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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5E87 it is the complementary color #50A178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5E87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5E87 shade: #B45E82, #C57095, #D682A8, #E794BB and #F8A6CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5E87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5E87 shade: #AF5E87, #9E4C74, #8D3A61, #7C284E and #6B163B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5E87 shade: #AF5E87, #AF5E71 and #AF5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5E87 shade: #AF5E87, #AF5E9D, #AC5EAF, #965EAF and #805EAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5E87 shade matches the following richer shades: #AF5E87, #C34B87, #D63788, #EA2488 and #FD1088

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5E87 shade: #AF5E87, #9C7187, #898587, #759886 and #62AB86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5E87 shade: #AB5EAF, #AF5E9E, #AF5E88, #AF5E72 and #AF5F5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5E87 shade: #7D3D5E, #994B73, #AF5E87, #BD7A9C and #CB95B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5E87 shade: #AF5E87, #AF965E and #5EA9AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5E87 shade: #AF5E87, #88AF5E and #5E88AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5E87 shade: #AF5E87, #AF965E, #5EAF85 and #5E78AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5E87 shade: #AF5E87, #AFAE5E, #5EAF85 and #5E5FAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

Complementary color

CMYK 50 / 0 / 25 / 37

HEX #50A178

RGB 80 161 120

HSL 149.63, 0.34%, 0.47%

LAB 60.38, -34.63, 13.88

 

CMYK 0 / 48 / 28 / 29

HEX #B45E82

RGB 180 94 130

HSL 334.88, 0.36%, 0.54%

LAB 51.06, 39.04, -4.23

 

CMYK 0 / 43 / 24 / 23

HEX #C57095

RGB 197 112 149

HSL 333.88, 0.42%, 0.61%

LAB 57.68, 38.19, -5.34

 

CMYK 0 / 39 / 21 / 16

HEX #D682A8

RGB 214 130 168

HSL 332.86, 0.51%, 0.67%

LAB 64.23, 37.36, -6.3

 

CMYK 0 / 36 / 19 / 9

HEX #E794BB

RGB 231 148 187

HSL 331.81, 0.63%, 0.74%

LAB 70.7, 36.56, -7.15

 

CMYK 0 / 33 / 17 / 3

HEX #F8A6CE

RGB 248 166 206

HSL 330.73, 0.85%, 0.81%

LAB 77.09, 35.81, -7.92

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 52 / 27 / 38

HEX #9E4C74

RGB 158 76 116

HSL 330.73, 0.35%, 0.46%

LAB 43.8, 38.84, -6.91

 

CMYK 0 / 59 / 31 / 45

HEX #8D3A61

RGB 141 58 97

HSL 331.81, 0.42%, 0.39%

LAB 37.03, 39.56, -5.47

 

CMYK 0 / 68 / 37 / 51

HEX #7C284E

RGB 124 40 78

HSL 332.86, 0.51%, 0.32%

LAB 30.29, 40, -3.56

 

CMYK 0 / 79 / 45 / 58

HEX #6B163B

RGB 107 22 59

HSL 333.88, 0.66%, 0.25%

LAB 23.72, 39.75, -0.85

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 46 / 35 / 31

HEX #AF5E71

RGB 175 94 113

HSL 345.93, 0.34%, 0.53%

LAB 49.87, 34.98, 4.1

 

CMYK 0 / 46 / 46 / 31

HEX #AF5E5E

RGB 175 94 94

HSL 0, 0.34%, 0.53%

LAB 49.41, 32.79, 14.8

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 46 / 10 / 31

HEX #AF5E9D

RGB 175 94 157

HSL 313.33, 0.34%, 0.53%

LAB 51.33, 41.56, -19.88

 

CMYK 2 / 46 / 0 / 31

HEX #AC5EAF

RGB 172 94 175

HSL 297.78, 0.34%, 0.53%

LAB 51.69, 43.88, -29.89

 

CMYK 14 / 46 / 0 / 31

HEX #965EAF

RGB 150 94 175

HSL 281.48, 0.34%, 0.53%

LAB 48.99, 37.3, -34.31

 

CMYK 27 / 46 / 0 / 31

HEX #805EAF

RGB 128 94 175

HSL 265.19, 0.34%, 0.53%

LAB 46.56, 30.87, -38.29

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 62 / 31 / 24

HEX #C34B87

RGB 195 75 135

HSL 330, 0.5%, 0.53%

LAB 49.96, 53.83, -8.62

 

CMYK 0 / 74 / 36 / 16

HEX #D63788

RGB 214 55 136

HSL 329.43, 0.66%, 0.53%

LAB 50.46, 66.87, -8.13

 

CMYK 0 / 85 / 42 / 8

HEX #EA2488

RGB 234 36 136

HSL 329.7, 0.83%, 0.53%

LAB 52.43, 76.6, -4.81

 

CMYK 0 / 94 / 46 / 1

HEX #FD1088

RGB 253 16 136

HSL 329.62, 0.98%, 0.53%

LAB 55.1, 83.61, -0.46

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 28 / 13 / 39

HEX #9C7187

RGB 156 113 135

HSL 329.3, 0.18%, 0.53%

LAB 52.54, 20.55, -5.33

 

CMYK 0 / 3 / 1 / 46

HEX #898587

RGB 137 133 135

HSL 330, 0.02%, 0.53%

LAB 55.93, 1.88, -0.55

 

CMYK 23 / 0 / 12 / 40

HEX #759886

RGB 117 152 134

HSL 149.14, 0.15%, 0.53%

LAB 59.85, -15.97, 5.52

 

CMYK 43 / 0 / 22 / 33

HEX #62AB86

RGB 98 171 134

HSL 149.59, 0.3%, 0.53%

LAB 64.52, -31.46, 12.02

 

CMYK 2 / 46 / 0 / 31

HEX #AB5EAF

RGB 171 94 175

HSL 297.04, 0.34%, 0.53%

LAB 51.56, 43.58, -30.1

 

CMYK 0 / 46 / 10 / 31

HEX #AF5E9E

RGB 175 94 158

HSL 312.59, 0.34%, 0.53%

LAB 51.37, 41.73, -20.41

 

CMYK 0 / 46 / 22 / 31

HEX #AF5E88

RGB 175 94 136

HSL 328.89, 0.34%, 0.53%

LAB 50.57, 38.17, -8.61

 

CMYK 0 / 46 / 35 / 31

HEX #AF5E72

RGB 175 94 114

HSL 345.19, 0.34%, 0.53%

LAB 49.9, 35.11, 3.54

 

CMYK 0 / 46 / 46 / 31

HEX #AF5F5E

RGB 175 95 94

HSL 0.74, 0.34%, 0.53%

LAB 49.63, 32.25, 15.09

 

CMYK 0 / 51 / 25 / 51

HEX #7D3D5E

RGB 125 61 94

HSL 329.06, 0.34%, 0.36%

LAB 35.01, 31.96, -6.83

 

CMYK 0 / 51 / 25 / 40

HEX #994B73

RGB 153 75 115

HSL 329.23, 0.34%, 0.45%

LAB 42.83, 37.49, -7.83

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 35 / 17 / 26

HEX #BD7A9C

RGB 189 122 156

HSL 329.55, 0.34%, 0.61%

LAB 59.1, 31.03, -7.39

 

CMYK 0 / 27 / 13 / 20

HEX #CB95B0

RGB 203 149 176

HSL 330, 0.34%, 0.69%

LAB 67.52, 24.46, -6.07

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 14 / 46 / 31

HEX #AF965E

RGB 175 150 94

HSL 41.48, 0.34%, 0.53%

LAB 63.12, 1.66, 32.89

 

CMYK 46 / 3 / 0 / 31

HEX #5EA9AF

RGB 94 169 175

HSL 184.44, 0.34%, 0.53%

LAB 64.84, -21.65, -10.35

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 22 / 0 / 46 / 31

HEX #88AF5E

RGB 136 175 94

HSL 88.89, 0.34%, 0.53%

LAB 67.05, -27.27, 37.16

 

CMYK 46 / 22 / 0 / 31

HEX #5E88AF

RGB 94 136 175

HSL 208.89, 0.34%, 0.53%

LAB 55.16, -3.69, -25.06

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 14 / 46 / 31

HEX #AF965E

RGB 175 150 94

HSL 41.48, 0.34%, 0.53%

LAB 63.12, 1.66, 32.89

 

CMYK 46 / 0 / 24 / 31

HEX #5EAF85

RGB 94 175 133

HSL 148.89, 0.34%, 0.53%

LAB 65.54, -34.65, 13.98

 

CMYK 46 / 31 / 0 / 31

HEX #5E78AF

RGB 94 120 175

HSL 220.74, 0.34%, 0.53%

LAB 50.58, 5.74, -32.17

 

CMYK 0 / 46 / 23 / 31

HEX #AF5E87

RGB 175 94 135

HSL 329.63, 0.34%, 0.53%

LAB 50.53, 38.02, -8.07

 

CMYK 0 / 1 / 46 / 31

HEX #AFAE5E

RGB 175 174 94

HSL 59.26, 0.34%, 0.53%

LAB 69.61, -11.18, 40.95

 

CMYK 46 / 0 / 24 / 31

HEX #5EAF85

RGB 94 175 133

HSL 148.89, 0.34%, 0.53%

LAB 65.54, -34.65, 13.98

 

CMYK 46 / 46 / 0 / 31

HEX #5E5FAF

RGB 94 95 175

HSL 239.26, 0.34%, 0.53%

LAB 43.74, 21.12, -42.96

 

Description

Color code: HEX #AF5E87 | qconv.com Color code: HEX #AF5E87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 94 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 94 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 23% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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