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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5A3D00 it is the complementary color #50A5C200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5A3D00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5A3D00 shade: #B45A3800, #C56C4B00, #D67E5E00, #E7907100 and #F8A28400

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5A3D00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5A3D00 shade: #AF5A3D00, #9E482A00, #8D361700, #7C240400 and #6B120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5A3D00 shade: #AE5A3D and #AE3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5A3D00 shade: #AE5A3D, #AE783D, #AE963D, #A6AE3D and #88AE3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5A3D00 shade matches the following richer shades: #AE5A3D, #C1502A, #D44717 and #E73E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5A3D00 shade: #AE5A3D, #9B6350, #886C63, #757676 and #627F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5A3D00 shade: #AE3D5D, #AE3D3F, #AE593D, #AE773D and #AE953D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5A3D00 shade: #713A28, #8F4A32, #AE5A3D, #C26E52 and #CD8870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5A3D00 shade: #AF5A3D, #7BAE3D and #3D4EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5A3D00 shade: #AF5A3D, #3DAE59 and #593DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5A3D00 shade: #AF5A3D, #7BAE3D, #3D91AE and #703DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5A3D00 shade: #AF5A3D, #59AE3D, #3D91AE and #913DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AF5A3D00

RGBA 175 90 61 0

HSLA 15.26, 0.48%, 0.46%, 0

LABA 47.96, 32.13, 32.18, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #50A5C200

RGBA 80 165 194 0

HSLA 195.26, 0.48%, 0.54%, 0

LABA 63.76, -17.16, -22.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B45A3800

RGBA 180 90 56 0

HSLA 16.45, 0.53%, 0.46%, 0

LABA 48.64, 33.84, 35.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C56C4B00

RGBA 197 108 75 0

HSLA 16.23, 0.51%, 0.53%, 0

LABA 55.18, 32.33, 33.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D67E5E00

RGBA 214 126 94 0

HSLA 16, 0.59%, 0.6%, 0

LABA 61.68, 30.97, 31.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7907100

RGBA 231 144 113 0

HSLA 15.76, 0.71%, 0.67%, 0

LABA 68.11, 29.74, 30.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8A28400

RGBA 248 162 132 0

HSLA 15.52, 0.89%, 0.75%, 0

LABA 74.48, 28.64, 28.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AF5A3D00

RGBA 175 90 61 0

HSLA 15.26, 0.48%, 0.46%, 0

LABA 47.96, 32.13, 32.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E482A00

RGBA 158 72 42 0

HSLA 15.52, 0.58%, 0.39%, 0

LABA 41.33, 33.7, 34.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D361700

RGBA 141 54 23 0

HSLA 15.76, 0.72%, 0.32%, 0

LABA 34.73, 35.33, 36.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C240400

RGBA 124 36 4 0

HSLA 16, 0.94%, 0.25%, 0

LABA 28.26, 36.81, 38.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B120000

RGBA 107 18 0 0

HSLA 10.09, 1%, 0.21%, 0

LABA 22.15, 37.67, 33.11, 0

 

CMYK 0 / 48 / 65 / 32

HEX #AE5A3D

RGB 174 90 61

HSL 15.4, 0.48%, 0.46%

LAB 47.81, 31.72, 31.97

 

CMYK 0 / 65 / 65 / 32

HEX #AE3D3D

RGB 174 61 61

HSL 0, 0.48%, 0.46%

LAB 42.27, 46.08, 25.17

 

CMYK 0 / 48 / 65 / 32

HEX #AE5A3D

RGB 174 90 61

HSL 15.4, 0.48%, 0.46%

LAB 47.81, 31.72, 31.97

 

CMYK 0 / 31 / 65 / 32

HEX #AE783D

RGB 174 120 61

HSL 31.33, 0.48%, 0.46%

LAB 54.83, 15.11, 40.17

 

CMYK 0 / 14 / 65 / 32

HEX #AE963D

RGB 174 150 61

HSL 47.26, 0.48%, 0.46%

LAB 62.63, -1.54, 48.82

 

CMYK 5 / 0 / 65 / 32

HEX #A6AE3D

RGB 166 174 61

HSL 64.25, 0.48%, 0.46%

LAB 68.55, -17.66, 54.88

 

CMYK 22 / 0 / 65 / 32

HEX #88AE3D

RGB 136 174 61

HSL 80.18, 0.48%, 0.46%

LAB 66.4, -30.05, 51.97

 

CMYK 0 / 48 / 65 / 32

HEX #AE5A3D

RGB 174 90 61

HSL 15.4, 0.48%, 0.46%

LAB 47.81, 31.72, 31.97

 

CMYK 0 / 59 / 78 / 24

HEX #C1502A

RGB 193 80 42

HSL 15.1, 0.64%, 0.46%

LAB 48.56, 43.26, 43.81

 

CMYK 0 / 67 / 89 / 17

HEX #D44717

RGB 212 71 23

HSL 15.24, 0.8%, 0.46%

LAB 50.17, 53.52, 54.81

 

CMYK 0 / 73 / 98 / 9

HEX #E73E04

RGB 231 62 4

HSL 15.33, 0.97%, 0.46%

LAB 52.33, 62.81, 63.08

 

CMYK 0 / 48 / 65 / 32

HEX #AE5A3D

RGB 174 90 61

HSL 15.4, 0.48%, 0.46%

LAB 47.81, 31.72, 31.97

 

CMYK 0 / 36 / 48 / 39

HEX #9B6350

RGB 155 99 80

HSL 15.2, 0.32%, 0.46%

LAB 47.59, 20.45, 20.17

 

CMYK 0 / 21 / 27 / 47

HEX #886C63

RGB 136 108 99

HSL 14.59, 0.16%, 0.46%

LAB 48.08, 9.67, 9.25

 

CMYK 1 / 0 / 0 / 54

HEX #757676

RGB 117 118 118

HSL 180, 0%, 0.46%

LAB 49.55, -0.38, -0.14

 

CMYK 28 / 7 / 0 / 46

HEX #627F89

RGB 98 127 137

HSL 195.38, 0.17%, 0.46%

LAB 51.36, -7.85, -8.8

 

CMYK 0 / 65 / 47 / 32

HEX #AE3D5D

RGB 174 61 93

HSL 343.01, 0.48%, 0.46%

LAB 42.95, 48.64, 6.35

 

CMYK 0 / 65 / 64 / 32

HEX #AE3D3F

RGB 174 61 63

HSL 358.94, 0.48%, 0.46%

LAB 42.3, 46.21, 24

 

CMYK 0 / 49 / 65 / 32

HEX #AE593D

RGB 174 89 61

HSL 14.87, 0.48%, 0.46%

LAB 47.6, 32.26, 31.72

 

CMYK 0 / 32 / 65 / 32

HEX #AE773D

RGB 174 119 61

HSL 30.8, 0.48%, 0.46%

LAB 54.58, 15.67, 39.89

 

CMYK 0 / 14 / 65 / 32

HEX #AE953D

RGB 174 149 61

HSL 46.73, 0.48%, 0.46%

LAB 62.36, -0.99, 48.53

 

CMYK 0 / 49 / 65 / 56

HEX #713A28

RGB 113 58 40

HSL 14.79, 0.48%, 0.3%

LAB 31.09, 22.41, 21.88

 

CMYK 0 / 48 / 65 / 44

HEX #8F4A32

RGB 143 74 50

HSL 15.48, 0.48%, 0.38%

LAB 39.53, 26.92, 27.22

 

CMYK 0 / 48 / 65 / 32

HEX #AE5A3D

RGB 174 90 61

HSL 15.4, 0.48%, 0.46%

LAB 47.81, 31.72, 31.97

 

CMYK 0 / 43 / 58 / 24

HEX #C26E52

RGB 194 110 82

HSL 15, 0.48%, 0.54%

LAB 55.31, 30.58, 30.03

 

CMYK 0 / 34 / 45 / 20

HEX #CD8870

RGB 205 136 112

HSL 15.48, 0.48%, 0.62%

LAB 63.14, 23.64, 23.69

 

CMYK 0 / 49 / 65 / 31

HEX #AF5A3D

RGB 175 90 61

HSL 15.26, 0.48%, 0.46%

LAB 47.96, 32.13, 32.18

 

CMYK 29 / 0 / 65 / 32

HEX #7BAE3D

RGB 123 174 61

HSL 87.08, 0.48%, 0.46%

LAB 65.61, -35.09, 50.88

 

CMYK 65 / 55 / 0 / 32

HEX #3D4EAE

RGB 61 78 174

HSL 230.97, 0.48%, 0.46%

LAB 36.92, 24.71, -53.44

 

CMYK 0 / 49 / 65 / 31

HEX #AF5A3D

RGB 175 90 61

HSL 15.26, 0.48%, 0.46%

LAB 47.96, 32.13, 32.18

 

CMYK 65 / 0 / 49 / 32

HEX #3DAE59

RGB 61 174 89

HSL 134.87, 0.48%, 0.46%

LAB 63.33, -50.29, 34.34

 

CMYK 49 / 65 / 0 / 32

HEX #593DAE

RGB 89 61 174

HSL 254.87, 0.48%, 0.46%

LAB 35.04, 40.42, -56.4

 

CMYK 0 / 49 / 65 / 31

HEX #AF5A3D

RGB 175 90 61

HSL 15.26, 0.48%, 0.46%

LAB 47.96, 32.13, 32.18

 

CMYK 29 / 0 / 65 / 32

HEX #7BAE3D

RGB 123 174 61

HSL 87.08, 0.48%, 0.46%

LAB 65.61, -35.09, 50.88

 

CMYK 65 / 17 / 0 / 32

HEX #3D91AE

RGB 61 145 174

HSL 195.4, 0.48%, 0.46%

LAB 56.39, -16.16, -22.72

 

CMYK 36 / 65 / 0 / 32

HEX #703DAE

RGB 112 61 174

HSL 267.08, 0.48%, 0.46%

LAB 37.55, 45.2, -52.21

 

CMYK 0 / 49 / 65 / 31

HEX #AF5A3D

RGB 175 90 61

HSL 15.26, 0.48%, 0.46%

LAB 47.96, 32.13, 32.18

 

CMYK 49 / 0 / 65 / 32

HEX #59AE3D

RGB 89 174 61

HSL 105.13, 0.48%, 0.46%

LAB 63.94, -46.71, 48.59

 

CMYK 65 / 17 / 0 / 32

HEX #3D91AE

RGB 61 145 174

HSL 195.4, 0.48%, 0.46%

LAB 56.39, -16.16, -22.72

 

CMYK 17 / 65 / 0 / 32

HEX #913DAE

RGB 145 61 174

HSL 284.6, 0.48%, 0.46%

LAB 41.87, 52.78, -45.05

 

Description

Color code: HEX #AF5A3D00 | qconv.com Color code: HEX #AF5A3D00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 90 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 90 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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