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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF55C0 it is the complementary color #50AA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF55C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF55C0 shade: #B455BB, #C567CE, #D679E1, #E78BF4 and #F89DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF55C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF55C0 shade: #AF55C0, #9E43AD, #8D319A, #7C1F87 and #6B0D74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF55C0 shade: #AF54C0, #C054B4, #C05497, #C05479 and #C0545C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF55C0 shade: #AF54C0, #9154C0, #7454C0, #5754C0 and #5454C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF55C0 shade matches the following richer shades: #AF54C0, #BB41D3, #C82EE6 and #D51BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF55C0 shade: #AF54C0, #A267AD, #957A9A, #888D87 and #7BA074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF55C0 shade: #7454C0, #9154C0, #AE54C0, #C054B5 and #C05498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF55C0 shade: #7F348D, #9A3FAB, #AF54C0, #BD72CB and #CB90D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF55C0 shade: #AF55C0, #C05754 and #54C083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF55C0 shade: #AF55C0, #C0AE54 and #54C0AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF55C0 shade: #AF55C0, #C05754, #66C054 and #54BCC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF55C0 shade: #AF55C0, #C07854, #66C054 and #549CC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 56 / 0 / 25

HEX #AF55C0

RGB 175 85 192

HSL 290.47, 0.46%, 0.54%

LAB 51.17, 52.57, -40.53

 

Complementary color

CMYK 53 / 0 / 63 / 33

HEX #50AA3F

RGB 80 170 63

HSL 110.47, 0.46%, 0.46%

LAB 62.35, -47.53, 45.85

 

CMYK 4 / 55 / 0 / 27

HEX #B455BB

RGB 180 85 187

HSL 295.88, 0.43%, 0.53%

LAB 51.6, 52.96, -36.92

 

CMYK 4 / 50 / 0 / 19

HEX #C567CE

RGB 197 103 206

HSL 294.76, 0.51%, 0.61%

LAB 58.06, 52.36, -37.5

 

CMYK 5 / 46 / 0 / 12

HEX #D679E1

RGB 214 121 225

HSL 293.65, 0.63%, 0.68%

LAB 64.49, 51.68, -37.97

 

CMYK 5 / 43 / 0 / 4

HEX #E78BF4

RGB 231 139 244

HSL 292.57, 0.83%, 0.75%

LAB 70.86, 50.95, -38.36

 

CMYK 3 / 38 / 0 / 0

HEX #F89DFF

RGB 248 157 255

HSL 295.71, 1%, 0.81%

LAB 76.85, 48.74, -34.88

 

CMYK 9 / 56 / 0 / 25

HEX #AF55C0

RGB 175 85 192

HSL 290.47, 0.46%, 0.54%

LAB 51.17, 52.57, -40.53

 

CMYK 9 / 61 / 0 / 32

HEX #9E43AD

RGB 158 67 173

HSL 291.51, 0.44%, 0.47%

LAB 44.66, 53.02, -39.89

 

CMYK 8 / 68 / 0 / 40

HEX #8D319A

RGB 141 49 154

HSL 292.57, 0.52%, 0.4%

LAB 38.19, 53.12, -38.98

 

CMYK 8 / 77 / 0 / 47

HEX #7C1F87

RGB 124 31 135

HSL 293.65, 0.63%, 0.33%

LAB 31.84, 52.56, -37.62

 

CMYK 8 / 89 / 0 / 55

HEX #6B0D74

RGB 107 13 116

HSL 294.76, 0.8%, 0.25%

LAB 25.79, 50.78, -35.5

 

CMYK 9 / 56 / 0 / 25

HEX #AF54C0

RGB 175 84 192

HSL 290.56, 0.46%, 0.54%

LAB 50.99, 53.05, -40.82

 

CMYK 0 / 56 / 6 / 25

HEX #C054B4

RGB 192 84 180

HSL 306.67, 0.46%, 0.54%

LAB 52.78, 55.49, -30.9

 

CMYK 0 / 56 / 21 / 25

HEX #C05497

RGB 192 84 151

HSL 322.78, 0.46%, 0.54%

LAB 51.59, 50.96, -15.73

 

CMYK 0 / 56 / 37 / 25

HEX #C05479

RGB 192 84 121

HSL 339.44, 0.46%, 0.54%

LAB 50.6, 47.03, 0.67

 

CMYK 0 / 56 / 52 / 25

HEX #C0545C

RGB 192 84 92

HSL 355.56, 0.46%, 0.54%

LAB 49.88, 44.06, 17.05

 

CMYK 9 / 56 / 0 / 25

HEX #AF54C0

RGB 175 84 192

HSL 290.56, 0.46%, 0.54%

LAB 50.99, 53.05, -40.82

 

CMYK 24 / 56 / 0 / 25

HEX #9154C0

RGB 145 84 192

HSL 273.89, 0.46%, 0.54%

LAB 47.19, 45.23, -47.08

 

CMYK 40 / 56 / 0 / 25

HEX #7454C0

RGB 116 84 192

HSL 257.78, 0.46%, 0.54%

LAB 44.03, 38.08, -52.32

 

CMYK 55 / 56 / 0 / 25

HEX #5754C0

RGB 87 84 192

HSL 241.67, 0.46%, 0.54%

LAB 41.49, 31.77, -56.55

 

CMYK 56 / 56 / 0 / 25

HEX #5454C0

RGB 84 84 192

HSL 240, 0.46%, 0.54%

LAB 41.27, 31.19, -56.92

 

CMYK 9 / 56 / 0 / 25

HEX #AF54C0

RGB 175 84 192

HSL 290.56, 0.46%, 0.54%

LAB 50.99, 53.05, -40.82

 

CMYK 11 / 69 / 0 / 17

HEX #BB41D3

RGB 187 65 211

HSL 290.14, 0.62%, 0.54%

LAB 50.74, 67.74, -52.03

 

CMYK 13 / 80 / 0 / 10

HEX #C82EE6

RGB 200 46 230

HSL 290.22, 0.79%, 0.54%

LAB 51.78, 79.66, -61.06

 

CMYK 14 / 89 / 0 / 2

HEX #D51BF9

RGB 213 27 249

HSL 290.27, 0.95%, 0.54%

LAB 53.78, 88.72, -68.39

 

CMYK 9 / 56 / 0 / 25

HEX #AF54C0

RGB 175 84 192

HSL 290.56, 0.46%, 0.54%

LAB 50.99, 53.05, -40.82

 

CMYK 6 / 40 / 0 / 32

HEX #A267AD

RGB 162 103 173

HSL 290.57, 0.3%, 0.54%

LAB 52.29, 35.54, -27.89

 

CMYK 3 / 21 / 0 / 40

HEX #957A9A

RGB 149 122 154

HSL 290.63, 0.14%, 0.54%

LAB 54.7, 16.41, -13.27

 

CMYK 4 / 0 / 4 / 45

HEX #888D87

RGB 136 141 135

HSL 110, 0.03%, 0.54%

LAB 58.07, -3.01, 2.55

 

CMYK 23 / 0 / 28 / 37

HEX #7BA074

RGB 123 160 116

HSL 110.45, 0.19%, 0.54%

LAB 62.18, -21.43, 18.92

 

CMYK 40 / 56 / 0 / 25

HEX #7454C0

RGB 116 84 192

HSL 257.78, 0.46%, 0.54%

LAB 44.03, 38.08, -52.32

 

CMYK 24 / 56 / 0 / 25

HEX #9154C0

RGB 145 84 192

HSL 273.89, 0.46%, 0.54%

LAB 47.19, 45.23, -47.08

 

CMYK 9 / 56 / 0 / 25

HEX #AE54C0

RGB 174 84 192

HSL 290, 0.46%, 0.54%

LAB 50.86, 52.79, -41.04

 

CMYK 0 / 56 / 6 / 25

HEX #C054B5

RGB 192 84 181

HSL 306.11, 0.46%, 0.54%

LAB 52.82, 55.66, -31.41

 

CMYK 0 / 56 / 21 / 25

HEX #C05498

RGB 192 84 152

HSL 322.22, 0.46%, 0.54%

LAB 51.63, 51.1, -16.26

 

CMYK 10 / 63 / 0 / 45

HEX #7F348D

RGB 127 52 141

HSL 290.56, 0.46%, 0.38%

LAB 35.77, 45.76, -35.03

 

CMYK 10 / 63 / 0 / 33

HEX #9A3FAB

RGB 154 63 171

HSL 290.56, 0.46%, 0.46%

LAB 43.31, 53.45, -40.89

 

CMYK 9 / 56 / 0 / 25

HEX #AF54C0

RGB 175 84 192

HSL 290.56, 0.46%, 0.54%

LAB 50.99, 53.05, -40.82

 

CMYK 7 / 44 / 0 / 20

HEX #BD72CB

RGB 189 114 203

HSL 290.56, 0.46%, 0.62%

LAB 59.13, 43.82, -34.21

 

CMYK 5 / 33 / 0 / 16

HEX #CB90D6

RGB 203 144 214

HSL 290.57, 0.46%, 0.7%

LAB 67.65, 34.1, -27.06

 

CMYK 9 / 56 / 0 / 25

HEX #AF55C0

RGB 175 85 192

HSL 290.47, 0.46%, 0.54%

LAB 51.17, 52.57, -40.53

 

CMYK 0 / 55 / 56 / 25

HEX #C05754

RGB 192 87 84

HSL 1.67, 0.46%, 0.54%

LAB 50.29, 41.92, 22.35

 

CMYK 56 / 0 / 32 / 25

HEX #54C083

RGB 84 192 131

HSL 146.11, 0.46%, 0.54%

LAB 70.33, -45.06, 21.62

 

CMYK 9 / 56 / 0 / 25

HEX #AF55C0

RGB 175 85 192

HSL 290.47, 0.46%, 0.54%

LAB 51.17, 52.57, -40.53

 

CMYK 0 / 9 / 56 / 25

HEX #C0AE54

RGB 192 174 84

HSL 50, 0.46%, 0.54%

LAB 70.95, -4.93, 47.81

 

CMYK 56 / 0 / 9 / 25

HEX #54C0AE

RGB 84 192 174

HSL 170, 0.46%, 0.54%

LAB 71.31, -35.35, -0.28

 

CMYK 9 / 56 / 0 / 25

HEX #AF55C0

RGB 175 85 192

HSL 290.47, 0.46%, 0.54%

LAB 51.17, 52.57, -40.53

 

CMYK 0 / 55 / 56 / 25

HEX #C05754

RGB 192 87 84

HSL 1.67, 0.46%, 0.54%

LAB 50.29, 41.92, 22.35

 

CMYK 47 / 0 / 56 / 25

HEX #66C054

RGB 102 192 84

HSL 110, 0.46%, 0.54%

LAB 70.29, -47.66, 45.56

 

CMYK 56 / 2 / 0 / 25

HEX #54BCC0

RGB 84 188 192

HSL 182.22, 0.46%, 0.54%

LAB 70.63, -28.68, -11.13

 

CMYK 9 / 56 / 0 / 25

HEX #AF55C0

RGB 175 85 192

HSL 290.47, 0.46%, 0.54%

LAB 51.17, 52.57, -40.53

 

CMYK 0 / 38 / 56 / 25

HEX #C07854

RGB 192 120 84

HSL 20, 0.46%, 0.54%

LAB 57.35, 24.49, 31.42

 

CMYK 47 / 0 / 56 / 25

HEX #66C054

RGB 102 192 84

HSL 110, 0.46%, 0.54%

LAB 70.29, -47.66, 45.56

 

CMYK 56 / 19 / 0 / 25

HEX #549CC0

RGB 84 156 192

HSL 200, 0.46%, 0.54%

LAB 61.19, -12.11, -25.45

 

Description

Color code: HEX #AF55C0 | qconv.com Color code: HEX #AF55C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 85 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 85 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 56 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 56% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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