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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF66633F it is the complementary color #50999C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF66633F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF66633F shade: #B4665E3F, #C578713F, #D68A843F, #E79C973F and #F8AEAA3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF66633F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF66633F shade: #AF66633F, #9E54503F, #8D423D3F, #7C302A3F and #6B1E173F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF66633F shade: #AF6764 and #AF6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF66633F shade: #AF6764, #AF7B64, #AF9064, #AFA464 and #A6AF64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF66633F shade matches the following richer shades: #AF6764, #C25651, #D5443E, #E8332B and #FB2118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF66633F shade: #AF6764, #9C7977, #898A8A, #769C9D and #63ADB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF66633F shade: #AF648A, #AF6476, #AF6764, #AF7B64 and #AF8F64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF66633F shade: #7F4442, #9B5350, #AF6764, #BD827F and #CB9D9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF66633F shade: #AF6663, #9EAF64 and #6480AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF66633F shade: #AF6663, #64AF67 and #6764AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF66633F shade: #AF6663, #9EAF64, #64ADAF and #7664AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF66633F shade: #AF6663, #87AF64, #64ADAF and #8C64AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 11 / 8

HEX #AF66633F

RGBA 175 102 99 0.25

HSLA 2.37, 0.32%, 0.54%, 0.25

LABA 51.29, 28.97, 14.42, 0.25

 

Complementary color

CMYK 12 / 0 / 0 / 10

HEX #50999C3F

RGBA 80 153 156 0.25

HSLA 182.37, 0.32%, 0.46%, 0.25

LABA 58.87, -21.89, -8.63, 0.25

 

CMYK 0 / 11 / 12 / 7

HEX #B4665E3F

RGBA 180 102 94 0.25

HSLA 5.58, 0.36%, 0.54%, 0.25

LABA 51.85, 30.41, 18.24, 0.25

 

CMYK 0 / 10 / 11 / 6

HEX #C578713F

RGBA 197 120 113 0.25

HSLA 5, 0.42%, 0.61%, 0.25

LABA 58.5, 29.3, 16.67, 0.25

 

CMYK 0 / 9 / 10 / 4

HEX #D68A843F

RGBA 214 138 132 0.25

HSLA 4.39, 0.5%, 0.68%, 0.25

LABA 65.07, 28.29, 15.29, 0.25

 

CMYK 0 / 8 / 9 / 2

HEX #E79C973F

RGBA 231 156 151 0.25

HSLA 3.75, 0.63%, 0.75%, 0.25

LABA 71.56, 27.39, 14.06, 0.25

 

CMYK 0 / 7 / 8 / 1

HEX #F8AEAA3F

RGBA 248 174 170 0.25

HSLA 3.08, 0.85%, 0.82%, 0.25

LABA 77.95, 26.56, 12.94, 0.25

 

CMYK 0 / 10 / 11 / 8

HEX #AF66633F

RGBA 175 102 99 0.25

HSLA 2.37, 0.32%, 0.54%, 0.25

LABA 51.29, 28.97, 14.42, 0.25

 

CMYK 0 / 12 / 12 / 10

HEX #9E54503F

RGBA 158 84 80 0.25

HSLA 3.08, 0.33%, 0.47%, 0.25

LABA 44.5, 30.12, 16.11, 0.25

 

CMYK 0 / 13 / 14 / 11

HEX #8D423D3F

RGBA 141 66 61 0.25

HSLA 3.75, 0.4%, 0.4%, 0.25

LABA 37.66, 31.36, 18.14, 0.25

 

CMYK 0 / 15 / 17 / 13

HEX #7C302A3F

RGBA 124 48 42 0.25

HSLA 4.39, 0.49%, 0.33%, 0.25

LABA 30.8, 32.64, 20.67, 0.25

 

CMYK 0 / 18 / 20 / 15

HEX #6B1E173F

RGBA 107 30 23 0.25

HSLA 5, 0.65%, 0.25%, 0.25

LABA 24.05, 33.73, 23.9, 0.25

 

CMYK 0 / 41 / 43 / 31

HEX #AF6764

RGB 175 103 100

HSL 2.4, 0.32%, 0.54%

LAB 51.54, 28.53, 14.17

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 0 / 41 / 43 / 31

HEX #AF6764

RGB 175 103 100

HSL 2.4, 0.32%, 0.54%

LAB 51.54, 28.53, 14.17

 

CMYK 0 / 30 / 43 / 31

HEX #AF7B64

RGB 175 123 100

HSL 18.4, 0.32%, 0.54%

LAB 56.29, 17.35, 20.65

 

CMYK 0 / 18 / 43 / 31

HEX #AF9064

RGB 175 144 100

HSL 35.2, 0.32%, 0.54%

LAB 61.64, 5.61, 27.74

 

CMYK 0 / 6 / 43 / 31

HEX #AFA464

RGB 175 164 100

HSL 51.2, 0.32%, 0.54%

LAB 66.96, -5.28, 34.58

 

CMYK 5 / 0 / 43 / 31

HEX #A6AF64

RGB 166 175 100

HSL 67.2, 0.32%, 0.54%

LAB 69.25, -14.76, 37.29

 

CMYK 0 / 41 / 43 / 31

HEX #AF6764

RGB 175 103 100

HSL 2.4, 0.32%, 0.54%

LAB 51.54, 28.53, 14.17

 

CMYK 0 / 56 / 58 / 24

HEX #C25651

RGB 194 86 81

HSL 2.65, 0.48%, 0.54%

LAB 50.36, 42.91, 24.26

 

CMYK 0 / 68 / 71 / 16

HEX #D5443E

RGB 213 68 62

HSL 2.38, 0.64%, 0.54%

LAB 50.25, 56.3, 35.85

 

CMYK 0 / 78 / 81 / 9

HEX #E8332B

RGB 232 51 43

HSL 2.54, 0.8%, 0.54%

LAB 51.49, 67.11, 48.54

 

CMYK 0 / 87 / 90 / 2

HEX #FB2118

RGB 251 33 24

HSL 2.38, 0.97%, 0.54%

LAB 53.67, 75.93, 60.31

 

CMYK 0 / 41 / 43 / 31

HEX #AF6764

RGB 175 103 100

HSL 2.4, 0.32%, 0.54%

LAB 51.54, 28.53, 14.17

 

CMYK 0 / 22 / 24 / 39

HEX #9C7977

RGB 156 121 119

HSL 3.24, 0.16%, 0.54%

LAB 54.11, 13.31, 6.33

 

CMYK 1 / 0 / 0 / 46

HEX #898A8A

RGB 137 138 138

HSL 180, 0%, 0.54%

LAB 57.4, -0.37, -0.14

 

CMYK 25 / 1 / 0 / 38

HEX #769C9D

RGB 118 156 157

HSL 181.54, 0.17%, 0.54%

LAB 61.71, -12.7, -4.78

 

CMYK 44 / 2 / 0 / 31

HEX #63ADB0

RGB 99 173 176

HSL 182.34, 0.33%, 0.54%

LAB 66.27, -22.22, -8.75

 

CMYK 0 / 43 / 21 / 31

HEX #AF648A

RGB 175 100 138

HSL 329.6, 0.32%, 0.54%

LAB 51.91, 35.26, -7.79

 

CMYK 0 / 43 / 33 / 31

HEX #AF6476

RGB 175 100 118

HSL 345.6, 0.32%, 0.54%

LAB 51.31, 32.38, 3.19

 

CMYK 0 / 41 / 43 / 31

HEX #AF6764

RGB 175 103 100

HSL 2.4, 0.32%, 0.54%

LAB 51.54, 28.53, 14.17

 

CMYK 0 / 30 / 43 / 31

HEX #AF7B64

RGB 175 123 100

HSL 18.4, 0.32%, 0.54%

LAB 56.29, 17.35, 20.65

 

CMYK 0 / 18 / 43 / 31

HEX #AF8F64

RGB 175 143 100

HSL 34.4, 0.32%, 0.54%

LAB 61.38, 6.16, 27.4

 

CMYK 0 / 46 / 48 / 50

HEX #7F4442

RGB 127 68 66

HSL 1.97, 0.32%, 0.38%

LAB 36.06, 25.05, 12.5

 

CMYK 0 / 46 / 48 / 39

HEX #9B5350

RGB 155 83 80

HSL 2.4, 0.32%, 0.46%

LAB 43.85, 29.47, 15.15

 

CMYK 0 / 41 / 43 / 31

HEX #AF6764

RGB 175 103 100

HSL 2.4, 0.32%, 0.54%

LAB 51.54, 28.53, 14.17

 

CMYK 0 / 31 / 33 / 26

HEX #BD827F

RGB 189 130 127

HSL 2.9, 0.32%, 0.62%

LAB 60.17, 22.37, 10.83

 

CMYK 0 / 23 / 24 / 20

HEX #CB9D9B

RGB 203 157 155

HSL 2.5, 0.32%, 0.7%

LAB 68.88, 16.79, 7.63

 

CMYK 0 / 42 / 43 / 31

HEX #AF6663

RGB 175 102 99

HSL 2.37, 0.32%, 0.54%

LAB 51.29, 28.97, 14.42

 

CMYK 10 / 0 / 43 / 31

HEX #9EAF64

RGB 158 175 100

HSL 73.6, 0.32%, 0.54%

LAB 68.64, -17.98, 36.41

 

CMYK 43 / 27 / 0 / 31

HEX #6480AF

RGB 100 128 175

HSL 217.6, 0.32%, 0.54%

LAB 53.21, 2.55, -28.04

 

CMYK 0 / 42 / 43 / 31

HEX #AF6663

RGB 175 102 99

HSL 2.37, 0.32%, 0.54%

LAB 51.29, 28.97, 14.42

 

CMYK 43 / 0 / 41 / 31

HEX #64AF67

RGB 100 175 103

HSL 122.4, 0.32%, 0.54%

LAB 65.24, -38.44, 29.8

 

CMYK 41 / 43 / 0 / 31

HEX #6764AF

RGB 103 100 175

HSL 242.4, 0.32%, 0.54%

LAB 45.76, 20.33, -39.71

 

CMYK 0 / 42 / 43 / 31

HEX #AF6663

RGB 175 102 99

HSL 2.37, 0.32%, 0.54%

LAB 51.29, 28.97, 14.42

 

CMYK 10 / 0 / 43 / 31

HEX #9EAF64

RGB 158 175 100

HSL 73.6, 0.32%, 0.54%

LAB 68.64, -17.98, 36.41

 

CMYK 43 / 1 / 0 / 31

HEX #64ADAF

RGB 100 173 175

HSL 181.6, 0.32%, 0.54%

LAB 66.28, -22.23, -8.17

 

CMYK 33 / 43 / 0 / 31

HEX #7664AF

RGB 118 100 175

HSL 254.4, 0.32%, 0.54%

LAB 47.05, 24.45, -37.58

 

CMYK 0 / 42 / 43 / 31

HEX #AF6663

RGB 175 102 99

HSL 2.37, 0.32%, 0.54%

LAB 51.29, 28.97, 14.42

 

CMYK 23 / 0 / 43 / 31

HEX #87AF64

RGB 135 175 100

HSL 92, 0.32%, 0.54%

LAB 67.07, -26.89, 34.1

 

CMYK 43 / 1 / 0 / 31

HEX #64ADAF

RGB 100 173 175

HSL 181.6, 0.32%, 0.54%

LAB 66.28, -22.23, -8.17

 

CMYK 20 / 43 / 0 / 31

HEX #8C64AF

RGB 140 100 175

HSL 272, 0.32%, 0.54%

LAB 49.23, 30.89, -34

 

Description

Color code: HEX #AF66633F | qconv.com Color code: HEX #AF66633F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 102 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 102 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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