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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF65C0 it is the complementary color #509A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF65C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF65C0 shade: #B465BB, #C577CE, #D689E1, #E79BF4 and #F8ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF65C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF65C0 shade: #AF65C0, #9E53AD, #8D419A, #7C2F87 and #6B1D74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF65C0 shade: #AE63BF, #BF63B7, #BF639E, #BF6386 and #BF636D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF65C0 shade: #AE63BF, #9563BF, #7C63BF, #6363BF and #6363BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF65C0 shade matches the following richer shades: #AE63BF, #B951D1, #C43FE2 and #CF2EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF65C0 shade: #AE63BF, #A375AD, #97869B, #8C988A and #81AA78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF65C0 shade: #7B63BF, #9463BF, #AC63BF, #BF63B9 and #BF63A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF65C0 shade: #833C93, #9D48B1, #AE63BF, #BD80CB and #CC9DD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF65C0 shade: #AF65C0, #BF6363 and #63BF88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF65C0 shade: #AF65C0, #BFAC63 and #63BFAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF65C0 shade: #AF65C0, #BF6363, #75BF63 and #63BFBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF65C0 shade: #AF65C0, #BF7E63, #75BF63 and #63A3BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 47 / 0 / 25

HEX #AF65C0

RGB 175 101 192

HSL 288.79, 0.42%, 0.57%

LAB 54.27, 44.41, -35.66

 

Complementary color

CMYK 48 / 0 / 59 / 40

HEX #509A3F

RGB 80 154 63

HSL 108.79, 0.42%, 0.43%

LAB 57.25, -41.02, 40.04

 

CMYK 4 / 46 / 0 / 27

HEX #B465BB

RGB 180 101 187

HSL 295.12, 0.39%, 0.56%

LAB 54.66, 44.89, -32.13

 

CMYK 4 / 42 / 0 / 19

HEX #C577CE

RGB 197 119 206

HSL 293.79, 0.47%, 0.64%

LAB 61.24, 44.14, -32.55

 

CMYK 5 / 39 / 0 / 12

HEX #D689E1

RGB 214 137 225

HSL 292.5, 0.59%, 0.71%

LAB 67.74, 43.39, -32.91

 

CMYK 5 / 36 / 0 / 4

HEX #E79BF4

RGB 231 155 244

HSL 291.24, 0.8%, 0.78%

LAB 74.17, 42.65, -33.23

 

CMYK 3 / 32 / 0 / 0

HEX #F8ADFF

RGB 248 173 255

HSL 294.88, 1%, 0.84%

LAB 80.22, 40.45, -29.7

 

CMYK 9 / 47 / 0 / 25

HEX #AF65C0

RGB 175 101 192

HSL 288.79, 0.42%, 0.57%

LAB 54.27, 44.41, -35.66

 

CMYK 9 / 52 / 0 / 32

HEX #9E53AD

RGB 158 83 173

HSL 290, 0.35%, 0.5%

LAB 47.59, 45.14, -35.27

 

CMYK 8 / 58 / 0 / 40

HEX #8D419A

RGB 141 65 154

HSL 291.24, 0.41%, 0.43%

LAB 40.86, 45.77, -34.74

 

CMYK 8 / 65 / 0 / 47

HEX #7C2F87

RGB 124 47 135

HSL 292.5, 0.48%, 0.36%

LAB 34.12, 46.12, -33.98

 

CMYK 8 / 75 / 0 / 55

HEX #6B1D74

RGB 107 29 116

HSL 293.79, 0.6%, 0.28%

LAB 27.48, 45.89, -32.8

 

CMYK 9 / 48 / 0 / 25

HEX #AE63BF

RGB 174 99 191

HSL 288.91, 0.42%, 0.57%

LAB 53.69, 44.97, -36

 

CMYK 0 / 48 / 4 / 25

HEX #BF63B7

RGB 191 99 183

HSL 305.22, 0.42%, 0.57%

LAB 55.5, 48.45, -28.41

 

CMYK 0 / 48 / 17 / 25

HEX #BF639E

RGB 191 99 158

HSL 321.52, 0.42%, 0.57%

LAB 54.52, 44.3, -15.41

 

CMYK 0 / 48 / 30 / 25

HEX #BF6386

RGB 191 99 134

HSL 337.17, 0.42%, 0.57%

LAB 53.73, 40.82, -2.49

 

CMYK 0 / 48 / 43 / 25

HEX #BF636D

RGB 191 99 109

HSL 353.48, 0.42%, 0.57%

LAB 53.06, 37.79, 11.32

 

CMYK 9 / 48 / 0 / 25

HEX #AE63BF

RGB 174 99 191

HSL 288.91, 0.42%, 0.57%

LAB 53.69, 44.97, -36

 

CMYK 22 / 48 / 0 / 25

HEX #9563BF

RGB 149 99 191

HSL 272.61, 0.42%, 0.57%

LAB 50.77, 37.83, -40.79

 

CMYK 35 / 48 / 0 / 25

HEX #7C63BF

RGB 124 99 191

HSL 256.3, 0.42%, 0.57%

LAB 48.22, 31, -45

 

CMYK 48 / 48 / 0 / 25

HEX #6363BF

RGB 99 99 191

HSL 240, 0.42%, 0.57%

LAB 46.09, 24.77, -48.52

 

CMYK 48 / 48 / 0 / 25

HEX #6363BF

RGB 99 99 191

HSL 240, 0.42%, 0.57%

LAB 46.09, 24.77, -48.52

 

CMYK 9 / 48 / 0 / 25

HEX #AE63BF

RGB 174 99 191

HSL 288.91, 0.42%, 0.57%

LAB 53.69, 44.97, -36

 

CMYK 11 / 61 / 0 / 18

HEX #B951D1

RGB 185 81 209

HSL 288.75, 0.58%, 0.57%

LAB 52.73, 60.26, -47.73

 

CMYK 13 / 72 / 0 / 11

HEX #C43FE2

RGB 196 63 226

HSL 288.96, 0.74%, 0.57%

LAB 52.71, 73.05, -57.33

 

CMYK 15 / 81 / 0 / 4

HEX #CF2EF4

RGB 207 46 244

HSL 288.79, 0.9%, 0.57%

LAB 53.76, 83.25, -65.68

 

CMYK 9 / 48 / 0 / 25

HEX #AE63BF

RGB 174 99 191

HSL 288.91, 0.42%, 0.57%

LAB 53.69, 44.97, -36

 

CMYK 6 / 32 / 0 / 32

HEX #A375AD

RGB 163 117 173

HSL 289.29, 0.25%, 0.57%

LAB 55.61, 27.97, -22.75

 

CMYK 3 / 14 / 0 / 39

HEX #97869B

RGB 151 134 155

HSL 288.57, 0.1%, 0.57%

LAB 58.03, 10.4, -8.83

 

CMYK 8 / 0 / 9 / 40

HEX #8C988A

RGB 140 152 138

HSL 111.43, 0.06%, 0.57%

LAB 61.54, -7.04, 5.89

 

CMYK 24 / 0 / 29 / 33

HEX #81AA78

RGB 129 170 120

HSL 109.2, 0.23%, 0.57%

LAB 65.57, -23.66, 21.41

 

CMYK 36 / 48 / 0 / 25

HEX #7B63BF

RGB 123 99 191

HSL 255.65, 0.42%, 0.57%

LAB 48.13, 30.74, -45.15

 

CMYK 23 / 48 / 0 / 25

HEX #9463BF

RGB 148 99 191

HSL 271.96, 0.42%, 0.57%

LAB 50.67, 37.55, -40.97

 

CMYK 10 / 48 / 0 / 25

HEX #AC63BF

RGB 172 99 191

HSL 287.61, 0.42%, 0.57%

LAB 53.44, 44.39, -36.4

 

CMYK 0 / 48 / 3 / 25

HEX #BF63B9

RGB 191 99 185

HSL 303.91, 0.42%, 0.57%

LAB 55.59, 48.81, -29.43

 

CMYK 0 / 48 / 16 / 25

HEX #BF63A0

RGB 191 99 160

HSL 320.22, 0.42%, 0.57%

LAB 54.59, 44.61, -16.46

 

CMYK 11 / 59 / 0 / 42

HEX #833C93

RGB 131 60 147

HSL 288.97, 0.42%, 0.41%

LAB 38.13, 44.13, -34.91

 

CMYK 11 / 59 / 0 / 31

HEX #9D48B1

RGB 157 72 177

HSL 288.57, 0.42%, 0.49%

LAB 45.6, 51.19, -40.76

 

CMYK 9 / 48 / 0 / 25

HEX #AE63BF

RGB 174 99 191

HSL 288.91, 0.42%, 0.57%

LAB 53.69, 44.97, -36

 

CMYK 7 / 37 / 0 / 20

HEX #BD80CB

RGB 189 128 203

HSL 288.8, 0.42%, 0.65%

LAB 62.14, 36.26, -29.53

 

CMYK 5 / 27 / 0 / 16

HEX #CC9DD7

RGB 204 157 215

HSL 288.62, 0.42%, 0.73%

LAB 70.77, 27.51, -22.82

 

CMYK 9 / 47 / 0 / 25

HEX #AF65C0

RGB 175 101 192

HSL 288.79, 0.42%, 0.57%

LAB 54.27, 44.41, -35.66

 

CMYK 0 / 48 / 48 / 25

HEX #BF6363

RGB 191 99 99

HSL 0, 0.42%, 0.57%

LAB 52.84, 36.75, 16.91

 

CMYK 48 / 0 / 29 / 25

HEX #63BF88

RGB 99 191 136

HSL 144.13, 0.42%, 0.57%

LAB 70.66, -39.96, 19.48

 

CMYK 9 / 47 / 0 / 25

HEX #AF65C0

RGB 175 101 192

HSL 288.79, 0.42%, 0.57%

LAB 54.27, 44.41, -35.66

 

CMYK 0 / 10 / 48 / 25

HEX #BFAC63

RGB 191 172 99

HSL 47.61, 0.42%, 0.57%

LAB 70.51, -2.98, 39.84

 

CMYK 48 / 0 / 10 / 25

HEX #63BFAC

RGB 99 191 172

HSL 167.61, 0.42%, 0.57%

LAB 71.48, -32.08, 1.13

 

CMYK 9 / 47 / 0 / 25

HEX #AF65C0

RGB 175 101 192

HSL 288.79, 0.42%, 0.57%

LAB 54.27, 44.41, -35.66

 

CMYK 0 / 48 / 48 / 25

HEX #BF6363

RGB 191 99 99

HSL 0, 0.42%, 0.57%

LAB 52.84, 36.75, 16.91

 

CMYK 39 / 0 / 48 / 25

HEX #75BF63

RGB 117 191 99

HSL 108.26, 0.42%, 0.57%

LAB 70.83, -40.72, 39.11

 

CMYK 48 / 0 / 0 / 25

HEX #63BFBF

RGB 99 191 191

HSL 180, 0.42%, 0.57%

LAB 72.01, -27.3, -8.47

 

CMYK 9 / 47 / 0 / 25

HEX #AF65C0

RGB 175 101 192

HSL 288.79, 0.42%, 0.57%

LAB 54.27, 44.41, -35.66

 

CMYK 0 / 34 / 48 / 25

HEX #BF7E63

RGB 191 126 99

HSL 17.61, 0.42%, 0.57%

LAB 58.88, 22.15, 25.01

 

CMYK 39 / 0 / 48 / 25

HEX #75BF63

RGB 117 191 99

HSL 108.26, 0.42%, 0.57%

LAB 70.83, -40.72, 39.11

 

CMYK 48 / 15 / 0 / 25

HEX #63A3BF

RGB 99 163 191

HSL 198.26, 0.42%, 0.57%

LAB 63.84, -12.86, -20.77

 

Description

Color code: HEX #AF65C0 | qconv.com Color code: HEX #AF65C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 101 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 101 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 47 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 47% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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