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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5BAD it is the complementary color #50A452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5BAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5BAD shade: #B45BA8, #C56DBB, #D67FCE, #E791E1 and #F8A3F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5BAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5BAD shade: #AF5BAD, #9E499A, #8D3787, #7C2574 and #6B1361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5BAD shade: #AE5BAC, #AE5B96, #AE5B7F, #AE5B69 and #AE5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5BAD shade: #AE5BAC, #9A5BAE, #835BAE, #6D5BAE and #5B5BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5BAD shade matches the following richer shades: #AE5BAC, #C247BF, #D633D2, #EA20E5 and #FD0CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5BAD shade: #AE5BAC, #9A6F99, #878387, #739674 and #5FAA61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5BAD shade: #835BAE, #995BAE, #AE5BAD, #AE5B97 and #AE5B80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5BAD shade: #7A3C79, #964A94, #AE5BAC, #BC77BA and #C992C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5BAD shade: #AF5BAD, #AE6D5B and #5BAE8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5BAD shade: #AF5BAD, #ADAE5B and #5BADAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5BAD shade: #AF5BAD, #AE6D5B, #5BAE5C and #5B9CAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5BAD shade: #AF5BAD, #AE865B, #5BAE5C and #5B83AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 1 / 31

HEX #AF5BAD

RGB 175 91 173

HSL 301.43, 0.34%, 0.52%

LAB 51.4, 45.96, -29.15

 

Complementary color

CMYK 51 / 0 / 50 / 36

HEX #50A452

RGB 80 164 82

HSL 121.43, 0.34%, 0.48%

LAB 60.66, -42.75, 34.72

 

CMYK 0 / 49 / 7 / 29

HEX #B45BA8

RGB 180 91 168

HSL 308.09, 0.37%, 0.53%

LAB 51.85, 46.57, -25.47

 

CMYK 0 / 45 / 5 / 23

HEX #C56DBB

RGB 197 109 187

HSL 306.82, 0.43%, 0.6%

LAB 58.41, 45.87, -26.14

 

CMYK 0 / 41 / 4 / 16

HEX #D67FCE

RGB 214 127 206

HSL 305.52, 0.51%, 0.67%

LAB 64.91, 45.13, -26.71

 

CMYK 0 / 37 / 3 / 9

HEX #E791E1

RGB 231 145 225

HSL 304.19, 0.64%, 0.74%

LAB 71.33, 44.39, -27.21

 

CMYK 0 / 34 / 2 / 3

HEX #F8A3F4

RGB 248 163 244

HSL 302.82, 0.86%, 0.81%

LAB 77.69, 43.67, -27.66

 

CMYK 0 / 48 / 1 / 31

HEX #AF5BAD

RGB 175 91 173

HSL 301.43, 0.34%, 0.52%

LAB 51.4, 45.96, -29.15

 

CMYK 0 / 54 / 3 / 38

HEX #9E499A

RGB 158 73 154

HSL 302.82, 0.37%, 0.45%

LAB 44.76, 46.58, -28.46

 

CMYK 0 / 61 / 4 / 45

HEX #8D3787

RGB 141 55 135

HSL 304.19, 0.44%, 0.38%

LAB 38.1, 46.99, -27.53

 

CMYK 0 / 70 / 6 / 51

HEX #7C2574

RGB 124 37 116

HSL 305.52, 0.54%, 0.32%

LAB 31.51, 46.94, -26.23

 

CMYK 0 / 82 / 9 / 58

HEX #6B1361

RGB 107 19 97

HSL 306.82, 0.7%, 0.25%

LAB 25.12, 45.95, -24.25

 

CMYK 0 / 48 / 1 / 32

HEX #AE5BAC

RGB 174 91 172

HSL 301.45, 0.34%, 0.52%

LAB 51.22, 45.48, -28.85

 

CMYK 0 / 48 / 14 / 32

HEX #AE5B96

RGB 174 91 150

HSL 317.35, 0.34%, 0.52%

LAB 50.31, 41.63, -17.31

 

CMYK 0 / 48 / 27 / 32

HEX #AE5B7F

RGB 174 91 127

HSL 333.98, 0.34%, 0.52%

LAB 49.51, 38.1, -4.83

 

CMYK 0 / 48 / 40 / 32

HEX #AE5B69

RGB 174 91 105

HSL 349.88, 0.34%, 0.52%

LAB 48.88, 35.24, 7.46

 

CMYK 0 / 48 / 48 / 32

HEX #AE5B5B

RGB 174 91 91

HSL 0, 0.34%, 0.52%

LAB 48.56, 33.7, 15.39

 

CMYK 0 / 48 / 1 / 32

HEX #AE5BAC

RGB 174 91 172

HSL 301.45, 0.34%, 0.52%

LAB 51.22, 45.48, -28.85

 

CMYK 11 / 48 / 0 / 32

HEX #9A5BAE

RGB 154 91 174

HSL 285.54, 0.34%, 0.52%

LAB 48.77, 39.92, -34.03

 

CMYK 25 / 48 / 0 / 32

HEX #835BAE

RGB 131 91 174

HSL 268.92, 0.34%, 0.52%

LAB 46.13, 33.23, -38.37

 

CMYK 37 / 48 / 0 / 32

HEX #6D5BAE

RGB 109 91 174

HSL 253.01, 0.34%, 0.52%

LAB 43.93, 27.15, -42

 

CMYK 48 / 48 / 0 / 32

HEX #5B5BAE

RGB 91 91 174

HSL 240, 0.34%, 0.52%

LAB 42.4, 22.58, -44.52

 

CMYK 0 / 48 / 1 / 32

HEX #AE5BAC

RGB 174 91 172

HSL 301.45, 0.34%, 0.52%

LAB 51.22, 45.48, -28.85

 

CMYK 0 / 63 / 2 / 24

HEX #C247BF

RGB 194 71 191

HSL 301.46, 0.5%, 0.52%

LAB 51.54, 63.49, -39.19

 

CMYK 0 / 76 / 2 / 16

HEX #D633D2

RGB 214 51 210

HSL 301.47, 0.67%, 0.52%

LAB 53.29, 77.71, -47.14

 

CMYK 0 / 86 / 2 / 8

HEX #EA20E5

RGB 234 32 229

HSL 301.49, 0.83%, 0.52%

LAB 56.27, 88.29, -52.99

 

CMYK 0 / 95 / 2 / 1

HEX #FD0CF8

RGB 253 12 248

HSL 301.24, 0.98%, 0.52%

LAB 59.82, 96.27, -57.78

 

CMYK 0 / 48 / 1 / 32

HEX #AE5BAC

RGB 174 91 172

HSL 301.45, 0.34%, 0.52%

LAB 51.22, 45.48, -28.85

 

CMYK 0 / 28 / 1 / 40

HEX #9A6F99

RGB 154 111 153

HSL 301.4, 0.18%, 0.52%

LAB 52.44, 24.33, -16.06

 

CMYK 0 / 3 / 0 / 47

HEX #878387

RGB 135 131 135

HSL 300, 0.02%, 0.52%

LAB 55.21, 2.28, -1.63

 

CMYK 23 / 0 / 23 / 41

HEX #739674

RGB 115 150 116

HSL 121.71, 0.14%, 0.52%

LAB 58.71, -19.15, 14.06

 

CMYK 44 / 0 / 43 / 33

HEX #5FAA61

RGB 95 170 97

HSL 121.6, 0.31%, 0.52%

LAB 63.38, -38.68, 30.51

 

CMYK 25 / 48 / 0 / 32

HEX #835BAE

RGB 131 91 174

HSL 268.92, 0.34%, 0.52%

LAB 46.13, 33.23, -38.37

 

CMYK 12 / 48 / 0 / 32

HEX #995BAE

RGB 153 91 174

HSL 284.82, 0.34%, 0.52%

LAB 48.65, 39.63, -34.23

 

CMYK 0 / 48 / 1 / 32

HEX #AE5BAD

RGB 174 91 173

HSL 300.72, 0.34%, 0.52%

LAB 51.26, 45.66, -29.36

 

CMYK 0 / 48 / 13 / 32

HEX #AE5B97

RGB 174 91 151

HSL 316.63, 0.34%, 0.52%

LAB 50.35, 41.8, -17.85

 

CMYK 0 / 48 / 26 / 32

HEX #AE5B80

RGB 174 91 128

HSL 333.25, 0.34%, 0.52%

LAB 49.54, 38.24, -5.38

 

CMYK 0 / 51 / 1 / 52

HEX #7A3C79

RGB 122 60 121

HSL 300.97, 0.34%, 0.36%

LAB 35.5, 36.25, -23.14

 

CMYK 0 / 51 / 1 / 41

HEX #964A94

RGB 150 74 148

HSL 301.58, 0.34%, 0.44%

LAB 43.54, 42.61, -26.84

 

CMYK 0 / 48 / 1 / 32

HEX #AE5BAC

RGB 174 91 172

HSL 301.45, 0.34%, 0.52%

LAB 51.22, 45.48, -28.85

 

CMYK 0 / 37 / 1 / 26

HEX #BC77BA

RGB 188 119 186

HSL 301.74, 0.34%, 0.6%

LAB 59.37, 37.56, -24.19

 

CMYK 0 / 27 / 0 / 21

HEX #C992C8

RGB 201 146 200

HSL 301.09, 0.34%, 0.68%

LAB 67.39, 29.67, -19.7

 

CMYK 0 / 48 / 1 / 31

HEX #AF5BAD

RGB 175 91 173

HSL 301.43, 0.34%, 0.52%

LAB 51.4, 45.96, -29.15

 

CMYK 0 / 37 / 48 / 32

HEX #AE6D5B

RGB 174 109 91

HSL 13.01, 0.34%, 0.52%

LAB 52.61, 23.82, 20.87

 

CMYK 48 / 0 / 18 / 32

HEX #5BAE8E

RGB 91 174 142

HSL 156.87, 0.34%, 0.52%

LAB 65.32, -33.02, 8.69

 

CMYK 0 / 48 / 1 / 31

HEX #AF5BAD

RGB 175 91 173

HSL 301.43, 0.34%, 0.52%

LAB 51.4, 45.96, -29.15

 

CMYK 1 / 0 / 48 / 32

HEX #ADAE5B

RGB 173 174 91

HSL 60.72, 0.34%, 0.52%

LAB 69.41, -12.3, 42.16

 

CMYK 48 / 1 / 0 / 32

HEX #5BADAE

RGB 91 173 174

HSL 180.72, 0.34%, 0.52%

LAB 65.88, -24.66, -8.26

 

CMYK 0 / 48 / 1 / 31

HEX #AF5BAD

RGB 175 91 173

HSL 301.43, 0.34%, 0.52%

LAB 51.4, 45.96, -29.15

 

CMYK 0 / 37 / 48 / 32

HEX #AE6D5B

RGB 174 109 91

HSL 13.01, 0.34%, 0.52%

LAB 52.61, 23.82, 20.87

 

CMYK 48 / 0 / 47 / 32

HEX #5BAE5C

RGB 91 174 92

HSL 120.72, 0.34%, 0.52%

LAB 64.38, -42.36, 34.33

 

CMYK 48 / 10 / 0 / 32

HEX #5B9CAE

RGB 91 156 174

HSL 193.01, 0.34%, 0.52%

LAB 60.83, -15.83, -15.84

 

CMYK 0 / 48 / 1 / 31

HEX #AF5BAD

RGB 175 91 173

HSL 301.43, 0.34%, 0.52%

LAB 51.4, 45.96, -29.15

 

CMYK 0 / 23 / 48 / 32

HEX #AE865B

RGB 174 134 91

HSL 31.08, 0.34%, 0.52%

LAB 58.79, 9.79, 28.97

 

CMYK 48 / 0 / 47 / 32

HEX #5BAE5C

RGB 91 174 92

HSL 120.72, 0.34%, 0.52%

LAB 64.38, -42.36, 34.33

 

CMYK 48 / 25 / 0 / 32

HEX #5B83AE

RGB 91 131 174

HSL 211.08, 0.34%, 0.52%

LAB 53.51, -1.85, -27.05

 

Description

Color code: HEX #AF5BAD | qconv.com Color code: HEX #AF5BAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 91 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 91 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 1 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 1% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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