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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF54063F it is the complementary color #50ABF93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF54063F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF54063F shade: #B454013F, #C566143F, #D678273F, #E78A3A3F and #F89C4D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF54063F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF54063F shade: #AF54063F, #9E42003F, #8D30003F, #7C1E003F and #6B0C003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF54063F shade: #AC5306, #AC2606 and #AC0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF54063F shade: #AC5306, #AC8006, #ACAC06, #7FAC06 and #53AC06

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF54063F shade matches the following richer shades: #AC5306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF54063F shade: #AC5306, #9E5415, #8F5523, #815632 and #725740

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF54063F shade: #AC0614, #AC2506, #AC5106, #AC7D06 and #ACA906

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF54063F shade: #5D2D03, #844005, #AC5306, #D46608 and #F67A0F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF54063F shade: #AF5406, #40AC06 and #0F06AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF54063F shade: #AF5406, #06AC51 and #5106AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF54063F shade: #AF5406, #40AC06, #0662AC and #7206AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF54063F shade: #AF5406, #0FAC06, #0662AC and #A406AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 24 / 8

HEX #AF54063F

RGBA 175 84 6 0.25

HSLA 27.69, 0.93%, 0.35%, 0.25

LABA 46.27, 33.31, 54.09, 0.25

 

Complementary color

CMYK 17 / 8 / 0 / 1

HEX #50ABF93F

RGBA 80 171 249 0.25

HSLA 207.69, 0.93%, 0.65%, 0.25

LABA 67.78, -2.83, -46.7, 0.25

 

CMYK 0 / 13 / 25 / 7

HEX #B454013F

RGBA 180 84 1 0.25

HSLA 27.82, 0.99%, 0.35%, 0.25

LABA 47.03, 35.28, 56.21, 0.25

 

CMYK 0 / 12 / 22 / 6

HEX #C566143F

RGBA 197 102 20 0.25

HSLA 27.8, 0.82%, 0.43%, 0.25

LABA 53.41, 33.13, 57.15, 0.25

 

CMYK 0 / 11 / 20 / 4

HEX #D678273F

RGBA 214 120 39 0.25

HSLA 27.77, 0.69%, 0.5%, 0.25

LABA 59.78, 31.13, 56.87, 0.25

 

CMYK 0 / 10 / 19 / 2

HEX #E78A3A3F

RGBA 231 138 58 0.25

HSLA 27.75, 0.78%, 0.57%, 0.25

LABA 66.11, 29.32, 55.79, 0.25

 

CMYK 0 / 9 / 17 / 1

HEX #F89C4D3F

RGBA 248 156 77 0.25

HSLA 27.72, 0.92%, 0.64%, 0.25

LABA 72.41, 27.71, 54.38, 0.25

 

CMYK 0 / 13 / 24 / 8

HEX #AF54063F

RGBA 175 84 6 0.25

HSLA 27.69, 0.93%, 0.35%, 0.25

LABA 46.27, 33.31, 54.09, 0.25

 

CMYK 0 / 15 / 25 / 10

HEX #9E42003F

RGBA 158 66 0 0.25

HSLA 25.06, 1%, 0.31%, 0.25

LABA 39.86, 35.59, 50.49, 0.25

 

CMYK 0 / 16 / 25 / 11

HEX #8D30003F

RGBA 141 48 0 0.25

HSLA 20.43, 1%, 0.28%, 0.25

LABA 33.51, 37.7, 45.39, 0.25

 

CMYK 0 / 19 / 25 / 13

HEX #7C1E003F

RGBA 124 30 0 0.25

HSLA 14.52, 1%, 0.24%, 0.25

LABA 27.33, 39.21, 39.35, 0.25

 

CMYK 0 / 22 / 25 / 15

HEX #6B0C003F

RGBA 107 12 0 0.25

HSLA 6.73, 1%, 0.21%, 0.25

LABA 21.54, 39.42, 32.45, 0.25

 

CMYK 0 / 52 / 97 / 33

HEX #AC5306

RGB 172 83 6

HSL 27.83, 0.93%, 0.35%

LAB 45.59, 32.6, 53.42

 

CMYK 0 / 78 / 97 / 33

HEX #AC2606

RGB 172 38 6

HSL 11.57, 0.93%, 0.35%

LAB 38.15, 52.35, 48.84

 

CMYK 0 / 97 / 97 / 33

HEX #AC0606

RGB 172 6 6

HSL 0, 0.93%, 0.35%

LAB 35.82, 58.97, 47.58

 

CMYK 0 / 52 / 97 / 33

HEX #AC5306

RGB 172 83 6

HSL 27.83, 0.93%, 0.35%

LAB 45.59, 32.6, 53.42

 

CMYK 0 / 26 / 97 / 33

HEX #AC8006

RGB 172 128 6

HSL 44.1, 0.93%, 0.35%

LAB 56.31, 7.67, 60.82

 

CMYK 0 / 0 / 97 / 33

HEX #ACAC06

RGB 172 172 6

HSL 60, 0.93%, 0.35%

LAB 68.23, -15.97, 69.6

 

CMYK 26 / 0 / 97 / 33

HEX #7FAC06

RGB 127 172 6

HSL 76.27, 0.93%, 0.35%

LAB 64.99, -35.09, 65.7

 

CMYK 52 / 0 / 97 / 33

HEX #53AC06

RGB 83 172 6

HSL 92.17, 0.93%, 0.35%

LAB 62.81, -50.69, 63.05

 

CMYK 0 / 52 / 97 / 33

HEX #AC5306

RGB 172 83 6

HSL 27.83, 0.93%, 0.35%

LAB 45.59, 32.6, 53.42

 

CMYK 0 / 52 / 97 / 33

HEX #AC5306

RGB 172 83 6

HSL 27.83, 0.93%, 0.35%

LAB 45.59, 32.6, 53.42

 

CMYK 0 / 47 / 87 / 38

HEX #9E5415

RGB 158 84 21

HSL 27.59, 0.77%, 0.35%

LAB 43.75, 26.41, 46.71

 

CMYK 0 / 41 / 76 / 44

HEX #8F5523

RGB 143 85 35

HSL 27.78, 0.61%, 0.35%

LAB 41.93, 19.76, 38.1

 

CMYK 0 / 33 / 61 / 49

HEX #815632

RGB 129 86 50

HSL 27.34, 0.44%, 0.35%

LAB 40.5, 13.81, 27.93

 

CMYK 0 / 24 / 44 / 55

HEX #725740

RGB 114 87 64

HSL 27.6, 0.28%, 0.35%

LAB 39.18, 7.82, 17.64

 

CMYK 0 / 97 / 88 / 33

HEX #AC0614

RGB 172 6 20

HSL 354.94, 0.93%, 0.35%

LAB 35.89, 59.17, 41.71

 

CMYK 0 / 78 / 97 / 33

HEX #AC2506

RGB 172 37 6

HSL 11.2, 0.93%, 0.35%

LAB 38.03, 52.67, 48.78

 

CMYK 0 / 53 / 97 / 33

HEX #AC5106

RGB 172 81 6

HSL 27.11, 0.93%, 0.35%

LAB 45.18, 33.64, 53.15

 

CMYK 0 / 27 / 97 / 33

HEX #AC7D06

RGB 172 125 6

HSL 43.01, 0.93%, 0.35%

LAB 55.53, 9.35, 60.27

 

CMYK 0 / 2 / 97 / 33

HEX #ACA906

RGB 172 169 6

HSL 58.92, 0.93%, 0.35%

LAB 67.4, -14.43, 68.98

 

CMYK 0 / 52 / 97 / 64

HEX #5D2D03

RGB 93 45 3

HSL 28, 0.94%, 0.19%

LAB 24.36, 19.08, 33.26

 

CMYK 0 / 52 / 96 / 48

HEX #844005

RGB 132 64 5

HSL 27.87, 0.93%, 0.27%

LAB 35.17, 25.85, 43.71

 

CMYK 0 / 52 / 97 / 33

HEX #AC5306

RGB 172 83 6

HSL 27.83, 0.93%, 0.35%

LAB 45.59, 32.6, 53.42

 

CMYK 0 / 52 / 96 / 17

HEX #D46608

RGB 212 102 8

HSL 27.65, 0.93%, 0.43%

LAB 55.6, 39.02, 62.48

 

CMYK 0 / 50 / 94 / 4

HEX #F67A0F

RGB 246 122 15

HSL 27.79, 0.93%, 0.51%

LAB 64.6, 42.43, 69.55

 

CMYK 0 / 52 / 97 / 31

HEX #AF5406

RGB 175 84 6

HSL 27.69, 0.93%, 0.35%

LAB 46.27, 33.31, 54.09

 

CMYK 63 / 0 / 97 / 33

HEX #40AC06

RGB 64 172 6

HSL 99.04, 0.93%, 0.35%

LAB 62.18, -55.81, 62.27

 

CMYK 91 / 97 / 0 / 33

HEX #0F06AC

RGB 15 6 172

HSL 243.25, 0.93%, 0.35%

LAB 20.87, 57.52, -78.77

 

CMYK 0 / 52 / 97 / 31

HEX #AF5406

RGB 175 84 6

HSL 27.69, 0.93%, 0.35%

LAB 46.27, 33.31, 54.09

 

CMYK 97 / 0 / 53 / 33

HEX #06AC51

RGB 6 172 81

HSL 147.11, 0.93%, 0.35%

LAB 61.77, -57.36, 36.27

 

CMYK 53 / 97 / 0 / 33

HEX #5106AC

RGB 81 6 172

HSL 267.11, 0.93%, 0.35%

LAB 26.33, 60.51, -69.53

 

CMYK 0 / 52 / 97 / 31

HEX #AF5406

RGB 175 84 6

HSL 27.69, 0.93%, 0.35%

LAB 46.27, 33.31, 54.09

 

CMYK 63 / 0 / 97 / 33

HEX #40AC06

RGB 64 172 6

HSL 99.04, 0.93%, 0.35%

LAB 62.18, -55.81, 62.27

 

CMYK 97 / 43 / 0 / 33

HEX #0662AC

RGB 6 98 172

HSL 206.75, 0.93%, 0.35%

LAB 40.82, 5.14, -46.07

 

CMYK 34 / 97 / 0 / 33

HEX #7206AC

RGB 114 6 172

HSL 279.04, 0.93%, 0.35%

LAB 31.08, 63.93, -61.54

 

CMYK 0 / 52 / 97 / 31

HEX #AF5406

RGB 175 84 6

HSL 27.69, 0.93%, 0.35%

LAB 46.27, 33.31, 54.09

 

CMYK 91 / 0 / 97 / 33

HEX #0FAC06

RGB 15 172 6

HSL 116.75, 0.93%, 0.35%

LAB 61.32, -63.2, 61.23

 

CMYK 97 / 43 / 0 / 33

HEX #0662AC

RGB 6 98 172

HSL 206.75, 0.93%, 0.35%

LAB 40.82, 5.14, -46.07

 

CMYK 5 / 97 / 0 / 33

HEX #A406AC

RGB 164 6 172

HSL 297.11, 0.93%, 0.35%

LAB 39.58, 71.19, -47.35

 

Description

Color code: HEX #AF54063F | qconv.com Color code: HEX #AF54063F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 84 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 84 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 24 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 24% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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