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Color name
HEX #AF51113F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF51113F it is the complementary color #50AEEE3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #AF51113F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF51113F shade: #B4510C3F, #C5631F3F, #D675323F, #E787453F and #F899583F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #AF51113F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF51113F shade: #AF51113F, #9E3F003F, #8D2D003F, #7C1B003F and #6B09003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF51113F shade: #B05211, #B02711 and #B01111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF51113F shade: #B05211, #B07D11, #B0A811, #8EB011 and #63B011

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF51113F shade matches the following richer shades: #B05211 and #C04F02

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF51113F shade: #B05211, #A15521, #915831, #815B40 and #725E50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF51113F shade: #B01127, #B02711, #B05111, #B07B11 and #B0A611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF51113F shade: #652F0A, #8B400E, #B05211, #D66315 and #EA782A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF51113F shade: #AF5111, #51B011 and #1111B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF51113F shade: #AF5111, #11B051 and #5111B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF51113F shade: #AF5111, #51B011, #1171B0 and #7111B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF51113F shade: #AF5111, #21B011, #1171B0 and #A011B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 23 / 8

RGBA 175 81 17 0.25

HSLA 24.3, 0.82%, 0.38%, 0.25

LABA 45.69, 35.04, 50.75, 0.25

Complementary color

CMYK 17 / 7 / 0 / 2

RGBA 80 174 238 0.25

HSLA 204.3, 0.82%, 0.62%, 0.25

LABA 68.13, -8.13, -40.15, 0.25

Lighter colors

CMYK 0 / 14 / 23 / 7

RGBA 180 81 12 0.25

HSLA 24.64, 0.88%, 0.38%, 0.25

LABA 46.46, 36.96, 53.13, 0.25

CMYK 0 / 12 / 21 / 6

RGBA 197 99 31 0.25

HSLA 24.58, 0.73%, 0.45%, 0.25

LABA 52.83, 34.95, 52.93, 0.25

CMYK 0 / 11 / 19 / 4

RGBA 214 117 50 0.25

HSLA 24.51, 0.67%, 0.52%, 0.25

LABA 59.2, 33.09, 51.7, 0.25

CMYK 0 / 10 / 18 / 2

RGBA 231 135 69 0.25

HSLA 24.44, 0.77%, 0.59%, 0.25

LABA 65.55, 31.41, 50.11, 0.25

CMYK 0 / 10 / 16 / 1

RGBA 248 153 88 0.25

HSLA 24.38, 0.92%, 0.66%, 0.25

LABA 71.85, 29.9, 48.45, 0.25

Darker colors

CMYK 0 / 13 / 23 / 8

RGBA 175 81 17 0.25

HSLA 24.3, 0.82%, 0.38%, 0.25

LABA 45.69, 35.04, 50.75, 0.25

CMYK 0 / 15 / 25 / 10

RGBA 158 63 0 0.25

HSLA 23.92, 1%, 0.31%, 0.25

LABA 39.28, 37.09, 50.17, 0.25

CMYK 0 / 17 / 25 / 11

RGBA 141 45 0 0.25

HSLA 19.15, 1%, 0.28%, 0.25

LABA 33, 39.07, 45.08, 0.25

CMYK 0 / 20 / 25 / 13

RGBA 124 27 0 0.25

HSLA 13.06, 1%, 0.24%, 0.25

LABA 26.93, 40.33, 39, 0.25

CMYK 0 / 23 / 25 / 15

RGBA 107 9 0 0.25

HSLA 5.05, 1%, 0.21%, 0.25

LABA 21.29, 40.13, 32.18, 0.25

Warmer colors

CMYK 0 / 53 / 90 / 31

HSL 24.53, 0.82%, 0.38%

LAB 46.05, 34.93, 51.09

CMYK 0 / 78 / 90 / 31

HSL 8.3, 0.82%, 0.38%

LAB 39.11, 53.44, 45.9

CMYK 0 / 90 / 90 / 31

HSL 0, 0.82%, 0.38%

LAB 37.25, 58.71, 44.53

Colder colors

CMYK 0 / 53 / 90 / 31

HSL 24.53, 0.82%, 0.38%

LAB 46.05, 34.93, 51.09

CMYK 0 / 29 / 90 / 31

HSL 40.75, 0.82%, 0.38%

LAB 56.03, 11.35, 58.74

CMYK 0 / 5 / 90 / 31

HSL 56.98, 0.82%, 0.38%

LAB 67.48, -11.98, 67.67

CMYK 19 / 0 / 90 / 31

HSL 72.83, 0.82%, 0.38%

LAB 67.16, -30.64, 66.31

CMYK 44 / 0 / 90 / 31

HSL 89.06, 0.82%, 0.38%

LAB 64.76, -46.92, 63.35

Richer colors

CMYK 0 / 53 / 90 / 31

HSL 24.53, 0.82%, 0.38%

LAB 46.05, 34.93, 51.09

CMYK 0 / 59 / 99 / 25

HSL 24.32, 0.98%, 0.38%

LAB 48.01, 42.5, 57.53

Paler colors

CMYK 0 / 53 / 90 / 31

HSL 24.53, 0.82%, 0.38%

LAB 46.05, 34.93, 51.09

CMYK 0 / 47 / 80 / 37

HSL 24.38, 0.66%, 0.38%

LAB 44.5, 27.55, 42.48

CMYK 0 / 39 / 66 / 43

HSL 24.38, 0.49%, 0.38%

LAB 43.09, 19.75, 32.08

CMYK 0 / 29 / 50 / 49

HSL 24.92, 0.34%, 0.38%

LAB 42.03, 12.15, 21.71

CMYK 0 / 18 / 30 / 55

HSL 24.71, 0.18%, 0.38%

LAB 41.47, 5.8, 11.06

Analogue colors

CMYK 0 / 90 / 78 / 31

HSL 351.7, 0.82%, 0.38%

LAB 37.44, 59.27, 32.87

CMYK 0 / 78 / 90 / 31

HSL 8.3, 0.82%, 0.38%

LAB 39.11, 53.44, 45.9

CMYK 0 / 54 / 90 / 31

HSL 24.15, 0.82%, 0.38%

LAB 45.85, 35.44, 50.94

CMYK 0 / 30 / 90 / 31

HSL 40, 0.82%, 0.38%

LAB 55.52, 12.47, 58.34

CMYK 0 / 6 / 90 / 31

HSL 56.23, 0.82%, 0.38%

LAB 66.93, -10.94, 67.24

Monochromatic colors

CMYK 0 / 53 / 90 / 60

HSL 24.4, 0.82%, 0.22%

LAB 26.22, 21.83, 32.64

CMYK 0 / 54 / 90 / 45

HSL 24, 0.82%, 0.3%

LAB 36.34, 29.06, 42.02

CMYK 0 / 53 / 90 / 31

HSL 24.53, 0.82%, 0.38%

LAB 46.05, 34.93, 51.09

CMYK 0 / 54 / 90 / 16

HSL 24.25, 0.82%, 0.46%

LAB 55.35, 41.46, 59.44

CMYK 0 / 49 / 82 / 8

HSL 24.38, 0.82%, 0.54%

LAB 62.59, 39.26, 59.27

Partial complementary colors

CMYK 0 / 54 / 90 / 31

HSL 24.3, 0.82%, 0.38%

LAB 45.69, 35.04, 50.75

CMYK 54 / 0 / 90 / 31

HSL 95.85, 0.82%, 0.38%

LAB 64.03, -52.51, 62.45

CMYK 90 / 90 / 0 / 31

HSL 240, 0.82%, 0.38%

LAB 22.5, 55.62, -78.46

Triadic colors

CMYK 0 / 54 / 90 / 31

HSL 24.3, 0.82%, 0.38%

LAB 45.69, 35.04, 50.75

CMYK 90 / 0 / 54 / 31

HSL 144.15, 0.82%, 0.38%

LAB 63.15, -58.11, 37.96

CMYK 54 / 90 / 0 / 31

HSL 264.15, 0.82%, 0.38%

LAB 27.53, 59.16, -69.94

Rectangular (tetradic) colors

CMYK 0 / 54 / 90 / 31

HSL 24.3, 0.82%, 0.38%

LAB 45.69, 35.04, 50.75

CMYK 54 / 0 / 90 / 31

HSL 95.85, 0.82%, 0.38%

LAB 64.03, -52.51, 62.45

CMYK 90 / 36 / 0 / 31

HSL 203.77, 0.82%, 0.38%

LAB 45.72, -2.16, -40.6

CMYK 36 / 90 / 0 / 31

HSL 276.23, 0.82%, 0.38%

LAB 31.91, 62.76, -62.58

Square colors

CMYK 0 / 54 / 90 / 31

HSL 24.3, 0.82%, 0.38%

LAB 45.69, 35.04, 50.75

CMYK 81 / 0 / 90 / 31

HSL 113.96, 0.82%, 0.38%

LAB 62.86, -62.37, 60.98

CMYK 90 / 36 / 0 / 31

HSL 203.77, 0.82%, 0.38%

LAB 45.72, -2.16, -40.6

CMYK 9 / 90 / 0 / 31

HSL 293.96, 0.82%, 0.38%

LAB 39.6, 69.82, -49.75

Description

Color code: HEX #AF51113F | qconv.com

Color code: HEX #AF51113F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 81 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 23 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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