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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6458 it is the complementary color #509BA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6458. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6458 shade: #B46453, #C57666, #D68879, #E79A8C and #F8AC9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6458. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6458 shade: #AF6458, #9E5245, #8D4032, #7C2E1F and #6B1C0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6458 shade: #AF665A and #AF5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6458 shade: #AF665A, #AF7D5A, #AF945A, #AFAB5A and #9DAF5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6458 shade matches the following richer shades: #AF665A, #C35746, #D74932, #EB3B1E and #FF2C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6458 shade: #AF665A, #9C746E, #888281, #749195 and #609FA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6458 shade: #AF5A7C, #AF5A65, #AF655A, #AF7C5A and #AF935A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6458 shade: #7B443B, #975449, #AF665A, #BD7F76 and #CA9991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6458 shade: #AF6458, #93AF5A and #5A71AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6458 shade: #AF6458, #5AAF65 and #655AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6458 shade: #AF6458, #93AF5A, #5AA4AF and #765AAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6458 shade: #AF6458, #79AF5A, #5AA4AF and #905AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 50 / 31

HEX #AF6458

RGB 175 100 88

HSL 8.28, 0.35%, 0.52%

LAB 50.61, 28.91, 19.97

 

Complementary color

CMYK 52 / 7 / 0 / 35

HEX #509BA7

RGB 80 155 167

HSL 188.28, 0.35%, 0.48%

LAB 59.83, -19.85, -13.43

 

CMYK 0 / 44 / 54 / 29

HEX #B46453

RGB 180 100 83

HSL 10.52, 0.39%, 0.52%

LAB 51.2, 30.45, 23.79

 

CMYK 0 / 40 / 48 / 23

HEX #C57666

RGB 197 118 102

HSL 10.11, 0.45%, 0.59%

LAB 57.83, 29.23, 22.05

 

CMYK 0 / 36 / 43 / 16

HEX #D68879

RGB 214 136 121

HSL 9.68, 0.53%, 0.66%

LAB 64.39, 28.14, 20.53

 

CMYK 0 / 33 / 39 / 9

HEX #E79A8C

RGB 231 154 140

HSL 9.23, 0.65%, 0.73%

LAB 70.87, 27.16, 19.17

 

CMYK 0 / 31 / 36 / 3

HEX #F8AC9F

RGB 248 172 159

HSL 8.76, 0.86%, 0.8%

LAB 77.26, 26.27, 17.93

 

CMYK 0 / 43 / 50 / 31

HEX #AF6458

RGB 175 100 88

HSL 8.28, 0.35%, 0.52%

LAB 50.61, 28.91, 19.97

 

CMYK 0 / 48 / 56 / 38

HEX #9E5245

RGB 158 82 69

HSL 8.76, 0.39%, 0.45%

LAB 43.85, 30.18, 21.86

 

CMYK 0 / 55 / 65 / 45

HEX #8D4032

RGB 141 64 50

HSL 9.23, 0.48%, 0.37%

LAB 37.04, 31.57, 24.1

 

CMYK 0 / 63 / 75 / 51

HEX #7C2E1F

RGB 124 46 31

HSL 9.68, 0.6%, 0.3%

LAB 30.25, 32.99, 26.82

 

CMYK 0 / 74 / 89 / 58

HEX #6B1C0C

RGB 107 28 12

HSL 10.11, 0.8%, 0.23%

LAB 23.61, 34.19, 29.68

 

CMYK 0 / 42 / 49 / 31

HEX #AF665A

RGB 175 102 90

HSL 8.47, 0.35%, 0.52%

LAB 51.1, 28.01, 19.46

 

CMYK 0 / 49 / 49 / 31

HEX #AF5A5A

RGB 175 90 90

HSL 0, 0.35%, 0.52%

LAB 48.47, 34.52, 15.89

 

CMYK 0 / 42 / 49 / 31

HEX #AF665A

RGB 175 102 90

HSL 8.47, 0.35%, 0.52%

LAB 51.1, 28.01, 19.46

 

CMYK 0 / 29 / 49 / 31

HEX #AF7D5A

RGB 175 125 90

HSL 24.71, 0.35%, 0.52%

LAB 56.6, 15.16, 26.72

 

CMYK 0 / 15 / 49 / 31

HEX #AF945A

RGB 175 148 90

HSL 40.94, 0.35%, 0.52%

LAB 62.53, 2.35, 34.28

 

CMYK 0 / 2 / 49 / 31

HEX #AFAB5A

RGB 175 171 90

HSL 57.18, 0.35%, 0.52%

LAB 68.74, -10, 41.89

 

CMYK 10 / 0 / 49 / 31

HEX #9DAF5A

RGB 157 175 90

HSL 72.71, 0.35%, 0.52%

LAB 68.44, -19.48, 41.2

 

CMYK 0 / 42 / 49 / 31

HEX #AF665A

RGB 175 102 90

HSL 8.47, 0.35%, 0.52%

LAB 51.1, 28.01, 19.46

 

CMYK 0 / 55 / 64 / 24

HEX #C35746

RGB 195 87 70

HSL 8.16, 0.51%, 0.52%

LAB 50.52, 42.02, 30.89

 

CMYK 0 / 66 / 77 / 16

HEX #D74932

RGB 215 73 50

HSL 8.36, 0.67%, 0.52%

LAB 51.2, 54.45, 43.59

 

CMYK 0 / 75 / 87 / 8

HEX #EB3B1E

RGB 235 59 30

HSL 8.49, 0.84%, 0.52%

LAB 52.82, 65.31, 55.93

 

CMYK 0 / 83 / 96 / 0

HEX #FF2C0B

RGB 255 44 11

HSL 8.11, 1%, 0.52%

LAB 55.16, 74.72, 65.48

 

CMYK 0 / 42 / 49 / 31

HEX #AF665A

RGB 175 102 90

HSL 8.47, 0.35%, 0.52%

LAB 51.1, 28.01, 19.46

 

CMYK 0 / 26 / 29 / 39

HEX #9C746E

RGB 156 116 110

HSL 7.83, 0.19%, 0.52%

LAB 52.6, 14.84, 9.45

 

CMYK 0 / 4 / 5 / 47

HEX #888281

RGB 136 130 129

HSL 8.57, 0.03%, 0.52%

LAB 54.85, 2.07, 1.34

 

CMYK 22 / 3 / 0 / 42

HEX #749195

RGB 116 145 149

HSL 187.27, 0.13%, 0.52%

LAB 58.16, -9.21, -5.49

 

CMYK 43 / 6 / 0 / 34

HEX #609FA9

RGB 96 159 169

HSL 188.22, 0.3%, 0.52%

LAB 61.78, -17.56, -11.56

 

CMYK 0 / 49 / 29 / 31

HEX #AF5A7C

RGB 175 90 124

HSL 336, 0.35%, 0.52%

LAB 49.35, 38.56, -3.25

 

CMYK 0 / 49 / 42 / 31

HEX #AF5A65

RGB 175 90 101

HSL 352.24, 0.35%, 0.52%

LAB 48.72, 35.68, 9.65

 

CMYK 0 / 42 / 49 / 31

HEX #AF655A

RGB 175 101 90

HSL 7.76, 0.35%, 0.52%

LAB 50.87, 28.56, 19.15

 

CMYK 0 / 29 / 49 / 31

HEX #AF7C5A

RGB 175 124 90

HSL 24, 0.35%, 0.52%

LAB 56.35, 15.72, 26.4

 

CMYK 0 / 16 / 49 / 31

HEX #AF935A

RGB 175 147 90

HSL 40.24, 0.35%, 0.52%

LAB 62.27, 2.9, 33.95

 

CMYK 0 / 45 / 52 / 52

HEX #7B443B

RGB 123 68 59

HSL 8.44, 0.35%, 0.36%

LAB 35.32, 22.63, 15.79

 

CMYK 0 / 44 / 52 / 41

HEX #975449

RGB 151 84 73

HSL 8.46, 0.35%, 0.44%

LAB 43.36, 26.59, 18.63

 

CMYK 0 / 42 / 49 / 31

HEX #AF665A

RGB 175 102 90

HSL 8.47, 0.35%, 0.52%

LAB 51.1, 28.01, 19.46

 

CMYK 0 / 33 / 38 / 26

HEX #BD7F76

RGB 189 127 118

HSL 7.61, 0.35%, 0.6%

LAB 59.26, 22.9, 14.69

 

CMYK 0 / 24 / 28 / 21

HEX #CA9991

RGB 202 153 145

HSL 8.42, 0.35%, 0.68%

LAB 67.56, 17.17, 11.31

 

CMYK 0 / 43 / 50 / 31

HEX #AF6458

RGB 175 100 88

HSL 8.28, 0.35%, 0.52%

LAB 50.61, 28.91, 19.97

 

CMYK 16 / 0 / 49 / 31

HEX #93AF5A

RGB 147 175 90

HSL 79.76, 0.35%, 0.52%

LAB 67.73, -23.48, 40.17

 

CMYK 49 / 35 / 0 / 31

HEX #5A71AF

RGB 90 113 175

HSL 223.76, 0.35%, 0.52%

LAB 48.36, 8.97, -35.67

 

CMYK 0 / 43 / 50 / 31

HEX #AF6458

RGB 175 100 88

HSL 8.28, 0.35%, 0.52%

LAB 50.61, 28.91, 19.97

 

CMYK 49 / 0 / 42 / 31

HEX #5AAF65

RGB 90 175 101

HSL 127.76, 0.35%, 0.52%

LAB 64.78, -41.69, 30.17

 

CMYK 42 / 49 / 0 / 31

HEX #655AAF

RGB 101 90 175

HSL 247.76, 0.35%, 0.52%

LAB 43.02, 25.97, -44.07

 

CMYK 0 / 43 / 50 / 31

HEX #AF6458

RGB 175 100 88

HSL 8.28, 0.35%, 0.52%

LAB 50.61, 28.91, 19.97

 

CMYK 16 / 0 / 49 / 31

HEX #93AF5A

RGB 147 175 90

HSL 79.76, 0.35%, 0.52%

LAB 67.73, -23.48, 40.17

 

CMYK 49 / 6 / 0 / 31

HEX #5AA4AF

RGB 90 164 175

HSL 187.76, 0.35%, 0.52%

LAB 63.19, -20.01, -12.84

 

CMYK 33 / 49 / 0 / 31

HEX #765AAF

RGB 118 90 175

HSL 259.76, 0.35%, 0.52%

LAB 44.6, 30.44, -41.47

 

CMYK 0 / 43 / 50 / 31

HEX #AF6458

RGB 175 100 88

HSL 8.28, 0.35%, 0.52%

LAB 50.61, 28.91, 19.97

 

CMYK 31 / 0 / 49 / 31

HEX #79AF5A

RGB 121 175 90

HSL 98.12, 0.35%, 0.52%

LAB 66.11, -33.29, 37.82

 

CMYK 49 / 6 / 0 / 31

HEX #5AA4AF

RGB 90 164 175

HSL 187.76, 0.35%, 0.52%

LAB 63.19, -20.01, -12.84

 

CMYK 18 / 49 / 0 / 31

HEX #905AAF

RGB 144 90 175

HSL 278.12, 0.35%, 0.52%

LAB 47.41, 37.77, -36.84

 

Description

Color code: HEX #AF6458 | qconv.com Color code: HEX #AF6458 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 100 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 100 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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