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Color name
HEX #AF601D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF601D it is the complementary color #509FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF601D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF601D shade: #B46018, #C5722B, #D6843E, #E79651 and #F8A864

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF601D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF601D shade: #AF601D, #9E4E0A, #8D3C00, #7C2A00 and #6B1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF601D shade: #AF601D, #AF381D and #AF1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF601D shade: #AF601D, #AF881D, #AFAF1D, #88AF1D and #60AF1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF601D shade matches the following richer shades: #AF601D and #C05F0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF601D shade: #AF601D, #9F612D, #8E633E, #7E644E and #6D655F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF601D shade: #AF1D29, #AF371D, #AF5F1D, #AF861D and #AFAD1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF601D shade: #683911, #8C4D17, #AF601D, #D37322 and #E0893F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF601D shade: #AF601D, #50AF1D and #241DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF601D shade: #AF601D, #1DAF5F and #5F1DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF601D shade: #AF601D, #50AF1D, #1D6DAF and #7C1DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF601D shade: #AF601D, #24AF1D, #1D6DAF and #A81DAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

Complementary color

CMYK 65 / 30 / 0 / 11

HEX #509FE2

RGB 80 159 226

HSL 207.53, 0.72%, 0.6%

LAB 63.34, -3.69, -41.07

 

CMYK 0 / 47 / 87 / 29

HEX #B46018

RGB 180 96 24

HSL 27.69, 0.76%, 0.4%

LAB 49.66, 29.33, 51.85

 

CMYK 0 / 42 / 78 / 23

HEX #C5722B

RGB 197 114 43

HSL 27.66, 0.64%, 0.47%

LAB 56.17, 27.39, 51.04

 

CMYK 0 / 38 / 71 / 16

HEX #D6843E

RGB 214 132 62

HSL 27.63, 0.65%, 0.54%

LAB 62.63, 25.67, 49.67

 

CMYK 0 / 35 / 65 / 9

HEX #E79651

RGB 231 150 81

HSL 27.6, 0.76%, 0.61%

LAB 69.04, 24.16, 48.14

 

CMYK 0 / 32 / 60 / 3

HEX #F8A864

RGB 248 168 100

HSL 27.57, 0.91%, 0.68%

LAB 75.38, 22.82, 46.59

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 0 / 51 / 94 / 38

HEX #9E4E0A

RGB 158 78 10

HSL 27.57, 0.88%, 0.33%

LAB 42.37, 29.46, 49.16

 

CMYK 0 / 57 / 100 / 45

HEX #8D3C00

RGB 141 60 0

HSL 25.53, 1%, 0.28%

LAB 35.78, 31.76, 46.67

 

CMYK 0 / 66 / 100 / 51

HEX #7C2A00

RGB 124 42 0

HSL 20.32, 1%, 0.24%

LAB 29.26, 33.97, 40.94

 

CMYK 0 / 78 / 100 / 58

HEX #6B1800

RGB 107 24 0

HSL 13.46, 1%, 0.21%

LAB 22.93, 35.52, 33.91

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 0 / 68 / 83 / 31

HEX #AF381D

RGB 175 56 29

HSL 11.1, 0.72%, 0.4%

LAB 41.27, 47.13, 42.14

 

CMYK 0 / 83 / 83 / 31

HEX #AF1D1D

RGB 175 29 29

HSL 0, 0.72%, 0.4%

LAB 37.99, 56.22, 39.1

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 0 / 22 / 83 / 31

HEX #AF881D

RGB 175 136 29

HSL 43.97, 0.72%, 0.4%

LAB 58.8, 5.07, 57.68

 

CMYK 0 / 0 / 83 / 31

HEX #AFAF1D

RGB 175 175 29

HSL 60, 0.72%, 0.4%

LAB 69.37, -15.74, 66.67

 

CMYK 22 / 0 / 83 / 31

HEX #88AF1D

RGB 136 175 29

HSL 76.03, 0.72%, 0.4%

LAB 66.51, -32.29, 63.09

 

CMYK 45 / 0 / 83 / 31

HEX #60AF1D

RGB 96 175 29

HSL 92.47, 0.72%, 0.4%

LAB 64.35, -47.1, 60.36

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 0 / 51 / 94 / 25

HEX #C05F0C

RGB 192 95 12

HSL 27.67, 0.88%, 0.4%

LAB 51.17, 34.61, 57.27

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 0 / 39 / 72 / 38

HEX #9F612D

RGB 159 97 45

HSL 27.37, 0.56%, 0.4%

LAB 47.12, 20.53, 39.23

 

CMYK 0 / 30 / 56 / 44

HEX #8E633E

RGB 142 99 62

HSL 27.75, 0.39%, 0.4%

LAB 45.66, 13.05, 27.8

 

CMYK 0 / 21 / 38 / 51

HEX #7E644E

RGB 126 100 78

HSL 27.5, 0.24%, 0.4%

LAB 44.38, 7.15, 16.45

 

CMYK 0 / 7 / 13 / 57

HEX #6D655F

RGB 109 101 95

HSL 25.71, 0.07%, 0.4%

LAB 43.34, 2.02, 4.53

 

CMYK 0 / 83 / 77 / 31

HEX #AF1D29

RGB 175 29 41

HSL 355.07, 0.72%, 0.4%

LAB 38.12, 56.61, 32.35

 

CMYK 0 / 69 / 83 / 31

HEX #AF371D

RGB 175 55 29

HSL 10.68, 0.72%, 0.4%

LAB 41.11, 47.54, 42

 

CMYK 0 / 46 / 83 / 31

HEX #AF5F1D

RGB 175 95 29

HSL 27.12, 0.72%, 0.4%

LAB 48.74, 27.89, 48.9

 

CMYK 0 / 23 / 83 / 31

HEX #AF861D

RGB 175 134 29

HSL 43.15, 0.72%, 0.4%

LAB 58.28, 6.18, 57.23

 

CMYK 0 / 1 / 83 / 31

HEX #AFAD1D

RGB 175 173 29

HSL 59.18, 0.72%, 0.4%

LAB 68.82, -14.72, 66.2

 

CMYK 0 / 45 / 84 / 59

HEX #683911

RGB 104 57 17

HSL 27.59, 0.72%, 0.24%

LAB 29.18, 17.52, 32.34

 

CMYK 0 / 45 / 84 / 45

HEX #8C4D17

RGB 140 77 23

HSL 27.69, 0.72%, 0.32%

LAB 39.49, 22.5, 41.15

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 0 / 45 / 84 / 17

HEX #D37322

RGB 211 115 34

HSL 27.46, 0.72%, 0.48%

LAB 58.25, 32.38, 57.26

 

CMYK 0 / 39 / 72 / 12

HEX #E0893F

RGB 224 137 63

HSL 27.58, 0.72%, 0.56%

LAB 65.04, 27.2, 52.14

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 54 / 0 / 83 / 31

HEX #50AF1D

RGB 80 175 29

HSL 99.04, 0.72%, 0.4%

LAB 63.72, -51.97, 59.55

 

CMYK 79 / 83 / 0 / 31

HEX #241DAF

RGB 36 29 175

HSL 242.88, 0.72%, 0.4%

LAB 24.79, 51.26, -74.01

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 83 / 0 / 46 / 31

HEX #1DAF5F

RGB 29 175 95

HSL 147.12, 0.72%, 0.4%

LAB 63.13, -54.48, 30.87

 

CMYK 46 / 83 / 0 / 31

HEX #5F1DAF

RGB 95 29 175

HSL 267.12, 0.72%, 0.4%

LAB 30.42, 56.86, -64.53

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 54 / 0 / 83 / 31

HEX #50AF1D

RGB 80 175 29

HSL 99.04, 0.72%, 0.4%

LAB 63.72, -51.97, 59.55

 

CMYK 83 / 38 / 0 / 31

HEX #1D6DAF

RGB 29 109 175

HSL 207.12, 0.72%, 0.4%

LAB 44.65, 0.82, -41.7

 

CMYK 29 / 83 / 0 / 31

HEX #7C1DAF

RGB 124 29 175

HSL 279.04, 0.72%, 0.4%

LAB 34.52, 61.12, -57.66

 

CMYK 0 / 45 / 83 / 31

HEX #AF601D

RGB 175 96 29

HSL 27.53, 0.72%, 0.4%

LAB 48.97, 27.35, 49.1

 

CMYK 79 / 0 / 83 / 31

HEX #24AF1D

RGB 36 175 29

HSL 117.12, 0.72%, 0.4%

LAB 62.61, -61.17, 58.13

 

CMYK 83 / 38 / 0 / 31

HEX #1D6DAF

RGB 29 109 175

HSL 207.12, 0.72%, 0.4%

LAB 44.65, 0.82, -41.7

 

CMYK 4 / 83 / 0 / 31

HEX #A81DAF

RGB 168 29 175

HSL 297.12, 0.72%, 0.4%

LAB 41.69, 68.8, -45.72

 

Description

Color code: HEX #AF601D | qconv.com Color code: HEX #AF601D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 96 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 96 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 83 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 83% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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