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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5938CE it is the complementary color #50A6C7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5938CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5938CE shade: #B45933CE, #C56B46CE, #D67D59CE, #E78F6CCE and #F8A17FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5938CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5938CE shade: #AF5938CE, #9E4725CE, #8D3512CE, #7C2300CE and #6B1100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5938CE shade: #AE5837, #AE3837 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5938CE shade: #AE5837, #AE7837, #AE9937, #A4AE37 and #84AE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5938CE shade matches the following richer shades: #AE5837, #C15025 and #D44812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5938CE shade: #AE5837, #9C604A, #89695C, #77716F and #647981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5938CE shade: #AE3757, #AE3737, #AE5737, #AE7737 and #AE9737

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5938CE shade: #703823, #8F482D, #AE5837, #C66C49 and #CF8569

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5938CE shade: #AF5938, #77AE37 and #3747AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5938CE shade: #AF5938, #37AE57 and #5737AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5938CE shade: #AF5938, #77AE37, #378FAE and #6F37AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5938CE shade: #AF5938, #53AE37, #378FAE and #9337AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 55 / 25

HEX #AF5938CE

RGBA 175 89 56 0.81

HSLA 16.64, 0.52%, 0.45%, 0.81

LABA 47.68, 32.35, 34.64, 0.81

 

Complementary color

CMYK 48 / 13 / 0 / 18

HEX #50A6C7CE

RGBA 80 166 199 0.81

HSLA 196.64, 0.52%, 0.55%, 0.81

LABA 64.24, -16.17, -24.69, 0.81

 

CMYK 0 / 41 / 58 / 24

HEX #B45933CE

RGBA 180 89 51 0.81

HSLA 17.67, 0.56%, 0.45%, 0.81

LABA 48.37, 34.09, 38.33, 0.81

 

CMYK 0 / 37 / 52 / 18

HEX #C56B46CE

RGBA 197 107 70 0.81

HSLA 17.48, 0.52%, 0.52%, 0.81

LABA 54.89, 32.53, 36.25, 0.81

 

CMYK 0 / 34 / 47 / 13

HEX #D67D59CE

RGBA 214 125 89 0.81

HSLA 17.28, 0.6%, 0.59%, 0.81

LABA 61.38, 31.11, 34.34, 0.81

 

CMYK 0 / 31 / 43 / 8

HEX #E78F6CCE

RGBA 231 143 108 0.81

HSLA 17.07, 0.72%, 0.66%, 0.81

LABA 67.81, 29.84, 32.6, 0.81

 

CMYK 0 / 28 / 40 / 2

HEX #F8A17FCE

RGBA 248 161 127 0.81

HSLA 16.86, 0.9%, 0.74%, 0.81

LABA 74.18, 28.69, 31.03, 0.81

 

CMYK 0 / 40 / 55 / 25

HEX #AF5938CE

RGBA 175 89 56 0.81

HSLA 16.64, 0.52%, 0.45%, 0.81

LABA 47.68, 32.35, 34.64, 0.81

 

CMYK 0 / 45 / 62 / 31

HEX #9E4725CE

RGBA 158 71 37 0.81

HSLA 16.86, 0.62%, 0.38%, 0.81

LABA 41.07, 33.98, 36.88, 0.81

 

CMYK 0 / 51 / 71 / 36

HEX #8D3512CE

RGBA 141 53 18 0.81

HSLA 17.07, 0.77%, 0.31%, 0.81

LABA 34.5, 35.68, 38.99, 0.81

 

CMYK 0 / 58 / 81 / 42

HEX #7C2300CE

RGBA 124 35 0 0.81

HSLA 16.94, 1%, 0.24%, 0.81

LABA 28.08, 37.16, 39.98, 0.81

 

CMYK 0 / 68 / 81 / 47

HEX #6B1100CE

RGBA 107 17 0 0.81

HSLA 9.53, 1%, 0.21%, 0.81

LABA 22.04, 37.99, 32.99, 0.81

 

CMYK 0 / 49 / 68 / 32

HEX #AE5837

RGB 174 88 55

HSL 16.64, 0.52%, 0.45%

LAB 47.31, 32.42, 34.72

 

CMYK 0 / 68 / 68 / 32

HEX #AE3837

RGB 174 56 55

HSL 0.5, 0.52%, 0.45%

LAB 41.38, 47.87, 27.7

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 49 / 68 / 32

HEX #AE5837

RGB 174 88 55

HSL 16.64, 0.52%, 0.45%

LAB 47.31, 32.42, 34.72

 

CMYK 0 / 31 / 68 / 32

HEX #AE7837

RGB 174 120 55

HSL 32.77, 0.52%, 0.45%

LAB 54.77, 14.73, 43.11

 

CMYK 0 / 12 / 68 / 32

HEX #AE9937

RGB 174 153 55

HSL 49.41, 0.52%, 0.45%

LAB 63.39, -3.53, 52.26

 

CMYK 6 / 0 / 68 / 32

HEX #A4AE37

RGB 164 174 55

HSL 65.04, 0.52%, 0.45%

LAB 68.34, -18.88, 57.05

 

CMYK 24 / 0 / 68 / 32

HEX #84AE37

RGB 132 174 55

HSL 81.18, 0.52%, 0.45%

LAB 66.1, -32.07, 54.04

 

CMYK 0 / 49 / 68 / 32

HEX #AE5837

RGB 174 88 55

HSL 16.64, 0.52%, 0.45%

LAB 47.31, 32.42, 34.72

 

CMYK 0 / 59 / 81 / 24

HEX #C15025

RGB 193 80 37

HSL 16.54, 0.68%, 0.45%

LAB 48.52, 43.08, 46.21

 

CMYK 0 / 66 / 92 / 17

HEX #D44812

RGB 212 72 18

HSL 16.7, 0.84%, 0.45%

LAB 50.31, 53.03, 56.59

 

CMYK 0 / 49 / 68 / 32

HEX #AE5837

RGB 174 88 55

HSL 16.64, 0.52%, 0.45%

LAB 47.31, 32.42, 34.72

 

CMYK 0 / 38 / 53 / 39

HEX #9C604A

RGB 156 96 74

HSL 16.1, 0.36%, 0.45%

LAB 46.88, 21.98, 22.79

 

CMYK 0 / 23 / 33 / 46

HEX #89695C

RGB 137 105 92

HSL 17.33, 0.2%, 0.45%

LAB 47.23, 10.82, 12.23

 

CMYK 0 / 5 / 7 / 53

HEX #77716F

RGB 119 113 111

HSL 15, 0.03%, 0.45%

LAB 48.11, 1.93, 1.93

 

CMYK 22 / 6 / 0 / 49

HEX #647981

RGB 100 121 129

HSL 196.55, 0.13%, 0.45%

LAB 49.46, -5.75, -6.92

 

CMYK 0 / 68 / 50 / 32

HEX #AE3757

RGB 174 55 87

HSL 343.87, 0.52%, 0.45%

LAB 41.87, 50.6, 8.56

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 50 / 68 / 32

HEX #AE5737

RGB 174 87 55

HSL 16.13, 0.52%, 0.45%

LAB 47.09, 32.95, 34.47

 

CMYK 0 / 32 / 68 / 32

HEX #AE7737

RGB 174 119 55

HSL 32.27, 0.52%, 0.45%

LAB 54.52, 15.29, 42.84

 

CMYK 0 / 13 / 68 / 32

HEX #AE9737

RGB 174 151 55

HSL 48.4, 0.52%, 0.45%

LAB 62.85, -2.45, 51.71

 

CMYK 0 / 50 / 69 / 56

HEX #703823

RGB 112 56 35

HSL 16.36, 0.52%, 0.29%

LAB 30.39, 22.77, 24.04

 

CMYK 0 / 50 / 69 / 44

HEX #8F482D

RGB 143 72 45

HSL 16.53, 0.52%, 0.37%

LAB 39.01, 27.7, 29.5

 

CMYK 0 / 49 / 68 / 32

HEX #AE5837

RGB 174 88 55

HSL 16.64, 0.52%, 0.45%

LAB 47.31, 32.42, 34.72

 

CMYK 0 / 45 / 63 / 22

HEX #C66C49

RGB 198 108 73

HSL 16.8, 0.52%, 0.53%

LAB 55.29, 32.59, 35.12

 

CMYK 0 / 36 / 49 / 19

HEX #CF8569

RGB 207 133 105

HSL 16.47, 0.52%, 0.61%

LAB 62.56, 25.38, 26.86

 

CMYK 0 / 49 / 68 / 31

HEX #AF5938

RGB 175 89 56

HSL 16.64, 0.52%, 0.45%

LAB 47.68, 32.35, 34.64

 

CMYK 32 / 0 / 68 / 32

HEX #77AE37

RGB 119 174 55

HSL 87.73, 0.52%, 0.45%

LAB 65.33, -37.05, 53

 

CMYK 68 / 59 / 0 / 32

HEX #3747AE

RGB 55 71 174

HSL 231.93, 0.52%, 0.45%

LAB 34.75, 28.32, -56.99

 

CMYK 0 / 49 / 68 / 31

HEX #AF5938

RGB 175 89 56

HSL 16.64, 0.52%, 0.45%

LAB 47.68, 32.35, 34.64

 

CMYK 68 / 0 / 50 / 32

HEX #37AE57

RGB 55 174 87

HSL 136.13, 0.52%, 0.45%

LAB 63.15, -51.77, 35.1

 

CMYK 50 / 68 / 0 / 32

HEX #5737AE

RGB 87 55 174

HSL 256.13, 0.52%, 0.45%

LAB 33.59, 43.43, -58.77

 

CMYK 0 / 49 / 68 / 31

HEX #AF5938

RGB 175 89 56

HSL 16.64, 0.52%, 0.45%

LAB 47.68, 32.35, 34.64

 

CMYK 32 / 0 / 68 / 32

HEX #77AE37

RGB 119 174 55

HSL 87.73, 0.52%, 0.45%

LAB 65.33, -37.05, 53

 

CMYK 68 / 18 / 0 / 32

HEX #378FAE

RGB 55 143 174

HSL 195.63, 0.52%, 0.45%

LAB 55.6, -16.06, -23.95

 

CMYK 36 / 68 / 0 / 32

HEX #6F37AE

RGB 111 55 174

HSL 268.24, 0.52%, 0.45%

LAB 36.31, 48.08, -54.23

 

CMYK 0 / 49 / 68 / 31

HEX #AF5938

RGB 175 89 56

HSL 16.64, 0.52%, 0.45%

LAB 47.68, 32.35, 34.64

 

CMYK 52 / 0 / 68 / 32

HEX #53AE37

RGB 83 174 55

HSL 105.88, 0.52%, 0.45%

LAB 63.66, -49.01, 50.73

 

CMYK 68 / 18 / 0 / 32

HEX #378FAE

RGB 55 143 174

HSL 195.63, 0.52%, 0.45%

LAB 55.6, -16.06, -23.95

 

CMYK 16 / 68 / 0 / 32

HEX #9337AE

RGB 147 55 174

HSL 286.39, 0.52%, 0.45%

LAB 41.2, 55.89, -46.09

 

Description

Color code: HEX #AF5938CE | qconv.com Color code: HEX #AF5938CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 89 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 89 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 55 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 55% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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