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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5686 it is the complementary color #50A979. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5686. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF5686 shade: #B45681, #C56894, #D67AA7, #E78CBA and #F89ECD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5686. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF5686 shade: #AF5686, #9E4473, #8D3260, #7C204D and #6B0E3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF5686 shade: #AF5586, #AF556D and #AF5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF5686 shade: #AF5586, #AF559E, #A855AF, #9055AF and #7755AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF5686 shade matches the following richer shades: #AF5586, #C34187, #D72D89 and #EC188A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF5686 shade: #AF5586, #9B6984, #877E82, #729281 and #5EA67F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF5686 shade: #A855AF, #AF559F, #AF5587, #AF556F and #AF5557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF5686 shade: #79395B, #954671, #AF5586, #BC719A and #C98DAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF5686 shade: #AF5686, #AF9055 and #55ABAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF5686 shade: #AF5686, #87AF55 and #5587AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF5686 shade: #AF5686, #AF9055, #55AF7E and #5575AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF5686 shade: #AF5686, #AFAB55, #55AF7E and #555AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 23 / 31

HEX #AF5686

RGB 175 86 134

HSL 327.64, 0.36%, 0.51%

LAB 48.87, 42.06, -9.96

 

Complementary color

CMYK 53 / 0 / 28 / 34

HEX #50A979

RGB 80 169 121

HSL 147.64, 0.36%, 0.49%

LAB 62.9, -38.05, 16.82

 

CMYK 0 / 52 / 28 / 29

HEX #B45681

RGB 180 86 129

HSL 332.55, 0.39%, 0.52%

LAB 49.43, 43.03, -6.06

 

CMYK 0 / 47 / 25 / 23

HEX #C56894

RGB 197 104 148

HSL 331.61, 0.44%, 0.59%

LAB 56, 42.23, -7.26

 

CMYK 0 / 43 / 22 / 16

HEX #D67AA7

RGB 214 122 167

HSL 330.65, 0.53%, 0.66%

LAB 62.51, 41.41, -8.29

 

CMYK 0 / 39 / 19 / 9

HEX #E78CBA

RGB 231 140 186

HSL 329.67, 0.65%, 0.73%

LAB 68.96, 40.61, -9.18

 

CMYK 0 / 36 / 17 / 3

HEX #F89ECD

RGB 248 158 205

HSL 328.67, 0.87%, 0.8%

LAB 75.34, 39.84, -9.98

 

CMYK 0 / 51 / 23 / 31

HEX #AF5686

RGB 175 86 134

HSL 327.64, 0.36%, 0.51%

LAB 48.87, 42.06, -9.96

 

CMYK 0 / 57 / 27 / 38

HEX #9E4473

RGB 158 68 115

HSL 328.67, 0.4%, 0.44%

LAB 42.22, 42.75, -8.66

 

CMYK 0 / 65 / 32 / 45

HEX #8D3260

RGB 141 50 96

HSL 329.67, 0.48%, 0.37%

LAB 35.57, 43.24, -7

 

CMYK 0 / 74 / 38 / 51

HEX #7C204D

RGB 124 32 77

HSL 330.65, 0.59%, 0.31%

LAB 29.04, 43.22, -4.75

 

CMYK 0 / 87 / 46 / 58

HEX #6B0E3A

RGB 107 14 58

HSL 331.61, 0.77%, 0.24%

LAB 22.81, 42.14, -1.5

 

CMYK 0 / 51 / 23 / 31

HEX #AF5586

RGB 175 85 134

HSL 327.33, 0.36%, 0.51%

LAB 48.68, 42.57, -10.25

 

CMYK 0 / 51 / 38 / 31

HEX #AF556D

RGB 175 85 109

HSL 344, 0.36%, 0.51%

LAB 47.9, 39.23, 3.66

 

CMYK 0 / 51 / 51 / 31

HEX #AF5555

RGB 175 85 85

HSL 0, 0.36%, 0.51%

LAB 47.32, 36.67, 17.33

 

CMYK 0 / 51 / 23 / 31

HEX #AF5586

RGB 175 85 134

HSL 327.33, 0.36%, 0.51%

LAB 48.68, 42.57, -10.25

 

CMYK 0 / 51 / 10 / 31

HEX #AF559E

RGB 175 85 158

HSL 311.33, 0.36%, 0.51%

LAB 49.59, 46.36, -23.14

 

CMYK 4 / 51 / 0 / 31

HEX #A855AF

RGB 168 85 175

HSL 295.33, 0.36%, 0.51%

LAB 49.4, 47.35, -33.51

 

CMYK 18 / 51 / 0 / 31

HEX #9055AF

RGB 144 85 175

HSL 279.33, 0.36%, 0.51%

LAB 46.34, 40.54, -38.53

 

CMYK 32 / 51 / 0 / 31

HEX #7755AF

RGB 119 85 175

HSL 262.67, 0.36%, 0.51%

LAB 43.53, 33.67, -43.17

 

CMYK 0 / 51 / 23 / 31

HEX #AF5586

RGB 175 85 134

HSL 327.33, 0.36%, 0.51%

LAB 48.68, 42.57, -10.25

 

CMYK 0 / 67 / 31 / 24

HEX #C34187

RGB 195 65 135

HSL 327.69, 0.52%, 0.51%

LAB 48.43, 58.01, -10.92

 

CMYK 0 / 79 / 36 / 16

HEX #D72D89

RGB 215 45 137

HSL 327.53, 0.68%, 0.51%

LAB 49.65, 70.12, -9.93

 

CMYK 0 / 90 / 42 / 7

HEX #EC188A

RGB 236 24 138

HSL 327.74, 0.85%, 0.51%

LAB 52.2, 79.19, -6.31

 

CMYK 0 / 51 / 23 / 31

HEX #AF5586

RGB 175 85 134

HSL 327.33, 0.36%, 0.51%

LAB 48.68, 42.57, -10.25

 

CMYK 0 / 32 / 15 / 39

HEX #9B6984

RGB 155 105 132

HSL 327.6, 0.2%, 0.51%

LAB 50.38, 24.26, -6.78

 

CMYK 0 / 7 / 4 / 47

HEX #877E82

RGB 135 126 130

HSL 333.33, 0.04%, 0.51%

LAB 53.69, 4.18, -0.95

 

CMYK 22 / 0 / 12 / 43

HEX #729281

RGB 114 146 129

HSL 148.13, 0.13%, 0.51%

LAB 57.77, -14.84, 5.35

 

CMYK 43 / 0 / 23 / 35

HEX #5EA67F

RGB 94 166 127

HSL 147.5, 0.29%, 0.51%

LAB 62.66, -31.68, 13.27

 

CMYK 4 / 51 / 0 / 31

HEX #A855AF

RGB 168 85 175

HSL 295.33, 0.36%, 0.51%

LAB 49.4, 47.35, -33.51

 

CMYK 0 / 51 / 9 / 31

HEX #AF559F

RGB 175 85 159

HSL 310.67, 0.36%, 0.51%

LAB 49.63, 46.53, -23.66

 

CMYK 0 / 51 / 23 / 31

HEX #AF5587

RGB 175 85 135

HSL 326.67, 0.36%, 0.51%

LAB 48.71, 42.71, -10.8

 

CMYK 0 / 51 / 37 / 31

HEX #AF556F

RGB 175 85 111

HSL 342.67, 0.36%, 0.51%

LAB 47.95, 39.47, 2.53

 

CMYK 0 / 51 / 50 / 31

HEX #AF5557

RGB 175 85 87

HSL 358.67, 0.36%, 0.51%

LAB 47.36, 36.86, 16.19

 

CMYK 0 / 53 / 25 / 53

HEX #79395B

RGB 121 57 91

HSL 328.13, 0.36%, 0.35%

LAB 33.45, 32.25, -7.32

 

CMYK 0 / 53 / 24 / 42

HEX #954671

RGB 149 70 113

HSL 327.34, 0.36%, 0.43%

LAB 41.16, 38.44, -9.16

 

CMYK 0 / 51 / 23 / 31

HEX #AF5586

RGB 175 85 134

HSL 327.33, 0.36%, 0.51%

LAB 48.68, 42.57, -10.25

 

CMYK 0 / 40 / 18 / 26

HEX #BC719A

RGB 188 113 154

HSL 327.2, 0.36%, 0.59%

LAB 56.91, 35.27, -9.51

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAE

RGB 201 141 174

HSL 327, 0.36%, 0.67%

LAB 65.38, 27.81, -8.16

 

CMYK 0 / 51 / 23 / 31

HEX #AF5686

RGB 175 86 134

HSL 327.64, 0.36%, 0.51%

LAB 48.87, 42.06, -9.96

 

CMYK 0 / 18 / 51 / 31

HEX #AF9055

RGB 175 144 85

HSL 39.33, 0.36%, 0.51%

LAB 61.41, 4.08, 35.52

 

CMYK 51 / 2 / 0 / 31

HEX #55ABAF

RGB 85 171 175

HSL 182.67, 0.36%, 0.51%

LAB 65.08, -24.73, -10.03

 

CMYK 0 / 51 / 23 / 31

HEX #AF5686

RGB 175 86 134

HSL 327.64, 0.36%, 0.51%

LAB 48.87, 42.06, -9.96

 

CMYK 23 / 0 / 51 / 31

HEX #87AF55

RGB 135 175 85

HSL 86.67, 0.36%, 0.51%

LAB 66.88, -28.69, 41.44

 

CMYK 51 / 23 / 0 / 31

HEX #5587AF

RGB 85 135 175

HSL 206.67, 0.36%, 0.51%

LAB 54.4, -5.32, -26.27

 

CMYK 0 / 51 / 23 / 31

HEX #AF5686

RGB 175 86 134

HSL 327.64, 0.36%, 0.51%

LAB 48.87, 42.06, -9.96

 

CMYK 0 / 18 / 51 / 31

HEX #AF9055

RGB 175 144 85

HSL 39.33, 0.36%, 0.51%

LAB 61.41, 4.08, 35.52

 

CMYK 51 / 0 / 28 / 31

HEX #55AF7E

RGB 85 175 126

HSL 147.33, 0.36%, 0.51%

LAB 65.04, -38.45, 17.07

 

CMYK 51 / 33 / 0 / 31

HEX #5575AF

RGB 85 117 175

HSL 218.67, 0.36%, 0.51%

LAB 49.19, 5.32, -34.39

 

CMYK 0 / 51 / 23 / 31

HEX #AF5686

RGB 175 86 134

HSL 327.64, 0.36%, 0.51%

LAB 48.87, 42.06, -9.96

 

CMYK 0 / 2 / 51 / 31

HEX #AFAB55

RGB 175 171 85

HSL 57.33, 0.36%, 0.51%

LAB 68.68, -10.46, 44.29

 

CMYK 51 / 0 / 28 / 31

HEX #55AF7E

RGB 85 175 126

HSL 147.33, 0.36%, 0.51%

LAB 65.04, -38.45, 17.07

 

CMYK 51 / 49 / 0 / 31

HEX #555AAF

RGB 85 90 175

HSL 236.67, 0.36%, 0.51%

LAB 41.75, 22.12, -46.18

 

Description

Color code: HEX #AF5686 | qconv.com Color code: HEX #AF5686 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 86 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 86 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 23% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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