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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5B64 it is the complementary color #50A49B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5B64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5B64 shade: #B45B5F, #C56D72, #D67F85, #E79198 and #F8A3AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5B64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5B64 shade: #AF5B64, #9E4951, #8D373E, #7C252B and #6B1318

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5B64 shade: #AE5B64 and #AE5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5B64 shade: #AE5B64, #AE5B7A, #AE5B91, #AE5BA7 and #9F5BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5B64 shade matches the following richer shades: #AE5B64, #C24754, #D63345, #EA2035 and #FD0C26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5B64 shade: #AE5B64, #9A6F73, #878383, #739693 and #5FAAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5B64 shade: #AE5B91, #AE5B7B, #AE5B65, #AE675B and #AE7E5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5B64 shade: #7A3C43, #964A52, #AE5B64, #BC777E and #C99298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5B64 shade: #AF5B64, #A7AE5B and #5B86AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5B64 shade: #AF5B64, #65AE5B and #5B65AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5B64 shade: #AF5B64, #A7AE5B, #5BAEA5 and #625BAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5B64 shade: #AF5B64, #8EAE5B, #5BAEA5 and #7B5BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 43 / 31

HEX #AF5B64

RGB 175 91 100

HSL 353.57, 0.34%, 0.52%

LAB 48.9, 35.04, 10.51

 

Complementary color

CMYK 51 / 0 / 5 / 36

HEX #50A49B

RGB 80 164 155

HSL 173.57, 0.34%, 0.48%

LAB 62.19, -27.71, -3.15

 

CMYK 0 / 49 / 47 / 29

HEX #B45B5F

RGB 180 91 95

HSL 357.3, 0.37%, 0.53%

LAB 49.51, 36.39, 14.45

 

CMYK 0 / 45 / 42 / 23

HEX #C56D72

RGB 197 109 114

HSL 356.59, 0.43%, 0.6%

LAB 56.11, 35.31, 12.77

 

CMYK 0 / 41 / 38 / 16

HEX #D67F85

RGB 214 127 133

HSL 355.86, 0.51%, 0.67%

LAB 62.65, 34.29, 11.33

 

CMYK 0 / 37 / 34 / 9

HEX #E79198

RGB 231 145 152

HSL 355.12, 0.64%, 0.74%

LAB 69.12, 33.35, 10.06

 

CMYK 0 / 34 / 31 / 3

HEX #F8A3AB

RGB 248 163 171

HSL 354.35, 0.86%, 0.81%

LAB 75.51, 32.47, 8.92

 

CMYK 0 / 48 / 43 / 31

HEX #AF5B64

RGB 175 91 100

HSL 353.57, 0.34%, 0.52%

LAB 48.9, 35.04, 10.51

 

CMYK 0 / 54 / 49 / 38

HEX #9E4951

RGB 158 73 81

HSL 354.35, 0.37%, 0.45%

LAB 42.2, 36.11, 12.34

 

CMYK 0 / 61 / 56 / 45

HEX #8D373E

RGB 141 55 62

HSL 355.12, 0.44%, 0.38%

LAB 35.48, 37.15, 14.62

 

CMYK 0 / 70 / 65 / 51

HEX #7C252B

RGB 124 37 43

HSL 355.86, 0.54%, 0.32%

LAB 28.86, 37.95, 17.57

 

CMYK 0 / 82 / 78 / 58

HEX #6B1318

RGB 107 19 24

HSL 356.59, 0.7%, 0.25%

LAB 22.51, 38.09, 21.52

 

CMYK 0 / 48 / 43 / 32

HEX #AE5B64

RGB 174 91 100

HSL 353.49, 0.34%, 0.52%

LAB 48.76, 34.66, 10.29

 

CMYK 0 / 48 / 48 / 32

HEX #AE5B5B

RGB 174 91 91

HSL 0, 0.34%, 0.52%

LAB 48.56, 33.7, 15.39

 

CMYK 0 / 48 / 43 / 32

HEX #AE5B64

RGB 174 91 100

HSL 353.49, 0.34%, 0.52%

LAB 48.76, 34.66, 10.29

 

CMYK 0 / 48 / 30 / 32

HEX #AE5B7A

RGB 174 91 122

HSL 337.59, 0.34%, 0.52%

LAB 49.36, 37.4, -2.06

 

CMYK 0 / 48 / 17 / 32

HEX #AE5B91

RGB 174 91 145

HSL 320.96, 0.34%, 0.52%

LAB 50.13, 40.82, -14.63

 

CMYK 0 / 48 / 4 / 32

HEX #AE5BA7

RGB 174 91 167

HSL 305.06, 0.34%, 0.52%

LAB 51, 44.57, -26.26

 

CMYK 9 / 48 / 0 / 32

HEX #9F5BAE

RGB 159 91 174

HSL 289.16, 0.34%, 0.52%

LAB 49.39, 41.4, -33.02

 

CMYK 0 / 48 / 43 / 32

HEX #AE5B64

RGB 174 91 100

HSL 353.49, 0.34%, 0.52%

LAB 48.76, 34.66, 10.29

 

CMYK 0 / 63 / 57 / 24

HEX #C24754

RGB 194 71 84

HSL 353.66, 0.5%, 0.52%

LAB 47.77, 50.12, 19.06

 

CMYK 0 / 76 / 68 / 16

HEX #D63345

RGB 214 51 69

HSL 353.37, 0.67%, 0.52%

LAB 48.38, 62.9, 29.57

 

CMYK 0 / 86 / 77 / 8

HEX #EA2035

RGB 234 32 53

HSL 353.76, 0.83%, 0.52%

LAB 50.43, 72.35, 42.24

 

CMYK 0 / 95 / 85 / 1

HEX #FD0C26

RGB 253 12 38

HSL 353.53, 0.98%, 0.52%

LAB 53.26, 79.22, 54.16

 

CMYK 0 / 48 / 43 / 32

HEX #AE5B64

RGB 174 91 100

HSL 353.49, 0.34%, 0.52%

LAB 48.76, 34.66, 10.29

 

CMYK 0 / 28 / 25 / 40

HEX #9A6F73

RGB 154 111 115

HSL 354.42, 0.18%, 0.52%

LAB 51.24, 17.66, 4.54

 

CMYK 0 / 3 / 3 / 47

HEX #878383

RGB 135 131 131

HSL 0, 0.02%, 0.52%

LAB 55.1, 1.5, 0.53

 

CMYK 23 / 0 / 2 / 41

HEX #739693

RGB 115 150 147

HSL 174.86, 0.14%, 0.52%

LAB 59.49, -12.73, -2.39

 

CMYK 44 / 0 / 5 / 33

HEX #5FAAA2

RGB 95 170 162

HSL 173.6, 0.31%, 0.52%

LAB 64.8, -25.29, -3.16

 

CMYK 0 / 48 / 17 / 32

HEX #AE5B91

RGB 174 91 145

HSL 320.96, 0.34%, 0.52%

LAB 50.13, 40.82, -14.63

 

CMYK 0 / 48 / 29 / 32

HEX #AE5B7B

RGB 174 91 123

HSL 336.87, 0.34%, 0.52%

LAB 49.39, 37.54, -2.61

 

CMYK 0 / 48 / 42 / 32

HEX #AE5B65

RGB 174 91 101

HSL 352.77, 0.34%, 0.52%

LAB 48.79, 34.77, 9.72

 

CMYK 0 / 41 / 48 / 32

HEX #AE675B

RGB 174 103 91

HSL 8.67, 0.34%, 0.52%

LAB 51.21, 27.16, 19

 

CMYK 0 / 28 / 48 / 32

HEX #AE7E5B

RGB 174 126 91

HSL 25.3, 0.34%, 0.52%

LAB 56.76, 14.28, 26.34

 

CMYK 0 / 51 / 45 / 52

HEX #7A3C43

RGB 122 60 67

HSL 353.23, 0.34%, 0.36%

LAB 33.51, 27.69, 8.21

 

CMYK 0 / 51 / 45 / 41

HEX #964A52

RGB 150 74 82

HSL 353.68, 0.34%, 0.44%

LAB 41.2, 32.64, 10.15

 

CMYK 0 / 48 / 43 / 32

HEX #AE5B64

RGB 174 91 100

HSL 353.49, 0.34%, 0.52%

LAB 48.76, 34.66, 10.29

 

CMYK 0 / 37 / 33 / 26

HEX #BC777E

RGB 188 119 126

HSL 353.91, 0.34%, 0.6%

LAB 57.45, 27.93, 7.53

 

CMYK 0 / 27 / 24 / 21

HEX #C99298

RGB 201 146 152

HSL 353.45, 0.34%, 0.68%

LAB 65.94, 21.62, 5.06

 

CMYK 0 / 48 / 43 / 31

HEX #AF5B64

RGB 175 91 100

HSL 353.57, 0.34%, 0.52%

LAB 48.9, 35.04, 10.51

 

CMYK 4 / 0 / 48 / 32

HEX #A7AE5B

RGB 167 174 91

HSL 65.06, 0.34%, 0.52%

LAB 68.93, -14.78, 41.47

 

CMYK 48 / 23 / 0 / 32

HEX #5B86AE

RGB 91 134 174

HSL 208.92, 0.34%, 0.52%

LAB 54.38, -3.59, -25.71

 

CMYK 0 / 48 / 43 / 31

HEX #AF5B64

RGB 175 91 100

HSL 353.57, 0.34%, 0.52%

LAB 48.9, 35.04, 10.51

 

CMYK 42 / 0 / 48 / 32

HEX #65AE5B

RGB 101 174 91

HSL 112.77, 0.34%, 0.52%

LAB 64.8, -39.47, 35.47

 

CMYK 48 / 42 / 0 / 32

HEX #5B65AE

RGB 91 101 174

HSL 232.77, 0.34%, 0.52%

LAB 45.06, 16.32, -40.29

 

CMYK 0 / 48 / 43 / 31

HEX #AF5B64

RGB 175 91 100

HSL 353.57, 0.34%, 0.52%

LAB 48.9, 35.04, 10.51

 

CMYK 4 / 0 / 48 / 32

HEX #A7AE5B

RGB 167 174 91

HSL 65.06, 0.34%, 0.52%

LAB 68.93, -14.78, 41.47

 

CMYK 48 / 0 / 5 / 32

HEX #5BAEA5

RGB 91 174 165

HSL 173.49, 0.34%, 0.52%

LAB 65.91, -27.5, -3.21

 

CMYK 44 / 48 / 0 / 32

HEX #625BAE

RGB 98 91 174

HSL 245.06, 0.34%, 0.52%

LAB 42.97, 24.3, -43.59

 

CMYK 0 / 48 / 43 / 31

HEX #AF5B64

RGB 175 91 100

HSL 353.57, 0.34%, 0.52%

LAB 48.9, 35.04, 10.51

 

CMYK 18 / 0 / 48 / 32

HEX #8EAE5B

RGB 142 174 91

HSL 83.13, 0.34%, 0.52%

LAB 67.11, -24.83, 38.84

 

CMYK 48 / 0 / 5 / 32

HEX #5BAEA5

RGB 91 174 165

HSL 173.49, 0.34%, 0.52%

LAB 65.91, -27.5, -3.21

 

CMYK 29 / 48 / 0 / 32

HEX #7B5BAE

RGB 123 91 174

HSL 263.13, 0.34%, 0.52%

LAB 45.29, 30.97, -39.76

 

Description

Color code: HEX #AF5B64 | qconv.com Color code: HEX #AF5B64 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 91 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 91 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 43 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 43% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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