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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF66523F it is the complementary color #5099AD3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF66523F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF66523F shade: #B4664D3F, #C578603F, #D68A733F, #E79C863F and #F8AE993F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF66523F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF66523F shade: #AF66523F, #9E543F3F, #8D422C3F, #7C30193F and #6B1E063F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF66523F shade: #AF6550 and #AF5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF66523F shade: #AF6550, #AF7E50, #AF9750, #ACAF50 and #93AF50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF66523F shade matches the following richer shades: #AF6550, #C3593C, #D84D27 and #ED4112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF66523F shade: #AF6550, #9A7065, #857C7A, #71888E and #5C94A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF66523F shade: #AF5070, #AF5057, #AF6350, #AF7C50 and #AF9650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF66523F shade: #764436, #925443, #AF6550, #BC7E6D and #C99789

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF66523F shade: #AF6652, #89AF50 and #5063AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF66523F shade: #AF6652, #50AF63 and #6350AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF66523F shade: #AF6652, #89AF50, #509CAF and #7650AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF66523F shade: #AF6652, #6DAF50, #509CAF and #9250AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 13 / 8

HEX #AF66523F

RGBA 175 102 82 0.25

HSLA 12.9, 0.37%, 0.5%, 0.25

LABA 50.95, 27.25, 23.92, 0.25

 

Complementary color

CMYK 13 / 3 / 0 / 8

HEX #5099AD3F

RGBA 80 153 173 0.25

HSLA 192.9, 0.37%, 0.5%, 0.25

LABA 59.44, -17.05, -17.43, 0.25

 

CMYK 0 / 11 / 14 / 7

HEX #B4664D3F

RGBA 180 102 77 0.25

HSLA 14.56, 0.41%, 0.5%, 0.25

LABA 51.54, 28.85, 27.69, 0.25

 

CMYK 0 / 10 / 13 / 6

HEX #C578603F

RGBA 197 120 96 0.25

HSLA 14.26, 0.47%, 0.57%, 0.25

LABA 58.18, 27.58, 25.91, 0.25

 

CMYK 0 / 9 / 12 / 4

HEX #D68A733F

RGBA 214 138 115 0.25

HSLA 13.94, 0.55%, 0.65%, 0.25

LABA 64.73, 26.44, 24.34, 0.25

 

CMYK 0 / 8 / 10 / 2

HEX #E79C863F

RGBA 231 156 134 0.25

HSLA 13.61, 0.67%, 0.72%, 0.25

LABA 71.21, 25.43, 22.92, 0.25

 

CMYK 0 / 7 / 10 / 1

HEX #F8AE993F

RGBA 248 174 153 0.25

HSLA 13.26, 0.87%, 0.79%, 0.25

LABA 77.6, 24.53, 21.64, 0.25

 

CMYK 0 / 10 / 13 / 8

HEX #AF66523F

RGBA 175 102 82 0.25

HSLA 12.9, 0.37%, 0.5%, 0.25

LABA 50.95, 27.25, 23.92, 0.25

 

CMYK 0 / 12 / 15 / 10

HEX #9E543F3F

RGBA 158 84 63 0.25

HSLA 13.26, 0.43%, 0.43%, 0.25

LABA 44.19, 28.59, 25.84, 0.25

 

CMYK 0 / 13 / 17 / 11

HEX #8D422C3F

RGBA 141 66 44 0.25

HSLA 13.61, 0.52%, 0.36%, 0.25

LABA 37.37, 30.09, 28.09, 0.25

 

CMYK 0 / 15 / 20 / 13

HEX #7C30193F

RGBA 124 48 25 0.25

HSLA 13.94, 0.66%, 0.29%, 0.25

LABA 30.57, 31.69, 30.64, 0.25

 

CMYK 0 / 18 / 24 / 15

HEX #6B1E063F

RGBA 107 30 6 0.25

HSLA 14.26, 0.89%, 0.22%, 0.25

LABA 23.89, 33.15, 32.45, 0.25

 

CMYK 0 / 42 / 54 / 31

HEX #AF6550

RGB 175 101 80

HSL 13.26, 0.37%, 0.5%

LAB 50.69, 27.62, 24.73

 

CMYK 0 / 54 / 54 / 31

HEX #AF5050

RGB 175 80 80

HSL 0, 0.37%, 0.5%

LAB 46.22, 38.79, 18.85

 

CMYK 0 / 42 / 54 / 31

HEX #AF6550

RGB 175 101 80

HSL 13.26, 0.37%, 0.5%

LAB 50.69, 27.62, 24.73

 

CMYK 0 / 28 / 54 / 31

HEX #AF7E50

RGB 175 126 80

HSL 29.05, 0.37%, 0.5%

LAB 56.7, 13.65, 32.37

 

CMYK 0 / 14 / 54 / 31

HEX #AF9750

RGB 175 151 80

HSL 44.84, 0.37%, 0.5%

LAB 63.2, -0.21, 40.29

 

CMYK 2 / 0 / 54 / 31

HEX #ACAF50

RGB 172 175 80

HSL 61.89, 0.37%, 0.5%

LAB 69.48, -14.23, 47.57

 

CMYK 16 / 0 / 54 / 31

HEX #93AF50

RGB 147 175 80

HSL 77.68, 0.37%, 0.5%

LAB 67.61, -24.5, 44.92

 

CMYK 0 / 42 / 54 / 31

HEX #AF6550

RGB 175 101 80

HSL 13.26, 0.37%, 0.5%

LAB 50.69, 27.62, 24.73

 

CMYK 0 / 54 / 69 / 24

HEX #C3593C

RGB 195 89 60

HSL 12.89, 0.53%, 0.5%

LAB 50.77, 40.44, 36.8

 

CMYK 0 / 64 / 82 / 15

HEX #D84D27

RGB 216 77 39

HSL 12.88, 0.69%, 0.5%

LAB 51.9, 52.76, 49.82

 

CMYK 0 / 73 / 92 / 7

HEX #ED4112

RGB 237 65 18

HSL 12.88, 0.86%, 0.5%

LAB 53.84, 63.78, 61.11

 

CMYK 0 / 42 / 54 / 31

HEX #AF6550

RGB 175 101 80

HSL 13.26, 0.37%, 0.5%

LAB 50.69, 27.62, 24.73

 

CMYK 0 / 27 / 34 / 40

HEX #9A7065

RGB 154 112 101

HSL 12.45, 0.21%, 0.5%

LAB 51.15, 15.07, 12.65

 

CMYK 0 / 7 / 8 / 48

HEX #857C7A

RGB 133 124 122

HSL 10.91, 0.04%, 0.5%

LAB 52.74, 3.05, 2.31

 

CMYK 20 / 4 / 0 / 44

HEX #71888E

RGB 113 136 142

HSL 192.41, 0.11%, 0.5%

LAB 55.15, -6.83, -5.96

 

CMYK 44 / 9 / 0 / 36

HEX #5C94A3

RGB 92 148 163

HSL 192.68, 0.28%, 0.5%

LAB 58.13, -14.34, -13.67

 

CMYK 0 / 54 / 36 / 31

HEX #AF5070

RGB 175 80 112

HSL 339.79, 0.37%, 0.5%

LAB 47, 42.14, 0.54

 

CMYK 0 / 54 / 50 / 31

HEX #AF5057

RGB 175 80 87

HSL 355.58, 0.37%, 0.5%

LAB 46.36, 39.43, 14.82

 

CMYK 0 / 43 / 54 / 31

HEX #AF6350

RGB 175 99 80

HSL 12, 0.37%, 0.5%

LAB 50.24, 28.72, 24.15

 

CMYK 0 / 29 / 54 / 31

HEX #AF7C50

RGB 175 124 80

HSL 27.79, 0.37%, 0.5%

LAB 56.2, 14.77, 31.74

 

CMYK 0 / 14 / 54 / 31

HEX #AF9650

RGB 175 150 80

HSL 44.21, 0.37%, 0.5%

LAB 62.93, 0.33, 39.97

 

CMYK 0 / 42 / 54 / 54

HEX #764436

RGB 118 68 54

HSL 13.13, 0.37%, 0.34%

LAB 34.5, 19.95, 17.7

 

CMYK 0 / 42 / 54 / 43

HEX #925443

RGB 146 84 67

HSL 12.91, 0.37%, 0.42%

LAB 42.55, 23.94, 21.03

 

CMYK 0 / 42 / 54 / 31

HEX #AF6550

RGB 175 101 80

HSL 13.26, 0.37%, 0.5%

LAB 50.69, 27.62, 24.73

 

CMYK 0 / 33 / 42 / 26

HEX #BC7E6D

RGB 188 126 109

HSL 12.91, 0.37%, 0.58%

LAB 58.71, 21.99, 19.06

 

CMYK 0 / 25 / 32 / 21

HEX #C99789

RGB 201 151 137

HSL 13.13, 0.37%, 0.66%

LAB 66.79, 16.8, 14.67

 

CMYK 0 / 42 / 53 / 31

HEX #AF6652

RGB 175 102 82

HSL 12.9, 0.37%, 0.5%

LAB 50.95, 27.25, 23.92

 

CMYK 22 / 0 / 54 / 31

HEX #89AF50

RGB 137 175 80

HSL 84, 0.37%, 0.5%

LAB 66.94, -28.45, 43.98

 

CMYK 54 / 43 / 0 / 31

HEX #5063AF

RGB 80 99 175

HSL 228, 0.37%, 0.5%

LAB 43.83, 15.31, -42.87

 

CMYK 0 / 42 / 53 / 31

HEX #AF6652

RGB 175 102 82

HSL 12.9, 0.37%, 0.5%

LAB 50.95, 27.25, 23.92

 

CMYK 54 / 0 / 43 / 31

HEX #50AF63

RGB 80 175 99

HSL 132, 0.37%, 0.5%

LAB 64.38, -44.7, 30.62

 

CMYK 43 / 54 / 0 / 31

HEX #6350AF

RGB 99 80 175

HSL 252, 0.37%, 0.5%

LAB 40.39, 31.6, -48.31

 

CMYK 0 / 42 / 53 / 31

HEX #AF6652

RGB 175 102 82

HSL 12.9, 0.37%, 0.5%

LAB 50.95, 27.25, 23.92

 

CMYK 22 / 0 / 54 / 31

HEX #89AF50

RGB 137 175 80

HSL 84, 0.37%, 0.5%

LAB 66.94, -28.45, 43.98

 

CMYK 54 / 11 / 0 / 31

HEX #509CAF

RGB 80 156 175

HSL 192, 0.37%, 0.5%

LAB 60.41, -18.06, -17.09

 

CMYK 33 / 54 / 0 / 31

HEX #7650AF

RGB 118 80 175

HSL 264, 0.37%, 0.5%

LAB 42.28, 36.32, -45.16

 

CMYK 0 / 42 / 53 / 31

HEX #AF6652

RGB 175 102 82

HSL 12.9, 0.37%, 0.5%

LAB 50.95, 27.25, 23.92

 

CMYK 38 / 0 / 54 / 31

HEX #6DAF50

RGB 109 175 80

HSL 101.68, 0.37%, 0.5%

LAB 65.35, -38.69, 41.7

 

CMYK 54 / 11 / 0 / 31

HEX #509CAF

RGB 80 156 175

HSL 192, 0.37%, 0.5%

LAB 60.41, -18.06, -17.09

 

CMYK 17 / 54 / 0 / 31

HEX #9250AF

RGB 146 80 175

HSL 281.68, 0.37%, 0.5%

LAB 45.56, 43.79, -39.75

 

Description

Color code: HEX #AF66523F | qconv.com Color code: HEX #AF66523F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 102 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 102 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 13 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 13% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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