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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5A2800 it is the complementary color #50A5D700. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5A2800. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5A2800 shade: #B45A2300, #C56C3600, #D67E4900, #E7905C00 and #F8A26F00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5A2800. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5A2800 shade: #AF5A2800, #9E481500, #8D360200, #7C240000 and #6B120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5A2800 shade: #AF5A28, #AF3528 and #AF2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5A2800 shade: #AF5A28, #AF7E28, #AFA228, #96AF28 and #72AF28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5A2800 shade matches the following richer shades: #AF5A28, #C05516 and #D15105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5A2800 shade: #AF5A28, #9D5E39, #8C634A, #7B675C and #696C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5A2800 shade: #AF283E, #AF3528, #AF5928, #AF7D28 and #AFA128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5A2800 shade: #6B3718, #8D4820, #AF5A28, #D06B30 and #D88351

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5A2800 shade: #AF5A28, #62AF28 and #282CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5A2800 shade: #AF5A28, #28AF59 and #5928AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5A2800 shade: #AF5A28, #62AF28, #287DAF and #7428AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5A2800 shade: #AF5A28, #3AAF28, #287DAF and #9D28AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AF5A2800

RGBA 175 90 40 0

HSLA 22.22, 0.63%, 0.42%, 0

LABA 47.73, 31, 43.04, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #50A5D700

RGBA 80 165 215 0

HSLA 202.22, 0.63%, 0.58%, 0

LABA 64.58, -10.61, -33.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B45A2300

RGBA 180 90 35 0

HSLA 22.76, 0.67%, 0.42%, 0

LABA 48.43, 32.87, 46.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C56C3600

RGBA 197 108 54 0

HSLA 22.66, 0.57%, 0.49%, 0

LABA 54.93, 31.09, 44.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D67E4900

RGBA 214 126 73 0

HSLA 22.55, 0.63%, 0.56%, 0

LABA 61.39, 29.49, 42.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7905C00

RGBA 231 144 92 0

HSLA 22.45, 0.74%, 0.63%, 0

LABA 67.8, 28.07, 41.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8A26F00

RGBA 248 162 111 0

HSLA 22.34, 0.91%, 0.7%, 0

LABA 74.15, 26.8, 39.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AF5A2800

RGBA 175 90 40 0

HSLA 22.22, 0.63%, 0.42%, 0

LABA 47.73, 31, 43.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E481500

RGBA 158 72 21 0

HSLA 22.34, 0.77%, 0.35%, 0

LABA 41.15, 32.89, 44.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D360200

RGBA 141 54 2 0

HSLA 22.45, 0.97%, 0.28%, 0

LABA 34.61, 34.85, 45.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C240000

RGBA 124 36 0 0

HSLA 17.42, 1%, 0.24%, 0

LABA 28.24, 36.73, 40.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B120000

RGBA 107 18 0 0

HSLA 10.09, 1%, 0.21%, 0

LABA 22.15, 37.67, 33.11, 0

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 0 / 70 / 77 / 31

HEX #AF3528

RGB 175 53 40

HSL 5.78, 0.63%, 0.42%

LAB 40.92, 48.73, 35.98

 

CMYK 0 / 77 / 77 / 31

HEX #AF2828

RGB 175 40 40

HSL 0, 0.63%, 0.42%

LAB 39.22, 53.43, 34.15

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 0 / 28 / 77 / 31

HEX #AF7E28

RGB 175 126 40

HSL 38.22, 0.63%, 0.42%

LAB 56.28, 11.04, 51.45

 

CMYK 0 / 7 / 77 / 31

HEX #AFA228

RGB 175 162 40

HSL 54.22, 0.63%, 0.42%

LAB 65.83, -8.62, 60.4

 

CMYK 14 / 0 / 77 / 31

HEX #96AF28

RGB 150 175 40

HSL 71.11, 0.63%, 0.42%

LAB 67.5, -26.07, 61.2

 

CMYK 35 / 0 / 77 / 31

HEX #72AF28

RGB 114 175 40

HSL 87.11, 0.63%, 0.42%

LAB 65.27, -40.31, 58.32

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 0 / 56 / 89 / 25

HEX #C05516

RGB 192 85 22

HSL 22.24, 0.79%, 0.42%

LAB 49.21, 39.86, 52.95

 

CMYK 0 / 61 / 98 / 18

HEX #D15105

RGB 209 81 5

HSL 22.35, 0.95%, 0.42%

LAB 51.21, 47.92, 60.15

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 0 / 40 / 64 / 38

HEX #9D5E39

RGB 157 94 57

HSL 22.2, 0.47%, 0.42%

LAB 46.27, 22.12, 31.79

 

CMYK 0 / 29 / 47 / 45

HEX #8C634A

RGB 140 99 74

HSL 22.73, 0.31%, 0.42%

LAB 45.63, 13.37, 20.77

 

CMYK 0 / 16 / 25 / 52

HEX #7B675C

RGB 123 103 92

HSL 21.29, 0.14%, 0.42%

LAB 45.2, 6.12, 9.17

 

CMYK 4 / 1 / 0 / 57

HEX #696C6D

RGB 105 108 109

HSL 195, 0.02%, 0.42%

LAB 45.4, -0.94, -0.97

 

CMYK 0 / 77 / 65 / 31

HEX #AF283E

RGB 175 40 62

HSL 350.22, 0.63%, 0.42%

LAB 39.55, 54.5, 21.13

 

CMYK 0 / 70 / 77 / 31

HEX #AF3528

RGB 175 53 40

HSL 5.78, 0.63%, 0.42%

LAB 40.92, 48.73, 35.98

 

CMYK 0 / 49 / 77 / 31

HEX #AF5928

RGB 175 89 40

HSL 21.78, 0.63%, 0.42%

LAB 47.51, 31.53, 42.82

 

CMYK 0 / 29 / 77 / 31

HEX #AF7D28

RGB 175 125 40

HSL 37.78, 0.63%, 0.42%

LAB 56.02, 11.6, 51.2

 

CMYK 0 / 8 / 77 / 31

HEX #AFA128

RGB 175 161 40

HSL 53.78, 0.63%, 0.42%

LAB 65.56, -8.09, 60.15

 

CMYK 0 / 49 / 78 / 58

HEX #6B3718

RGB 107 55 24

HSL 22.41, 0.63%, 0.26%

LAB 29.22, 20.44, 28.9

 

CMYK 0 / 49 / 77 / 45

HEX #8D4820

RGB 141 72 32

HSL 22.02, 0.63%, 0.34%

LAB 38.55, 26.13, 36.03

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 0 / 49 / 77 / 18

HEX #D06B30

RGB 208 107 48

HSL 22.13, 0.63%, 0.5%

LAB 56.23, 35.8, 49.37

 

CMYK 0 / 39 / 63 / 15

HEX #D88351

RGB 216 131 81

HSL 22.22, 0.63%, 0.58%

LAB 62.87, 28.15, 40.48

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 44 / 0 / 77 / 31

HEX #62AF28

RGB 98 175 40

HSL 94.22, 0.63%, 0.42%

LAB 64.49, -45.88, 57.3

 

CMYK 77 / 75 / 0 / 31

HEX #282CAF

RGB 40 44 175

HSL 238.22, 0.63%, 0.42%

LAB 27.7, 43.78, -69.18

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 77 / 0 / 49 / 31

HEX #28AF59

RGB 40 175 89

HSL 141.78, 0.63%, 0.42%

LAB 63.2, -54.22, 34.08

 

CMYK 49 / 77 / 0 / 31

HEX #5928AF

RGB 89 40 175

HSL 261.78, 0.63%, 0.42%

LAB 31.2, 51.61, -63.27

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 44 / 0 / 77 / 31

HEX #62AF28

RGB 98 175 40

HSL 94.22, 0.63%, 0.42%

LAB 64.49, -45.88, 57.3

 

CMYK 77 / 29 / 0 / 31

HEX #287DAF

RGB 40 125 175

HSL 202.22, 0.63%, 0.42%

LAB 49.75, -7.65, -33.63

 

CMYK 34 / 77 / 0 / 31

HEX #7428AF

RGB 116 40 175

HSL 273.78, 0.63%, 0.42%

LAB 34.65, 56.01, -57.49

 

CMYK 0 / 49 / 77 / 31

HEX #AF5A28

RGB 175 90 40

HSL 22.22, 0.63%, 0.42%

LAB 47.73, 31, 43.04

 

CMYK 67 / 0 / 77 / 31

HEX #3AAF28

RGB 58 175 40

HSL 112, 0.63%, 0.42%

LAB 63.1, -56.75, 55.48

 

CMYK 77 / 29 / 0 / 31

HEX #287DAF

RGB 40 125 175

HSL 202.22, 0.63%, 0.42%

LAB 49.75, -7.65, -33.63

 

CMYK 10 / 77 / 0 / 31

HEX #9D28AF

RGB 157 40 175

HSL 292, 0.63%, 0.42%

LAB 40.87, 63.74, -47.14

 

Description

Color code: HEX #AF5A2800 | qconv.com Color code: HEX #AF5A2800 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 90 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 90 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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