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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4C4ACE it is the complementary color #50B3B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4C4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4C4ACE shade: #B44C45CE, #C55E58CE, #D6706BCE, #E7827ECE and #F89491CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4C4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4C4ACE shade: #AF4C4ACE, #9E3A37CE, #8D2824CE, #7C1611CE and #6B0400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4C4ACE shade: #B04C4A and #B04A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4C4ACE shade: #B04C4A, #B0674A, #B0834A, #B09F4A and #A6B04A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4C4ACE shade matches the following richer shades: #B04C4A, #C43836, #D92521 and #ED120D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4C4ACE shade: #B04C4A, #9C5F5E, #887372, #748686 and #5F999B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4C4ACE shade: #B04A7F, #B04A63, #B04B4A, #B0674A and #B0824A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4C4ACE shade: #763331, #933F3E, #B04C4A, #BE6665 and #CB8382

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4C4ACE shade: #AF4C4A, #9AB04A and #4A71B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4C4ACE shade: #AF4C4A, #4AB04B and #4B4AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4C4ACE shade: #AF4C4A, #9AB04A, #4AAEB0 and #604AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4C4ACE shade: #AF4C4A, #7BB04A, #4AAEB0 and #7F4AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 47 / 25

HEX #AF4C4ACE

RGBA 175 76 74 0.81

HSLA 1.19, 0.41%, 0.49%, 0.81

LABA 45.33, 40.31, 21.29, 0.81

 

Complementary color

CMYK 45 / 1 / 0 / 24

HEX #50B3B5CE

RGBA 80 179 181 0.81

HSLA 181.19, 0.41%, 0.51%, 0.81

LABA 67.49, -28.09, -9.79, 0.81

 

CMYK 0 / 47 / 50 / 24

HEX #B44C45CE

RGBA 180 76 69 0.81

HSLA 3.78, 0.45%, 0.49%, 0.81

LABA 46.04, 41.78, 25.36, 0.81

 

CMYK 0 / 42 / 45 / 18

HEX #C55E58CE

RGBA 197 94 88 0.81

HSLA 3.3, 0.48%, 0.56%, 0.81

LABA 52.49, 40.59, 23.03, 0.81

 

CMYK 0 / 39 / 41 / 13

HEX #D6706BCE

RGBA 214 112 107 0.81

HSLA 2.8, 0.57%, 0.63%, 0.81

LABA 58.92, 39.41, 21.06, 0.81

 

CMYK 0 / 35 / 37 / 8

HEX #E7827ECE

RGBA 231 130 126 0.81

HSLA 2.29, 0.69%, 0.7%, 0.81

LABA 65.33, 38.29, 19.35, 0.81

 

CMYK 0 / 33 / 34 / 2

HEX #F89491CE

RGBA 248 148 145 0.81

HSLA 1.75, 0.88%, 0.77%, 0.81

LABA 71.68, 37.25, 17.84, 0.81

 

CMYK 0 / 46 / 47 / 25

HEX #AF4C4ACE

RGBA 175 76 74 0.81

HSLA 1.19, 0.41%, 0.49%, 0.81

LABA 45.33, 40.31, 21.29, 0.81

 

CMYK 0 / 51 / 53 / 31

HEX #9E3A37CE

RGBA 158 58 55 0.81

HSLA 1.75, 0.48%, 0.42%, 0.81

LABA 38.85, 41.39, 23.94, 0.81

 

CMYK 0 / 58 / 60 / 36

HEX #8D2824CE

RGBA 141 40 36 0.81

HSLA 2.29, 0.59%, 0.35%, 0.81

LABA 32.5, 42.22, 27.2, 0.81

 

CMYK 0 / 67 / 70 / 42

HEX #7C1611CE

RGBA 124 22 17 0.81

HSLA 2.8, 0.76%, 0.28%, 0.81

LABA 26.45, 42.38, 31.06, 0.81

 

CMYK 0 / 78 / 81 / 47

HEX #6B0400CE

RGBA 107 4 0 0.81

HSLA 2.24, 1%, 0.21%, 0.81

LABA 20.88, 41.31, 31.73, 0.81

 

CMYK 0 / 57 / 58 / 31

HEX #B04C4A

RGB 176 76 74

HSL 1.18, 0.41%, 0.49%

LAB 45.49, 40.68, 21.53

 

CMYK 0 / 58 / 58 / 31

HEX #B04A4A

RGB 176 74 74

HSL 0, 0.41%, 0.49%

LAB 45.11, 41.66, 21.03

 

CMYK 0 / 57 / 58 / 31

HEX #B04C4A

RGB 176 76 74

HSL 1.18, 0.41%, 0.49%

LAB 45.49, 40.68, 21.53

 

CMYK 0 / 41 / 58 / 31

HEX #B0674A

RGB 176 103 74

HSL 17.06, 0.41%, 0.49%

LAB 51.18, 26.42, 28.83

 

CMYK 0 / 26 / 58 / 31

HEX #B0834A

RGB 176 131 74

HSL 33.53, 0.41%, 0.49%

LAB 58, 10.77, 37.19

 

CMYK 0 / 10 / 58 / 31

HEX #B09F4A

RGB 176 159 74

HSL 50, 0.41%, 0.49%

LAB 65.37, -4.59, 45.82

 

CMYK 6 / 0 / 58 / 31

HEX #A6B04A

RGB 166 176 74

HSL 65.88, 0.41%, 0.49%

LAB 69.22, -17.74, 49.94

 

CMYK 0 / 57 / 58 / 31

HEX #B04C4A

RGB 176 76 74

HSL 1.18, 0.41%, 0.49%

LAB 45.49, 40.68, 21.53

 

CMYK 0 / 71 / 72 / 23

HEX #C43836

RGB 196 56 54

HSL 0.85, 0.57%, 0.49%

LAB 45.4, 55.04, 34.04

 

CMYK 0 / 83 / 85 / 15

HEX #D92521

RGB 217 37 33

HSL 1.3, 0.74%, 0.49%

LAB 47.22, 66.24, 48.55

 

CMYK 0 / 92 / 95 / 7

HEX #ED120D

RGB 237 18 13

HSL 1.34, 0.9%, 0.49%

LAB 50.06, 74.38, 60.35

 

CMYK 0 / 57 / 58 / 31

HEX #B04C4A

RGB 176 76 74

HSL 1.18, 0.41%, 0.49%

LAB 45.49, 40.68, 21.53

 

CMYK 0 / 39 / 40 / 39

HEX #9C5F5E

RGB 156 95 94

HSL 0.97, 0.25%, 0.49%

LAB 47.05, 24.73, 11.14

 

CMYK 0 / 15 / 16 / 47

HEX #887372

RGB 136 115 114

HSL 2.73, 0.09%, 0.49%

LAB 50.35, 8.01, 3.59

 

CMYK 13 / 0 / 0 / 47

HEX #748686

RGB 116 134 134

HSL 180, 0.07%, 0.49%

LAB 54.54, -6.49, -2.21

 

CMYK 39 / 1 / 0 / 39

HEX #5F999B

RGB 95 153 155

HSL 182, 0.24%, 0.49%

LAB 59.51, -18.35, -7.04

 

CMYK 0 / 58 / 28 / 31

HEX #B04A7F

RGB 176 74 127

HSL 328.82, 0.41%, 0.49%

LAB 46.53, 47.33, -9.25

 

CMYK 0 / 58 / 44 / 31

HEX #B04A63

RGB 176 74 99

HSL 345.29, 0.41%, 0.49%

LAB 45.67, 43.95, 6.57

 

CMYK 0 / 57 / 58 / 31

HEX #B04B4A

RGB 176 75 74

HSL 0.59, 0.41%, 0.49%

LAB 45.3, 41.17, 21.28

 

CMYK 0 / 41 / 58 / 31

HEX #B0674A

RGB 176 103 74

HSL 17.06, 0.41%, 0.49%

LAB 51.18, 26.42, 28.83

 

CMYK 0 / 26 / 58 / 31

HEX #B0824A

RGB 176 130 74

HSL 32.94, 0.41%, 0.49%

LAB 57.74, 11.33, 36.88

 

CMYK 0 / 57 / 58 / 54

HEX #763331

RGB 118 51 49

HSL 1.74, 0.41%, 0.33%

LAB 30.5, 29.23, 15.6

 

CMYK 0 / 57 / 58 / 42

HEX #933F3E

RGB 147 63 62

HSL 0.71, 0.41%, 0.41%

LAB 38.03, 35.37, 18.19

 

CMYK 0 / 57 / 58 / 31

HEX #B04C4A

RGB 176 76 74

HSL 1.18, 0.41%, 0.49%

LAB 45.49, 40.68, 21.53

 

CMYK 0 / 46 / 47 / 25

HEX #BE6665

RGB 190 102 101

HSL 0.67, 0.41%, 0.57%

LAB 53.37, 34.99, 16.44

 

CMYK 0 / 35 / 36 / 20

HEX #CB8382

RGB 203 131 130

HSL 0.82, 0.41%, 0.65%

LAB 62.12, 27.62, 12.09

 

CMYK 0 / 57 / 58 / 31

HEX #AF4C4A

RGB 175 76 74

HSL 1.19, 0.41%, 0.49%

LAB 45.33, 40.31, 21.29

 

CMYK 13 / 0 / 58 / 31

HEX #9AB04A

RGB 154 176 74

HSL 72.94, 0.41%, 0.49%

LAB 68.33, -22.71, 48.69

 

CMYK 58 / 36 / 0 / 31

HEX #4A71B0

RGB 74 113 176

HSL 217.06, 0.41%, 0.49%

LAB 47.5, 5.6, -37.68

 

CMYK 0 / 57 / 58 / 31

HEX #AF4C4A

RGB 175 76 74

HSL 1.19, 0.41%, 0.49%

LAB 45.33, 40.31, 21.29

 

CMYK 58 / 0 / 57 / 31

HEX #4AB04B

RGB 74 176 75

HSL 120.59, 0.41%, 0.49%

LAB 64.17, -50.08, 42.35

 

CMYK 57 / 58 / 0 / 31

HEX #4B4AB0

RGB 75 74 176

HSL 240.59, 0.41%, 0.49%

LAB 36.98, 30.47, -54.49

 

CMYK 0 / 57 / 58 / 31

HEX #AF4C4A

RGB 175 76 74

HSL 1.19, 0.41%, 0.49%

LAB 45.33, 40.31, 21.29

 

CMYK 13 / 0 / 58 / 31

HEX #9AB04A

RGB 154 176 74

HSL 72.94, 0.41%, 0.49%

LAB 68.33, -22.71, 48.69

 

CMYK 58 / 1 / 0 / 31

HEX #4AAEB0

RGB 74 174 176

HSL 181.18, 0.41%, 0.49%

LAB 65.64, -28.18, -9.79

 

CMYK 45 / 58 / 0 / 31

HEX #604AB0

RGB 96 74 176

HSL 252.94, 0.41%, 0.49%

LAB 38.76, 34.83, -51.53

 

CMYK 0 / 57 / 58 / 31

HEX #AF4C4A

RGB 175 76 74

HSL 1.19, 0.41%, 0.49%

LAB 45.33, 40.31, 21.29

 

CMYK 30 / 0 / 58 / 31

HEX #7BB04A

RGB 123 176 74

HSL 91.18, 0.41%, 0.49%

LAB 66.33, -34.83, 45.89

 

CMYK 58 / 1 / 0 / 31

HEX #4AAEB0

RGB 74 174 176

HSL 181.18, 0.41%, 0.49%

LAB 65.64, -28.18, -9.79

 

CMYK 28 / 58 / 0 / 31

HEX #7F4AB0

RGB 127 74 176

HSL 271.18, 0.41%, 0.49%

LAB 42.07, 42.25, -46.04

 

Description

Color code: HEX #AF4C4ACE | qconv.com Color code: HEX #AF4C4ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 76 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 76 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 47 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 47% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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