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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4DF3 it is the complementary color #50B20C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4DF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4DF3 shade: #B44DEE, #C55FFF, #D671FF, #E783FF and #F895FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4DF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4DF3 shade: #AF4DF3, #9E3BE0, #8D29CD, #7C17BA and #6B05A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4DF3 shade: #AF4EF2, #DB4EF2, #F24EDD, #F24EB1 and #F24E84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4DF3 shade: #AF4EF2, #834EF2, #564EF2 and #4E4EF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4DF3 shade matches the following richer shades: #AF4EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4DF3 shade: #AF4EF2, #AC5DE3, #A96DD4, #A77CC4 and #A48BB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4DF3 shade: #564EF2, #824EF2, #AE4EF2, #DA4EF2 and #F24EDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4DF3 shade: #8A0FDF, #9E27F0, #AF4EF2, #C075F5 and #D29BF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4DF3 shade: #AF4DF3, #F24E72 and #4EF26C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4DF3 shade: #AF4DF3, #F2AE4E and #4EF2AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4DF3 shade: #AF4DF3, #F24E72, #92F24E and #4EF2CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4DF3 shade: #AF4DF3, #F25C4E, #92F24E and #4EE5F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 68 / 0 / 5

HEX #AF4DF3

RGB 175 77 243

HSL 275.42, 0.87%, 0.63%

LAB 52.83, 66.78, -66.84

 

Complementary color

CMYK 55 / 0 / 93 / 30

HEX #50B20C

RGB 80 178 12

HSL 95.42, 0.87%, 0.37%

LAB 64.62, -53.65, 63.7

 

CMYK 24 / 68 / 0 / 7

HEX #B44DEE

RGB 180 77 238

HSL 278.39, 0.83%, 0.62%

LAB 53.15, 66.72, -63.5

 

CMYK 23 / 63 / 0 / 0

HEX #C55FFF

RGB 197 95 255

HSL 278.25, 1%, 0.69%

LAB 59.23, 65.93, -63.06

 

CMYK 16 / 56 / 0 / 0

HEX #D671FF

RGB 214 113 255

HSL 282.68, 1%, 0.72%

LAB 64.42, 61.46, -54.65

 

CMYK 9 / 49 / 0 / 0

HEX #E783FF

RGB 231 131 255

HSL 288.39, 1%, 0.76%

LAB 69.78, 57.06, -46.05

 

CMYK 3 / 42 / 0 / 0

HEX #F895FF

RGB 248 149 255

HSL 296.04, 1%, 0.79%

LAB 75.25, 52.81, -37.37

 

CMYK 28 / 68 / 0 / 5

HEX #AF4DF3

RGB 175 77 243

HSL 275.42, 0.87%, 0.63%

LAB 52.83, 66.78, -66.84

 

CMYK 29 / 74 / 0 / 12

HEX #9E3BE0

RGB 158 59 224

HSL 276, 0.73%, 0.55%

LAB 46.68, 66.88, -66.19

 

CMYK 31 / 80 / 0 / 20

HEX #8D29CD

RGB 141 41 205

HSL 276.59, 0.67%, 0.48%

LAB 40.66, 66.41, -65.18

 

CMYK 33 / 88 / 0 / 27

HEX #7C17BA

RGB 124 23 186

HSL 277.18, 0.78%, 0.41%

LAB 34.89, 65, -63.58

 

CMYK 36 / 97 / 0 / 35

HEX #6B05A7

RGB 107 5 167

HSL 277.78, 0.94%, 0.34%

LAB 29.47, 62.22, -61.2

 

CMYK 28 / 68 / 0 / 5

HEX #AF4EF2

RGB 175 78 242

HSL 275.49, 0.86%, 0.63%

LAB 52.92, 66.13, -66.14

 

CMYK 10 / 68 / 0 / 5

HEX #DB4EF2

RGB 219 78 242

HSL 291.59, 0.86%, 0.63%

LAB 58.9, 75.23, -56.22

 

CMYK 0 / 68 / 9 / 5

HEX #F24EDD

RGB 242 78 221

HSL 307.68, 0.86%, 0.63%

LAB 61.26, 76.95, -40.51

 

CMYK 0 / 68 / 27 / 5

HEX #F24EB1

RGB 242 78 177

HSL 323.78, 0.86%, 0.63%

LAB 59.43, 71.02, -18.26

 

CMYK 0 / 68 / 45 / 5

HEX #F24E84

RGB 242 78 132

HSL 340.24, 0.86%, 0.63%

LAB 58.03, 66.25, 5.9

 

CMYK 28 / 68 / 0 / 5

HEX #AF4EF2

RGB 175 78 242

HSL 275.49, 0.86%, 0.63%

LAB 52.92, 66.13, -66.14

 

CMYK 46 / 68 / 0 / 5

HEX #834EF2

RGB 131 78 242

HSL 259.39, 0.86%, 0.63%

LAB 47.86, 57.87, -74.59

 

CMYK 64 / 68 / 0 / 5

HEX #564EF2

RGB 86 78 242

HSL 242.93, 0.86%, 0.63%

LAB 44, 51.09, -81.06

 

CMYK 68 / 68 / 0 / 5

HEX #4E4EF2

RGB 78 78 242

HSL 240, 0.86%, 0.63%

LAB 43.48, 50.13, -81.93

 

CMYK 28 / 68 / 0 / 5

HEX #AF4EF2

RGB 175 78 242

HSL 275.49, 0.86%, 0.63%

LAB 52.92, 66.13, -66.14

 

CMYK 28 / 68 / 0 / 5

HEX #AF4EF2

RGB 175 78 242

HSL 275.49, 0.86%, 0.63%

LAB 52.92, 66.13, -66.14

 

CMYK 24 / 59 / 0 / 11

HEX #AC5DE3

RGB 172 93 227

HSL 275.37, 0.71%, 0.63%

LAB 54.18, 55.17, -55.72

 

CMYK 20 / 49 / 0 / 17

HEX #A96DD4

RGB 169 109 212

HSL 274.95, 0.54%, 0.63%

LAB 56.21, 42.67, -44.04

 

CMYK 15 / 37 / 0 / 23

HEX #A77CC4

RGB 167 124 196

HSL 275.83, 0.38%, 0.63%

LAB 58.62, 30.18, -31.22

 

CMYK 9 / 23 / 0 / 29

HEX #A48BB5

RGB 164 139 181

HSL 275.71, 0.22%, 0.63%

LAB 61.39, 17.43, -18.48

 

CMYK 64 / 68 / 0 / 5

HEX #564EF2

RGB 86 78 242

HSL 242.93, 0.86%, 0.63%

LAB 44, 51.09, -81.06

 

CMYK 46 / 68 / 0 / 5

HEX #824EF2

RGB 130 78 242

HSL 259.02, 0.86%, 0.63%

LAB 47.76, 57.7, -74.76

 

CMYK 28 / 68 / 0 / 5

HEX #AE4EF2

RGB 174 78 242

HSL 275.12, 0.86%, 0.63%

LAB 52.79, 65.93, -66.35

 

CMYK 10 / 68 / 0 / 5

HEX #DA4EF2

RGB 218 78 242

HSL 291.22, 0.86%, 0.63%

LAB 58.76, 75.02, -56.45

 

CMYK 0 / 68 / 8 / 5

HEX #F24EDF

RGB 242 78 223

HSL 306.95, 0.86%, 0.63%

LAB 61.35, 77.24, -41.48

 

CMYK 38 / 93 / 0 / 13

HEX #8A0FDF

RGB 138 15 223

HSL 275.48, 0.87%, 0.47%

LAB 39.7, 75.81, -77.14

 

CMYK 34 / 84 / 0 / 6

HEX #9E27F0

RGB 158 39 240

HSL 275.52, 0.87%, 0.55%

LAB 45.65, 76.78, -76.94

 

CMYK 28 / 68 / 0 / 5

HEX #AF4EF2

RGB 175 78 242

HSL 275.49, 0.86%, 0.63%

LAB 52.92, 66.13, -66.14

 

CMYK 22 / 52 / 0 / 4

HEX #C075F5

RGB 192 117 245

HSL 275.16, 0.86%, 0.71%

LAB 62.1, 51.84, -52.99

 

CMYK 15 / 38 / 0 / 3

HEX #D29BF8

RGB 210 155 248

HSL 275.48, 0.87%, 0.79%

LAB 72.18, 37.2, -38.66

 

CMYK 28 / 68 / 0 / 5

HEX #AF4DF3

RGB 175 77 243

HSL 275.42, 0.87%, 0.63%

LAB 52.83, 66.78, -66.84

 

CMYK 0 / 68 / 53 / 5

HEX #F24E72

RGB 242 78 114

HSL 346.83, 0.86%, 0.63%

LAB 57.6, 64.75, 15.89

 

CMYK 68 / 0 / 55 / 5

HEX #4EF26C

RGB 78 242 108

HSL 130.98, 0.86%, 0.63%

LAB 85.1, -68.74, 51.87

 

CMYK 28 / 68 / 0 / 5

HEX #AF4DF3

RGB 175 77 243

HSL 275.42, 0.87%, 0.63%

LAB 52.83, 66.78, -66.84

 

CMYK 0 / 28 / 68 / 5

HEX #F2AE4E

RGB 242 174 78

HSL 35.12, 0.86%, 0.63%

LAB 75.88, 15.82, 57.47

 

CMYK 68 / 0 / 28 / 5

HEX #4EF2AE

RGB 78 242 174

HSL 155.12, 0.86%, 0.63%

LAB 86.1, -57.63, 20.74

 

CMYK 28 / 68 / 0 / 5

HEX #AF4DF3

RGB 175 77 243

HSL 275.42, 0.87%, 0.63%

LAB 52.83, 66.78, -66.84

 

CMYK 0 / 68 / 53 / 5

HEX #F24E72

RGB 242 78 114

HSL 346.83, 0.86%, 0.63%

LAB 57.6, 64.75, 15.89

 

CMYK 40 / 0 / 68 / 5

HEX #92F24E

RGB 146 242 78

HSL 95.12, 0.86%, 0.63%

LAB 87.08, -54.66, 67.19

 

CMYK 68 / 0 / 14 / 5

HEX #4EF2CF

RGB 78 242 207

HSL 167.2, 0.86%, 0.63%

LAB 86.81, -50.16, 4.62

 

CMYK 28 / 68 / 0 / 5

HEX #AF4DF3

RGB 175 77 243

HSL 275.42, 0.87%, 0.63%

LAB 52.83, 66.78, -66.84

 

CMYK 0 / 62 / 68 / 5

HEX #F25C4E

RGB 242 92 78

HSL 5.12, 0.86%, 0.63%

LAB 59.05, 56.8, 38.47

 

CMYK 40 / 0 / 68 / 5

HEX #92F24E

RGB 146 242 78

HSL 95.12, 0.86%, 0.63%

LAB 87.08, -54.66, 67.19

 

CMYK 68 / 5 / 0 / 5

HEX #4EE5F2

RGB 78 229 242

HSL 184.76, 0.86%, 0.63%

LAB 84, -35.13, -17.94

 

Description

Color code: HEX #AF4DF3 | qconv.com Color code: HEX #AF4DF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 77 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 77 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 68 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 68% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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