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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF656D it is the complementary color #509A92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF656D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF656D shade: #B46568, #C5777B, #D6898E, #E79BA1 and #F8ADB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF656D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF656D shade: #AF656D, #9E535A, #8D4147, #7C2F34 and #6B1D21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF656D shade: #AF646C and #AF6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF656D shade: #AF646C, #AF6481, #AF6495, #AF64A9 and #A164AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF656D shade matches the following richer shades: #AF646C, #C2515D, #D53E4F, #E82B40 and #FB1831

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF656D shade: #AF646C, #9C777B, #898A8A, #769D99 and #63B0A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF656D shade: #AF6495, #AF6481, #AF646D, #AF6F64 and #AF8364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF656D shade: #7F4248, #9B5058, #AF646C, #BD7F86 and #CB9BA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF656D shade: #AF656D, #A9AF64 and #648BAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF656D shade: #AF656D, #6DAF64 and #646DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF656D shade: #AF656D, #A9AF64, #64AFA6 and #6A64AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF656D shade: #AF656D, #92AF64, #64AFA6 and #8164AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 38 / 31

HEX #AF656D

RGB 175 101 109

HSL 353.51, 0.32%, 0.54%

LAB 51.3, 30.69, 8.52

 

Complementary color

CMYK 48 / 0 / 5 / 40

HEX #509A92

RGB 80 154 146

HSL 173.51, 0.32%, 0.46%

LAB 58.87, -25.08, -2.94

 

CMYK 0 / 44 / 42 / 29

HEX #B46568

RGB 180 101 104

HSL 357.72, 0.34%, 0.55%

LAB 51.85, 32.02, 12.35

 

CMYK 0 / 40 / 38 / 23

HEX #C5777B

RGB 197 119 123

HSL 356.92, 0.4%, 0.62%

LAB 58.5, 30.99, 10.91

 

CMYK 0 / 36 / 34 / 16

HEX #D6898E

RGB 214 137 142

HSL 356.1, 0.48%, 0.69%

LAB 65.07, 30.05, 9.65

 

CMYK 0 / 33 / 30 / 9

HEX #E79BA1

RGB 231 155 161

HSL 355.26, 0.61%, 0.76%

LAB 71.56, 29.18, 8.53

 

CMYK 0 / 30 / 27 / 3

HEX #F8ADB4

RGB 248 173 180

HSL 354.4, 0.84%, 0.83%

LAB 77.96, 28.4, 7.51

 

CMYK 0 / 42 / 38 / 31

HEX #AF656D

RGB 175 101 109

HSL 353.51, 0.32%, 0.54%

LAB 51.3, 30.69, 8.52

 

CMYK 0 / 47 / 43 / 38

HEX #9E535A

RGB 158 83 90

HSL 354.4, 0.31%, 0.47%

LAB 44.51, 31.74, 10.04

 

CMYK 0 / 54 / 50 / 45

HEX #8D4147

RGB 141 65 71

HSL 355.26, 0.37%, 0.4%

LAB 37.66, 32.85, 11.89

 

CMYK 0 / 62 / 58 / 51

HEX #7C2F34

RGB 124 47 52

HSL 356.1, 0.45%, 0.34%

LAB 30.8, 33.92, 14.25

 

CMYK 0 / 73 / 69 / 58

HEX #6B1D21

RGB 107 29 33

HSL 356.92, 0.57%, 0.27%

LAB 24.05, 34.72, 17.39

 

CMYK 0 / 43 / 38 / 31

HEX #AF646C

RGB 175 100 108

HSL 353.6, 0.32%, 0.54%

LAB 51.05, 31.11, 8.76

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 0 / 43 / 38 / 31

HEX #AF646C

RGB 175 100 108

HSL 353.6, 0.32%, 0.54%

LAB 51.05, 31.11, 8.76

 

CMYK 0 / 43 / 26 / 31

HEX #AF6481

RGB 175 100 129

HSL 336.8, 0.32%, 0.54%

LAB 51.63, 33.91, -2.88

 

CMYK 0 / 43 / 15 / 31

HEX #AF6495

RGB 175 100 149

HSL 320.8, 0.32%, 0.54%

LAB 52.28, 37.02, -13.72

 

CMYK 0 / 43 / 3 / 31

HEX #AF64A9

RGB 175 100 169

HSL 304.8, 0.32%, 0.54%

LAB 53.05, 40.51, -24.26

 

CMYK 8 / 43 / 0 / 31

HEX #A164AF

RGB 161 100 175

HSL 288.8, 0.32%, 0.54%

LAB 51.6, 37.3, -30.14

 

CMYK 0 / 43 / 38 / 31

HEX #AF646C

RGB 175 100 108

HSL 353.6, 0.32%, 0.54%

LAB 51.05, 31.11, 8.76

 

CMYK 0 / 58 / 52 / 24

HEX #C2515D

RGB 194 81 93

HSL 353.63, 0.48%, 0.54%

LAB 49.67, 46.29, 16.21

 

CMYK 0 / 71 / 63 / 16

HEX #D53E4F

RGB 213 62 79

HSL 353.25, 0.64%, 0.54%

LAB 49.68, 59.47, 25.2

 

CMYK 0 / 81 / 72 / 9

HEX #E82B40

RGB 232 43 64

HSL 353.33, 0.8%, 0.54%

LAB 50.98, 69.9, 36.46

 

CMYK 0 / 90 / 80 / 2

HEX #FB1831

RGB 251 24 49

HSL 353.39, 0.97%, 0.54%

LAB 53.37, 77.76, 48.51

 

CMYK 0 / 43 / 38 / 31

HEX #AF646C

RGB 175 100 108

HSL 353.6, 0.32%, 0.54%

LAB 51.05, 31.11, 8.76

 

CMYK 0 / 24 / 21 / 39

HEX #9C777B

RGB 156 119 123

HSL 353.51, 0.16%, 0.54%

LAB 53.7, 15.09, 3.41

 

CMYK 1 / 0 / 0 / 46

HEX #898A8A

RGB 137 138 138

HSL 180, 0%, 0.54%

LAB 57.4, -0.37, -0.14

 

CMYK 25 / 0 / 3 / 38

HEX #769D99

RGB 118 157 153

HSL 173.85, 0.17%, 0.54%

LAB 61.88, -14.16, -2.26

 

CMYK 44 / 0 / 5 / 31

HEX #63B0A8

RGB 99 176 168

HSL 173.77, 0.33%, 0.54%

LAB 66.92, -25.77, -3.35

 

CMYK 0 / 43 / 15 / 31

HEX #AF6495

RGB 175 100 149

HSL 320.8, 0.32%, 0.54%

LAB 52.28, 37.02, -13.72

 

CMYK 0 / 43 / 26 / 31

HEX #AF6481

RGB 175 100 129

HSL 336.8, 0.32%, 0.54%

LAB 51.63, 33.91, -2.88

 

CMYK 0 / 43 / 38 / 31

HEX #AF646D

RGB 175 100 109

HSL 352.8, 0.32%, 0.54%

LAB 51.07, 31.23, 8.2

 

CMYK 0 / 37 / 43 / 31

HEX #AF6F64

RGB 175 111 100

HSL 8.8, 0.32%, 0.54%

LAB 53.39, 24.09, 16.72

 

CMYK 0 / 25 / 43 / 31

HEX #AF8364

RGB 175 131 100

HSL 24.8, 0.32%, 0.54%

LAB 58.29, 12.86, 23.33

 

CMYK 0 / 48 / 43 / 50

HEX #7F4248

RGB 127 66 72

HSL 354.1, 0.32%, 0.38%

LAB 35.75, 26.89, 8.27

 

CMYK 0 / 48 / 43 / 39

HEX #9B5058

RGB 155 80 88

HSL 353.6, 0.32%, 0.46%

LAB 43.38, 31.99, 9.61

 

CMYK 0 / 43 / 38 / 31

HEX #AF646C

RGB 175 100 108

HSL 353.6, 0.32%, 0.54%

LAB 51.05, 31.11, 8.76

 

CMYK 0 / 33 / 29 / 26

HEX #BD7F86

RGB 189 127 134

HSL 353.23, 0.32%, 0.62%

LAB 59.63, 24.98, 6.05

 

CMYK 0 / 24 / 21 / 20

HEX #CB9BA0

RGB 203 155 160

HSL 353.75, 0.32%, 0.7%

LAB 68.52, 18.63, 4.33

 

CMYK 0 / 42 / 38 / 31

HEX #AF656D

RGB 175 101 109

HSL 353.51, 0.32%, 0.54%

LAB 51.3, 30.69, 8.52

 

CMYK 3 / 0 / 43 / 31

HEX #A9AF64

RGB 169 175 100

HSL 64.8, 0.32%, 0.54%

LAB 69.48, -13.54, 37.64

 

CMYK 43 / 21 / 0 / 31

HEX #648BAF

RGB 100 139 175

HSL 208.8, 0.32%, 0.54%

LAB 56.36, -3.84, -23.19

 

CMYK 0 / 42 / 38 / 31

HEX #AF656D

RGB 175 101 109

HSL 353.51, 0.32%, 0.54%

LAB 51.3, 30.69, 8.52

 

CMYK 38 / 0 / 43 / 31

HEX #6DAF64

RGB 109 175 100

HSL 112.8, 0.32%, 0.54%

LAB 65.62, -36.05, 31.94

 

CMYK 43 / 38 / 0 / 31

HEX #646DAF

RGB 100 109 175

HSL 232.8, 0.32%, 0.54%

LAB 47.93, 13.99, -36.3

 

CMYK 0 / 42 / 38 / 31

HEX #AF656D

RGB 175 101 109

HSL 353.51, 0.32%, 0.54%

LAB 51.3, 30.69, 8.52

 

CMYK 3 / 0 / 43 / 31

HEX #A9AF64

RGB 169 175 100

HSL 64.8, 0.32%, 0.54%

LAB 69.48, -13.54, 37.64

 

CMYK 43 / 0 / 5 / 31

HEX #64AFA6

RGB 100 175 166

HSL 172.8, 0.32%, 0.54%

LAB 66.61, -25.52, -2.69

 

CMYK 39 / 43 / 0 / 31

HEX #6A64AF

RGB 106 100 175

HSL 244.8, 0.32%, 0.54%

LAB 46.01, 21.13, -39.31

 

CMYK 0 / 42 / 38 / 31

HEX #AF656D

RGB 175 101 109

HSL 353.51, 0.32%, 0.54%

LAB 51.3, 30.69, 8.52

 

CMYK 17 / 0 / 43 / 31

HEX #92AF64

RGB 146 175 100

HSL 83.2, 0.32%, 0.54%

LAB 67.79, -22.7, 35.16

 

CMYK 43 / 0 / 5 / 31

HEX #64AFA6

RGB 100 175 166

HSL 172.8, 0.32%, 0.54%

LAB 66.61, -25.52, -2.69

 

CMYK 26 / 43 / 0 / 31

HEX #8164AF

RGB 129 100 175

HSL 263.2, 0.32%, 0.54%

LAB 48.1, 27.62, -35.86

 

Description

Color code: HEX #AF656D | qconv.com Color code: HEX #AF656D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 101 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 101 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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