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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5952CE it is the complementary color #50A6ADCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5952CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5952CE shade: #B4594DCE, #C56B60CE, #D67D73CE, #E78F86CE and #F8A199CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5952CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5952CE shade: #AF5952CE, #9E473FCE, #8D352CCE, #7C2319CE and #6B1106CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5952CE shade: #AF5750 and #AF5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5952CE shade: #AF5750, #AF7150, #AF8A50, #AFA450 and #A0AF50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5952CE shade matches the following richer shades: #AF5750, #C3463C, #D83427 and #ED2312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5952CE shade: #AF5750, #9A6965, #857A7A, #718C8E and #5C9EA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5952CE shade: #AF507C, #AF5063, #AF5750, #AF7050 and #AF8950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5952CE shade: #763B36, #924943, #AF5750, #BC736D and #C98E89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5952CE shade: #AF5952, #96AF50 and #5070AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5952CE shade: #AF5952, #50AF57 and #5750AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5952CE shade: #AF5952, #96AF50, #50A8AF and #6950AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5952CE shade: #AF5952, #79AF50, #50A8AF and #8650AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 43 / 25

HEX #AF5952CE

RGBA 175 89 82 0.81

HSLA 4.52, 0.37%, 0.5%, 0.81

LABA 48.09, 34.29, 20.16, 0.81

 

Complementary color

CMYK 44 / 3 / 0 / 26

HEX #50A6ADCE

RGBA 80 166 173 0.81

HSLA 184.52, 0.37%, 0.5%, 0.81

LABA 63.34, -23.82, -11.54, 0.81

 

CMYK 0 / 41 / 46 / 24

HEX #B4594DCE

RGBA 180 89 77 0.81

HSLA 6.99, 0.41%, 0.5%, 0.81

LABA 48.74, 35.81, 24.1, 0.81

 

CMYK 0 / 37 / 42 / 18

HEX #C56B60CE

RGBA 197 107 96 0.81

HSLA 6.53, 0.47%, 0.57%, 0.81

LABA 55.31, 34.55, 22.13, 0.81

 

CMYK 0 / 34 / 37 / 13

HEX #D67D73CE

RGBA 214 125 115 0.81

HSLA 6.06, 0.55%, 0.65%, 0.81

LABA 61.83, 33.39, 20.42, 0.81

 

CMYK 0 / 31 / 34 / 8

HEX #E78F86CE

RGBA 231 143 134 0.81

HSLA 5.57, 0.67%, 0.72%, 0.81

LABA 68.28, 32.33, 18.93, 0.81

 

CMYK 0 / 28 / 31 / 2

HEX #F8A199CE

RGBA 248 161 153 0.81

HSLA 5.05, 0.87%, 0.79%, 0.81

LABA 74.66, 31.36, 17.59, 0.81

 

CMYK 0 / 40 / 43 / 25

HEX #AF5952CE

RGBA 175 89 82 0.81

HSLA 4.52, 0.37%, 0.5%, 0.81

LABA 48.09, 34.29, 20.16, 0.81

 

CMYK 0 / 45 / 49 / 31

HEX #9E473FCE

RGBA 158 71 63 0.81

HSLA 5.05, 0.43%, 0.43%, 0.81

LABA 41.43, 35.55, 22.34, 0.81

 

CMYK 0 / 51 / 56 / 36

HEX #8D352CCE

RGBA 141 53 44 0.81

HSLA 5.57, 0.52%, 0.36%, 0.81

LABA 34.78, 36.8, 25, 0.81

 

CMYK 0 / 58 / 65 / 42

HEX #7C2319CE

RGBA 124 35 25 0.81

HSLA 6.06, 0.66%, 0.29%, 0.81

LABA 28.27, 37.84, 28.24, 0.81

 

CMYK 0 / 68 / 76 / 47

HEX #6B1106CE

RGBA 107 17 6 0.81

HSLA 6.53, 0.89%, 0.22%, 0.81

LABA 22.09, 38.14, 30.59, 0.81

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 0 / 54 / 54 / 31

HEX #AF5050

RGB 175 80 80

HSL 0, 0.37%, 0.5%

LAB 46.22, 38.79, 18.85

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 0 / 35 / 54 / 31

HEX #AF7150

RGB 175 113 80

HSL 20.84, 0.37%, 0.5%

LAB 53.5, 20.94, 28.34

 

CMYK 0 / 21 / 54 / 31

HEX #AF8A50

RGB 175 138 80

HSL 36.63, 0.37%, 0.5%

LAB 59.77, 6.94, 36.15

 

CMYK 0 / 6 / 54 / 31

HEX #AFA450

RGB 175 164 80

HSL 53.05, 0.37%, 0.5%

LAB 66.71, -7.2, 44.42

 

CMYK 9 / 0 / 54 / 31

HEX #A0AF50

RGB 160 175 80

HSL 69.47, 0.37%, 0.5%

LAB 68.54, -19.22, 46.25

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 0 / 64 / 69 / 24

HEX #C3463C

RGB 195 70 60

HSL 4.44, 0.53%, 0.5%

LAB 47.38, 49.35, 32.83

 

CMYK 0 / 76 / 82 / 15

HEX #D83427

RGB 216 52 39

HSL 4.41, 0.69%, 0.5%

LAB 48.51, 62.03, 46.66

 

CMYK 0 / 85 / 92 / 7

HEX #ED2312

RGB 237 35 18

HSL 4.66, 0.86%, 0.5%

LAB 50.98, 71.84, 59.33

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 0 / 32 / 34 / 40

HEX #9A6965

RGB 154 105 101

HSL 4.53, 0.21%, 0.5%

LAB 49.39, 19.1, 10.19

 

CMYK 0 / 8 / 8 / 48

HEX #857A7A

RGB 133 122 122

HSL 0, 0.04%, 0.5%

LAB 52.19, 4.2, 1.52

 

CMYK 20 / 1 / 0 / 44

HEX #718C8E

RGB 113 140 142

HSL 184.14, 0.11%, 0.5%

LAB 56.31, -9.06, -4.24

 

CMYK 44 / 3 / 0 / 36

HEX #5C9EA3

RGB 92 158 163

HSL 184.23, 0.28%, 0.5%

LAB 61.11, -19.66, -9.2

 

CMYK 0 / 54 / 29 / 31

HEX #AF507C

RGB 175 80 124

HSL 332.21, 0.37%, 0.5%

LAB 47.37, 43.68, -6.18

 

CMYK 0 / 54 / 43 / 31

HEX #AF5063

RGB 175 80 99

HSL 348, 0.37%, 0.5%

LAB 46.65, 40.64, 7.93

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 0 / 36 / 54 / 31

HEX #AF7050

RGB 175 112 80

HSL 20.21, 0.37%, 0.5%

LAB 53.26, 21.5, 28.03

 

CMYK 0 / 22 / 54 / 31

HEX #AF8950

RGB 175 137 80

HSL 36, 0.37%, 0.5%

LAB 59.51, 7.5, 35.83

 

CMYK 0 / 50 / 54 / 54

HEX #763B36

RGB 118 59 54

HSL 4.69, 0.37%, 0.34%

LAB 32.36, 25.22, 14.87

 

CMYK 0 / 50 / 54 / 43

HEX #924943

RGB 146 73 67

HSL 4.56, 0.37%, 0.42%

LAB 40.05, 30.1, 17.74

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 0 / 39 / 42 / 26

HEX #BC736D

RGB 188 115 109

HSL 4.56, 0.37%, 0.58%

LAB 56.14, 28.06, 15.54

 

CMYK 0 / 29 / 32 / 21

HEX #C98E89

RGB 201 142 137

HSL 4.69, 0.37%, 0.66%

LAB 64.62, 21.73, 11.62

 

CMYK 0 / 49 / 53 / 31

HEX #AF5952

RGB 175 89 82

HSL 4.52, 0.37%, 0.5%

LAB 48.09, 34.29, 20.16

 

CMYK 14 / 0 / 54 / 31

HEX #96AF50

RGB 150 175 80

HSL 75.79, 0.37%, 0.5%

LAB 67.82, -23.3, 45.22

 

CMYK 54 / 36 / 0 / 31

HEX #5070AF

RGB 80 112 175

HSL 219.79, 0.37%, 0.5%

LAB 47.48, 7.2, -37.1

 

CMYK 0 / 49 / 53 / 31

HEX #AF5952

RGB 175 89 82

HSL 4.52, 0.37%, 0.5%

LAB 48.09, 34.29, 20.16

 

CMYK 54 / 0 / 50 / 31

HEX #50AF57

RGB 80 175 87

HSL 124.42, 0.37%, 0.5%

LAB 64.2, -46.55, 36.57

 

CMYK 50 / 54 / 0 / 31

HEX #5750AF

RGB 87 80 175

HSL 244.42, 0.37%, 0.5%

LAB 39.34, 28.85, -50.04

 

CMYK 0 / 49 / 53 / 31

HEX #AF5952

RGB 175 89 82

HSL 4.52, 0.37%, 0.5%

LAB 48.09, 34.29, 20.16

 

CMYK 14 / 0 / 54 / 31

HEX #96AF50

RGB 150 175 80

HSL 75.79, 0.37%, 0.5%

LAB 67.82, -23.3, 45.22

 

CMYK 54 / 4 / 0 / 31

HEX #50A8AF

RGB 80 168 175

HSL 184.42, 0.37%, 0.5%

LAB 64, -24.27, -11.66

 

CMYK 40 / 54 / 0 / 31

HEX #6950AF

RGB 105 80 175

HSL 255.79, 0.37%, 0.5%

LAB 40.95, 33.05, -47.36

 

CMYK 0 / 49 / 53 / 31

HEX #AF5952

RGB 175 89 82

HSL 4.52, 0.37%, 0.5%

LAB 48.09, 34.29, 20.16

 

CMYK 31 / 0 / 54 / 31

HEX #79AF50

RGB 121 175 80

HSL 94.11, 0.37%, 0.5%

LAB 65.98, -34.47, 42.61

 

CMYK 54 / 4 / 0 / 31

HEX #50A8AF

RGB 80 168 175

HSL 184.42, 0.37%, 0.5%

LAB 64, -24.27, -11.66

 

CMYK 23 / 54 / 0 / 31

HEX #8650AF

RGB 134 80 175

HSL 274.11, 0.37%, 0.5%

LAB 44.09, 40.54, -42.17

 

Description

Color code: HEX #AF5952CE | qconv.com Color code: HEX #AF5952CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 89 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 89 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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