76, -64.56

 

CMYK 0 / 39 / 90 / 31

HEX #AF6A11

RGB 175 106 17

HSL 33.8, 0.82%, 0.38%

LAB 51.22, 21.52, 54.98

 

CMYK 68 / 0 / 90 / 31

HEX #39B011

RGB 57 176 17

HSL 104.91, 0.82%, 0.38%

LAB 63.31, -58.42, 61.55

 

CMYK 90 / 49 / 0 / 31

HEX #1159B0

RGB 17 89 176

HSL 212.83, 0.82%, 0.38%

LAB 38.55, 13.18, -52.08

 

CMYK 22 / 90 / 0 / 31

HEX #8911B0

RGB 137 17 176

HSL 285.28, 0.82%, 0.38%

LAB 35.7, 66.15, -56.23

 

CMYK 0 / 39 / 90 / 31

HEX #AF6A11

RGB 175 106 17

HSL 33.8, 0.82%, 0.38%

LAB 51.22, 21.52, 54.98

 

CMYK 90 / 0 / 86 / 31

HEX #11B019

RGB 17 176 25

HSL 123.02, 0.82%, 0.38%

LAB 62.71, -63.58, 59.14

 

CMYK 90 / 49 / 0 / 31

HEX #1159B0

RGB 17 89 176

HSL 212.83, 0.82%, 0.38%

LAB 38.55, 13.18, -52.08

 

CMYK 0 / 90 / 5 / 31

HEX #B011A8

RGB 176 17 168

HSL 303.02, 0.82%, 0.38%

LAB 41.94, 71.37, -41.08

 

Description

Color code: HEX #AF6A114C | qconv.com Color code: HEX #AF6A114C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 106 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 106 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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