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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5EC7 it is the complementary color #50A138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5EC7 shade: #B45EC2, #C570D5, #D682E8, #E794FB and #F8A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5EC7 shade: #AF5EC7, #9E4CB4, #8D3AA1, #7C288E and #6B167B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5EC7 shade: #AE5DC6, #C65DC2, #C65DA5, #C65D89 and #C65D6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5EC7 shade: #AE5DC6, #925DC6, #755DC6 and #5D5DC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5EC7 shade matches the following richer shades: #AE5DC6, #B84BD8, #C139E9 and #CB27FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5EC7 shade: #AE5DC6, #A46EB4, #9B80A2, #919291 and #87A47F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5EC7 shade: #755DC6, #915DC6, #AD5DC6, #C65DC2 and #C65DA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5EC7 shade: #83369A, #9D41B9, #AE5DC6, #BD7BD1 and #CC9ADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5EC7 shade: #AF5EC7, #C65D60 and #5DC683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5EC7 shade: #AF5EC7, #C6AD5D and #5DC6AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5EC7 shade: #AF5EC7, #C65D60, #75C65D and #5DC6C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5EC7 shade: #AF5EC7, #C6795D, #75C65D and #5DAAC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 53 / 0 / 22

HEX #AF5EC7

RGB 175 94 199

HSL 286.29, 0.48%, 0.57%

LAB 53.21, 49.46, -41.33

 

Complementary color

CMYK 50 / 0 / 65 / 37

HEX #50A138

RGB 80 161 56

HSL 106.29, 0.48%, 0.43%

LAB 59.42, -44.65, 45.7

 

CMYK 7 / 52 / 0 / 24

HEX #B45EC2

RGB 180 94 194

HSL 291.6, 0.45%, 0.56%

LAB 53.6, 49.85, -37.81

 

CMYK 8 / 47 / 0 / 16

HEX #C570D5

RGB 197 112 213

HSL 290.5, 0.55%, 0.64%

LAB 60.13, 49.14, -38.23

 

CMYK 8 / 44 / 0 / 9

HEX #D682E8

RGB 214 130 232

HSL 289.41, 0.69%, 0.71%

LAB 66.59, 48.4, -38.57

 

CMYK 8 / 41 / 0 / 2

HEX #E794FB

RGB 231 148 251

HSL 288.35, 0.93%, 0.78%

LAB 72.98, 47.65, -38.87

 

CMYK 3 / 35 / 0 / 0

HEX #F8A6FF

RGB 248 166 255

HSL 295.28, 1%, 0.83%

LAB 78.72, 44.1, -32

 

CMYK 12 / 53 / 0 / 22

HEX #AF5EC7

RGB 175 94 199

HSL 286.29, 0.48%, 0.57%

LAB 53.21, 49.46, -41.33

 

CMYK 12 / 58 / 0 / 29

HEX #9E4CB4

RGB 158 76 180

HSL 287.31, 0.41%, 0.5%

LAB 46.62, 50.11, -40.9

 

CMYK 12 / 64 / 0 / 37

HEX #8D3AA1

RGB 141 58 161

HSL 288.35, 0.47%, 0.43%

LAB 40.02, 50.54, -40.28

 

CMYK 13 / 72 / 0 / 44

HEX #7C288E

RGB 124 40 142

HSL 289.41, 0.56%, 0.36%

LAB 33.47, 50.54, -39.35

 

CMYK 13 / 82 / 0 / 52

HEX #6B167B

RGB 107 22 123

HSL 290.5, 0.7%, 0.28%

LAB 27.1, 49.67, -37.85

 

CMYK 12 / 53 / 0 / 22

HEX #AE5DC6

RGB 174 93 198

HSL 286.29, 0.48%, 0.57%

LAB 52.84, 49.5, -41.35

 

CMYK 0 / 53 / 2 / 22

HEX #C65DC2

RGB 198 93 194

HSL 302.29, 0.48%, 0.57%

LAB 55.82, 55.34, -34.17

 

CMYK 0 / 53 / 17 / 22

HEX #C65DA5

RGB 198 93 165

HSL 318.86, 0.48%, 0.57%

LAB 54.61, 50.58, -19.27

 

CMYK 0 / 53 / 31 / 22

HEX #C65D89

RGB 198 93 137

HSL 334.86, 0.48%, 0.57%

LAB 53.64, 46.62, -4.28

 

CMYK 0 / 53 / 45 / 22

HEX #C65D6C

RGB 198 93 108

HSL 351.43, 0.48%, 0.57%

LAB 52.86, 43.29, 11.78

 

CMYK 12 / 53 / 0 / 22

HEX #AE5DC6

RGB 174 93 198

HSL 286.29, 0.48%, 0.57%

LAB 52.84, 49.5, -41.35

 

CMYK 26 / 53 / 0 / 22

HEX #925DC6

RGB 146 93 198

HSL 270.29, 0.48%, 0.57%

LAB 49.52, 42.02, -46.84

 

CMYK 41 / 53 / 0 / 22

HEX #755DC6

RGB 117 93 198

HSL 253.71, 0.48%, 0.57%

LAB 46.56, 34.72, -51.73

 

CMYK 53 / 53 / 0 / 22

HEX #5D5DC6

RGB 93 93 198

HSL 240, 0.48%, 0.57%

LAB 44.57, 29.34, -55.04

 

CMYK 12 / 53 / 0 / 22

HEX #AE5DC6

RGB 174 93 198

HSL 286.29, 0.48%, 0.57%

LAB 52.84, 49.5, -41.35

 

CMYK 15 / 65 / 0 / 15

HEX #B84BD8

RGB 184 75 216

HSL 286.38, 0.64%, 0.57%

LAB 52.04, 64, -52.83

 

CMYK 17 / 76 / 0 / 9

HEX #C139E9

RGB 193 57 233

HSL 286.36, 0.8%, 0.57%

LAB 52, 75.75, -62.44

 

CMYK 19 / 84 / 0 / 2

HEX #CB27FB

RGB 203 39 251

HSL 286.42, 0.96%, 0.57%

LAB 53.07, 85.42, -70.73

 

CMYK 12 / 53 / 0 / 22

HEX #AE5DC6

RGB 174 93 198

HSL 286.29, 0.48%, 0.57%

LAB 52.84, 49.5, -41.35

 

CMYK 9 / 39 / 0 / 29

HEX #A46EB4

RGB 164 110 180

HSL 286.29, 0.32%, 0.57%

LAB 54.39, 33.7, -28.67

 

CMYK 4 / 21 / 0 / 36

HEX #9B80A2

RGB 155 128 162

HSL 287.65, 0.15%, 0.57%

LAB 57.09, 16.69, -14.23

 

CMYK 1 / 0 / 1 / 43

HEX #919291

RGB 145 146 145

HSL 120, 0%, 0.57%

LAB 60.45, -0.56, 0.39

 

CMYK 18 / 0 / 23 / 36

HEX #87A47F

RGB 135 164 127

HSL 107.03, 0.17%, 0.57%

LAB 64.35, -17.26, 15.96

 

CMYK 41 / 53 / 0 / 22

HEX #755DC6

RGB 117 93 198

HSL 253.71, 0.48%, 0.57%

LAB 46.56, 34.72, -51.73

 

CMYK 27 / 53 / 0 / 22

HEX #915DC6

RGB 145 93 198

HSL 269.71, 0.48%, 0.57%

LAB 49.41, 41.75, -47.02

 

CMYK 13 / 53 / 0 / 22

HEX #AD5DC6

RGB 173 93 198

HSL 285.71, 0.48%, 0.57%

LAB 52.72, 49.23, -41.56

 

CMYK 0 / 53 / 2 / 22

HEX #C65DC2

RGB 198 93 194

HSL 302.29, 0.48%, 0.57%

LAB 55.82, 55.34, -34.17

 

CMYK 0 / 53 / 16 / 22

HEX #C65DA6

RGB 198 93 166

HSL 318.29, 0.48%, 0.57%

LAB 54.65, 50.73, -19.8

 

CMYK 15 / 65 / 0 / 40

HEX #83369A

RGB 131 54 154

HSL 286.2, 0.48%, 0.41%

LAB 37.48, 48.49, -40.21

 

CMYK 15 / 65 / 0 / 27

HEX #9D41B9

RGB 157 65 185

HSL 286, 0.48%, 0.49%

LAB 44.87, 56.05, -46.62

 

CMYK 12 / 53 / 0 / 22

HEX #AE5DC6

RGB 174 93 198

HSL 286.29, 0.48%, 0.57%

LAB 52.84, 49.5, -41.35

 

CMYK 10 / 41 / 0 / 18

HEX #BD7BD1

RGB 189 123 209

HSL 286.05, 0.48%, 0.65%

LAB 61.3, 40.19, -34.22

 

CMYK 7 / 30 / 0 / 14

HEX #CC9ADB

RGB 204 154 219

HSL 286.15, 0.47%, 0.73%

LAB 70.22, 29.94, -25.87

 

CMYK 12 / 53 / 0 / 22

HEX #AF5EC7

RGB 175 94 199

HSL 286.29, 0.48%, 0.57%

LAB 53.21, 49.46, -41.33

 

CMYK 0 / 53 / 52 / 22

HEX #C65D60

RGB 198 93 96

HSL 358.29, 0.48%, 0.57%

LAB 52.6, 42.14, 18.51

 

CMYK 53 / 0 / 34 / 22

HEX #5DC683

RGB 93 198 131

HSL 141.71, 0.48%, 0.57%

LAB 72.46, -45.46, 24.57

 

CMYK 12 / 53 / 0 / 22

HEX #AF5EC7

RGB 175 94 199

HSL 286.29, 0.48%, 0.57%

LAB 53.21, 49.46, -41.33

 

CMYK 0 / 13 / 53 / 22

HEX #C6AD5D

RGB 198 173 93

HSL 45.71, 0.48%, 0.57%

LAB 71.34, -1.12, 44.01

 

CMYK 53 / 0 / 13 / 22

HEX #5DC6AD

RGB 93 198 173

HSL 165.71, 0.48%, 0.57%

LAB 73.37, -36.48, 3.3

 

CMYK 12 / 53 / 0 / 22

HEX #AF5EC7

RGB 175 94 199

HSL 286.29, 0.48%, 0.57%

LAB 53.21, 49.46, -41.33

 

CMYK 0 / 53 / 52 / 22

HEX #C65D60

RGB 198 93 96

HSL 358.29, 0.48%, 0.57%

LAB 52.6, 42.14, 18.51

 

CMYK 41 / 0 / 53 / 22

HEX #75C65D

RGB 117 198 93

HSL 106.29, 0.48%, 0.57%

LAB 72.87, -44.49, 44.52

 

CMYK 53 / 0 / 2 / 22

HEX #5DC6C2

RGB 93 198 194

HSL 177.71, 0.48%, 0.57%

LAB 73.94, -31.19, -7.26

 

CMYK 12 / 53 / 0 / 22

HEX #AF5EC7

RGB 175 94 199

HSL 286.29, 0.48%, 0.57%

LAB 53.21, 49.46, -41.33

 

CMYK 0 / 39 / 53 / 22

HEX #C6795D

RGB 198 121 93

HSL 16, 0.48%, 0.57%

LAB 58.48, 27.16, 28.02

 

CMYK 41 / 0 / 53 / 22

HEX #75C65D

RGB 117 198 93

HSL 106.29, 0.48%, 0.57%

LAB 72.87, -44.49, 44.52

 

CMYK 53 / 14 / 0 / 22

HEX #5DAAC6

RGB 93 170 198

HSL 196, 0.48%, 0.57%

LAB 65.87, -15.96, -21.6

 

Description

Color code: HEX #AF5EC7 | qconv.com Color code: HEX #AF5EC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 94 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 94 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 53 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 53% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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