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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6143 it is the complementary color #509EBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6143 shade: #B4613E, #C57351, #D68564, #E79777 and #F8A98A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6143 shade: #AF6143, #9E4F30, #8D3D1D, #7C2B0A and #6B1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6143 shade: #AE6042, #AE4342 and #AE4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6143 shade: #AE6042, #AE7D42, #AE9A42, #A4AE42 and #87AE42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6143 shade matches the following richer shades: #AE6042, #C1572F, #D54F1B and #E84608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6143 shade: #AE6042, #9A6955, #877169, #747A7C and #60828F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6143 shade: #AE425F, #AE4242, #AE5F42, #AE7B42 and #AE9842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6143 shade: #723F2B, #904F37, #AE6042, #C07659 and #CB8E77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6143 shade: #AF6143, #7BAE42 and #4250AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6143 shade: #AF6143, #42AE5F and #5F42AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6143 shade: #AF6143, #7BAE42, #4291AE and #7442AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6143 shade: #AF6143, #5BAE42, #4291AE and #9542AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 62 / 31

HEX #AF6143

RGB 175 97 67

HSL 16.67, 0.45%, 0.47%

LAB 49.58, 28.76, 30.77

 

Complementary color

CMYK 57 / 16 / 0 / 26

HEX #509EBC

RGB 80 158 188

HSL 196.67, 0.45%, 0.53%

LAB 61.47, -15.24, -22.79

 

CMYK 0 / 46 / 66 / 29

HEX #B4613E

RGB 180 97 62

HSL 17.8, 0.49%, 0.47%

LAB 50.22, 30.47, 34.49

 

CMYK 0 / 42 / 59 / 23

HEX #C57351

RGB 197 115 81

HSL 17.59, 0.5%, 0.55%

LAB 56.81, 29.02, 32.55

 

CMYK 0 / 38 / 53 / 16

HEX #D68564

RGB 214 133 100

HSL 17.37, 0.58%, 0.62%

LAB 63.34, 27.73, 30.79

 

CMYK 0 / 35 / 48 / 9

HEX #E79777

RGB 231 151 119

HSL 17.14, 0.7%, 0.69%

LAB 69.79, 26.58, 29.21

 

CMYK 0 / 32 / 44 / 3

HEX #F8A98A

RGB 248 169 138

HSL 16.91, 0.89%, 0.76%

LAB 76.17, 25.55, 27.77

 

CMYK 0 / 45 / 62 / 31

HEX #AF6143

RGB 175 97 67

HSL 16.67, 0.45%, 0.47%

LAB 49.58, 28.76, 30.77

 

CMYK 0 / 50 / 70 / 38

HEX #9E4F30

RGB 158 79 48

HSL 16.91, 0.53%, 0.4%

LAB 42.88, 30.3, 32.87

 

CMYK 0 / 57 / 79 / 45

HEX #8D3D1D

RGB 141 61 29

HSL 17.14, 0.66%, 0.33%

LAB 36.15, 31.98, 35.14

 

CMYK 0 / 65 / 92 / 51

HEX #7C2B0A

RGB 124 43 10

HSL 17.37, 0.85%, 0.26%

LAB 29.5, 33.71, 37.05

 

CMYK 0 / 77 / 100 / 58

HEX #6B1900

RGB 107 25 0

HSL 14.02, 1%, 0.21%

LAB 23.07, 35.12, 34.06

 

CMYK 0 / 45 / 62 / 32

HEX #AE6042

RGB 174 96 66

HSL 16.67, 0.45%, 0.47%

LAB 49.2, 28.82, 30.84

 

CMYK 0 / 61 / 62 / 32

HEX #AE4342

RGB 174 67 66

HSL 0.56, 0.45%, 0.47%

LAB 43.37, 43.69, 23.54

 

CMYK 0 / 62 / 62 / 32

HEX #AE4242

RGB 174 66 66

HSL 0, 0.45%, 0.47%

LAB 43.19, 44.15, 23.32

 

CMYK 0 / 45 / 62 / 32

HEX #AE6042

RGB 174 96 66

HSL 16.67, 0.45%, 0.47%

LAB 49.2, 28.82, 30.84

 

CMYK 0 / 28 / 62 / 32

HEX #AE7D42

RGB 174 125 66

HSL 32.78, 0.45%, 0.47%

LAB 56.15, 12.65, 39.12

 

CMYK 0 / 11 / 62 / 32

HEX #AE9A42

RGB 174 154 66

HSL 48.89, 0.45%, 0.47%

LAB 63.76, -3.37, 47.74

 

CMYK 6 / 0 / 62 / 32

HEX #A4AE42

RGB 164 174 66

HSL 65.56, 0.45%, 0.47%

LAB 68.43, -18.17, 52.59

 

CMYK 22 / 0 / 62 / 32

HEX #87AE42

RGB 135 174 66

HSL 81.67, 0.45%, 0.47%

LAB 66.38, -30.05, 49.76

 

CMYK 0 / 45 / 62 / 32

HEX #AE6042

RGB 174 96 66

HSL 16.67, 0.45%, 0.47%

LAB 49.2, 28.82, 30.84

 

CMYK 0 / 55 / 76 / 24

HEX #C1572F

RGB 193 87 47

HSL 16.44, 0.61%, 0.47%

LAB 49.93, 40.04, 42.69

 

CMYK 0 / 63 / 87 / 16

HEX #D54F1B

RGB 213 79 27

HSL 16.77, 0.78%, 0.47%

LAB 51.63, 50.56, 54.51

 

CMYK 0 / 70 / 97 / 9

HEX #E84608

RGB 232 70 8

HSL 16.61, 0.93%, 0.47%

LAB 53.55, 60.34, 62.93

 

CMYK 0 / 45 / 62 / 32

HEX #AE6042

RGB 174 96 66

HSL 16.67, 0.45%, 0.47%

LAB 49.2, 28.82, 30.84

 

CMYK 0 / 32 / 45 / 40

HEX #9A6955

RGB 154 105 85

HSL 17.39, 0.29%, 0.47%

LAB 49.04, 17.12, 19.16

 

CMYK 0 / 16 / 22 / 47

HEX #877169

RGB 135 113 105

HSL 16, 0.13%, 0.47%

LAB 49.47, 7.28, 7.65

 

CMYK 6 / 2 / 0 / 51

HEX #747A7C

RGB 116 122 124

HSL 195, 0.03%, 0.47%

LAB 50.79, -1.82, -1.88

 

CMYK 33 / 9 / 0 / 44

HEX #60828F

RGB 96 130 143

HSL 196.6, 0.2%, 0.47%

LAB 52.33, -8.63, -10.87

 

CMYK 0 / 62 / 45 / 32

HEX #AE425F

RGB 174 66 95

HSL 343.89, 0.45%, 0.47%

LAB 43.83, 46.62, 6.36

 

CMYK 0 / 62 / 62 / 32

HEX #AE4242

RGB 174 66 66

HSL 0, 0.45%, 0.47%

LAB 43.19, 44.15, 23.32

 

CMYK 0 / 45 / 62 / 32

HEX #AE5F42

RGB 174 95 66

HSL 16.11, 0.45%, 0.47%

LAB 48.98, 29.37, 30.56

 

CMYK 0 / 29 / 62 / 32

HEX #AE7B42

RGB 174 123 66

HSL 31.67, 0.45%, 0.47%

LAB 55.64, 13.77, 38.53

 

CMYK 0 / 13 / 62 / 32

HEX #AE9842

RGB 174 152 66

HSL 47.78, 0.45%, 0.47%

LAB 63.22, -2.29, 47.14

 

CMYK 0 / 45 / 62 / 55

HEX #723F2B

RGB 114 63 43

HSL 16.9, 0.45%, 0.31%

LAB 32.5, 20.15, 21.81

 

CMYK 0 / 45 / 62 / 44

HEX #904F37

RGB 144 79 55

HSL 16.18, 0.45%, 0.39%

LAB 40.89, 24.9, 25.99

 

CMYK 0 / 45 / 62 / 32

HEX #AE6042

RGB 174 96 66

HSL 16.67, 0.45%, 0.47%

LAB 49.2, 28.82, 30.84

 

CMYK 0 / 39 / 54 / 25

HEX #C07659

RGB 192 118 89

HSL 16.89, 0.45%, 0.55%

LAB 56.96, 26.01, 28.15

 

CMYK 0 / 30 / 41 / 20

HEX #CB8E77

RGB 203 142 119

HSL 16.43, 0.45%, 0.63%

LAB 64.46, 20.32, 21.53

 

CMYK 0 / 45 / 62 / 31

HEX #AF6143

RGB 175 97 67

HSL 16.67, 0.45%, 0.47%

LAB 49.58, 28.76, 30.77

 

CMYK 29 / 0 / 62 / 32

HEX #7BAE42

RGB 123 174 66

HSL 88.33, 0.45%, 0.47%

LAB 65.65, -34.66, 48.76

 

CMYK 62 / 54 / 0 / 32

HEX #4250AE

RGB 66 80 174

HSL 232.22, 0.45%, 0.47%

LAB 37.76, 24.29, -52.09

 

CMYK 0 / 45 / 62 / 31

HEX #AF6143

RGB 175 97 67

HSL 16.67, 0.45%, 0.47%

LAB 49.58, 28.76, 30.77

 

CMYK 62 / 0 / 45 / 32

HEX #42AE5F

RGB 66 174 95

HSL 136.11, 0.45%, 0.47%

LAB 63.55, -48.27, 31.56

 

CMYK 45 / 62 / 0 / 32

HEX #5F42AE

RGB 95 66 174

HSL 256.11, 0.45%, 0.47%

LAB 36.72, 38.75, -53.65

 

CMYK 0 / 45 / 62 / 31

HEX #AF6143

RGB 175 97 67

HSL 16.67, 0.45%, 0.47%

LAB 49.58, 28.76, 30.77

 

CMYK 29 / 0 / 62 / 32

HEX #7BAE42

RGB 123 174 66

HSL 88.33, 0.45%, 0.47%

LAB 65.65, -34.66, 48.76

 

CMYK 62 / 17 / 0 / 32

HEX #4291AE

RGB 66 145 174

HSL 196.11, 0.45%, 0.47%

LAB 56.55, -15.26, -22.45

 

CMYK 33 / 62 / 0 / 32

HEX #7442AE

RGB 116 66 174

HSL 267.78, 0.45%, 0.47%

LAB 39.01, 43.43, -49.83

 

CMYK 0 / 45 / 62 / 31

HEX #AF6143

RGB 175 97 67

HSL 16.67, 0.45%, 0.47%

LAB 49.58, 28.76, 30.77

 

CMYK 48 / 0 / 62 / 32

HEX #5BAE42

RGB 91 174 66

HSL 106.11, 0.45%, 0.47%

LAB 64.07, -45.61, 46.56

 

CMYK 62 / 17 / 0 / 32

HEX #4291AE

RGB 66 145 174

HSL 196.11, 0.45%, 0.47%

LAB 56.55, -15.26, -22.45

 

CMYK 14 / 62 / 0 / 32

HEX #9542AE

RGB 149 66 174

HSL 286.11, 0.45%, 0.47%

LAB 43.27, 51.42, -42.77

 

Description

Color code: HEX #AF6143 | qconv.com Color code: HEX #AF6143 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 97 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 97 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 62 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 62% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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