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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5D01 it is the complementary color #50A2FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5D01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5D01 shade: #B45D00, #C56F0F, #D68122, #E79335 and #F8A548

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5D01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5D01 shade: #AF5D01, #9E4B00, #8D3900, #7C2700 and #6B1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5D01 shade: #B25E01, #B22F01 and #B20101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5D01 shade: #B25E01, #B28E01, #A6B201, #76B201 and #46B201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5D01 shade matches the following richer shades: #B25E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5D01 shade: #B25E01, #A35D0F, #955D1E, #865C2C and #785B3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5D01 shade: #B20104, #B22D01, #B25C01, #B28B01 and #A9B201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5D01 shade: #603300, #894901, #B25E01, #DB7401 and #FE8A07

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5D01 shade: #AF5D01, #33B201 and #1601B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5D01 shade: #AF5D01, #01B25C and #5C01B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5D01 shade: #AF5D01, #33B201, #0156B2 and #8001B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5D01 shade: #AF5D01, #01B204, #0156B2 and #B201AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 99 / 31

HEX #AF5D01

RGB 175 93 1

HSL 31.72, 0.99%, 0.35%

LAB 48.19, 28.44, 56.52

 

Complementary color

CMYK 69 / 36 / 0 / 0

HEX #50A2FE

RGB 80 162 254

HSL 211.72, 0.99%, 0.65%

LAB 65.52, 3.98, -52.99

 

CMYK 0 / 48 / 100 / 29

HEX #B45D00

RGB 180 93 0

HSL 31, 1%, 0.35%

LAB 48.92, 30.54, 57.58

 

CMYK 0 / 44 / 92 / 23

HEX #C56F0F

RGB 197 111 15

HSL 31.65, 0.86%, 0.42%

LAB 55.35, 28.26, 59.88

 

CMYK 0 / 40 / 84 / 16

HEX #D68122

RGB 214 129 34

HSL 31.67, 0.73%, 0.49%

LAB 61.75, 26.2, 60.41

 

CMYK 0 / 36 / 77 / 9

HEX #E79335

RGB 231 147 53

HSL 31.69, 0.79%, 0.56%

LAB 68.1, 24.36, 59.85

 

CMYK 0 / 33 / 71 / 3

HEX #F8A548

RGB 248 165 72

HSL 31.7, 0.93%, 0.63%

LAB 74.4, 22.74, 58.78

 

CMYK 0 / 47 / 99 / 31

HEX #AF5D01

RGB 175 93 1

HSL 31.72, 0.99%, 0.35%

LAB 48.19, 28.44, 56.52

 

CMYK 0 / 53 / 100 / 38

HEX #9E4B00

RGB 158 75 0

HSL 28.48, 1%, 0.31%

LAB 41.69, 30.91, 51.54

 

CMYK 0 / 60 / 100 / 45

HEX #8D3900

RGB 141 57 0

HSL 24.26, 1%, 0.28%

LAB 35.18, 33.31, 46.33

 

CMYK 0 / 69 / 100 / 51

HEX #7C2700

RGB 124 39 0

HSL 18.87, 1%, 0.24%

LAB 28.74, 35.38, 40.52

 

CMYK 0 / 80 / 100 / 58

HEX #6B1500

RGB 107 21 0

HSL 11.78, 1%, 0.21%

LAB 22.52, 36.65, 33.49

 

CMYK 0 / 47 / 99 / 30

HEX #B25E01

RGB 178 94 1

HSL 31.53, 0.99%, 0.35%

LAB 48.85, 29.17, 57.15

 

CMYK 0 / 74 / 99 / 30

HEX #B22F01

RGB 178 47 1

HSL 15.59, 0.99%, 0.35%

LAB 40.41, 51.15, 52.42

 

CMYK 0 / 99 / 99 / 30

HEX #B20101

RGB 178 1 1

HSL 0, 0.99%, 0.35%

LAB 36.91, 61.06, 50.88

 

CMYK 0 / 47 / 99 / 30

HEX #B25E01

RGB 178 94 1

HSL 31.53, 0.99%, 0.35%

LAB 48.85, 29.17, 57.15

 

CMYK 0 / 20 / 99 / 30

HEX #B28E01

RGB 178 142 1

HSL 47.8, 0.99%, 0.35%

LAB 60.62, 2.6, 64.99

 

CMYK 7 / 0 / 99 / 30

HEX #A6B201

RGB 166 178 1

HSL 64.07, 0.99%, 0.35%

LAB 69.43, -21.68, 70.89

 

CMYK 34 / 0 / 99 / 30

HEX #76B201

RGB 118 178 1

HSL 80.34, 0.99%, 0.35%

LAB 66.29, -41.32, 67.12

 

CMYK 61 / 0 / 99 / 30

HEX #46B201

RGB 70 178 1

HSL 96.61, 0.99%, 0.35%

LAB 64.28, -56.51, 64.69

 

CMYK 0 / 47 / 99 / 30

HEX #B25E01

RGB 178 94 1

HSL 31.53, 0.99%, 0.35%

LAB 48.85, 29.17, 57.15

 

CMYK 0 / 47 / 99 / 30

HEX #B25E01

RGB 178 94 1

HSL 31.53, 0.99%, 0.35%

LAB 48.85, 29.17, 57.15

 

CMYK 0 / 43 / 91 / 36

HEX #A35D0F

RGB 163 93 15

HSL 31.62, 0.83%, 0.35%

LAB 46.51, 23.44, 51.19

 

CMYK 0 / 38 / 80 / 42

HEX #955D1E

RGB 149 93 30

HSL 31.76, 0.66%, 0.35%

LAB 44.68, 17.63, 43.42

 

CMYK 0 / 31 / 67 / 47

HEX #865C2C

RGB 134 92 44

HSL 32, 0.51%, 0.35%

LAB 42.62, 12.1, 33.87

 

CMYK 0 / 24 / 51 / 53

HEX #785B3B

RGB 120 91 59

HSL 31.48, 0.34%, 0.35%

LAB 40.88, 7.56, 22.97

 

CMYK 0 / 99 / 98 / 30

HEX #B20104

RGB 178 1 4

HSL 358.98, 0.99%, 0.35%

LAB 36.92, 61.1, 49.67

 

CMYK 0 / 75 / 99 / 30

HEX #B22D01

RGB 178 45 1

HSL 14.92, 0.99%, 0.35%

LAB 40.15, 51.86, 52.3

 

CMYK 0 / 48 / 99 / 30

HEX #B25C01

RGB 178 92 1

HSL 30.85, 0.99%, 0.35%

LAB 48.41, 30.25, 56.88

 

CMYK 0 / 22 / 99 / 30

HEX #B28B01

RGB 178 139 1

HSL 46.78, 0.99%, 0.35%

LAB 59.83, 4.25, 64.44

 

CMYK 5 / 0 / 99 / 30

HEX #A9B201

RGB 169 178 1

HSL 63.05, 0.99%, 0.35%

LAB 69.67, -20.38, 71.17

 

CMYK 0 / 47 / 100 / 62

HEX #603300

RGB 96 51 0

HSL 31.88, 1%, 0.19%

LAB 26.32, 16.77, 36.5

 

CMYK 0 / 47 / 99 / 46

HEX #894901

RGB 137 73 1

HSL 31.76, 0.99%, 0.27%

LAB 38, 22.91, 47.32

 

CMYK 0 / 47 / 99 / 30

HEX #B25E01

RGB 178 94 1

HSL 31.53, 0.99%, 0.35%

LAB 48.85, 29.17, 57.15

 

CMYK 0 / 47 / 100 / 14

HEX #DB7401

RGB 219 116 1

HSL 31.65, 0.99%, 0.43%

LAB 59.48, 34.6, 66.69

 

CMYK 0 / 46 / 97 / 0

HEX #FE8A07

RGB 254 138 7

HSL 31.82, 0.99%, 0.51%

LAB 68.94, 37.5, 74.15

 

CMYK 0 / 47 / 99 / 31

HEX #AF5D01

RGB 175 93 1

HSL 31.72, 0.99%, 0.35%

LAB 48.19, 28.44, 56.52

 

CMYK 71 / 0 / 99 / 30

HEX #33B201

RGB 51 178 1

HSL 103.05, 0.99%, 0.35%

LAB 63.79, -60.62, 64.09

 

CMYK 88 / 99 / 0 / 30

HEX #1601B2

RGB 22 1 178

HSL 247.12, 0.99%, 0.35%

LAB 21.6, 60.43, -81.14

 

CMYK 0 / 47 / 99 / 31

HEX #AF5D01

RGB 175 93 1

HSL 31.72, 0.99%, 0.35%

LAB 48.19, 28.44, 56.52

 

CMYK 99 / 0 / 48 / 30

HEX #01B25C

RGB 1 178 92

HSL 150.85, 0.99%, 0.35%

LAB 63.85, -57.78, 33.29

 

CMYK 48 / 99 / 0 / 30

HEX #5C01B2

RGB 92 1 178

HSL 270.85, 0.99%, 0.35%

LAB 28.14, 63.72, -70.08

 

CMYK 0 / 47 / 99 / 31

HEX #AF5D01

RGB 175 93 1

HSL 31.72, 0.99%, 0.35%

LAB 48.19, 28.44, 56.52

 

CMYK 71 / 0 / 99 / 30

HEX #33B201

RGB 51 178 1

HSL 103.05, 0.99%, 0.35%

LAB 63.79, -60.62, 64.09

 

CMYK 99 / 52 / 0 / 30

HEX #0156B2

RGB 1 86 178

HSL 211.19, 0.99%, 0.35%

LAB 37.62, 15.29, -54.77

 

CMYK 28 / 99 / 0 / 30

HEX #8001B2

RGB 128 1 178

HSL 283.05, 0.99%, 0.35%

LAB 33.62, 67.57, -60.89

 

CMYK 0 / 47 / 99 / 31

HEX #AF5D01

RGB 175 93 1

HSL 31.72, 0.99%, 0.35%

LAB 48.19, 28.44, 56.52

 

CMYK 99 / 0 / 98 / 30

HEX #01B204

RGB 1 178 4

HSL 121.02, 0.99%, 0.35%

LAB 63.22, -65.66, 63.01

 

CMYK 99 / 52 / 0 / 30

HEX #0156B2

RGB 1 86 178

HSL 211.19, 0.99%, 0.35%

LAB 37.62, 15.29, -54.77

 

CMYK 0 / 99 / 2 / 30

HEX #B201AF

RGB 178 1 175

HSL 301.02, 0.99%, 0.35%

LAB 42.13, 74.48, -44.92

 

Description

Color code: HEX #AF5D01 | qconv.com Color code: HEX #AF5D01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 93 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 93 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 99 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 99% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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