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Color name
HEX #AF502D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF502D it is the complementary color #50AFD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF502D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF502D shade: #B45028, #C5623B, #D6744E, #E78661 and #F89874

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF502D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF502D shade: #AF502D, #9E3E1A, #8D2C07, #7C1A00 and #6B0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF502D shade: #AE502D and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF502D shade: #AE502D, #AE732D, #AE962D, #A4AE2D and #81AE2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF502D shade matches the following richer shades: #AE502D, #C0481B and #D23F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF502D shade: #AE502D, #9D583F, #8B6050, #796862 and #677174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF502D shade: #AE2D4F, #AE2D2D, #AE4F2D, #AE722D and #AE942D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF502D shade: #6D321C, #8E4124, #AE502D, #CC6039 and #D47B59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF502D shade: #AF502D, #72AE2D and #2D3EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF502D shade: #AF502D, #2DAE4F and #4F2DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF502D shade: #AF502D, #72AE2D, #2D8CAE and #692DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF502D shade: #AF502D, #4BAE2D, #2D8CAE and #902DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 74 / 31

HEX #AF502D

RGB 175 80 45

HSL 16.15, 0.59%, 0.43%

LAB 45.69, 36.47, 38.37

 

Complementary color

CMYK 62 / 17 / 0 / 18

HEX #50AFD2

RGB 80 175 210

HSL 196.15, 0.59%, 0.57%

LAB 67.29, -17.56, -26.1

 

CMYK 0 / 56 / 78 / 29

HEX #B45028

RGB 180 80 40

HSL 17.14, 0.64%, 0.43%

LAB 46.44, 38.21, 41.98

 

CMYK 0 / 50 / 70 / 23

HEX #C5623B

RGB 197 98 59

HSL 16.96, 0.54%, 0.5%

LAB 52.86, 36.59, 39.81

 

CMYK 0 / 46 / 64 / 16

HEX #D6744E

RGB 214 116 78

HSL 16.76, 0.62%, 0.57%

LAB 59.28, 35.08, 37.74

 

CMYK 0 / 42 / 58 / 9

HEX #E78661

RGB 231 134 97

HSL 16.57, 0.74%, 0.64%

LAB 65.67, 33.69, 35.84

 

CMYK 0 / 39 / 53 / 3

HEX #F89874

RGB 248 152 116

HSL 16.36, 0.9%, 0.71%

LAB 72.01, 32.43, 34.11

 

CMYK 0 / 54 / 74 / 31

HEX #AF502D

RGB 175 80 45

HSL 16.15, 0.59%, 0.43%

LAB 45.69, 36.47, 38.37

 

CMYK 0 / 61 / 84 / 38

HEX #9E3E1A

RGB 158 62 26

HSL 16.36, 0.72%, 0.36%

LAB 39.22, 38.1, 40.61

 

CMYK 0 / 69 / 95 / 45

HEX #8D2C07

RGB 141 44 7

HSL 16.57, 0.91%, 0.29%

LAB 32.87, 39.63, 42.16

 

CMYK 0 / 79 / 100 / 51

HEX #7C1A00

RGB 124 26 0

HSL 12.58, 1%, 0.24%

LAB 26.8, 40.68, 38.89

 

CMYK 0 / 93 / 100 / 58

HEX #6B0800

RGB 107 8 0

HSL 4.49, 1%, 0.21%

LAB 21.21, 40.37, 32.09

 

CMYK 0 / 54 / 74 / 32

HEX #AE502D

RGB 174 80 45

HSL 16.28, 0.59%, 0.43%

LAB 45.53, 36.07, 38.15

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 54 / 74 / 32

HEX #AE502D

RGB 174 80 45

HSL 16.28, 0.59%, 0.43%

LAB 45.53, 36.07, 38.15

 

CMYK 0 / 34 / 74 / 32

HEX #AE732D

RGB 174 115 45

HSL 32.56, 0.59%, 0.43%

LAB 53.44, 16.99, 46.45

 

CMYK 0 / 14 / 74 / 32

HEX #AE962D

RGB 174 150 45

HSL 48.84, 0.59%, 0.43%

LAB 62.51, -2.43, 55.44

 

CMYK 6 / 0 / 74 / 32

HEX #A4AE2D

RGB 164 174 45

HSL 64.65, 0.59%, 0.43%

LAB 68.28, -19.4, 60.66

 

CMYK 26 / 0 / 74 / 32

HEX #81AE2D

RGB 129 174 45

HSL 80.93, 0.59%, 0.43%

LAB 65.85, -33.88, 57.48

 

CMYK 0 / 54 / 74 / 32

HEX #AE502D

RGB 174 80 45

HSL 16.28, 0.59%, 0.43%

LAB 45.53, 36.07, 38.15

 

CMYK 0 / 63 / 86 / 25

HEX #C0481B

RGB 192 72 27

HSL 16.36, 0.75%, 0.43%

LAB 46.87, 46.15, 49.14

 

CMYK 0 / 70 / 96 / 18

HEX #D23F09

RGB 210 63 9

HSL 16.12, 0.92%, 0.43%

LAB 48.61, 55.81, 57.79

 

CMYK 0 / 54 / 74 / 32

HEX #AE502D

RGB 174 80 45

HSL 16.28, 0.59%, 0.43%

LAB 45.53, 36.07, 38.15

 

CMYK 0 / 44 / 60 / 38

HEX #9D583F

RGB 157 88 63

HSL 15.96, 0.43%, 0.43%

LAB 44.95, 25.96, 26.77

 

CMYK 0 / 31 / 42 / 45

HEX #8B6050

RGB 139 96 80

HSL 16.27, 0.27%, 0.43%

LAB 44.85, 15.39, 16.15

 

CMYK 0 / 14 / 19 / 53

HEX #796862

RGB 121 104 98

HSL 15.65, 0.11%, 0.43%

LAB 45.42, 5.68, 5.86

 

CMYK 11 / 3 / 0 / 55

HEX #677174

RGB 103 113 116

HSL 193.85, 0.06%, 0.43%

LAB 46.92, -3.1, -2.95

 

CMYK 0 / 74 / 55 / 32

HEX #AE2D4F

RGB 174 45 79

HSL 344.19, 0.59%, 0.43%

LAB 40.31, 53.7, 11.41

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 55 / 74 / 32

HEX #AE4F2D

RGB 174 79 45

HSL 15.81, 0.59%, 0.43%

LAB 45.33, 36.59, 37.94

 

CMYK 0 / 34 / 74 / 32

HEX #AE722D

RGB 174 114 45

HSL 32.09, 0.59%, 0.43%

LAB 53.19, 17.55, 46.2

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

CMYK 0 / 54 / 74 / 57

HEX #6D321C

RGB 109 50 28

HSL 16.3, 0.59%, 0.27%

LAB 28.42, 24.47, 25.84

 

CMYK 0 / 54 / 75 / 44

HEX #8E4124

RGB 142 65 36

HSL 16.42, 0.6%, 0.35%

LAB 37.22, 30.59, 32.53

 

CMYK 0 / 54 / 74 / 32

HEX #AE502D

RGB 174 80 45

HSL 16.28, 0.59%, 0.43%

LAB 45.53, 36.07, 38.15

 

CMYK 0 / 53 / 72 / 20

HEX #CC6039

RGB 204 96 57

HSL 15.92, 0.59%, 0.51%

LAB 53.49, 40.23, 41.85

 

CMYK 0 / 42 / 58 / 17

HEX #D47B59

RGB 212 123 89

HSL 16.59, 0.59%, 0.59%

LAB 60.68, 31.37, 33.4

 

CMYK 0 / 54 / 74 / 31

HEX #AF502D

RGB 175 80 45

HSL 16.15, 0.59%, 0.43%

LAB 45.69, 36.47, 38.37

 

CMYK 34 / 0 / 74 / 32

HEX #72AE2D

RGB 114 174 45

HSL 87.91, 0.59%, 0.43%

LAB 64.99, -39.58, 56.35

 

CMYK 74 / 64 / 0 / 32

HEX #2D3EAE

RGB 45 62 174

HSL 232.09, 0.59%, 0.43%

LAB 31.94, 32.85, -61.6

 

CMYK 0 / 54 / 74 / 31

HEX #AF502D

RGB 175 80 45

HSL 16.15, 0.59%, 0.43%

LAB 45.69, 36.47, 38.37

 

CMYK 74 / 0 / 55 / 32

HEX #2DAE4F

RGB 45 174 79

HSL 135.81, 0.59%, 0.43%

LAB 62.84, -54.68, 38.65

 

CMYK 55 / 74 / 0 / 32

HEX #4F2DAE

RGB 79 45 174

HSL 255.81, 0.59%, 0.43%

LAB 30.87, 47.44, -63.26

 

CMYK 0 / 54 / 74 / 31

HEX #AF502D

RGB 175 80 45

HSL 16.15, 0.59%, 0.43%

LAB 45.69, 36.47, 38.37

 

CMYK 34 / 0 / 74 / 32

HEX #72AE2D

RGB 114 174 45

HSL 87.91, 0.59%, 0.43%

LAB 64.99, -39.58, 56.35

 

CMYK 74 / 20 / 0 / 32

HEX #2D8CAE

RGB 45 140 174

HSL 195.81, 0.59%, 0.43%

LAB 54.42, -15.86, -25.79

 

CMYK 40 / 74 / 0 / 32

HEX #692DAE

RGB 105 45 174

HSL 267.91, 0.59%, 0.43%

LAB 33.85, 51.71, -58.26

 

CMYK 0 / 54 / 74 / 31

HEX #AF502D

RGB 175 80 45

HSL 16.15, 0.59%, 0.43%

LAB 45.69, 36.47, 38.37

 

CMYK 57 / 0 / 74 / 32

HEX #4BAE2D

RGB 75 174 45

HSL 106.05, 0.59%, 0.43%

LAB 63.31, -52.02, 54.12

 

CMYK 74 / 20 / 0 / 32

HEX #2D8CAE

RGB 45 140 174

HSL 195.81, 0.59%, 0.43%

LAB 54.42, -15.86, -25.79

 

CMYK 17 / 74 / 0 / 32

HEX #902DAE

RGB 144 45 174

HSL 286.05, 0.59%, 0.43%

LAB 39.35, 59.23, -49.09

 

Description

Color code: HEX #AF502D | qconv.com Color code: HEX #AF502D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 80 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 80 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 74% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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