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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5A0F00 it is the complementary color #50A5F000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5A0F00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5A0F00 shade: #B45A0A00, #C56C1D00, #D67E3000, #E7904300 and #F8A25600

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5A0F00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5A0F00 shade: #AF5A0F00, #9E480000, #8D360000, #7C240000 and #6B120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5A0F00 shade: #AE590F, #AE2F0F and #AE0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5A0F00 shade: #AE590F, #AE840F, #ACAE0F, #82AE0F and #57AE0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5A0F00 shade matches the following richer shades: #AE590F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5A0F00 shade: #AE590F, #9E5A1E, #8F5B2E, #805C3D and #715D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5A0F00 shade: #AE0F1A, #AE2F0F, #AE590F, #AE830F and #AEAE0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5A0F00 shade: #623208, #88460C, #AE590F, #D46D12 and #EC8123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5A0F00 shade: #AF5A0F, #44AE0F and #1A0FAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5A0F00 shade: #AF5A0F, #0FAE59 and #590FAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5A0F00 shade: #AF5A0F, #44AE0F, #0F64AE and #790FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5A0F00 shade: #AF5A0F, #14AE0F, #0F64AE and #A80FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AF5A0F00

RGBA 175 90 15 0

HSLA 28.13, 0.84%, 0.37%, 0

LABA 47.57, 30.26, 52.76, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #50A5F000

RGBA 80 165 240 0

HSLA 208.13, 0.84%, 0.63%, 0

LABA 65.68, -2.45, -45.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B45A0A00

RGBA 180 90 10 0

HSLA 28.24, 0.89%, 0.37%, 0

LABA 48.31, 32.27, 54.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C56C1D00

RGBA 197 108 29 0

HSLA 28.21, 0.74%, 0.44%, 0

LABA 54.75, 30.15, 55.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D67E3000

RGBA 214 126 48 0

HSLA 28.19, 0.67%, 0.51%, 0

LABA 61.16, 28.26, 54.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7904300

RGBA 231 144 67 0

HSLA 28.17, 0.77%, 0.58%, 0

LABA 67.53, 26.57, 53.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8A25600

RGBA 248 162 86 0

HSLA 28.15, 0.92%, 0.65%, 0

LABA 73.85, 25.07, 51.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AF5A0F00

RGBA 175 90 15 0

HSLA 28.13, 0.84%, 0.37%, 0

LABA 47.57, 30.26, 52.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E480000

RGBA 158 72 0 0

HSLA 27.34, 1%, 0.31%, 0

LABA 41.06, 32.5, 51.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D360000

RGBA 141 54 0 0

HSLA 22.98, 1%, 0.28%, 0

LABA 34.6, 34.82, 46.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C240000

RGBA 124 36 0 0

HSLA 17.42, 1%, 0.24%, 0

LABA 28.24, 36.73, 40.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B120000

RGBA 107 18 0 0

HSLA 10.09, 1%, 0.21%, 0

LABA 22.15, 37.67, 33.11, 0

 

CMYK 0 / 49 / 91 / 32

HEX #AE590F

RGB 174 89 15

HSL 27.92, 0.84%, 0.37%

LAB 47.21, 30.37, 52.42

 

CMYK 0 / 73 / 91 / 32

HEX #AE2F0F

RGB 174 47 15

HSL 12.08, 0.84%, 0.37%

LAB 39.69, 50.02, 46.93

 

CMYK 0 / 91 / 91 / 32

HEX #AE0F0F

RGB 174 15 15

HSL 0, 0.84%, 0.37%

LAB 36.7, 58.46, 44.82

 

CMYK 0 / 49 / 91 / 32

HEX #AE590F

RGB 174 89 15

HSL 27.92, 0.84%, 0.37%

LAB 47.21, 30.37, 52.42

 

CMYK 0 / 24 / 91 / 32

HEX #AE840F

RGB 174 132 15

HSL 44.15, 0.84%, 0.37%

LAB 57.59, 6.5, 60.28

 

CMYK 1 / 0 / 91 / 32

HEX #ACAE0F

RGB 172 174 15

HSL 60.75, 0.84%, 0.37%

LAB 68.81, -16.86, 68.88

 

CMYK 25 / 0 / 91 / 32

HEX #82AE0F

RGB 130 174 15

HSL 76.6, 0.84%, 0.37%

LAB 65.79, -34.64, 65.21

 

CMYK 50 / 0 / 91 / 32

HEX #57AE0F

RGB 87 174 15

HSL 92.83, 0.84%, 0.37%

LAB 63.62, -50.04, 62.53

 

CMYK 0 / 49 / 91 / 32

HEX #AE590F

RGB 174 89 15

HSL 27.92, 0.84%, 0.37%

LAB 47.21, 30.37, 52.42

 

CMYK 0 / 49 / 91 / 32

HEX #AE590F

RGB 174 89 15

HSL 27.92, 0.84%, 0.37%

LAB 47.21, 30.37, 52.42

 

CMYK 0 / 43 / 81 / 38

HEX #9E5A1E

RGB 158 90 30

HSL 28.13, 0.68%, 0.37%

LAB 45.19, 23.35, 44.34

 

CMYK 0 / 36 / 68 / 44

HEX #8F5B2E

RGB 143 91 46

HSL 27.84, 0.51%, 0.37%

LAB 43.54, 16.92, 34.15

 

CMYK 0 / 28 / 52 / 50

HEX #805C3D

RGB 128 92 61

HSL 27.76, 0.35%, 0.37%

LAB 42.12, 10.8, 23.57

 

CMYK 0 / 18 / 33 / 56

HEX #715D4C

RGB 113 93 76

HSL 27.57, 0.2%, 0.37%

LAB 40.99, 5.37, 12.81

 

CMYK 0 / 91 / 85 / 32

HEX #AE0F1A

RGB 174 15 26

HSL 355.85, 0.84%, 0.37%

LAB 36.77, 58.67, 39.52

 

CMYK 0 / 73 / 91 / 32

HEX #AE2F0F

RGB 174 47 15

HSL 12.08, 0.84%, 0.37%

LAB 39.69, 50.02, 46.93

 

CMYK 0 / 49 / 91 / 32

HEX #AE590F

RGB 174 89 15

HSL 27.92, 0.84%, 0.37%

LAB 47.21, 30.37, 52.42

 

CMYK 0 / 25 / 91 / 32

HEX #AE830F

RGB 174 131 15

HSL 43.77, 0.84%, 0.37%

LAB 57.33, 7.05, 60.08

 

CMYK 0 / 0 / 91 / 32

HEX #AEAE0F

RGB 174 174 15

HSL 60, 0.84%, 0.37%

LAB 68.97, -15.98, 69.08

 

CMYK 0 / 49 / 92 / 62

HEX #623208

RGB 98 50 8

HSL 28, 0.85%, 0.21%

LAB 26.43, 18.6, 33.47

 

CMYK 0 / 49 / 91 / 47

HEX #88460C

RGB 136 70 12

HSL 28.06, 0.84%, 0.29%

LAB 37.19, 24.39, 43.19

 

CMYK 0 / 49 / 91 / 32

HEX #AE590F

RGB 174 89 15

HSL 27.92, 0.84%, 0.37%

LAB 47.21, 30.37, 52.42

 

CMYK 0 / 49 / 92 / 17

HEX #D46D12

RGB 212 109 18

HSL 28.14, 0.84%, 0.45%

LAB 57.05, 35.57, 61.36

 

CMYK 0 / 45 / 85 / 7

HEX #EC8123

RGB 236 129 35

HSL 28.06, 0.84%, 0.53%

LAB 64.69, 35.29, 63.72

 

CMYK 0 / 49 / 91 / 31

HEX #AF5A0F

RGB 175 90 15

HSL 28.13, 0.84%, 0.37%

LAB 47.57, 30.26, 52.76

 

CMYK 61 / 0 / 91 / 32

HEX #44AE0F

RGB 68 174 15

HSL 100, 0.84%, 0.37%

LAB 62.96, -55.31, 61.71

 

CMYK 85 / 91 / 0 / 32

HEX #1A0FAE

RGB 26 15 174

HSL 244.15, 0.84%, 0.37%

LAB 22.36, 55.9, -77.46

 

CMYK 0 / 49 / 91 / 31

HEX #AF5A0F

RGB 175 90 15

HSL 28.13, 0.84%, 0.37%

LAB 47.57, 30.26, 52.76

 

CMYK 91 / 0 / 49 / 32

HEX #0FAE59

RGB 15 174 89

HSL 147.92, 0.84%, 0.37%

LAB 62.59, -56.28, 33.25

 

CMYK 49 / 91 / 0 / 32

HEX #590FAE

RGB 89 15 174

HSL 267.92, 0.84%, 0.37%

LAB 28.17, 59.95, -67.65

 

CMYK 0 / 49 / 91 / 31

HEX #AF5A0F

RGB 175 90 15

HSL 28.13, 0.84%, 0.37%

LAB 47.57, 30.26, 52.76

 

CMYK 61 / 0 / 91 / 32

HEX #44AE0F

RGB 68 174 15

HSL 100, 0.84%, 0.37%

LAB 62.96, -55.31, 61.71

 

CMYK 91 / 43 / 0 / 32

HEX #0F64AE

RGB 15 100 174

HSL 207.92, 0.84%, 0.37%

LAB 41.65, 5.08, -45.92

 

CMYK 30 / 91 / 0 / 32

HEX #790FAE

RGB 121 15 174

HSL 280, 0.84%, 0.37%

LAB 32.84, 63.81, -59.82

 

CMYK 0 / 49 / 91 / 31

HEX #AF5A0F

RGB 175 90 15

HSL 28.13, 0.84%, 0.37%

LAB 47.57, 30.26, 52.76

 

CMYK 89 / 0 / 91 / 32

HEX #14AE0F

RGB 20 174 15

HSL 118.11, 0.84%, 0.37%

LAB 62.05, -63.17, 60.57

 

CMYK 91 / 43 / 0 / 32

HEX #0F64AE

RGB 15 100 174

HSL 207.92, 0.84%, 0.37%

LAB 41.65, 5.08, -45.92

 

CMYK 3 / 91 / 0 / 32

HEX #A80FAE

RGB 168 15 174

HSL 297.74, 0.84%, 0.37%

LAB 40.77, 71.15, -46.59

 

Description

Color code: HEX #AF5A0F00 | qconv.com Color code: HEX #AF5A0F00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 90 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 90 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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