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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5E58CE it is the complementary color #50A1A7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5E58CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5E58CE shade: #B45E53CE, #C57066CE, #D68279CE, #E7948CCE and #F8A69FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5E58CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5E58CE shade: #AF5E58CE, #9E4C45CE, #8D3A32CE, #7C281FCE and #6B160CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5E58CE shade: #AF605A and #AF5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5E58CE shade: #AF605A, #AF775A, #AF8E5A, #AFA55A and #A3AF5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5E58CE shade matches the following richer shades: #AF605A, #C34F46, #D73E32, #EB2C1E and #FF1B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5E58CE shade: #AF605A, #9C716E, #888281, #749395 and #60A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5E58CE shade: #AF5A82, #AF5A6B, #AF5F5A, #AF765A and #AF8D5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5E58CE shade: #7B403B, #974E49, #AF605A, #BD7B76 and #CA9591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5E58CE shade: #AF5E58, #99AF5A and #5A76AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5E58CE shade: #AF5E58, #5AAF5F and #5F5AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5E58CE shade: #AF5E58, #99AF5A, #5AAAAF and #715AAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5E58CE shade: #AF5E58, #7FAF5A, #5AAAAF and #8A5AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 40 / 25

HEX #AF5E58CE

RGBA 175 94 88 0.81

HSLA 4.14, 0.35%, 0.52%, 0.81

LABA 49.28, 32.18, 18.19, 0.81

 

Complementary color

CMYK 42 / 3 / 0 / 28

HEX #50A1A7CE

RGBA 80 161 167 0.81

HSLA 184.14, 0.35%, 0.48%, 0.81

LABA 61.64, -22.96, -10.72, 0.81

 

CMYK 0 / 39 / 44 / 24

HEX #B45E53CE

RGBA 180 94 83 0.81

HSLA 6.8, 0.39%, 0.52%, 0.81

LABA 49.9, 33.67, 22.09, 0.81

 

CMYK 0 / 35 / 39 / 18

HEX #C57066CE

RGBA 197 112 102 0.81

HSLA 6.32, 0.45%, 0.59%, 0.81

LABA 56.5, 32.46, 20.27, 0.81

 

CMYK 0 / 32 / 35 / 13

HEX #D68279CE

RGBA 214 130 121 0.81

HSLA 5.81, 0.53%, 0.66%, 0.81

LABA 63.05, 31.36, 18.69, 0.81

 

CMYK 0 / 29 / 32 / 8

HEX #E7948CCE

RGBA 231 148 140 0.81

HSLA 5.27, 0.65%, 0.73%, 0.81

LABA 69.51, 30.35, 17.3, 0.81

 

CMYK 0 / 27 / 29 / 2

HEX #F8A69FCE

RGBA 248 166 159 0.81

HSLA 4.72, 0.86%, 0.8%, 0.81

LABA 75.9, 29.43, 16.04, 0.81

 

CMYK 0 / 37 / 40 / 25

HEX #AF5E58CE

RGBA 175 94 88 0.81

HSLA 4.14, 0.35%, 0.52%, 0.81

LABA 49.28, 32.18, 18.19, 0.81

 

CMYK 0 / 42 / 46 / 31

HEX #9E4C45CE

RGBA 158 76 69 0.81

HSLA 4.72, 0.39%, 0.45%, 0.81

LABA 42.56, 33.42, 20.18, 0.81

 

CMYK 0 / 48 / 52 / 36

HEX #8D3A32CE

RGBA 141 58 50 0.81

HSLA 5.27, 0.48%, 0.37%, 0.81

LABA 35.83, 34.7, 22.6, 0.81

 

CMYK 0 / 55 / 61 / 42

HEX #7C281FCE

RGBA 124 40 31 0.81

HSLA 5.81, 0.6%, 0.3%, 0.81

LABA 29.16, 35.88, 25.59, 0.81

 

CMYK 0 / 64 / 72 / 47

HEX #6B160CCE

RGBA 107 22 12 0.81

HSLA 6.32, 0.8%, 0.23%, 0.81

LABA 22.74, 36.59, 28.79, 0.81

 

CMYK 0 / 45 / 49 / 31

HEX #AF605A

RGB 175 96 90

HSL 4.24, 0.35%, 0.52%

LAB 49.76, 31.3, 17.65

 

CMYK 0 / 49 / 49 / 31

HEX #AF5A5A

RGB 175 90 90

HSL 0, 0.35%, 0.52%

LAB 48.47, 34.52, 15.89

 

CMYK 0 / 45 / 49 / 31

HEX #AF605A

RGB 175 96 90

HSL 4.24, 0.35%, 0.52%

LAB 49.76, 31.3, 17.65

 

CMYK 0 / 32 / 49 / 31

HEX #AF775A

RGB 175 119 90

HSL 20.47, 0.35%, 0.52%

LAB 55.12, 18.53, 24.79

 

CMYK 0 / 19 / 49 / 31

HEX #AF8E5A

RGB 175 142 90

HSL 36.71, 0.35%, 0.52%

LAB 60.96, 5.66, 32.29

 

CMYK 0 / 6 / 49 / 31

HEX #AFA55A

RGB 175 165 90

HSL 52.94, 0.35%, 0.52%

LAB 67.1, -6.83, 39.91

 

CMYK 7 / 0 / 49 / 31

HEX #A3AF5A

RGB 163 175 90

HSL 68.47, 0.35%, 0.52%

LAB 68.88, -17.04, 41.85

 

CMYK 0 / 45 / 49 / 31

HEX #AF605A

RGB 175 96 90

HSL 4.24, 0.35%, 0.52%

LAB 49.76, 31.3, 17.65

 

CMYK 0 / 59 / 64 / 24

HEX #C34F46

RGB 195 79 70

HSL 4.32, 0.51%, 0.52%

LAB 49.05, 45.86, 29.07

 

CMYK 0 / 71 / 77 / 16

HEX #D73E32

RGB 215 62 50

HSL 4.36, 0.67%, 0.52%

LAB 49.64, 58.7, 41.96

 

CMYK 0 / 81 / 87 / 8

HEX #EB2C1E

RGB 235 44 30

HSL 4.1, 0.84%, 0.52%

LAB 51.33, 69.5, 54.77

 

CMYK 0 / 89 / 96 / 0

HEX #FF1B0B

RGB 255 27 11

HSL 3.93, 1%, 0.52%

LAB 54.1, 77.75, 64.95

 

CMYK 0 / 45 / 49 / 31

HEX #AF605A

RGB 175 96 90

HSL 4.24, 0.35%, 0.52%

LAB 49.76, 31.3, 17.65

 

CMYK 0 / 28 / 29 / 39

HEX #9C716E

RGB 156 113 110

HSL 3.91, 0.19%, 0.52%

LAB 51.84, 16.56, 8.37

 

CMYK 0 / 4 / 5 / 47

HEX #888281

RGB 136 130 129

HSL 8.57, 0.03%, 0.52%

LAB 54.85, 2.07, 1.34

 

CMYK 22 / 1 / 0 / 42

HEX #749395

RGB 116 147 149

HSL 183.64, 0.13%, 0.52%

LAB 58.74, -10.31, -4.63

 

CMYK 43 / 3 / 0 / 34

HEX #60A4A9

RGB 96 164 169

HSL 184.11, 0.3%, 0.52%

LAB 63.26, -20.18, -9.35

 

CMYK 0 / 49 / 26 / 31

HEX #AF5A82

RGB 175 90 130

HSL 331.76, 0.35%, 0.52%

LAB 49.54, 39.4, -6.56

 

CMYK 0 / 49 / 39 / 31

HEX #AF5A6B

RGB 175 90 107

HSL 348, 0.35%, 0.52%

LAB 48.87, 36.37, 6.26

 

CMYK 0 / 46 / 49 / 31

HEX #AF5F5A

RGB 175 95 90

HSL 3.53, 0.35%, 0.52%

LAB 49.54, 31.84, 17.35

 

CMYK 0 / 33 / 49 / 31

HEX #AF765A

RGB 175 118 90

HSL 19.76, 0.35%, 0.52%

LAB 54.88, 19.09, 24.47

 

CMYK 0 / 19 / 49 / 31

HEX #AF8D5A

RGB 175 141 90

HSL 36, 0.35%, 0.52%

LAB 60.69, 6.22, 31.96

 

CMYK 0 / 48 / 52 / 52

HEX #7B403B

RGB 123 64 59

HSL 4.69, 0.35%, 0.36%

LAB 34.38, 24.94, 14.54

 

CMYK 0 / 48 / 52 / 41

HEX #974E49

RGB 151 78 73

HSL 3.85, 0.35%, 0.44%

LAB 42.01, 29.93, 16.83

 

CMYK 0 / 45 / 49 / 31

HEX #AF605A

RGB 175 96 90

HSL 4.24, 0.35%, 0.52%

LAB 49.76, 31.3, 17.65

 

CMYK 0 / 35 / 38 / 26

HEX #BD7B76

RGB 189 123 118

HSL 4.23, 0.35%, 0.6%

LAB 58.31, 25.11, 13.38

 

CMYK 0 / 26 / 28 / 21

HEX #CA9591

RGB 202 149 145

HSL 4.21, 0.35%, 0.68%

LAB 66.59, 19.36, 9.94

 

CMYK 0 / 46 / 50 / 31

HEX #AF5E58

RGB 175 94 88

HSL 4.14, 0.35%, 0.52%

LAB 49.28, 32.18, 18.19

 

CMYK 13 / 0 / 49 / 31

HEX #99AF5A

RGB 153 175 90

HSL 75.53, 0.35%, 0.52%

LAB 68.15, -21.09, 40.78

 

CMYK 49 / 33 / 0 / 31

HEX #5A76AF

RGB 90 118 175

HSL 220.24, 0.35%, 0.52%

LAB 49.77, 5.93, -33.46

 

CMYK 0 / 46 / 50 / 31

HEX #AF5E58

RGB 175 94 88

HSL 4.14, 0.35%, 0.52%

LAB 49.28, 32.18, 18.19

 

CMYK 49 / 0 / 46 / 31

HEX #5AAF5F

RGB 90 175 95

HSL 123.53, 0.35%, 0.52%

LAB 64.69, -42.63, 33.18

 

CMYK 46 / 49 / 0 / 31

HEX #5F5AAF

RGB 95 90 175

HSL 243.53, 0.35%, 0.52%

LAB 42.52, 24.48, -44.9

 

CMYK 0 / 46 / 50 / 31

HEX #AF5E58

RGB 175 94 88

HSL 4.14, 0.35%, 0.52%

LAB 49.28, 32.18, 18.19

 

CMYK 13 / 0 / 49 / 31

HEX #99AF5A

RGB 153 175 90

HSL 75.53, 0.35%, 0.52%

LAB 68.15, -21.09, 40.78

 

CMYK 49 / 3 / 0 / 31

HEX #5AAAAF

RGB 90 170 175

HSL 183.53, 0.35%, 0.52%

LAB 64.98, -23.1, -10.17

 

CMYK 35 / 49 / 0 / 31

HEX #715AAF

RGB 113 90 175

HSL 256.24, 0.35%, 0.52%

LAB 44.12, 29.09, -42.27

 

CMYK 0 / 46 / 50 / 31

HEX #AF5E58

RGB 175 94 88

HSL 4.14, 0.35%, 0.52%

LAB 49.28, 32.18, 18.19

 

CMYK 27 / 0 / 49 / 31

HEX #7FAF5A

RGB 127 175 90

HSL 93.88, 0.35%, 0.52%

LAB 66.45, -31.12, 38.32

 

CMYK 49 / 3 / 0 / 31

HEX #5AAAAF

RGB 90 170 175

HSL 183.53, 0.35%, 0.52%

LAB 64.98, -23.1, -10.17

 

CMYK 21 / 49 / 0 / 31

HEX #8A5AAF

RGB 138 90 175

HSL 273.88, 0.35%, 0.52%

LAB 46.73, 36.05, -37.97

 

Description

Color code: HEX #AF5E58CE | qconv.com Color code: HEX #AF5E58CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 94 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 94 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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