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Color name
HEX #AF5D52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5D52 it is the complementary color #50A2AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5D52 shade: #B45D4D, #C56F60, #D68173, #E79386 and #F8A599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5D52 shade: #AF5D52, #9E4B3F, #8D392C, #7C2719 and #6B1506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5D52 shade: #AF5B50 and #AF5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5D52 shade: #AF5B50, #AF7550, #AF8E50, #AFA850 and #9CAF50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5D52 shade matches the following richer shades: #AF5B50, #C34C3C, #D83C27 and #ED2C12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5D52 shade: #AF5B50, #9A6B65, #857B7A, #718B8E and #5C9AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5D52 shade: #AF5078, #AF505E, #AF5B50, #AF7450 and #AF8E50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5D52 shade: #763E36, #924D43, #AF5B50, #BC766D and #C99089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5D52 shade: #AF5D52, #91AF50 and #506BAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5D52 shade: #AF5D52, #50AF5B and #5B50AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5D52 shade: #AF5D52, #91AF50, #50A4AF and #6E50AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5D52 shade: #AF5D52, #74AF50, #50A4AF and #8B50AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 53 / 31

HEX #AF5D52

RGB 175 93 82

HSL 7.1, 0.37%, 0.5%

LAB 48.95, 32.15, 21.29

 

Complementary color

CMYK 54 / 6 / 0 / 32

HEX #50A2AD

RGB 80 162 173

HSL 187.1, 0.37%, 0.5%

LAB 62.14, -21.78, -13.35

 

CMYK 0 / 48 / 57 / 29

HEX #B45D4D

RGB 180 93 77

HSL 9.32, 0.41%, 0.5%

LAB 49.58, 33.7, 25.18

 

CMYK 0 / 44 / 51 / 23

HEX #C56F60

RGB 197 111 96

HSL 8.91, 0.47%, 0.57%

LAB 56.17, 32.43, 23.27

 

CMYK 0 / 40 / 46 / 16

HEX #D68173

RGB 214 129 115

HSL 8.48, 0.55%, 0.65%

LAB 62.71, 31.27, 21.61

 

CMYK 0 / 36 / 42 / 9

HEX #E79386

RGB 231 147 134

HSL 8.04, 0.67%, 0.72%

LAB 69.17, 30.22, 20.14

 

CMYK 0 / 33 / 38 / 3

HEX #F8A599

RGB 248 165 153

HSL 7.58, 0.87%, 0.79%

LAB 75.55, 29.26, 18.82

 

CMYK 0 / 47 / 53 / 31

HEX #AF5D52

RGB 175 93 82

HSL 7.1, 0.37%, 0.5%

LAB 48.95, 32.15, 21.29

 

CMYK 0 / 53 / 60 / 38

HEX #9E4B3F

RGB 158 75 63

HSL 7.58, 0.43%, 0.43%

LAB 42.25, 33.46, 23.39

 

CMYK 0 / 60 / 69 / 45

HEX #8D392C

RGB 141 57 44

HSL 8.04, 0.52%, 0.36%

LAB 35.54, 34.82, 25.91

 

CMYK 0 / 69 / 80 / 51

HEX #7C2719

RGB 124 39 25

HSL 8.48, 0.66%, 0.29%

LAB 28.92, 36.07, 28.92

 

CMYK 0 / 80 / 94 / 58

HEX #6B1506

RGB 107 21 6

HSL 8.91, 0.89%, 0.22%

LAB 22.57, 36.8, 31.1

 

CMYK 0 / 48 / 54 / 31

HEX #AF5B50

RGB 175 91 80

HSL 6.95, 0.37%, 0.5%

LAB 48.48, 33.05, 21.85

 

CMYK 0 / 54 / 54 / 31

HEX #AF5050

RGB 175 80 80

HSL 0, 0.37%, 0.5%

LAB 46.22, 38.79, 18.85

 

CMYK 0 / 48 / 54 / 31

HEX #AF5B50

RGB 175 91 80

HSL 6.95, 0.37%, 0.5%

LAB 48.48, 33.05, 21.85

 

CMYK 0 / 33 / 54 / 31

HEX #AF7550

RGB 175 117 80

HSL 23.37, 0.37%, 0.5%

LAB 54.47, 18.7, 29.57

 

CMYK 0 / 19 / 54 / 31

HEX #AF8E50

RGB 175 142 80

HSL 39.16, 0.37%, 0.5%

LAB 60.82, 4.73, 37.42

 

CMYK 0 / 4 / 54 / 31

HEX #AFA850

RGB 175 168 80

HSL 55.58, 0.37%, 0.5%

LAB 67.8, -9.32, 45.7

 

CMYK 11 / 0 / 54 / 31

HEX #9CAF50

RGB 156 175 80

HSL 72, 0.37%, 0.5%

LAB 68.25, -20.86, 45.83

 

CMYK 0 / 48 / 54 / 31

HEX #AF5B50

RGB 175 91 80

HSL 6.95, 0.37%, 0.5%

LAB 48.48, 33.05, 21.85

 

CMYK 0 / 61 / 69 / 24

HEX #C34C3C

RGB 195 76 60

HSL 7.11, 0.53%, 0.5%

LAB 48.38, 46.67, 34.02

 

CMYK 0 / 72 / 82 / 15

HEX #D83C27

RGB 216 60 39

HSL 7.12, 0.69%, 0.5%

LAB 49.47, 59.38, 47.56

 

CMYK 0 / 81 / 92 / 7

HEX #ED2C12

RGB 237 44 18

HSL 7.12, 0.86%, 0.5%

LAB 51.67, 69.88, 59.75

 

CMYK 0 / 48 / 54 / 31

HEX #AF5B50

RGB 175 91 80

HSL 6.95, 0.37%, 0.5%

LAB 48.48, 33.05, 21.85

 

CMYK 0 / 31 / 34 / 40

HEX #9A6B65

RGB 154 107 101

HSL 6.79, 0.21%, 0.5%

LAB 49.89, 17.95, 10.89

 

CMYK 0 / 8 / 8 / 48

HEX #857B7A

RGB 133 123 122

HSL 5.45, 0.04%, 0.5%

LAB 52.46, 3.63, 1.91

 

CMYK 20 / 2 / 0 / 44

HEX #718B8E

RGB 113 139 142

HSL 186.21, 0.11%, 0.5%

LAB 56.02, -8.5, -4.67

 

CMYK 44 / 6 / 0 / 36

HEX #5C9AA3

RGB 92 154 163

HSL 187.61, 0.28%, 0.5%

LAB 59.92, -17.56, -10.99

 

CMYK 0 / 54 / 31 / 31

HEX #AF5078

RGB 175 80 120

HSL 334.74, 0.37%, 0.5%

LAB 47.25, 43.15, -3.95

 

CMYK 0 / 54 / 46 / 31

HEX #AF505E

RGB 175 80 94

HSL 351.16, 0.37%, 0.5%

LAB 46.52, 40.11, 10.8

 

CMYK 0 / 48 / 54 / 31

HEX #AF5B50

RGB 175 91 80

HSL 6.95, 0.37%, 0.5%

LAB 48.48, 33.05, 21.85

 

CMYK 0 / 34 / 54 / 31

HEX #AF7450

RGB 175 116 80

HSL 22.74, 0.37%, 0.5%

LAB 54.22, 19.26, 29.26

 

CMYK 0 / 19 / 54 / 31

HEX #AF8E50

RGB 175 142 80

HSL 39.16, 0.37%, 0.5%

LAB 60.82, 4.73, 37.42

 

CMYK 0 / 47 / 54 / 54

HEX #763E36

RGB 118 62 54

HSL 7.5, 0.37%, 0.34%

LAB 33.06, 23.49, 15.79

 

CMYK 0 / 47 / 54 / 43

HEX #924D43

RGB 146 77 67

HSL 7.59, 0.37%, 0.42%

LAB 40.94, 27.89, 18.91

 

CMYK 0 / 48 / 54 / 31

HEX #AF5B50

RGB 175 91 80

HSL 6.95, 0.37%, 0.5%

LAB 48.48, 33.05, 21.85

 

CMYK 0 / 37 / 42 / 26

HEX #BC766D

RGB 188 118 109

HSL 6.84, 0.37%, 0.58%

LAB 56.83, 26.41, 16.49

 

CMYK 0 / 28 / 32 / 21

HEX #C99089

RGB 201 144 137

HSL 6.56, 0.37%, 0.66%

LAB 65.1, 20.64, 12.29

 

CMYK 0 / 47 / 53 / 31

HEX #AF5D52

RGB 175 93 82

HSL 7.1, 0.37%, 0.5%

LAB 48.95, 32.15, 21.29

 

CMYK 17 / 0 / 54 / 31

HEX #91AF50

RGB 145 175 80

HSL 78.95, 0.37%, 0.5%

LAB 67.47, -25.3, 44.73

 

CMYK 54 / 39 / 0 / 31

HEX #506BAF

RGB 80 107 175

HSL 222.95, 0.37%, 0.5%

LAB 46.06, 10.3, -39.33

 

CMYK 0 / 47 / 53 / 31

HEX #AF5D52

RGB 175 93 82

HSL 7.1, 0.37%, 0.5%

LAB 48.95, 32.15, 21.29

 

CMYK 54 / 0 / 48 / 31

HEX #50AF5B

RGB 80 175 91

HSL 126.95, 0.37%, 0.5%

LAB 64.26, -45.96, 34.61

 

CMYK 48 / 54 / 0 / 31

HEX #5B50AF

RGB 91 80 175

HSL 246.95, 0.37%, 0.5%

LAB 39.68, 29.74, -49.49

 

CMYK 0 / 47 / 53 / 31

HEX #AF5D52

RGB 175 93 82

HSL 7.1, 0.37%, 0.5%

LAB 48.95, 32.15, 21.29

 

CMYK 17 / 0 / 54 / 31

HEX #91AF50

RGB 145 175 80

HSL 78.95, 0.37%, 0.5%

LAB 67.47, -25.3, 44.73

 

CMYK 54 / 6 / 0 / 31

HEX #50A4AF

RGB 80 164 175

HSL 186.95, 0.37%, 0.5%

LAB 62.8, -22.23, -13.47

 

CMYK 37 / 54 / 0 / 31

HEX #6E50AF

RGB 110 80 175

HSL 258.95, 0.37%, 0.5%

LAB 41.45, 34.29, -46.54

 

CMYK 0 / 47 / 53 / 31

HEX #AF5D52

RGB 175 93 82

HSL 7.1, 0.37%, 0.5%

LAB 48.95, 32.15, 21.29

 

CMYK 34 / 0 / 54 / 31

HEX #74AF50

RGB 116 175 80

HSL 97.26, 0.37%, 0.5%

LAB 65.71, -36.26, 42.22

 

CMYK 54 / 6 / 0 / 31

HEX #50A4AF

RGB 80 164 175

HSL 186.95, 0.37%, 0.5%

LAB 62.8, -22.23, -13.47

 

CMYK 21 / 54 / 0 / 31

HEX #8B50AF

RGB 139 80 175

HSL 277.26, 0.37%, 0.5%

LAB 44.69, 41.89, -41.18

 

Description

Color code: HEX #AF5D52 | qconv.com Color code: HEX #AF5D52 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 93 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 93 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 53% 31% C M Y K

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