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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF66C9 it is the complementary color #509936. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF66C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF66C9 shade: #B466C4, #C578D7, #D68AEA, #E79CFD and #F8AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF66C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF66C9 shade: #AF66C9, #9E54B6, #8D42A3, #7C3090 and #6B1E7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF66C9 shade: #AE64C9, #C964C8, #C964AD, #C96492 and #C96477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF66C9 shade: #AE64C9, #9364C9, #7864C9 and #6464C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF66C9 shade matches the following richer shades: #AE64C9, #B653DA, #BE42EA and #C632FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF66C9 shade: #AE64C9, #A675B8, #9E86A7, #969796 and #8EA885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF66C9 shade: #7864C9, #9364C9, #AE64C9, #C964C9 and #C964AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF66C9 shade: #8639A2, #9E46BE, #AE64C9, #BE83D3 and #CEA1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF66C9 shade: #AF66C9, #C9646B and #64C986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF66C9 shade: #AF66C9, #C9AE64 and #64C9AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF66C9 shade: #AF66C9, #C9646B, #7FC964 and #64C9C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF66C9 shade: #AF66C9, #C97C64, #7FC964 and #64B1C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 49 / 0 / 21

HEX #AF66C9

RGB 175 102 201

HSL 284.24, 0.48%, 0.59%

LAB 54.9, 45.72, -39.82

 

Complementary color

CMYK 48 / 0 / 65 / 40

HEX #509936

RGB 80 153 54

HSL 104.24, 0.48%, 0.41%

LAB 56.84, -41.57, 43.75

 

CMYK 8 / 48 / 0 / 23

HEX #B466C4

RGB 180 102 196

HSL 289.79, 0.44%, 0.58%

LAB 55.27, 46.13, -36.34

 

CMYK 8 / 44 / 0 / 16

HEX #C578D7

RGB 197 120 215

HSL 288.63, 0.54%, 0.66%

LAB 61.83, 45.37, -36.68

 

CMYK 9 / 41 / 0 / 8

HEX #D68AEA

RGB 214 138 234

HSL 287.5, 0.7%, 0.73%

LAB 68.32, 44.61, -36.97

 

CMYK 9 / 38 / 0 / 1

HEX #E79CFD

RGB 231 156 253

HSL 286.39, 0.96%, 0.8%

LAB 74.74, 43.86, -37.23

 

CMYK 3 / 32 / 0 / 0

HEX #F8AEFF

RGB 248 174 255

HSL 294.81, 1%, 0.84%

LAB 80.43, 39.93, -29.37

 

CMYK 13 / 49 / 0 / 21

HEX #AF66C9

RGB 175 102 201

HSL 284.24, 0.48%, 0.59%

LAB 54.9, 45.72, -39.82

 

CMYK 13 / 54 / 0 / 29

HEX #9E54B6

RGB 158 84 182

HSL 285.31, 0.4%, 0.52%

LAB 48.24, 46.47, -39.5

 

CMYK 13 / 60 / 0 / 36

HEX #8D42A3

RGB 141 66 163

HSL 286.39, 0.42%, 0.45%

LAB 41.54, 47.11, -39.06

 

CMYK 14 / 67 / 0 / 44

HEX #7C3090

RGB 124 48 144

HSL 287.5, 0.5%, 0.38%

LAB 34.83, 47.48, -38.4

 

CMYK 14 / 76 / 0 / 51

HEX #6B1E7D

RGB 107 30 125

HSL 288.63, 0.61%, 0.3%

LAB 28.21, 47.28, -37.34

 

CMYK 13 / 50 / 0 / 21

HEX #AE64C9

RGB 174 100 201

HSL 283.96, 0.48%, 0.59%

LAB 54.38, 46.49, -40.65

 

CMYK 0 / 50 / 0 / 21

HEX #C964C8

RGB 201 100 200

HSL 300.59, 0.48%, 0.59%

LAB 57.75, 53.87, -34.54

 

CMYK 0 / 50 / 14 / 21

HEX #C964AD

RGB 201 100 173

HSL 316.63, 0.48%, 0.59%

LAB 56.63, 49.32, -20.78

 

CMYK 0 / 50 / 27 / 21

HEX #C96492

RGB 201 100 146

HSL 332.67, 0.48%, 0.59%

LAB 55.69, 45.33, -6.49

 

CMYK 0 / 50 / 41 / 21

HEX #C96477

RGB 201 100 119

HSL 348.71, 0.48%, 0.59%

LAB 54.93, 42, 8.27

 

CMYK 13 / 50 / 0 / 21

HEX #AE64C9

RGB 174 100 201

HSL 283.96, 0.48%, 0.59%

LAB 54.38, 46.49, -40.65

 

CMYK 27 / 50 / 0 / 21

HEX #9364C9

RGB 147 100 201

HSL 267.92, 0.48%, 0.59%

LAB 51.31, 39.11, -45.71

 

CMYK 40 / 50 / 0 / 21

HEX #7864C9

RGB 120 100 201

HSL 251.88, 0.48%, 0.59%

LAB 48.67, 32.14, -50.07

 

CMYK 50 / 50 / 0 / 21

HEX #6464C9

RGB 100 100 201

HSL 240, 0.48%, 0.59%

LAB 47.03, 27.47, -52.79

 

CMYK 13 / 50 / 0 / 21

HEX #AE64C9

RGB 174 100 201

HSL 283.96, 0.48%, 0.59%

LAB 54.38, 46.49, -40.65

 

CMYK 17 / 62 / 0 / 15

HEX #B653DA

RGB 182 83 218

HSL 284, 0.65%, 0.59%

LAB 53.16, 60.41, -52.19

 

CMYK 19 / 72 / 0 / 8

HEX #BE42EA

RGB 190 66 234

HSL 284.29, 0.8%, 0.59%

LAB 52.71, 72.28, -61.89

 

CMYK 21 / 80 / 0 / 2

HEX #C632FB

RGB 198 50 251

HSL 284.18, 0.96%, 0.59%

LAB 53.22, 81.98, -70.52

 

CMYK 13 / 50 / 0 / 21

HEX #AE64C9

RGB 174 100 201

HSL 283.96, 0.48%, 0.59%

LAB 54.38, 46.49, -40.65

 

CMYK 10 / 36 / 0 / 28

HEX #A675B8

RGB 166 117 184

HSL 283.88, 0.32%, 0.59%

LAB 56.38, 31.23, -27.86

 

CMYK 5 / 20 / 0 / 35

HEX #9E86A7

RGB 158 134 167

HSL 283.64, 0.16%, 0.59%

LAB 59.08, 15.31, -14.08

 

CMYK 1 / 0 / 1 / 41

HEX #969796

RGB 150 151 150

HSL 120, 0%, 0.59%

LAB 62.35, -0.55, 0.39

 

CMYK 15 / 0 / 21 / 34

HEX #8EA885

RGB 142 168 133

HSL 104.57, 0.17%, 0.59%

LAB 66.1, -15.75, 15.15

 

CMYK 40 / 50 / 0 / 21

HEX #7864C9

RGB 120 100 201

HSL 251.88, 0.48%, 0.59%

LAB 48.67, 32.14, -50.07

 

CMYK 27 / 50 / 0 / 21

HEX #9364C9

RGB 147 100 201

HSL 267.92, 0.48%, 0.59%

LAB 51.31, 39.11, -45.71

 

CMYK 13 / 50 / 0 / 21

HEX #AE64C9

RGB 174 100 201

HSL 283.96, 0.48%, 0.59%

LAB 54.38, 46.49, -40.65

 

CMYK 0 / 50 / 0 / 21

HEX #C964C9

RGB 201 100 201

HSL 300, 0.48%, 0.59%

LAB 57.8, 54.04, -35.04

 

CMYK 0 / 50 / 13 / 21

HEX #C964AE

RGB 201 100 174

HSL 316.04, 0.48%, 0.59%

LAB 56.67, 49.47, -21.3

 

CMYK 17 / 65 / 0 / 36

HEX #8639A2

RGB 134 57 162

HSL 284, 0.48%, 0.43%

LAB 38.9, 49.5, -42.72

 

CMYK 17 / 63 / 0 / 25

HEX #9E46BE

RGB 158 70 190

HSL 284, 0.48%, 0.51%

LAB 46.13, 55.02, -47.52

 

CMYK 13 / 50 / 0 / 21

HEX #AE64C9

RGB 174 100 201

HSL 283.96, 0.48%, 0.59%

LAB 54.38, 46.49, -40.65

 

CMYK 10 / 38 / 0 / 17

HEX #BE83D3

RGB 190 131 211

HSL 284.25, 0.48%, 0.67%

LAB 63.25, 36.55, -32.3

 

CMYK 7 / 27 / 0 / 13

HEX #CEA1DE

RGB 206 161 222

HSL 284.26, 0.48%, 0.75%

LAB 72.15, 27.35, -24.54

 

CMYK 13 / 49 / 0 / 21

HEX #AF66C9

RGB 175 102 201

HSL 284.24, 0.48%, 0.59%

LAB 54.9, 45.72, -39.82

 

CMYK 0 / 50 / 47 / 21

HEX #C9646B

RGB 201 100 107

HSL 355.84, 0.48%, 0.59%

LAB 54.65, 40.74, 14.92

 

CMYK 50 / 0 / 33 / 21

HEX #64C986

RGB 100 201 134

HSL 140.2, 0.48%, 0.59%

LAB 73.68, -44.43, 24.67

 

CMYK 13 / 49 / 0 / 21

HEX #AF66C9

RGB 175 102 201

HSL 284.24, 0.48%, 0.59%

LAB 54.9, 45.72, -39.82

 

CMYK 0 / 13 / 50 / 21

HEX #C9AE64

RGB 201 174 100

HSL 43.96, 0.48%, 0.59%

LAB 71.97, 0.23, 41.32

 

CMYK 50 / 0 / 13 / 21

HEX #64C9AE

RGB 100 201 174

HSL 163.96, 0.48%, 0.59%

LAB 74.53, -36.05, 4.47

 

CMYK 13 / 49 / 0 / 21

HEX #AF66C9

RGB 175 102 201

HSL 284.24, 0.48%, 0.59%

LAB 54.9, 45.72, -39.82

 

CMYK 0 / 50 / 47 / 21

HEX #C9646B

RGB 201 100 107

HSL 355.84, 0.48%, 0.59%

LAB 54.65, 40.74, 14.92

 

CMYK 37 / 0 / 50 / 21

HEX #7FC964

RGB 127 201 100

HSL 103.96, 0.48%, 0.59%

LAB 74.32, -41.7, 43.02

 

CMYK 50 / 0 / 3 / 21

HEX #64C9C2

RGB 100 201 194

HSL 175.84, 0.48%, 0.59%

LAB 75.06, -31.15, -5.57

 

CMYK 13 / 49 / 0 / 21

HEX #AF66C9

RGB 175 102 201

HSL 284.24, 0.48%, 0.59%

LAB 54.9, 45.72, -39.82

 

CMYK 0 / 38 / 50 / 21

HEX #C97C64

RGB 201 124 100

HSL 14.26, 0.48%, 0.59%

LAB 59.66, 27.38, 25.71

 

CMYK 37 / 0 / 50 / 21

HEX #7FC964

RGB 127 201 100

HSL 103.96, 0.48%, 0.59%

LAB 74.32, -41.7, 43.02

 

CMYK 50 / 12 / 0 / 21

HEX #64B1C9

RGB 100 177 201

HSL 194.26, 0.48%, 0.59%

LAB 68.29, -17.24, -19.54

 

Description

Color code: HEX #AF66C9 | qconv.com Color code: HEX #AF66C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 102 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 102 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 49 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 49% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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