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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4DFE it is the complementary color #50B201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4DFE shade: #B44DF9, #C55FFF, #D671FF, #E783FF and #F895FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4DFE shade: #AF4DFE, #9E3BEB, #8D29D8, #7C17C5 and #6B05B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4DFE shade: #AF4DFE, #DE4DFE, #FE4DED, #FE4DBE and #FE4D8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4DFE shade: #AF4DFE, #7F4DFE, #4F4DFE and #4D4DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4DFE shade matches the following richer shades: #AF4DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4DFE shade: #AF4DFE, #AD5BEF, #AC6AE1, #AA78D2 and #A987C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4DFE shade: #504DFE, #7F4DFE, #AE4DFE, #DD4DFE and #FE4DEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4DFE shade: #8901F7, #9C24FD, #AF4DFE, #C176FE and #D49FFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4DFE shade: #AF4DFE, #FE4D79 and #4DFE67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4DFE shade: #AF4DFE, #FEAE4D and #4DFEAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4DFE shade: #AF4DFE, #FE4D79, #9CFE4D and #4DFED1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4DFE shade: #AF4DFE, #FE564D, #9CFE4D and #4DF5FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

Complementary color

CMYK 55 / 0 / 99 / 30

HEX #50B201

RGB 80 178 1

HSL 93.22, 0.99%, 0.35%

LAB 64.6, -53.88, 65.08

 

CMYK 28 / 69 / 0 / 2

HEX #B44DF9

RGB 180 77 249

HSL 275.93, 0.93%, 0.64%

LAB 53.87, 69.04, -68.48

 

CMYK 23 / 63 / 0 / 0

HEX #C55FFF

RGB 197 95 255

HSL 278.25, 1%, 0.69%

LAB 59.23, 65.93, -63.06

 

CMYK 16 / 56 / 0 / 0

HEX #D671FF

RGB 214 113 255

HSL 282.68, 1%, 0.72%

LAB 64.42, 61.46, -54.65

 

CMYK 9 / 49 / 0 / 0

HEX #E783FF

RGB 231 131 255

HSL 288.39, 1%, 0.76%

LAB 69.78, 57.06, -46.05

 

CMYK 3 / 42 / 0 / 0

HEX #F895FF

RGB 248 149 255

HSL 296.04, 1%, 0.79%

LAB 75.25, 52.81, -37.37

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 33 / 75 / 0 / 8

HEX #9E3BEB

RGB 158 59 235

HSL 273.75, 0.81%, 0.58%

LAB 47.49, 69.25, -71.12

 

CMYK 35 / 81 / 0 / 15

HEX #8D29D8

RGB 141 41 216

HSL 274.29, 0.69%, 0.5%

LAB 41.54, 68.76, -70.09

 

CMYK 37 / 88 / 0 / 23

HEX #7C17C5

RGB 124 23 197

HSL 274.83, 0.79%, 0.43%

LAB 35.85, 67.31, -68.49

 

CMYK 40 / 97 / 0 / 30

HEX #6B05B2

RGB 107 5 178

HSL 275.38, 0.95%, 0.36%

LAB 30.52, 64.51, -66.1

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 13 / 70 / 0 / 0

HEX #DE4DFE

RGB 222 77 254

HSL 289.15, 0.99%, 0.65%

LAB 59.88, 78.34, -61.28

 

CMYK 0 / 70 / 7 / 0

HEX #FE4DED

RGB 254 77 237

HSL 305.76, 0.99%, 0.65%

LAB 63.75, 82.33, -45.42

 

CMYK 0 / 70 / 25 / 0

HEX #FE4DBE

RGB 254 77 190

HSL 321.69, 0.99%, 0.65%

LAB 61.74, 76.01, -22.04

 

CMYK 0 / 70 / 44 / 0

HEX #FE4D8E

RGB 254 77 142

HSL 337.97, 0.99%, 0.65%

LAB 60.19, 70.91, 3.41

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 50 / 70 / 0 / 0

HEX #7F4DFE

RGB 127 77 254

HSL 256.95, 0.99%, 0.65%

LAB 48.23, 60.9, -80.7

 

CMYK 69 / 70 / 0 / 0

HEX #4F4DFE

RGB 79 77 254

HSL 240.68, 0.99%, 0.65%

LAB 44.41, 54.61, -87.11

 

CMYK 70 / 70 / 0 / 0

HEX #4D4DFE

RGB 77 77 254

HSL 240, 0.99%, 0.65%

LAB 44.29, 54.4, -87.31

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 28 / 62 / 0 / 6

HEX #AD5BEF

RGB 173 91 239

HSL 273.24, 0.82%, 0.65%

LAB 54.66, 59.06, -61.68

 

CMYK 24 / 53 / 0 / 12

HEX #AC6AE1

RGB 172 106 225

HSL 273.28, 0.66%, 0.65%

LAB 56.6, 48.02, -50.73

 

CMYK 19 / 43 / 0 / 18

HEX #AA78D2

RGB 170 120 210

HSL 273.33, 0.5%, 0.65%

LAB 58.63, 36.44, -39.1

 

CMYK 14 / 31 / 0 / 23

HEX #A987C4

RGB 169 135 196

HSL 273.44, 0.34%, 0.65%

LAB 61.44, 24.57, -26.85

 

CMYK 69 / 70 / 0 / 0

HEX #504DFE

RGB 80 77 254

HSL 241.02, 0.99%, 0.65%

LAB 44.47, 54.71, -87.01

 

CMYK 50 / 70 / 0 / 0

HEX #7F4DFE

RGB 127 77 254

HSL 256.95, 0.99%, 0.65%

LAB 48.23, 60.9, -80.7

 

CMYK 31 / 70 / 0 / 0

HEX #AE4DFE

RGB 174 77 254

HSL 272.88, 0.99%, 0.65%

LAB 53.45, 68.98, -71.97

 

CMYK 13 / 70 / 0 / 0

HEX #DD4DFE

RGB 221 77 254

HSL 288.81, 0.99%, 0.65%

LAB 59.74, 78.13, -61.51

 

CMYK 0 / 70 / 6 / 0

HEX #FE4DEF

RGB 254 77 239

HSL 305.08, 0.99%, 0.65%

LAB 63.84, 82.62, -46.38

 

CMYK 45 / 100 / 0 / 3

HEX #8901F7

RGB 137 1 247

HSL 273.17, 0.99%, 0.49%

LAB 41.3, 82.15, -88.12

 

CMYK 38 / 86 / 0 / 1

HEX #9C24FD

RGB 156 36 253

HSL 273.18, 0.98%, 0.57%

LAB 46.21, 79.96, -83.33

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 24 / 54 / 0 / 0

HEX #C176FE

RGB 193 118 254

HSL 273.09, 0.99%, 0.73%

LAB 62.89, 53.56, -56.69

 

CMYK 17 / 37 / 0 / 0

HEX #D49FFE

RGB 212 159 254

HSL 273.47, 0.98%, 0.81%

LAB 73.51, 36.9, -39.82

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 0 / 70 / 52 / 0

HEX #FE4D79

RGB 254 77 121

HSL 345.08, 0.99%, 0.65%

LAB 59.67, 69.16, 14.97

 

CMYK 70 / 0 / 59 / 0

HEX #4DFE67

RGB 77 254 103

HSL 128.81, 0.99%, 0.65%

LAB 88.66, -73.47, 58.22

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 0 / 31 / 70 / 0

HEX #FEAE4D

RGB 254 174 77

HSL 32.88, 0.99%, 0.65%

LAB 77.21, 20.74, 59.73

 

CMYK 70 / 0 / 31 / 0

HEX #4DFEAE

RGB 77 254 174

HSL 152.88, 0.99%, 0.65%

LAB 89.63, -62.35, 25.61

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 0 / 70 / 52 / 0

HEX #FE4D79

RGB 254 77 121

HSL 345.08, 0.99%, 0.65%

LAB 59.67, 69.16, 14.97

 

CMYK 39 / 0 / 70 / 0

HEX #9CFE4D

RGB 156 254 77

HSL 93.22, 0.99%, 0.65%

LAB 91, -56.27, 71.73

 

CMYK 70 / 0 / 18 / 0

HEX #4DFED1

RGB 77 254 209

HSL 164.75, 0.99%, 0.65%

LAB 90.35, -54.75, 8.67

 

CMYK 31 / 70 / 0 / 0

HEX #AF4DFE

RGB 175 77 254

HSL 273.22, 0.99%, 0.65%

LAB 53.58, 69.16, -71.76

 

CMYK 0 / 66 / 70 / 0

HEX #FE564D

RGB 254 86 77

HSL 3.05, 0.99%, 0.65%

LAB 60.12, 63.13, 40.79

 

CMYK 39 / 0 / 70 / 0

HEX #9CFE4D

RGB 156 254 77

HSL 93.22, 0.99%, 0.65%

LAB 91, -56.27, 71.73

 

CMYK 70 / 4 / 0 / 0

HEX #4DF5FE

RGB 77 245 254

HSL 183.05, 0.99%, 0.65%

LAB 88.94, -39.23, -16.81

 

Description

Color code: HEX #AF4DFE | qconv.com Color code: HEX #AF4DFE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 77 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 77 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 70 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 70% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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