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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5CFB it is the complementary color #50A304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5CFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5CFB shade: #B45CF6, #C56EFF, #D680FF, #E792FF and #F8A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5CFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5CFB shade: #AF5CFB, #9E4AE8, #8D38D5, #7C26C2 and #6B14AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5CFB shade: #AE5BFB, #D95BFB, #FB5BF1, #FB5BC6 and #FB5B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5CFB shade: #AE5BFB, #835BFB and #5B5BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5CFB shade matches the following richer shades: #AE5BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5CFB shade: #AE5BFB, #AE69ED, #AD76E0, #AD84D2 and #AC91C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5CFB shade: #5B5EFB, #835BFB, #AE5BFB, #D85BFB and #FB5BF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5CFB shade: #870AF9, #9B33FA, #AE5BFB, #C283FC and #D6ABFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5CFB shade: #AF5CFB, #FB5B88 and #5BFB6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5CFB shade: #AF5CFB, #FBAE5B and #5BFBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5CFB shade: #AF5CFB, #FB5B88, #A8FB5B and #5BFBCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5CFB shade: #AF5CFB, #FB5E5B, #A8FB5B and #5BF8FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 63 / 0 / 2

HEX #AF5CFB

RGB 175 92 251

HSL 271.32, 0.95%, 0.67%

LAB 55.82, 61.72, -66.47

 

Complementary color

CMYK 51 / 0 / 98 / 36

HEX #50A304

RGB 80 163 4

HSL 91.32, 0.95%, 0.33%

LAB 59.81, -48.24, 60.86

 

CMYK 27 / 63 / 0 / 4

HEX #B45CF6

RGB 180 92 246

HSL 274.29, 0.9%, 0.66%

LAB 56.1, 61.67, -63.22

 

CMYK 23 / 57 / 0 / 0

HEX #C56EFF

RGB 197 110 255

HSL 276, 1%, 0.72%

LAB 61.86, 58.79, -58.85

 

CMYK 16 / 50 / 0 / 0

HEX #D680FF

RGB 214 128 255

HSL 280.63, 1%, 0.75%

LAB 67.24, 54.03, -50.18

 

CMYK 9 / 43 / 0 / 0

HEX #E792FF

RGB 231 146 255

HSL 286.79, 1%, 0.79%

LAB 72.74, 49.46, -41.42

 

CMYK 3 / 36 / 0 / 0

HEX #F8A4FF

RGB 248 164 255

HSL 295.38, 1%, 0.82%

LAB 78.3, 45.14, -32.65

 

CMYK 30 / 63 / 0 / 2

HEX #AF5CFB

RGB 175 92 251

HSL 271.32, 0.95%, 0.67%

LAB 55.82, 61.72, -66.47

 

CMYK 32 / 68 / 0 / 9

HEX #9E4AE8

RGB 158 74 232

HSL 271.9, 0.77%, 0.6%

LAB 49.49, 62.32, -66.18

 

CMYK 34 / 74 / 0 / 16

HEX #8D38D5

RGB 141 56 213

HSL 272.48, 0.65%, 0.53%

LAB 43.2, 62.62, -65.66

 

CMYK 36 / 80 / 0 / 24

HEX #7C26C2

RGB 124 38 194

HSL 273.08, 0.67%, 0.45%

LAB 37.05, 62.35, -64.76

 

CMYK 39 / 89 / 0 / 31

HEX #6B14AF

RGB 107 20 175

HSL 273.68, 0.79%, 0.38%

LAB 31.16, 61.09, -63.24

 

CMYK 31 / 64 / 0 / 2

HEX #AE5BFB

RGB 174 91 251

HSL 271.13, 0.95%, 0.67%

LAB 55.53, 61.99, -66.95

 

CMYK 14 / 64 / 0 / 2

HEX #D95BFB

RGB 217 91 251

HSL 287.25, 0.95%, 0.67%

LAB 60.96, 71.29, -57.94

 

CMYK 0 / 64 / 4 / 2

HEX #FB5BF1

RGB 251 91 241

HSL 303.75, 0.95%, 0.67%

LAB 65.23, 77.34, -45.33

 

CMYK 0 / 64 / 21 / 2

HEX #FB5BC6

RGB 251 91 198

HSL 319.88, 0.95%, 0.67%

LAB 63.4, 71.15, -24.09

 

CMYK 0 / 64 / 38 / 2

HEX #FB5B9B

RGB 251 91 155

HSL 336, 0.95%, 0.67%

LAB 61.96, 66.08, -1.62

 

CMYK 31 / 64 / 0 / 2

HEX #AE5BFB

RGB 174 91 251

HSL 271.13, 0.95%, 0.67%

LAB 55.53, 61.99, -66.95

 

CMYK 48 / 64 / 0 / 2

HEX #835BFB

RGB 131 91 251

HSL 255, 0.95%, 0.67%

LAB 51, 53.55, -74.49

 

CMYK 64 / 64 / 0 / 2

HEX #5B5BFB

RGB 91 91 251

HSL 240, 0.95%, 0.67%

LAB 47.84, 47.16, -79.78

 

CMYK 31 / 64 / 0 / 2

HEX #AE5BFB

RGB 174 91 251

HSL 271.13, 0.95%, 0.67%

LAB 55.53, 61.99, -66.95

 

CMYK 31 / 64 / 0 / 2

HEX #AE5BFB

RGB 174 91 251

HSL 271.13, 0.95%, 0.67%

LAB 55.53, 61.99, -66.95

 

CMYK 27 / 56 / 0 / 7

HEX #AE69ED

RGB 174 105 237

HSL 271.36, 0.79%, 0.67%

LAB 57.29, 51.79, -56.34

 

CMYK 23 / 47 / 0 / 12

HEX #AD76E0

RGB 173 118 224

HSL 271.13, 0.63%, 0.67%

LAB 59.18, 41.58, -46.07

 

CMYK 18 / 37 / 0 / 18

HEX #AD84D2

RGB 173 132 210

HSL 271.54, 0.46%, 0.67%

LAB 61.69, 30.6, -34.3

 

CMYK 12 / 26 / 0 / 23

HEX #AC91C4

RGB 172 145 196

HSL 271.76, 0.3%, 0.67%

LAB 64.17, 19.87, -22.63

 

CMYK 64 / 63 / 0 / 2

HEX #5B5EFB

RGB 91 94 251

HSL 238.88, 0.95%, 0.67%

LAB 48.5, 45.41, -78.7

 

CMYK 48 / 64 / 0 / 2

HEX #835BFB

RGB 131 91 251

HSL 255, 0.95%, 0.67%

LAB 51, 53.55, -74.49

 

CMYK 31 / 64 / 0 / 2

HEX #AE5BFB

RGB 174 91 251

HSL 271.13, 0.95%, 0.67%

LAB 55.53, 61.99, -66.95

 

CMYK 14 / 64 / 0 / 2

HEX #D85BFB

RGB 216 91 251

HSL 286.88, 0.95%, 0.67%

LAB 60.82, 71.07, -58.16

 

CMYK 0 / 64 / 3 / 2

HEX #FB5BF3

RGB 251 91 243

HSL 303, 0.95%, 0.67%

LAB 65.33, 77.66, -46.29

 

CMYK 46 / 96 / 0 / 2

HEX #870AF9

RGB 135 10 249

HSL 271.38, 0.95%, 0.51%

LAB 41.54, 81.46, -88.86

 

CMYK 38 / 80 / 0 / 2

HEX #9B33FA

RGB 155 51 250

HSL 271.36, 0.95%, 0.59%

LAB 47.29, 74.9, -79.89

 

CMYK 31 / 64 / 0 / 2

HEX #AE5BFB

RGB 174 91 251

HSL 271.13, 0.95%, 0.67%

LAB 55.53, 61.99, -66.95

 

CMYK 23 / 48 / 0 / 1

HEX #C283FC

RGB 194 131 252

HSL 271.24, 0.95%, 0.75%

LAB 65.54, 46.54, -51.38

 

CMYK 15 / 32 / 0 / 1

HEX #D6ABFD

RGB 214 171 253

HSL 271.46, 0.95%, 0.83%

LAB 76.38, 30.77, -34.81

 

CMYK 30 / 63 / 0 / 2

HEX #AF5CFB

RGB 175 92 251

HSL 271.32, 0.95%, 0.67%

LAB 55.82, 61.72, -66.47

 

CMYK 0 / 64 / 46 / 2

HEX #FB5B88

RGB 251 91 136

HSL 343.13, 0.95%, 0.67%

LAB 61.45, 64.23, 8.66

 

CMYK 64 / 0 / 56 / 2

HEX #5BFB6E

RGB 91 251 110

HSL 127.13, 0.95%, 0.67%

LAB 88.13, -69.15, 54.64

 

CMYK 30 / 63 / 0 / 2

HEX #AF5CFB

RGB 175 92 251

HSL 271.32, 0.95%, 0.67%

LAB 55.82, 61.72, -66.47

 

CMYK 0 / 31 / 64 / 2

HEX #FBAE5B

RGB 251 174 91

HSL 31.13, 0.95%, 0.67%

LAB 77, 20.3, 52.97

 

CMYK 64 / 0 / 31 / 2

HEX #5BFBAE

RGB 91 251 174

HSL 151.13, 0.95%, 0.67%

LAB 89.05, -58.97, 24.86

 

CMYK 30 / 63 / 0 / 2

HEX #AF5CFB

RGB 175 92 251

HSL 271.32, 0.95%, 0.67%

LAB 55.82, 61.72, -66.47

 

CMYK 0 / 64 / 46 / 2

HEX #FB5B88

RGB 251 91 136

HSL 343.13, 0.95%, 0.67%

LAB 61.45, 64.23, 8.66

 

CMYK 33 / 0 / 64 / 2

HEX #A8FB5B

RGB 168 251 91

HSL 91.13, 0.95%, 0.67%

LAB 90.81, -50.07, 66.45

 

CMYK 64 / 0 / 18 / 2

HEX #5BFBCD

RGB 91 251 205

HSL 162.75, 0.95%, 0.67%

LAB 89.69, -52.37, 9.83

 

CMYK 30 / 63 / 0 / 2

HEX #AF5CFB

RGB 175 92 251

HSL 271.32, 0.95%, 0.67%

LAB 55.82, 61.72, -66.47

 

CMYK 0 / 63 / 64 / 2

HEX #FB5E5B

RGB 251 94 91

HSL 1.13, 0.95%, 0.67%

LAB 61.02, 59.66, 33.96

 

CMYK 33 / 0 / 64 / 2

HEX #A8FB5B

RGB 168 251 91

HSL 91.13, 0.95%, 0.67%

LAB 90.81, -50.07, 66.45

 

CMYK 64 / 1 / 0 / 2

HEX #5BF8FB

RGB 91 248 251

HSL 181.13, 0.95%, 0.67%

LAB 90.01, -39.54, -13.61

 

Description

Color code: HEX #AF5CFB | qconv.com Color code: HEX #AF5CFB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 92 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 92 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 63 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 63% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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